Episode 18

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Published on:

9th Jun 2025

On the Tools: Lee Wilcox on How On The Tools Transformed Construction Marketing

In this episode of The Build Up — the go-to podcast for marketing professionals in the construction industry — host Dan (Creative Director at dissident creative agency) welcomes Lee Wilcox, co-founder of On The Tools, for an unfiltered, inspiring conversation.

On The Tools has grown into one of the most influential platforms in the UK trades scene, with millions of followers across social media, a dynamic media arm, and deep roots in the construction community. But its success didn’t happen overnight.

Lee shares the full story, from his early career drifting between jobs to the late-night conversation that sparked an idea for a recruitment app. What followed was a series of unexpected pivots: a viral Facebook page, a chaotic merch business run from his mum’s living room, and eventually, a full-blown media company that now helps brands authentically connect with tradespeople.

This episode dives into:

  • The origin story of On The Tools
  • The power of content and community in construction marketing
  • The failures that paved the way for success
  • How to build an audience before a product
  • Why humour, honesty and relevance win in this industry

Whether you're a marketer, founder, or creative working in the built environment, this conversation is packed with insight, practical lessons, and the kind of candour that’s rare in business podcasts.

Transcript
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Hello and welcome to The Buildup. This is the podcast for marketing

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in the construction industry. I'm

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Dan, the creative director at Dissident. We've been working with construction brands for

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a number of years. It's an exciting and rapidly evolving industry, and

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that's why we created a podcast dedicated to the weird and wonderful world

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of construction marketing. I'll be speaking to leading brands, other agencies,

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creatives, influencers, and startups. This is the

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resource I wish we had when we first started out in the industry. Thank

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you for being here and welcome to The Builder. I

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am Dan, the creative director at Distant. We are a social first creative agency

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working with construction brands to create hard hitting content and social media

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marketing. I can't believe I managed that. And I'm joined today

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by Lee Wilcox Keelan. Pay attention Lee fucking

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Wilcox from on the tours. What

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is Wilcox, right? Yeah, yeah. Well, thanks for that. I do that every single time.

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As soon as I said Wilcox, I was like, I've got that wrong. No, no, it's right. I just called you

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Lee forever. Yeah. Thank you so much for being on the podcast. Oh, mate.

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Thanks for having me. Love the setup. Love it.

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It's a pleasure. I think this is the first, like, build up

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Keelan, genuinely, I know he didn't want me to tell you

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this, but he's got a poster of you on his wall in his bedroom.

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The only human on the planet to have a poster of me. No,

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don't say stuff like that because it builds up the build-up podcast

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too much. There'll be a much

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But thanks for having me on, I appreciate it. It's been an absolute pleasure. Famously

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co-founder of On The Tools. Everybody knows

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who On The Tools are, but what I

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would love for you to do is just give us a little introduction to yourself, a little bit of a history of

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kind of who you are, kind of how you came up to

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Four. Yeah, so no one asked me the question of

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who I was before On The Tools. It's interesting, that is. It's because I

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You know what it is. It's you're the storyteller in here, that is. It's the film, I

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reckon. So yeah,

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so before On The Tools, I was

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bumbling around from job to job, mostly. So I left school not

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knowing what I wanted to do. So I stayed in school, in

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sixth form. Failed miserably. Terrible grades, two

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E's and a U. But having a good time, right? Yeah, yeah,

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yeah. Sixth form, some of the best years of my life, I think. Just

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from, you know, you just get to do so much shit, don't

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you? So loved that period. And then

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just really got into uni, failed miserably, left

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after a year. went

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literally went back to my mum and dad's with no notice and was like, I'm

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getting letters from the uni, like, they're going to kick me out. I need to

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like come back home. My mum was like, no problem. But like, you got to go get a job

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in the morning. So did that, got two jobs, one

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at the Belfry. which is a golf course in

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I was there, I got brutalised by the Belfry a couple of

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Oh like you actually played it, sorry it wasn't really a venue. No. Yeah, what

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did you play, the Brab? Yes. Oh, it's brutal. I was

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so hungover as well. Yeah, yeah. Anyway. And

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the local service station, so just did that and then just went from

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sort of job to job trying to find out what I wanted to do. I tried plastering, I

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tried shop fitting, I tried, I

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I imagine that's quite obscure isn't it? I wanted to, I've completely

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forgotten about this kind of like fantasy of

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Because it looks, because at college, sorry, and at university, Genuinely,

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people used to pay me to frame, because you can

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And we had these manual, you'll know, these sort of bezelled... You

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are the only person I've met that, when I've said I used to

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No, this whole episode is going to be about picture framing now. When

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I was at college, for some reason, no one could grasp the

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maths of how you got, when

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you cut the frame, when you mark out the bit where you cut the frame,

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it's been a long time, no one could work out the maths. There's like a

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special equation that you would have to be

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able to set out the centre point and how big the picture is

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and then therefore how big you should cut out the mount board. without

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a machine, it was just all manual stuff. So

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I bought this really fancy mount board cutter, because I had two jobs in college,

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and people used to pay me to cut

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their mounts, and then I would put their pictures in there, and

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then I would frame them and stuff. That

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is not something I thought was going to come out today. That was

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the end of my picture framing journey, up until, and I'm saying like

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65, I open a little framers in town, and

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like just be dead old school and just frame up people's like, I'll come.

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It's always going to be needed. Did you enjoy that job then? Well,

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so I was an apprentice there. I stayed there for a good couple of years. It

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was ran by a guy, a family ran guy

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Yeah, he's a scouser actually. But

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resided in Tamworth. He was ex-military,

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had been in the military all of his life and then had learned to do this in

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the military as I was leaving. I don't know what the story was there, but anyway, and

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set up in his garden and I ended up just getting an apprenticeship there.

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And I stayed with him for a good couple of years. You know, it's one of those things I look back

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on. I learned so much from him. not

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just like the picture framing side of things, because he was a wizard. He

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was so good. And we did loads of good events. There was loads of sporting events. He did lots

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of memorabilia. So I got to do loads of stuff, but it was mental.

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Like he was an absolute like. like

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workhorse, the geezer was just at it all the time. And the

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expectation he had of me, I think because he was in military, he was just like, right,

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you're a young person and I'm gonna like treat

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you as if you're in my army type thing. So like, yeah,

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so I would do like, you know, like 16 hour days for

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like two pound 80 an hour. Do you know what I mean? It

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was like, but I learned so much from him in terms of like what

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was expected and like, At that point, I never knew I was going

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to run my own business or any of those things. But it's

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looking back now, I'm like, I learned a lot from him. And I'm

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really grateful I got to

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spend time with it. I don't see him anymore. But

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ironically, the second office on

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the tools had was in the same trade in the state where that business was. So I

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sort of got to see him a little bit. It was weird, it was bizarre, but

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many years on. Yeah, so I did the picture framing

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and then I moved to, from there I did a

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small-sided football league. So I worked for a company called Leisure Leagues who run,

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they hire like sports centers, schools,

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and they run five and six side football leagues. Again,

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learned loads there. Was there for like eight years, like

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a pretty long amount of time for somewhere

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that I look back on and I go, I learned a lot, but I didn't enjoy it all the

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time. A lot of the time I would drive there So I

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lived in Tamworth and it was in a place called Knoll in Solihull,

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just outside Solihull. It would take me about 40 minutes, no

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traffic. And I reckon 40% of

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my eight-year journeys there were spent driving,

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thinking, how the fuck can I not go there today? Do you know what

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Horrible, horrible. And I kind of like, when we started on

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the tours, I was like, I've got to just make sure it's a business where we

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limit the amount of people that have got that Sunday night feeling or those Monday

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morning, whatever you want to trade at. Sundays are the worst when

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you're in a job like that. Oh, just the pits, you know. Don't get me wrong, I've

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built loads of like... still talked to some of the people there and

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like, and actually even though I can say that I don't

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know if I agree with the way that it was managed and stuff. Again, I'd say

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I'd still learned quite a lot from the people who did run the business and like took certain

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things away from it as you sort of tried to do or always sort of

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try to do anyway. And it was there that

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we came up with the idea for On The Tour. So myself and Ad were

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just pissed on a Friday night. I

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was recently divorced, living back with my mum and dad, so

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I was in my mum and dad's garden and he was

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moaning about the fact he couldn't find a plasterer on the job he was on. So he's in the trade

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at this point, has been. for about 11, 12 years, something

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like that, 11 years maybe at that point. How old are you guys at

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this point? So, 20, no,

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Yeah, maybe just before, yeah, 29, 30. Okay. And yeah, 29 I

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would have been, 29. It was 2014, yeah, so this was

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August 2014. Wow. I

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was just a nerd, loved technology, was

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using social media a lot through the current job I had. And I

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was like, surely there's got to be something out there that allows you to find people

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to work with. Like, what's the problem? You had things like Checker

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Trade and Rated People and things like that. But there was nothing. Obviously, that's

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like a vetted tradesperson into your home. There was nothing from a contractor

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to subcontractor and vice versa. And they're kind

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of still. As I said, there are businesses trying

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to solve that problem now, but I don't know if anyone's fully solved it.

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So we just set about this idea, this drunken idea of creating an app that

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would essentially get rid of

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the recruitment industry within construction. So his point of view, Ad's

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point of view was, You go to the ND phone book or you use a recruiter, right?

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Or you meet someone in the pub, like it's all word of mouth and you get any job on

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the next job, et cetera. He didn't really like using recruiters because his opinion was

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that they're either making money on the workforce or they're

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taking money from the SME. He was the SME at this point. So he was like, you know,

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Yeah. It's just the same as there's great salespeople and not great salespeople. Yeah.

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It's, you know, um, uh, and so

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we came up with this idea, um, and

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spent like three credit cards trying to freelance this build of

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this app on Elance, which is like a

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freelancing website. I think it's Upwork now it's called. This

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is how old it was. It used to be called Elance. And

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we sent it to India, I think it was, where this freelancer was building it. And

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we were just like broke. So obviously I'm

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living back at my mom and dad's. a

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kind of beautiful stage for me to start the business because I kind of felt like I just had

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Yeah, and I was like, my risk appetite was just so huge because

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I was just like, fuck it. You know, like nothing matters type

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thing. And add,

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you know, so we'd sent this thing off and we were like, okay, well, this

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is the like depth of the business plan. The business plan was we'll, We'll

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get 100,000 people on Facebook and

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then we'll launch the app. They'll all download it and then we'll

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sell the business. That was like the plan. We

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knew that the app would take like six to nine months, something like that. We

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thought, okay, well... Let's give ourselves a year as

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a plan and we'll go, we've got 100,000 people on this Facebook page. Ab was

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like, I've got loads of funny videos. He didn't, he

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had like four. So like we

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used, we basically just ripped YouTube for the first couple of weeks, just getting like

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what we felt were funny construction clips. And

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there was this one, that sort of drove this mad amount

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of growth that we were and again we just had no clue what we were doing right so

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this video clip was it was one that someone sent in actually

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so we'd we'd looked around or was it yeah it was so we'd

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we'd put a few videos on for a couple of weeks and we got to like 10,000 in

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the first two weeks 10,000 followers and we were like fucking hell this is mental

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right and then I

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was using some of my salary. I mean, I look back, I think, what on

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earth were you doing, like, using the limited amount

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of money you had? And this is my point about, I was just like, this is,

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you know, this is the idea. I didn't know what it was. All or nothing.

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All or nothing. And then someone had sent this video. We'd started to

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get, once we hit that 10,000 point, people started to send content in,

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just via the Facebook page. And

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it's funny, because the first couple of days when people were doing it, I was a bit like, what are they

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doing? Why are they sending it? And I was like, oh, they

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want us to repost it. Like, it's this like, you know, five seconds

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of fame thing. Yeah, it's almost like you've been framed or something like that.

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Yeah, it's exactly like that. Yeah, yeah. And so

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then this one video, and it was an 11 second clip,

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right? And it was landscape. It looked like it'd been filmed on a

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potato. It was like, and it

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was about, eight, 10 guys

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all stood round and it was like onsite,

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terrible, they'd had terrible weather clearly, but

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it was a brighter day. It was just this massive like mud bath basically. And

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they're all waiting round and then this guy just, this young lad, they go,

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go on then. And then he just runs up and just face plants into the

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mud. And it was funny, but the funny part was the

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laughter. You know when you hear laughter on

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a video where it's like contagious? And

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it was just like first couple of seconds was him falling and then there was like

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six, seven seconds of like this really like it

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contagious like happy laughter that when you watch the

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video you it made you feel great right everyone

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was in on it there weren't this you know so there was no like there

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was no bullying there was no do you know what I mean it was just like a perfect little video and

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I put 40 quid on a paid ad behind it, didn't know it

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was a boost back then, like boost the content. I think Facebook told me to

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do it, you know, do you want to boost this video? And it got like from the

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40 quid, it got like 14 million views. And

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we got like another 20,000 followers just off that video within like another week.

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And I was like, this is mental. And then from there, that's when

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we just started getting like insane amounts of

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messages of people sending content. So we were getting like 200 messages a

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day, all video content. So I would just spend my life like,

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coming home from work into my sad little room at

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my mom and dad's, which for the first part was my three-year-old

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daughter's bed. It was a grim, I look back, I'm like, it made

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you that did. And I would sit until about

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one in the morning. You watch 200 videos, some of

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them are like three minutes long, some are 30 seconds, but it takes like an

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insane amount of time just to watch them. And I would reply to every single

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person, And it just became more, I

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think, more survival mode of like, okay, this is my purpose at the minute. Like, you

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know, nothing else matters. You go to work and do that shit, and

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then you come home and do the proper bit. Full-time community manager, essentially. Yeah,

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yeah, yeah. And then after three

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It was wild. And those first big numbers that

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like, you know, you mentioned that film of the guy

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in the kind of mud bath and the guy laughing, and that generated huge

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growth. What's going on in your head at that point? Are

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you thinking, great, this is a

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bigger step towards our end goal of getting enough people on here to then

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launch the app? Or are you thinking, I can do something else with this?

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No thought about trying to work with brands or any

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of that. It was just like, we built a website. Very

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shortly after that three-month period, we built a dot-com and

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started driving traffic to that from social organically, which started

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to do great. I remember the first month, it was December. We

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had Google ads on, and we made like three

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grand, I think. And I was like, whoa, this is the model.

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We're going to do this. And then January, we made like 200 quid. And I was like, oh,

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I don't know what I'm doing. And we'd spent money trying to

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drive the traffic, do you know what I mean? And that arbitrage just didn't work. And

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then the organic reach dropped at the start of that year. I remember it specifically. I'm

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thinking, OK, well, this link posting thing, that's probably not the

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right. Maybe that's not the right thing to do. Actually

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the sort of change in the model, the first bit of revenue was actually

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about merch. So we were getting messages from

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people via the page around on the tools

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like hoodies and mugs and stuff like this. So

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it was a brilliant business model. basically what we did was we posted

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on the fake, you'd never do this now, because it's like goes against every principle of

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like social media of just like essentially being a brand or, you know,

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a media brand or whatever and talking like a person. And

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it was basically like send us your funniest trade

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slogans. And so we just went through the comments and pick the ones with the

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most likes. And we picked the first like the top six. of

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different trades and it was like a chippy wine, a sparky wine, a

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plumbing and all that. I

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went on Google and found some like Google stock images, put

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them overlaid on some t-shirts and set up a Shopify store in like a

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day and then put this like flash sale on

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where we opened it for 24 hours and we did 800 quids

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worth of sales and then the next day I

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went into my job and was like I'm leaving. And

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I think my mom and dad thought I was having a breakdown. Because I'd

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gone from this, obviously just being in the mix, they knew sort of what was

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going on in terms of we had this Facebook page, because that's what it was, it was

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just a Facebook page. And then I was like, yeah, we're

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going to start selling like hoodies and t-shirts. And I sent the

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first, me and my mom sent the first

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hoodies out in like black bin liners with brown masking tape

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with like handwritten addresses on because I just didn't

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think anyone was going to buy any of them. We did it. Cause I was like, okay, well we should do it. People were asking. And

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then that month we did 15 grand's worth of sales. And then that year we did

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350 grand. So like from- In March? In March, it was mental.

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Yeah, so this is where it was just so ridiculous. So the

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Honestly, I was actually, because of this, and for

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the podcast, and I was trying to think about some things. I was going back

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through some photos that I've got. of me and Ad in the early stages.

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And we found a shop in Tamworth that would do the printing for us at

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like a rate that we could sort of keep up with. And they couldn't

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keep up. It was just like, no one was going to keep up until we'd got someone quite

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big or we brought in internally and dealt with it. And they

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offered us, because at this point we're still, there's no office, Ad's

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still on the tools. I'm still, I'm working my

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notice period now at my job because I'm like, I can't afford to not have the money that

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I'm, and, And they offered

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us to move in behind their shop into

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this, honestly, and I kid you not, it is about

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a third of the size of this room. And it's got, when we got in there,

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bright red painted walls, and it's got a safe.

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an old safe, honestly, half the size of this desk, about

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this high. And me and Ab were like, yeah, we'll have it. And so

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we started decorating it. We was in there for the weekend, like

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chipping away at all the walls and everything. We were like, how are we gonna get this? We're gonna have to take the

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door out to get this safe out or we'll just use the safe as a desk and we'll just have that

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Yeah. And then I don't know

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what, I think like a friend or someone sent me like a, an

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advert for an office space that was like much closer to home, wasn't

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at the back of the shop but was like a normal size room, you

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know it was about the same size as this and it was still crummy, had like prison bars

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on the window and it was you know bars like what are we doing like

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you know and we just said to him like we're going to give you the business but we're not having that back room

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off you and they were like whatever. So we moved into this small

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place, and then they

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just kept coming in. It was just every post we put on, we were just doing it organic,

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no paid ad strategy, it was just organic. Every post we put on, we would

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sell like 20 hoodies, 25 hoodies, or like 15 mugs.

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And then, so I found a new, this shop

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in Tamworth were just like, look, we can't, keep

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up with what you're doing here. We're not like set up for it. And they were

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doing like heat pressed. So it was like really slow. Like

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I found this guy over in Coalville in

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Leicester who could do like direct to garment printing. Much

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speedier, much cheaper, blah, blah, blah. And I was like, boom, done.

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Penny Crayon, Dan from Penny Crayon. Great guy, really

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worked himself out. So

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then we were using him. And then he was like, look,

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this is getting a lot now. Like, and I've got, he had loads of other clients. We

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were just meant to be this, you know, just a standard thing. So in

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the end, I was like, look, mate, I'll still put stuff for you. I was like, but where'd you get this machine from?

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Talk me through it, blah, blah, blah. And my mom and dad lent me. lent

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the business 10 grand for this printer, which

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at the time I was like, I knew they felt uncomfortable with it. But equally,

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my mom was working for free in our house, just like, honestly,

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we'd get deliveries and we were trying to fold stuff up over the living room. It was mental,

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the whole thing was ridiculous. And then, So we got

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this printer, moved into this office, Ad then like two months

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later came on full time, he quit, he came off the tools, took

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on the tools and then he dealt with content, he was the

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best person to do that because he was from He was the

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person where he was the avatar that we were creating content for. And

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I was like, right, I'm gonna work out how we get this into

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some kind of shape. And then the rest of that year, all

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we did was just like content in a day and

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then pack stuff overnight. And like, they were like 16 hour

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days. every day, like without fail. At

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Christmas we were like three weeks behind on orders, like

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it was such a terrible service. There was

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a co-op right next to where the office was and we would queue up honestly

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and they would see us coming in and I knew they were like, fuck these

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guys again. We'd have like three trolleys each full

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trying to push them through the co-op into this post office queue and

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we would be there for like an hour and a half just trying to get things tagged and

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then then you get it and you go okay we get a dpd service and everything

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grows and then we moved office again and then then we

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shut it down yeah because we were like we've got half

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the room half of our new office is full of people that

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are creating content and the other half is full of stock. This

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bit over here makes about 10% margin. This is making like

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60. What are we trying to, are we trying to become a workwear brand? No, we're

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trying to, this has turned into a media business. So

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we ended up shutting it down and which is, I look back and I'm like, I

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always look back fond on that era of the

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business. because it was our first bit of money and it was exciting

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and we didn't know what the hell we were doing. But

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it just sort of, the brand or the content and

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the media outgrew this idea of selling merch.

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And the only reason we did the merch was just to make some money. People asked us for it

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Yeah, yeah, yeah. You can pick up relatively straightforward and easy, can't you? Although

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the actual, sounds like the actual, the

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crux of doing merch, especially at scale, is

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obviously a lot more challenging than you originally work out, because as soon

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as you don't think about distribution, you

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can handle five or six hoodies, can't you? Which is, I imagine, what

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Honestly, there were some days where I would always remember this, and I'd be at home with

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my mum and dad, and we would My mom was so bought in

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bless. I mean, she just like without my mom and dad, the business wouldn't

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never have carried on. Right. And I mean that from like the money

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they lent us, but also from the. like the

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buy-in that I had family packing at Christmas and

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all that. So did our dad's wife worked for us and all these different things. And

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like, I remember we did like a Black

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Friday sale the one year. And I

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can't remember what we did. It was only something simple. Like you get a free t-shirt with a hoodie that

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you buy because the t-shirts are dead cheap. And we were like, fine. And

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honestly, it was like, we had the, all of us had the

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Shopify app, and it was just ping, ping, and you'd be

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like, oh my God, 80 quid, oh my God, a 90 quid order, oh my God, someone's just spent 150 quid,

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but that one day, we turned it off, we shut the shop down, because we'd done like, in

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a day, we did something like four and a half grand's worth of sales, and my mom, bless

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her, was going like, we're not gonna be able to do it, we're not gonna be able to do it, we

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need to stop it, we need to turn the offer off, and we had to turn it off, because we were like,

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this is like, beyond what we wanted it to be, but it was just, it

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became like a big problem. And then it all

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changed, everything became paid and we didn't have the ability or the knowledge of

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how to do that, or the money, you know, that whole

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like paid strategy. But for two years, really, we were a

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merch business, really. And then

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we became a media business because we went on the black and realized

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that we could probably create content for brands. make

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I think we sort of semi kind of skipped past that phase and come back

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to it a little bit. There was a merch and that was kind of like a period

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of time that you've kind of learned from and it was all exciting.

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And that was how you initially utilized that massive audience that

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you'd grown. At what point did you transition

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and what was the

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catalyst of that transition to go, why don't we, rather than reposting

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other stuff, create media? I think it was the app failing.

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Yeah, so it was a failure of the app idea. Eventually,

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the app never happened, or did it? No, it never happened. It's still in the idea's

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graveyard. And we built it twice. Oh, wow. Yeah,

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ridiculous. But I think the best money we ever

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spent was those credit cards. Because I

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think if we hadn't have done that, we wouldn't have built the community. None

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of it would have happened. It was almost like just that first

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Sorry Lee, I just pulled that out of nowhere, didn't

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I thought it was just good brand placement from Fisher.

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Genuinely, we don't get any merch from anybody else, do we?

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I think we might have had some cups from them, but Fisher really look after us with the

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merch. And this is like the biggest water

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vessel. I'm well into it. But I just drink so

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much on podcasts. That glass of water went straight

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I just double check in Keelan, we are recording on the road, right? Yeah,

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yeah. A little freak out came into my head. I don't know.

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I have it as well. Yeah, I just like,

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that was gold, please say you were recording that. I just found

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myself laughing. So

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So we got the app back from this first freelancing thing after that

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and it took about 15 months in the end because there was loads of

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problems and then it just didn't work. I'd

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done some digging into it once we got it back properly, the final version, and then

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like, it'd been built in iOS 3, and I think that Apple had

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just discontinued it and been like, this is no longer something we're gonna support. And

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I was like, shit, this is just a big fat waste of

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money and time. So at this point, we're like, this

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is like a year in, so we've just done

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this mad Christmas of merch, and then we're meant

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to get the app back. It comes back, we, it

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doesn't work. And, I'll tell

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you what happened as well. Sorry, this is something I need to sort of try and realise the

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story. So as well, what we'd been doing is we'd had a brand. who

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had been buying content from us. So we weren't

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creating it, it was just buying all the UGC, because we were licensing it, which

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we just took from LabBible. We just looked at the LabBible model and what they were doing, and we're like,

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oh, they've got this licensing agreement, we should do that. So we just literally changed

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all the words from LabBible to on the tools, and we're just like, this is our thing.

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Because I often, I don't know

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whether other people do this, but I associate on the tools with LabBible. to

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some extent because it just feels like it's not

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necessarily a similar business model but it just seems like a similar vibe but

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Yeah I think for years we were I think I would say

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over the last three or four years we've Both

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become quite different actually. Yeah, but yeah for the first five years

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We I mean that you know, we were in touch with them a lot, you know Actually

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Yeah, it's quite nice to kind of like to just go we're doing something, right?

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Yeah. Yeah, because at the time we were like, oh my

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You know, we had a very short phone call with them and I was like, oh no,

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that's not what yeah We're actually trying to do a proper business with

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this and they were like, oh, yeah, okay. I I think they were buying up lots of stuff at the time,

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they had so much scale. And so we got

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this app out, it didn't work, and then this business we would, and I

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remember it was four grand a month, and for us this was just like paying both

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our wages and and the rent everything like that was like because

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the shop money and turnover we didn't really quite know whether we were making any

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money it was just like money coming in direct to consumers it was great we got paid straight

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away and then everything would fall off the back of it but I

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couldn't tell you to this day out of that first year whether we made a penny or not you

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just wouldn't know and then And they

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pulled the can as well. So we got to March, the app didn't work, this

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brand had stopped paying, it was the only bit of revenue separate to the

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shop we had. And then all the organic stuff on

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the shop had started to sort of like weaken. And

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I was like, fuck, like, what, you know, I've

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never run a business before this. I've had loads of different ideas, but we've never actually,

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I've never actually done it. And I was thinking maybe this is, maybe

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this was the, this is it. Like this was the ride and it's over type

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thing. And then it was like, we started to see, the

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likes of Lab Barbers, a few others like, I don't know if you remember a brand

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called Viral Trend, or VT, the channel was called that,

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owned by Jungle Creations, a really good outfit in my opinion

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anyway, they've built loads of like good social brands. They

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own like Twisted Food and a few others, right, and they

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were doing some branded deals as well, and we didn't quite know what a branded deal

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was, we just could see that they were the brand was so

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heavily featured, like, they're definitely being paid for this. Ad

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was like, we could definitely do that. And so

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we sort of set about trying to

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work out what that would look like. And there was a guy who I

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worked with at Leisure Leagues, a chap called Andy

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Taylor, who's sort of still involved with it. He doesn't work in the business now, but

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still involved in the business, still a shareholder. And he was

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a great sales guy. And I

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said to him like, look, if we can get like three

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months salary in the bank, will you come

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on board? We just, we need to start selling. And like, I've got to make

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sure the shop's still, the shop's still an opportunity. I'd still got to do content. We

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can't, we haven't got enough time to do it. You're the best person for the

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job, blah, blah, blah. And he was like, yeah, okay, if you can get three months in.

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And then I rang him in about five weeks. And I was like, yeah, we've got the money. We didn't. I

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had like, I reckon, four weeks worth of pay for him. And he was

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like, yeah, OK, I'll do it. I still rib him now after this day, being like, what were

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Yeah, yeah, yeah. And he was bought in anyway. He'd put some money into

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the business. I'd done that from the day, pretty much week one

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of when me and Ad set up and got

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Mark involved, the other co-founder who's in the business at the minute.

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He came, we did his first day, it was like a shoot, it was

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like down Dublin with Juice and that we were doing and like... I've

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got photos of us in, we went for a car, I always remember, we went for a carvery, we were

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down Dublin shooting in the morning, which he was like, because he's a big Cov fan,

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so he was like, you know, really sort of like buzzing about

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me. He went for a carvery and he was like, this is mint. I was like, mate, this is

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not the work. We've got to like actually start doing some juice and the like in, but this

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is all free, like we're not really doing anything with them. So

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his job was to try and get three brands on like a longer term deal

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by the end of the year, so that we could go into the new year being like, okay, we've

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got it. And he did it. He got Juicin'

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for two years, Darkline for business, and

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Scruffs. And so we'd committed to like 55 videos

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for the year. We just did like this, like we'll create this amount

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of it. One a month, you know, like I can't remember what the make of it was, but we just

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made it up. We didn't know what, we didn't know how to price anything. We didn't know what media was

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worth. We were just guessing. And we

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didn't own a camera. We had no one who had any production experience

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And like your mum and dad and stuff. And yeah, my mum's in, at this point,

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And then there was, and then Ad's then wife

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was working there as well. So there was five of us. Right.

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Oh, my mum's friend Kay, who's still in the business now. Cool. Yeah, amazing. She's-

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Big up Kay. Yeah, absolute life, I carry this ledge. But

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we're basically just on the blag, because to

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the point where I was like, well, how are we gonna, even if we've got some of this shit, who's

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editing it, and what does that even look like? I don't even know what software to

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use, or, you know, because we were doing stuff on like, just

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in the iMac, like iMovie, like that's how we were doing

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it, because we were just getting the video, and if we needed to do anything with it, like a compilation, we

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would just stick them in order, and then put it out, like, done. no watermark, we

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didn't have watermarks then, we didn't have anything, there was no like... And

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then, well this is like the dark ages of, like we forget that like this is

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a while ago right, like social media, like it was purely Facebook right,

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for the most part. Purely Facebook at this point, didn't have any other channels, I think

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we might have had Twitter, yeah we did, we did Twitter and Facebook because again

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like even that, it just showing like they were the sort of primary channels, and Yeah,

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so then we had to set about employing people, we had like, you know, just those

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basics that you're not ready for, for like, we didn't have, none

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of us had contracts, we were just trying, you know, I think I might have done Andrea contracts,

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We didn't have chat GPT back then to help you make contracts and that kind of

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Yeah, like, and we, you know, I think I found like an online service that

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did it for like 25 quid, it was like, I can't remember what it was called. I

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wouldn't mind a piece of that pie. I'll have to find it.

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That business is probably dead. I

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think we employed six people. We were moving offices anyway because

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of the shop and we'd found this mill in Tamworth. luckily

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we'd got a bit more space and then I don't

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know why we did this either so we did this we moved into the

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new office in the October and then we were like right we've got to

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like get people started by January because that's when all the content started going

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out so we held this like weird like

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apprentice style interview. I

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look back I'm cringing now thinking about it. It was like a group

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interview stage. We had about 30 people apply for four

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or five. I think it was four roles we had. And

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we got them to do like group

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activities, just all this weird shit that if someone asked me to

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I'm not jumping through hoops. That was a thing back

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in, it's a while ago now but recruitment agencies were

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doing that to weed people out so it was quite a trend rather than

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and you're going to show us these kinds of things and it was just like a mass kind

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of like... It was like a whole day, I can't believe we did it and we had this

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presentation where they had to like answer like 10 questions on

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it and then then the next part was like a creative session

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so they'd had to have prepped something because we were like we just want creative people

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that's basically what we're after you can use camera So then you had people

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coming in and they were singing songs on camera. And

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then there was a third stage to it, I think, I can't remember what that was, and at the end of it,

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me, Ad and Andy just stood there like some kind of fucking X-Factor final,

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moving CVs around, being like, yeah, they're in, yeah. Wankers,

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like absolute wankers. Anyway, some of the people who

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we employed that day are

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still with the business. I know one is definitely Dan

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Lucas, who's an absolute ledge creative lead in the business. He

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was one of them. and so

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then we employ these people and then when they first started I was saying to

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you earlier so we had to like I had no camera so I took them to Jessops in

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Birmingham because I was like I don't know what to buy like you you tell me what to

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buy and I was like yeah yeah I was like we've got I think I'd

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like we had I was like I think we've got five grand on this credit card we'll just we'll just

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go and we'll get some stuff um came out

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with that and then it was like okay we've got a Production company,

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And that was that. So then that transition then became about like,

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we were rebuilding the app still. So we built it

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again in the UK. So we were like, OK, until the next version of the app we get back,

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we're going to do this. Yes, get a few deals in, we'll have some fun, and we'll open the

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app. And we could be content. And then what we'll do then is we'll

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engage the community, and then we'll sell them something. That was

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the strategy. we got the app built

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in this country, it worked, and then we were like, this is a shit idea,

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we shouldn't do it anymore. We realized that it was gonna need

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like an Uber style rollout, so we were gonna need so

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much cash, because we were just like, oh we'll just

Speaker:

do it organically and everyone will download it, but the reality of I guess some learnings

Speaker:

that we had across that two, what was a two and a half year period now of

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like trying to get this friggin app ready, was that We

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had, organically, we had followers in Dundee

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and frigging Devon, right? And therefore, contractor,

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subcontractor, and they go, this is shit, there's no jobs around by me. Or a

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contractor, there's no people who want a job around by me. And actually,

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I don't think we fully understood how

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the industry worked from a recruitment perspective. I think we just... It

Speaker:

was just an idea, basically. Do you know what I mean? And I think you can look back

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and you can go, yeah, the naivety and the passion we had for that project

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was great because it got us into business. I keep hitting that, sorry.

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Got us into business, but if

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we had launched it, it would have a million percent failed and

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we would have gone out of business if that was our only thing.

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This is what I love about business and what I love about great

Speaker:

ideas and stuff is a lot of the time, You know,

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you don't really concentrate. You know these companies that come out of the woodwork

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key, like on the tours and stuff, you don't think about all

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the stuff that they've tried and tested and fucked

Speaker:

around with and failed and stuff to get to the point where it's like,

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this is now like, you know, everyone knows about this. It's

Speaker:

a bit like these kind of like struggling artists that you think, you know, people

Speaker:

like Sabrina Carpenter or whoever that have just like come out of the woodwork and think that

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this is their first go at it, you know, and if they've managed to be successful right

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now, they've probably been grafting and fucking up for ages. Think of

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like Central C, like the rapper, like his,

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if you look at like historical, like videos of him, they're so different,

Speaker:

You know, you see those stories about when he was busking when he was 13 and then like

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he's sleeping on everyone's couch and all that, and then he just banged into

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the scene through, Who's your manager

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at MTV now? He used to be on Radio 1 all the time. I know who

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you mean. Damn. Aussie

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guy or New Zealander? It was Zayn. Zayn

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He was the one who sort of brought him to the radio. And he

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was like Arctic Monkeys, same thing. You know, we're like, they're just

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boom, they're here. But yeah, they've been like knocking around for fricking ages, you

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know, and not getting it right. And, you

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Like it's the same principle, isn't it? But the great thing

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is you've been working on this. I kind of, I guess, kind

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of, not by accident, because you meant to build it, but I imagine Perhaps

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you didn't realize initially the kind of

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the benefits of building a huge audience would have in the fact that you

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can do anything I can kind of do anything with this audience now I've got

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a captive audience to do something with right which is

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kind of the model of. the sort of the influencer or

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the sort of the media kind of outlet to some extent of

Speaker:

like build your audience and then sell them something or build your audience and

Speaker:

then create something for them or something like that but you've always got to build the audience first

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Yeah yeah and I think it was and that's why I was saying the app was

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the best thing we didn't do right because so

Speaker:

like when Lab Bible came and they were like oh we might you know will,

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I think, I think I've ever said it, but they're like, we'll, we'll give

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you 50 grand. And I was like, no, no, no. Like,

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Absolutely not. And that was in that conversation, but like, we

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would look at them so much for like ideas of growth and

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all those things. And that's why I think those similarities were probably coined

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and the audience itself, all those things, right. Just sort of laddish culture

Speaker:

or that. And like, um, We,

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at one point, we were like, oh, we should broaden out what On The Tools is. We should start

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focusing on sport. We should do all these different, and just turn it

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into a male thing. But because of

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the app, we were like, no, we can't do that, because we

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only want tradespeople. There's zero point in us having a

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bloke who's not in the trade, or a woman who's not in the trade. It's

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pointless. If they're not a tradesperson, then this

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is an empty venture. but then we didn't even launch

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it. But that principle of going like, no, no, we have

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to be construction sort of kept us true to make it, kept us

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in that niche. And I think like, I think without

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that app driving that decision, even though we never launched

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it, I think we could have become a real diluted version

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of what we are now, I guess, or

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what we're gonna be, I don't know. So it's an interesting sort of like,

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failure, I guess, by

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Which is where it's sort of they go against each other there, but it

Speaker:

Absolutely. Yeah. Yeah. I mean, there's those sort of situations where you

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go, well, I could have, we could continue down this route. And

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I kind of get the principle of just like, Blinkers

Speaker:

on, let's just fucking make this happen and not really thinking

Speaker:

about all of the potential ways in which it wouldn't work. Because you

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can do that forever and kind of get stuck and never make

Speaker:

anything, right? And not start. Yeah, exactly. So I

Speaker:

like that idea of just like, We've got this idea. Let's go

Speaker:

for it. We'll figure it out along the way. And along the way, you figured out

Speaker:

that it potentially wouldn't be a particularly good idea. Or at least not in

Speaker:

the circumstances you had. I think if you had some venture capital behind

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I think it would have been different. And

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the product should have been built in-house. We should have been developer founders, if you know

Speaker:

what I mean, for that idea. Freelancing it

Speaker:

in another country was just wild. The

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chances, the likelihood of success by doing that model and then even

Speaker:

when it's built having no tech stack, it's not even Do you know

Speaker:

what I mean? It's not even managed service in this country. Would have been a disaster, but

Speaker:

we just didn't know what we didn't know. Do you know what I mean? You just go for it and then see what

Speaker:

I love, by the way, that we're about an hour in, we've got to question two.

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Yeah, sorry. I've been talking too much. But it's a

Speaker:

hell of a story, isn't it? I mean, I don't know if you remember the

Speaker:

first time, because I'm considerably older than Keelan. Say

Speaker:

that again. Even though I'm

Speaker:

considerably older than Keelan, even though he looks

Speaker:

a lot older than me. But

Speaker:

I remember the first time I saw her on the tours and I wasn't the owner of

Speaker:

Dissident. Because when did the tours officially blow up on

Speaker:

Well we started August 2014 and

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I would say by like really by early 2015, Q1

Speaker:

2015, maybe halfway through that we were really like packing a punch in

Speaker:

terms of views we were getting. We hit that million mark in I think the September of

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2015 so then, I don't know, it's difficult because I was sort of in it

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so I was like, but it was really interesting because

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when we would like, I don't know, If

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I ever met a tradesperson, I'd always like, under

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the radar, I'd be like, oh right, have you ever? In fact, it wouldn't usually be

Speaker:

me, but if no one had ever got to it, I'd be like, have you ever heard of On The Tools? And they'd be

Speaker:

like. yeah or no, and

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if they said yes, I was always just like, I can't fucking believe it.

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It just blew my mind that other people, I remember I

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saw someone wearing an On The Tools hoodie once that

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they'd obviously bought, and I nearly chased them down the road, because

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I just wanted to be like, I did that. But not even that, I did

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it just like, no way, you know what On The Tools is?

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Why did you, basically you start doing some market research in the street, do you know what I

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mean? But it's always an interesting thing, you kind of like, I

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don't think we understood the size

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of what was being built, I guess, to

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a certain extent. We were just so focused on this app.

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It was a disaster, do you know what I mean? We

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were aware of On The Tools' success

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and reach a way outside of

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the trades as well because people

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Yeah it was a weird one because we always sort of felt we

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were just I guess through like friends or

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whatever who weren't in the trade who would see the content But

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also just from the amount of views we were getting, we were like, well, there's

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no way that, you know, we'd done a bit of work of like, okay, how

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many trades people are there? You know, we'd done a bit of like time and, you know, all

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the, for the app. So I was like, well, you know, you can't

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be getting a hundred million views a month. And they're all trades people. And

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It's like, this is far more, even if you went down and that was like aggregated.

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So even if you went down to unique views, I'm like, we're, we're just way over

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what, where, where we should be, you know. And

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actually, for the first couple of years, it was a bit of

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a hindrance, because when people were, you

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would say, oh, we get X amount of views, and the challenge back

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with the brand would be, well, is there loads of

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wastage then? Do you know what I mean? And because we just couldn't

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articulate, we didn't have the data, we didn't have the understanding of how to position

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that, or at least have some answers of where

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that data was, and the unique views versus, all those different things.

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For the first couple of years, we almost avoided a little bit, because

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we were like, oh, I don't want to get into muddy water. We're on the tools, and we're trying to train people,

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and that's that. But inevitably, as we got older, as

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the business grew and actually as the industry grew as a whole, both

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from a construction perspective with content, but also just social media into

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construction, you've got to face those challenges

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and work out what, you know, who you are and what you're doing and what the value is

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It was funny, you know, because, you know, I was aware of Honest Rules because my

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mates who are almost all of my friendship group are trades people.

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And I was the only one that went into sort of like, a fancy

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career of like, you know, arty kind of

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stuff. I should have been a plumber, but it just never happened.

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I ended up going to art school. And

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I always sort of joke around about this kind of, well, I certainly don't joke around about

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it. You see the similarities between creatives and

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tradespeople all the time. I think it's the same side of the brain. It's

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the same areas of the brain that are using the same tools. It's

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just sort of done in a different way. And when you put, trades

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people and creatives into a room most of the time. You

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can just see they just look like the same people. They've probably got a bit of ADHD,

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they're probably very hyper-focused, they're really

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creative and problem-solving. You've

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Yeah, he's been in the trade for 12 years, comes over into the creative

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industry and looks like he's been doing it forever. Hyper-focused,

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gets well obsessed with stuff, brilliant problem solver, very,

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very creative. but was a

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shop fitter. Not using any of those skills in that vein or

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It's really really interesting. I love it and I find it fascinating and

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I didn't know until we started working in the construction industry that

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you know I was having these conversations with these people that I thought I'd have nothing in what's the

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term? nothing in common with. And

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I'm like, these are friends for life. And we have

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all the same problems in the same scenarios. And they look at

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something, something being built, some kind

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of problem. And I look at that being like, I have no fucking clue.

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Like how you even you know, internalize

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how to do any of that stuff. But

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I can appreciate, and they'll do exactly the same from our point

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of view. They'll look at all the cameras that we're using and all those different things and

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all the terminology and they're like, fuck those. But it's the same principles. It's

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just a different output. But when, like, putting

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business aside a second for like this

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kind of like national slash global reach

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on the tours, Were you aware of the impact it

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was having, or are you aware now of the impact that it's had on the

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perception of trades for

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the general public? Because, you know, all of a sudden we've got all this trade

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content going out to the general public. And I think

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up until that point, no one was really talking about trades, except

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No, it's an interesting, so

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I think the business has gone through different phases. And

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I don't think I realized, or

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Adam maybe, but Adam had a much better approach to it than I did initially.

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And maybe that's because he was sort of, you know, he was in the trades and

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understood it a bit more. But like, I would

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say for the first like four or five years, no, I just

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was so focused on the fact that we

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were surviving as a business, as you do in those sort of formative years.

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And then that we were growing, that I was just

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so like focused on like, we've got to get bigger each

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year. Like that was my like, and

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is the audience, chasing followers and in

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those early, which I look back on now, we probably had to do it,

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but don't know how much it meant necessarily.

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And it was about the halfway point to now, I

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would say, I got invited to go and do basically

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what we're doing now, right? It was a, I'm

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pretty sure it was a considerate construction event. And

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it was at London College, about 350 construction

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marketers. And they just asked me to come and tell the story of On The Tools. So

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I've got a presentation up, got like all these photos

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of me. I've got so much content of me in ad. and like

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Andy and Mark in the first year, I've just got, I

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could honestly build out a two hour film easy with

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I do think about this about like what, you know, when I'm, when I'm gone out

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of the business, I wonder what I've got to look back on and, you know, and how

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that's captured, but there's so many photos and all that. Anyway, we've got, I'm mixing it

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with like videos of what we put on the channels and all this. Tried

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to make it entertaining. So I was thinking these things can be a bit boring. I wasn't there to

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like, educate anyone. So some funny

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clips in there, some funny photos, told a story about, you know, how we nearly

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went out of business and the app didn't work and all these

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things. And then it went down really well. And then at

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the end of it, there was a Q&A and I got absolutely battered on

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it. So like, I felt like an MP. answering

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questions on. So there was just a queue of people being

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like, why have your videos got no diversity in them? Do

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you realize the health and safety impact you're having on

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the industry, the negative impact? There

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was loads of stuff. There's no women in construction. There's no women in your videos. Like,

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Mate, I just was, I was answering and being like, fucking

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get me out of here. Like, what is going on? Went on for about 15 minutes.

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I remember thinking, like, I was looking over, thinking, like, someone get me off.

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Like, I was on my own. You know, I just, anyway, I

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got on the train back from London, went back up to town. I was fucking fuming. I

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remember, like, just being really pissed off. I felt like I'd been, like, ambushed.

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And I was like, well, I've gone down there for free, it's not

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like I was getting a speaking gig, I was just doing it because I thought

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it was the right thing to do. And I

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rang Adam and I was like ehhh, bitching to him and that. And

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then we had this, in the office at Faisley in

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the Mill, It was like a table like this, but probably

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twice the length. And we called it the Hogwarts area. It was where everyone would have lunch.

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It was like where we'd have company meetings. It was just this thing. And

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he sat at Hogwarts and he had a brew ready. And I sat

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down and he was like, I think they're right. And I was like,

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oh, he's like, you're like, you're whinging about

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it. He's like, but I think, I can't remember what the figure was at that point, but

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he was like, we've got, you know, these millions of people that are following

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the channel. He said, and like, what are we doing it for? Like, how

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are we helping them? We're not helping them at all. We're just, we're essentially just

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monetizing them. All we do is, okay, we might entertain them. He's

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like, but beyond entertainment, really, we're just

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trying to get as many brand deals as possible to make money. He's

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like, I think they're right. He said, I think we need to be like thinking about like, Like,

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what's the, why are we doing it? Like, what's the sort of, and at

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that point, neither of us knew about vision or mission or purpose

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or like, you know, this was just like, but he's, he's sort of like, um, that's

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what he was articulating. Maybe not with those words, but he was like, what's the point? Why are

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we doing it? How are we going to help them? You know, we've got, we, and he was, I remember his

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words were like, we've got, we've probably got a responsibility to do something. And

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so we sort of like, that's where I, there's a real change in

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the business. There's a massive change in terms of the content we created. Um, And

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that always happens to be fair, like I would imagine, like just

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points every year where I know we might make changes and we're not doing that anymore, you

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know, we sort of, I guess, grow

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Well, you evolve, don't you? Yeah, evolve is a better one. And like

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you say, you know, you were two guys that had a go at something that was,

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there was planning to be this thing that ended up being this thing. Yeah. And

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then, and then you get kind of, you come across these

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situations where you think, Well, we haven't got a head

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of diversity or we haven't got like

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social responsibility sort of executive in the business. It's

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me and Adam, some other people and my mum. Yeah, yeah. And Kay.

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And no one told us that we needed to do this kind of thing.

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And we were kind of, you know, just utilising kind of what you've got. And

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it takes situations like that for you to sort of go, oh, yeah.

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And do you think it transformed the business in terms of like what we do now? what

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we invest into, and it took us a while to get there, don't get me wrong, it's not like it was an overnight, suddenly

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we're this great business that was doing everything for good, not

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that at all, it took us, I reckon it took us two years to really

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sort of understand, maybe longer, because we actually went down the route of building other communities

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that were not in the trade, as like a growth part for the business,

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and it kind of worked for a bit, and then it really didn't work,

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and we had to strip everything back again, but

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yeah, I would say really, I would say over the last three, Yeah,

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I think it took us two years to get in shape with it. It takes much longer than

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you think it does. You can think, yeah, okay, well we'll have purpose now. And actually that's

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just a really shit, stupid way of like trying

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to imagine why you might do something. Do you know what I mean? It

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really took a long time. And you know, other

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people coming into the business and influencing that, people leaving the business and influencing

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that as well. Do you know what I mean? You sort of go through all these different stages as you sort

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of grow in and retracting as well. We've gone through that, you know,

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where we've grown and then we've had to go like, oh, half the company needs to,

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be made redundant and you know, you go through all these different weird shit

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things that you don't expect to go through. Do you know what I mean? But I think that that for

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me was a real, it's a point

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I always remember. It's a point in the story of On The Tools that I can always tell

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quite vividly. And I can, you know, when I'm talking to you, I'm like, I know we're sat at

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There's just little bits where you're like, I'll always remember it. Well, that's the

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kind of stuff that we keep up at night. You know, those kinds of like those situations where,

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you know, they make you so upset and angry

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and also at the same time, you're like, actually, you're

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But also at the same time, how dare you make me feel that way? Because

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if I'd intentionally done all that stuff, I'd

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be like, yeah, fair enough. But you know, you're just coming

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at it from a place of naivety of just like, I didn't know. I remember thinking,

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But I mean, I didn't really... experience

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any of that with my understanding of

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on the tools and how I approach on the tools, not being in

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the trade, being a creative. At the time I was probably 25 when

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it blew up. So I was

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early on in my career doing okay My mates were sort of

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like, again probably 25, 26, 27 year old

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tradies and stuff like that. And I had never really considered

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the construction industry as being, first of all, anything to do with media. entertaining

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at all. And what I loved about on the tools

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was it kind of like opened up the trades to the

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masses of like, this is what the trades couldn't can

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be like, obviously, like, it's sensationalized. And it's funny. And it's

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great. But no one was talking about the trades back then. And no one was no

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one's been being You know, the

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Well, it's a big old niche, right? I always say this, that we kind

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of landed lucky in the sense that it's like a big industry, but

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it's still very focused in terms of who we, you know, create for

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or who, you know, all of those different things and

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who we represent, I guess, as a business and as a brand. But

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really, if you look at it back then, it was like the media in

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this industry was like print. That

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was it. Okay, there was some like, there was some like

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news websites, but like social

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sort of brought all those people that were knocking around in the industry to

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some kind of home is the way we've always like thought

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about it and been like, yeah, we sort of allowed them all to aggregate send

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us content and all that and obviously that's evolved into where we're at now

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where actually you know I believe there'll be creators

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that completely surpass the size of On The Tools, in terms of

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views and followers and all those things, whether they will

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from a commercial or business side, all those things.

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But there will be a Mr. Beast of the construction

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industry, I guess is my point. They will be able to sell their own products, do

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So it's fascinating. I mean, have we finally got to that? I

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feel like we've got to the end of the story of On The Tools. And now

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where we are, maybe, yeah. So what is on the tools now?

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Like if you could put on the tools into some

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sort of category or several categories and kind of explain what

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on the tools is at present and who it's for, how

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So I would say we're an insights and media business. We

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create try to create the best

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social media content in construction to improve the lives of

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every tradesperson in the UK. So that's our purpose. We

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focus on social media, we focus on construction content, and

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the reason we do it is because we want the output and our profits to

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be able to support the trade, I think. We

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landed in so many different places when we were trying

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to think about, well, why are we doing it? And the app finally got

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like, okay, that's been parked. We've really focused on the

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community. Who is the community? Do we care about the

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white collar side of it a little bit, but actually it's the real boots

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on the ground. It's the, it's the labor side of the workforce. We're really

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like representing here and actually who we feel aren't

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represented well. Sure. Both from like for

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all, all wrongs, right. Whether that's employment, pay, like

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pensions, um, access to just normal

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shit that people get in employment. Um, mental

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health support, tool theft, all these things that we cover now,

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we want to scale

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the business through insight and media to

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be able to build something that tradespeople rely

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on is ultimately where our end game is. I think that in

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10 years time will be a completely different business again. I'd argue

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we might not even be a media business anymore but let's see

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So it's almost like if I could

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reiterate that in perhaps potentially simpler

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terms like there's a part

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of the business that needs to make money and that's through brands and

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advertising and utilizing your huge

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audience essentially. And then there's like perhaps a part of the

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brand that's kind of almost on the opposite sort of spectrum, which is doing,

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I guess you would call it social engagement, like doing stuff that actually benefits

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the audience as a whole. Because there's benefits to

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both not only your conscience, you're helping other people, but also it's really

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good for the brand. It's really good for the brands that work with the brand. So

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it's kind of benefiting everybody. So you're kind of being able to sort of

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pay the bills, keep clients happy, but also be able to

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engage in social endeavors that make a huge

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Yes, it's funny because I'm just about

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to launch this document within the business called the Heart of

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On The Tool. So I've been writing it for about three months, right? And it

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was at the 10 year point I started to think about it. It was more around trying

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to help people progress in the business. Like there's all these things

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that when you've been running a business for like a decade that like People

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know, but they only know because they've been there, like isms and like just

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shit that happens or knowledge that we've got. And then you go, why'd you do that? I

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don't know, actually. It's just like a fucking thing that we do. And it's

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been trying a lot, and it's like quite a big thing, like a document in my hand.

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I've gave it to loads of different people to read inside and outside the business. And

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I'll be, you know, how's the work? How's it make you feel? And you're at all these things. But

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one of the things I tried to sort of like, really like, focus

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down was the model, what's the model, what

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is it? And I've kind of got it down to this trifecta now

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of like, okay, we've got our community, which is at the top of this triangle, right?

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That is the bit that we have to look after. So we create content, we

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serve them with information, we empower them with campaigns

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like the Lost City, and we grab as much information off

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them as possible to understand what the hell's going on with them and in the industry, all those

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things. And at the bottom right here, your bottom right,

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is our partners, and we bring them in because

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they pay for it, right? And we give them access to that community if

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they're willing to, one, be the right type of partner, and they've got the

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right type of product or service or whatever it might be, and they

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pay for it, right? Because then what that does is it allows me to pass across

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to the next corner, which is the people within the business, right? I can go, okay, I

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can now build a business where people want to work. They don't have that Sunday night

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feeling where you just think, fuck, how do I not go there? We can

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pay people well. I think it's a good, you know, people don't

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talk about money enough. And I'm like, well, we all work so that we can

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live. And I want people to have the right balance of like, you

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know, grafting. And cause that's, that's who I am. And that's what I expect from

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people in the business, but also in return being

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given this lifestyle that hopefully benefits everyone. And

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from that point there, if, the people within the

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business are like, this is the shit and I believe in

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the purpose that we've got, then the community will benefit. And

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then it's just this like, boom, let's just pass it from each corner. And

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hopefully then it expands into other things that we haven't thought of at the

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minute, but that at the minute, that is our model. Look

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after the community, bring partners in that are willing to pay to play and

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be good partners for the trade and get

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the best people who really give a shit about the purpose of

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the business and then I hope the rest of

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it takes care of itself, potentially. That's kind of like the model. How

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It's the most simplest image in the docket. I've really tried to

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like, this is it. It's like if someone saw it, they'd be like, fucking, this

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I love that. I mean, it's really, really clear. Because

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on the tours, if you look at it, you kind of go, I

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think it's this, but it could also be this. And it's also this thing.

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But then sometimes it's this for these people. And it's

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not as simple as it's an advertising agency. It's not as simple as it's a

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creative agency. It's not as simple as it's a media outlet. It's

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kind of more nuanced. I'm

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glad that I kind of got it right. I missed one

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element which was it needs to be a really good place to work. I'd

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like to think that a lot of the times that's a given, but a lot of the times it's not thought about

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enough. Thankfully, we think about it as much as

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possible because I've been in those

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situations, especially as a creative. You can either land

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And I bet you at points we've been horrible. I'd almost guarantee it.

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Certainly at the points where we were really scaling up, we just turned into a

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shit show. The culture went in

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a different direction. like, definite learning

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on how you scale and how many people you bring in at one point and have

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you got the right level of managers in and all those different

Speaker:

bits. We've definitely been a bad employer at points, but I think

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the key thing for me is like, well, as long, you know, and then people talk

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about intention and like, don't care about intention, they care about impacts, all these things. But I

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do think there's something in around like, well, the main way to

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make sure I actually sleep is that like, well, we're never trying to be a

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You know, so I'm like, well, you know, we've, we've always had a real.

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collective mission to make sure that it's not a

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shit place to be. And that's just the personalities of

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the people running the business. I can't change that. I'll never be able to change that.

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It's like if we took loads of private equity money, I would never be able to

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turn the business into this. you

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know, like numbers driving machine. It's just like, yeah,

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like I just wouldn't be out of it. And that's, I'm okay with that. Do you know what I mean? And

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maybe I'm not that if we get to that point, maybe I won't be the right

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person to run the business. Do you know what I mean? I think at the minute whilst we're,

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We're in this stage where we're the brand is changing.

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I think we're moving heavily into insight and you

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know I believe there's a model for us. We've got this thing called trade brain which

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is like an insight membership that we're in my opinion is like something that

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every brand in construction should be in because it's about investing

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in the workforce and understanding what they're doing. It drives things like The Lost

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City and the campaigns we do like that, which I think can have more and more impact. I

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think we will be in a position where in five years' time, On The

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Tools will be something that is even

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more for the boots on the ground than it is for brands.

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That's where we're moving. And I

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think I'm the right person to do that. Beyond that, who knows,

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maybe it's time for me to take the knee and get out, you know what

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I mean? You sort of run up to your capabilities and at the minute I'm like,

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I know where I want to be. I'm not obsessed by the long

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term vision because I think you can put numbers for next year and

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they don't mean shit. I'm always like, what's happening in the next 12 weeks? what's

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the most important thing that's gonna like support the

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growth of the business. We should try, and I'm really trying at this at the minute

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of like trying to remove multiple things that

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we're doing all the time. And like, you get into that thing where like, oh, we've got to do that, we've got

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to do that, we've got to do this, you know, and really trying to sort of like suck it back down to

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focus. And look, I think we're, the brand has never

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been in a better position in terms of like what it stands for, I

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think how it's viewed. from the trade perspective and

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from partners, and that's because of the team we've

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got and what they've suggested we focus on

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I think it's brilliant. I think one of the things that we've been

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clear with our clients, and this is from, we're not

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fucking geniuses at marketing at Dissident. We're,

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for the most part, creatives with a marketing direction.

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You know what I mean? I've always called class dissident as like it's

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run by marketers but kind

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of backed up by creatives. I've never been able to sort of

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really articulate what that is but we're creatives that work towards marketing

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goals because the owners are kind of marketers to

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some extent. So the

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reason why I'm saying that is we're not really heavily invested into our clients

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strategies we don't necessarily create strategies for our clients we're not that high

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up in the in the on the rung of lads but what what we do suggest when it

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comes to the content the types of content that our clients should produce and

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the things that we should be thinking about and putting our budgets towards is stuff

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for the people not just about the brand not

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just about the product, let's do stuff for the

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people. So things like The Lost City, you know, focusing

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around mental health, focusing around tool theft,

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but essentially any kind of social issues that are going on in the industry,

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not only social issues, but like, you know, social, you know, positives as

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well. You know, let's, you know, if

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you want to be a brand that people engage with

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and interact with and are

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more proud to use and purchase, then you

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really want to be doing something that benefits

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them in a way other than create a good product. I think that's

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massive. That's present

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in other industries, but especially in construction, because I feel like construction needs

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a little bit more support than some other industries. Because

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it's kind of been that industry that's been left behind when

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it comes to support. I couldn't give you an example of another industry. I

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think there's that expectation that it's a load of men, they

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don't need any help. They just get on with it. They get on with it

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and a lot of them do, don't get me wrong. You can go too far in one

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direction and

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try and find fault where there isn't. But I

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think there's a situation now where

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trades people need more support, not just mentally. But

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you know, in the fact that, you know, we've got these issues with with stolen

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tools, which we'll probably go into a little bit later on. But

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also, you know, celebrating trades as well.

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You know, I had Ryan Jones from SLG Agency,

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who's one of my first guests on the podcast and I still revere. I don't

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know if you've come across SLG before. Ryan is

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like literally one of the most clever people I've ever met. And he

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mentioned that for years and years and years, Constructions had brand

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issue in the fact that everyone thinks construction is one thing and

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it's not it's multiple things and it's and it's not considered

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to be a particularly sexy industry it's not considered to be a particularly interesting industry

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for a lot of people coming through school through the school

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system and you know now

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There are brands and there's companies and there's agencies and there's creators that

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are saying, no, no, this is fucking cool. Not only

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is it a really cool job, it's not

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just for thick people like people used to think it was in the 90s or the 80s

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or whenever that kind of lie started. But

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also, if you're clever and you're good, you can make

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a shit ton of money, not just as an individual, but as a

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business. And there's

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loads and loads of benefits to construction. So it's not just about focusing

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on the problems that the construction is going through, but

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also like really highlighting how cool of an industry

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Yeah, like one of the problems is that it's not positioned in the

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Yeah, yeah. It's like the army went through that, didn't they? Like 15, you

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remember like the whole like media campaign that

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went on for years around joining the army because it was just deemed as

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somewhere shit to be, but like they transformed the

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intake. I know that's dropped off again now, but like, I

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always feel like the construction industry needs that type of backing where it

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gets huge, huge amounts of scope,

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both from, whether that's from government or whether it's from the

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governing bodies within the industry. But it's so fragmented

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that no one, and this is kind of why we ended up

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getting into a position where we're like, well, maybe it's our job to fight these fights a bit because

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we're like, who's going to do it? Because everyone just keeps doing this. Everyone's like,

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no, we're in this lane and like, oh, we're here. And we're like, yeah, but. We're

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just getting to the point where they're not being, you know, people aren't being looked after properly in

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so many different areas that how can we expect people to want to join it?

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No. Do you know what I mean? Like I've got kids and I've

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got a nearly 14 year old daughter in the next couple of weeks and like

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if she came to me in two years time and was like I want to join the construction industry I'd

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be like on one hand really excited and on the other hand quite

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scared and be like hmm Is it the right industry for

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Um, you know, I've got a nearly four year

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old, maybe, you know, I'm hoping by the time he gets older, maybe

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the industry will be in a better shape. But I think in two years time, will things be solved

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in the right way? I don't know. Maybe it feels like we're making enough

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noise now where there seems to be more focus

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on some of the problems. which

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I think is, and I mean outside of the industry, so you know just more broadcast

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media around trades, the tool theft stuff, like the

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rate of suicide, these things are now becoming a bit more

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widespread, but I do think it's a timing thing, so like there's a

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lack of housing, so therefore the

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construction industry is more topical for broadcast media and

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government to comment on. And if they're both going to do that, then they have to cover

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more stories. So for me, I'm like, whatever. I don't really care why

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it's coming up. Let's lean into the fact that more outside

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of the industry, more media outlets and more MPs, et

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cetera, are willing to sort of stick their head above. the

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trenches to talk about it. I'm like, well, let's just ride the wave

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and see how much movement we

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And it's massively helped by the individual creators as

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well. We've got this amazing thing that happened in really, I

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It feels like it's sort of really snapped, hasn't it? Yeah.

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All of a sudden, we've got these like, you know, You

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have to use the word influencer because it's easier. I don't know whether

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We've termed it as creator, but often

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To like, I

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don't know, some like 55 year old kind

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of like director of sales. I'm like, they're influencers. It's

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just easy for me to say that. But, you

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know, these accounts are coming out of nowhere. and doing

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all sorts of amazing things for all of these different minute

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or individual, sorry is the best word term, issues, problems

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and benefits and highlights of the

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construction industry. They're all kind of doing their own sort of thing. So there's

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particular accounts that are really flying the flag for women in construction and

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they're getting together and they're banding together and doing all these amazing projects. There's an

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amazing project going on at the moment that I haven't been following

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massively apart from I follow some of the guys that

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are on there, which is this full build with female

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Yeah, we covered something like last week for International Women's Week. Incredible.

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I'm just like, mate, if I was any of

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the publications or any of the media out there, this is cool. This is

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cool. Not just talking about it, doing something about it, being like, look, we built

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something. I don't think anyone was ever like, well,

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I suppose there are some twats out there that are just like, women aren't any good at construction, that

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you're always going to get those kinds of people that are nutters or whatever. But

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I think the bigger problem is just like, Again,

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in those situations, it is just like being able to

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speak to a younger audience to say, this is a viable job for

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And having this amazing thing where you've got

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all these creators making a huge difference, like the

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tool theft. I've completely forgotten the guy's name. I knew I'd do this.

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That's like really flying the flag for tool theft. Schwab. That's it. What's

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the Instagram handle for him? The Gas Expert. That's it. He's

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All the time. And respectfully,

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and I mean this in the most complimentary

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way possible to him, he's just a bloke. And

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what I mean by that is look how much impact one person can have.

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And he will say this himself, he's just an ordinary guy who's pissed

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off enough about something that he's gonna make a change. Now, he'll call

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himself ordinary, he's not, he's extraordinary, like, in all accounts.

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He's a pilot as well, like, yeah, he's just, and

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his work is just incredible. I don't know if you've seen his work, but some

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of his work is mental. There's a particular one, he's got like

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a Hogwarts boiler. Honestly, you go through his account, and

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he's flown, the reason he learned to fly was because he got flew

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out by someone because he worked so good, it was only like domestically, but and then

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he was like, I want to learn to fly. He's a great guy, really interesting guy. But

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just that, just, I mean, the guys move mountains on

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his, you know, and like, look, there's been loads of people who supported him

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and he will always say that, but like, You know, we've

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been on the edge of that. We've like tried to help him where he's

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needed help, but we've not been the driving force behind that. He has, you know,

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no one else has been the driving force behind it. He has, we've all just sort of

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like hung on his coat, has been like, okay, well we want to help. And

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he's like dragging us. Sometimes we push him a little bit, but generally like he's

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the one dragging us along being like, you're either coming with me. And if you're not coming with me,

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fuck yeah, I'll get it done anyway. Like he's, He

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is a force that guy is and if there's anyone that I've met

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over the last 10 years in terms of this industry who's

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going to get something done, honestly he is the one because he's just

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He's caused such a ruckus over it. and

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that's had what the beautiful thing is with this kind of thing we've kind of gone

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off on a tangent here but it's a beautiful tangent which

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is like he's started something that snowballed all

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of these other situations right it's not just him and

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everyone's focused and tool theft isn't just about him now there's like lots of

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different things going on and different pieces of media

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The things he's done, he's changed how the police are

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now approaching theft generally. Like,

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basically, a law, there will be a law change because

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of Shweb. And that is just a fact. Eventually,

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that, because there's a couple of things that need to happen. Like, there isn't,

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currently, there's no way to categorize a tool theft. It's just theft. So

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then you can't change the law on something that hasn't got, that's

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not categorized and there's no data on all these things, right? So there's a couple of

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stages to it, but like, That will be the end outcome.

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The law will change, the consequences

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and the implications of stealing tools will be more

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severe and therefore then eventually the

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thieves will be like, the risk-reward here is starting to light.

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sort of shape half here, I'm gonna probably stop doing this now. And

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it'll be because of him. Like, and if you think about it as like a thing,

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you're like, God, that's mental. Like, that he basically

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had his tool stolen and then was like, fuck this. Like,

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this ain't happening again. And then he's gonna go on what will be

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probably a five, six year, like,

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crusade. Yeah, I was gonna say rampage. Yeah, yeah, rampage, crusade,

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like, you know. and

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he'll get it done. And I just think it's incredible, like,

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and you'll vouch for this, and I say this to people a lot, but like, you

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know, through the years of running the business, the industry is

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full of the most incredible people, like incredible, and

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I mean from a talent, from a loyalty perspective, from

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a kindness perspective, all these different things, like, There's

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not many industries like it and yet they're all shit on. They

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don't get the support that most other industries get. And that's what I

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think just sort of drives our

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thinking behind what we're doing and where we're heading. I think it drives a

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lot of, it's why people stay in the industry once they're in

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it. Don't get me wrong, I know there's a lot of people leaving, but

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I do think it's the camaraderie in the industry is

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incredible. And I just

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I tell this story quite a lot, but not necessarily on the

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podcast. Before

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Dissident was Dissident, and we were just a social media agency,

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a creative agency, and we worked with

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everything, every kind of possible, anyone

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to pay us, we did some cool stuff. You got some money, we'll do it. Yeah, but

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we kind of worked our way around a few

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different areas, which was, hospitality, spas,

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restaurants, hotels, service-based offerings,

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service businesses like accountants and all that kind of thing. And

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little bits and bobs, we started to push in towards like bigger brands

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for like furniture, fashion,

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stuff like that. And we

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were also working construction and we started to play around construction and

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we basically got COVID happened and that was The

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two sectors that stuck with us for

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the most part was construction and healthcare, because they weren't going anywhere. Business-wise,

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it makes sense to double down on these guys, because if

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a pandemic can't ruin these two industries, they're probably a

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pretty safe bet for the longevity of an agency. So

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there was a business sort of mentality there, but also we were

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working with a lot of these industries, not shitting on hospitality

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and fashion and furniture and stuff like that, but a lot of

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them were wankers. A lot of these people that

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we were working with were just like, you're horrible to deal with. You

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know because you were working with like models and like some of those were

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not that nice and there was a lot of situations like and

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I'm probably tarnishing a bigger problem

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with a you know with this one brush but I was like I'm

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not I you know I'm perhaps just not the right person to be in this industry

Speaker:

because I you know they weren't horrible to us I just couldn't deal with

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the bullshit and then We were

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working in construction and everyone was so nice. Everyone

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was really down to earth. There was no prima donnas, there

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was no messing around, there was no entitlement. It

Speaker:

was just real people getting on with real work. And,

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you know, we got to work with tradespeople, obviously, as kind of a byproduct of

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working with brands and stuff. And they were amazing. Even the people in

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the brands were just like, dead down to earth. And I was like, these are our people.

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Like, what amazing industry. to be in, but like you say, even

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with its problems, the individuals

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I'm very aware that we've got no marketing value from this

Speaker:

podcast up until this point. I told you it was going to be

Speaker:

a catfish. However, it has been such an

Speaker:

amazing, entertaining episode about the

Speaker:

history of On The Tools and what you guys do and stuff like that. But I'm going to pull a

Speaker:

little bit of value from the podcast right at the end before we get to Jon's talk.

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Yeah, let's do it. I want to leave giving some value if

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possible. Drag it out of me. There's the

Speaker:

value that I want to get for brands and there's value that I want to get

Speaker:

for the creators, let's say. Let's not use

Speaker:

the term creators, let's use the term self-employed people, anyone that

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can benefit from putting

Speaker:

their work or putting content out on social media. Originally

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I wanted to talk about the formula of content that you

Speaker:

guys have and how you found it. But I think we have like just

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maybe we'll have to do like a part two. Well, I can give you two minutes on that

Speaker:

form. Let's do it. Let's do it. So how did you find, you know, there

Speaker:

was a formula that was being created on the tours, and you

Speaker:

were coming across all these different scenarios, you were, you were, you were kind

Speaker:

of like repurposing content, creating your own content. Like,

Speaker:

I think we've just come to the realisation that the formula is there's

Speaker:

no formula. Cool. Right. So there are just lots

Speaker:

of different tactics that some stay around for ages and some

Speaker:

don't. And so there's tactics we've been using from the very beginning.

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So the three second rule for us has never gone away.

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And what's that? It's just like an opening hook. But it was always

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something we termed a three second rule. I think it was driven by the fact that

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Facebook tracked by the first three seconds. And that's why we have

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that three second rule thing. Now, you

Speaker:

know, you might change it to the five second rule, but basically the

Speaker:

opening hook from a social perspective, whether it's paid, whether it's organic,

Speaker:

like if you want it to be engaged, you've got to think about that tactic.

Speaker:

You know, there's like a sound optimization,

Speaker:

even like sound like, um, like

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removing sound and replacing sound so like sound retention tactics

Speaker:

or sound retention as we we call it or like mid

Speaker:

hooks so like okay you're 20 seconds in what's happening

Speaker:

like there's all these like little bits that you can you can look

Speaker:

at But in terms of the formula

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for it, it's different every time because I could give

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you two bits of content and they could have the same formula in

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terms of like their makeup or whatever it might be. They

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could be the same length. They could have a

Speaker:

very similar opening hook. So they could be both a visual opening hook,

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right? They then

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could have like a really very similar midway

Speaker:

hook. They could have the same track from like a sound perspective or

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overlay. they could have the same style of captions

Speaker:

or subtitles, whatever, they could have the same caption, right? And they'll fucking

Speaker:

perform differently. And it's the most frustrating thing,

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but also the most magical thing that social brings, because you've

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got to constantly put yourself under pressure of like, okay, but why is

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this going to work? So for me, the formula is just that You've

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got to aggregate loads of different tactics that you can pull together for content. Understand

Speaker:

why the hell you're creating it would be one

Speaker:

part of the formula. There needs to be some value there. There needs to

Speaker:

be some value. Why are you doing it? Who's it for? But

Speaker:

beyond that, I'm like, it's a bunch of tactics that you try and pull together based on

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what it is that you're creating. And then you've got to accept the fact

Speaker:

that those tactics will change. Like if you get to the point where you're

Speaker:

like, okay, we've got it, we've got our bit, then tomorrow

Speaker:

you will create content that won't work. The

Speaker:

only thing we've got that's been consistent for a while now

Speaker:

is that we have a daily content meeting. In the bit, there's

Speaker:

no content that gets put out on any of the channels, whether it's organic

Speaker:

or original program, as we call it, or branded, that doesn't

Speaker:

go through this meeting because there's

Speaker:

a thing around, like we went for a patch where we, and

Speaker:

looking back on it is how we now term it, is that we just got too far

Speaker:

away from the content. So you sort of like, and I mean, this is like

Speaker:

owners or founders or whatever. And I don't know how you scale that.

Speaker:

I don't know, you know, Ads basically got a team of people in this meeting

Speaker:

that are collectively trying

Speaker:

to get to a point where they all understand each other in the same way and that they can essentially

Speaker:

review content if one of them wasn't there, right? So you're trying

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to build out this team who really know what's happening because you

Speaker:

can give a formula to people or like some tactics, right?

Speaker:

But if you do that and you move away from it, it

Speaker:

will all like, change and

Speaker:

the performance will change, everything will. And so this thing around, there's

Speaker:

this like, if you don't know how to solve it,

Speaker:

you're too far away from it, right? So as a manager or as

Speaker:

someone who's running that area of the business, if you can't quite work out how, what

Speaker:

the hell's going wrong, it's probably because you've been a bit far away from it for too long. But

Speaker:

with content now, we've just gone back to this like, model

Speaker:

where we're like okay it sometimes causes some bottlenecks but

Speaker:

it doesn't half like weed out having poor performance on

Speaker:

content where you don't get the second chance on it because once it the problem is

Speaker:

with content is that is that you that all the hard work

Speaker:

goes up front yes and then you click a button it goes out

Speaker:

and that's where you get your performance it's like and that's where everywhere everything's

Speaker:

rewarded in that in that area right but Once

Speaker:

you once it's gone, it's gone like okay can take it

Speaker:

down. But if there's a client involved you're in a world where it's like We've

Speaker:

got to reshoot, or we've got to do something again, or whatever it might be. And it's expensive. And

Speaker:

then they're like, oh, do they know what they're doing, all these things. So all the work, you're far

Speaker:

better off taking a bit more time on things and really understanding that you've given it

Speaker:

your best shot than you are being like, OK, it's ready, and not really getting

Speaker:

into, you know. These videos are watched, and they are critiqued

Speaker:

every 10 seconds, being like, OK, well, what's happening now? I think it's fell

Speaker:

off. It could just be a personal opinion of like, I'm bored. And

Speaker:

generally, if the people in there, if one or two of them are like, mm, I'm lost,

Speaker:

it's like, oh, that retention's gone, it's going to fail there. And

Speaker:

it might not, but like if you feel like that before it's gone out, change it. Do

Speaker:

you know what I mean? Like really sort of like criticize the work you pulled

Speaker:

together. I think too often what will happen is people create content and the job's

Speaker:

not creating it. The job's not done once you've pulled it all together. The

Speaker:

job is like watching it and then trying to create something from

Speaker:

that point that you're like, yeah, I've done as much as

Speaker:

I can do with everything I've got and all the tactics and all the

Speaker:

skillsets we've got in the business and all of those things. And then you

Speaker:

know what, sometimes you're still posting it It will fail. Do you

Speaker:

know what I mean? But that's part of it. And so my

Speaker:

value for anyone listening is don't become too obsessed about having

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some perfect formula

Speaker:

for your business. You can have a style of content. I think that's great. But

Speaker:

content to content based on what it's for, which platform it's going on, how

Speaker:

long it is, all these different things. Just try

Speaker:

and build a skill set of spotting

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where it hasn't worked and then replaying that

Speaker:

back in and like watch the content. Don't just like have

Speaker:

really good sign off processes where people can learn and build a

Speaker:

culture within your marketing teams or your content teams where people are like it's

Speaker:

absolutely fine if someone's like, I think this is shit. I

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don't think you're shit. I think what we've ended up creating is

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not right. And it's okay that people go, I think this is shit or this is not

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as good as we should be putting it. Whatever the words are, people sometimes

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be like, oh, someone just said I'm shit. It's nothing to do with it.

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We've got to get into a culture where it's like, do we think this

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is going to be the best performance we can get out of it?

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Because if it's not, then we should all be able to just be able to go like, oh

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man, this is fucking not what we thought it was going to be. Damn, like, how

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do we? And then get into the world where it's like very quickly where everyone's

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back on the same page being like, okay, we could do this, we could do that. Have

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we got any other shots of that? Do you know what I mean?

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I think sometimes there's so much focus on people

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not being able to say things because everyone's going to get a

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little bit upset. Don't get me wrong, our business has still got

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I'm trying to slowly eradicate personal...

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It's that thing of creatives, and again I'll

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bring it back to the trades people at the same time, crafts

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people, whatever. We've got egos and they're delicate and

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we want to make something, you know, really, I mean, I

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don't know a lot of creatives that want to make something and then never show someone and never

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get gratification from it. Yes. I do know some people like

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that. It's rare though, right? Yeah, really, we are creating something so

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that, like, because Back in the day, when we

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were kids, our parents didn't give us enough attention or didn't give us enough

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fucking praise. And now we're desperately trying

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to get- There's some deep psychology, isn't there? That's another

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episode. If you have a conversation with my coach,

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he'll go through all this stuff with you. Your parents weren't

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proud of you enough. So now you've got to make thousands

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and thousands of people think you're really clever. But

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basically, there's these situations where you get

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these creatives, and I'm exactly the same, I come from

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a creative background, where you make something and I'm like, this is

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perfect. Although a real creator

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is never fully 100% happy with what they've created. like this

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is as far as I can take this as far as I'm allowed to criticize it

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but you're not yeah yeah and I'll get one person go and

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Kate my wife is the worst for this because I'm wait and I'm

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like I made this this is it I don't make a lot of stuff these days but like

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I made I made this she's like really good I'm

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like and you can you can hear the kind of What

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I would do, or whatever, I'm like, fuck off, Kate,

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this is perfect, give me a day, give me a day where I can, but

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this is why we're a creative agency led by marketers, because

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you can get so focused on the creative, you can get so focused on the craft and

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what you've made, that it actually, like, when you really

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boil this content down, it does nothing, it's

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got zero value, it's a sponsored art project, that's

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all it is. And when you're working with brands, you can't afford to do

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that. You've got to give some return, yeah. Yeah, you can do that for yourself, but

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don't do it on a £20 budget. Yeah, yeah, yeah, yeah, definitely.

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Oh, mate, it's mad. So yeah, that was my formula anyway. I love

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that. Test and evaluate. Don't

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get comfortable. Yes, exactly, because it's going to change. 100% it

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will change. Love that. So

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we've got the formula. What I'd love to do is get a

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little bit of feedback from yourself very, very quickly in

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terms of creators. What

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do you think creators could be doing more of that would benefit them

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the most on social media? Can you give a little bit of something that's just like,

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this is the stuff I'm seeing on social media. Perhaps you

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can use a little bit of your insight into what you're seeing that's not

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So I guess I was trying to approach these things if

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I was manly enough and creative enough and skilled enough

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to be able to build something and not have such soft

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hands that are built for spreadsheets. How

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would I approach being a tradesperson? I

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think a nuance I've noticed is say about

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five years ago there was businesses out there that were that were building

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white label solutions aimed at tradespeople for websites. Because

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there was lots of trades that were running SMEs that

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didn't have a website, right? Yeah, they needed leads, basically. Yeah, and they needed leads. So

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you'd have this, like, it's a subscription model. So it's like a SaaS model for

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the technology business. And the tradesperson would then get a fully

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serviced website that would pretty much look the same as somebody else's, but it

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would generate leads and all this shit, right? spiked

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a little bit and then disappeared again. I think because it's social, right?

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And then now I see it that it's almost like a

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trades person's Instagram or TikTok account

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has replaced websites. In

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the sense that if you're not creating content of the work you're

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doing, then your validity

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as being a trusted trades person diminishes

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slightly. It's like, if I think of it from a consumer's point

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of view, I'll go, okay, I'm going to get someone to come and look at, you know, we know

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loads of trades people, like I'd point, you know, point at him, my arse on

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Friday, fit in a tap for me, obviously try and utilise

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I did pay him, I wasn't afraid of him, I want to make that point, I'm not

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grabbing favours in it, but I'd much prefer to use people that I know than I don't, right?

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Are you the, just on a side note, are you the kind of person like me

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that would rather not get mates rates because you want to support them

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but also at the same time you want it to be done quickly? Yeah, so I was like this weird

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And I kind of don't want to pay mates rates. And he doesn't live close by me,

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but I've been chatting to him. Anyway, anyway, you digress. So

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if I was faced with two accounts

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that I'd found, and that's how I'd found it, which is the likelihood now

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that if I wasn't in the profession I'm in, but I was the same personality

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type, I would be on social, looking at

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content, right? And I'd go, okay, they look good. I go, who's local, all this,

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right? And if I was faced with someone who had some content

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that I could see their work and someone who hadn't, I would go with that person who has like

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a hundred percent, right? It's why, it's

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why Amazon reviews has driven their business into just

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this stratosphere is because people are sheep and

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we try and get some form of like, like

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social standard of going, okay, well, it looks like loads of people are following

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this person or I like their content, oh, I'm gonna buy from them,

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right? It's why influencers exist, right? The

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whole concept. But I think what's happening in our

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world now is that everyone's

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trying to become a trade influencer, if we'd call them

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that for a second. The difficulty in our industry is

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that you can't be an influencer without being in the trade, right? So

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it's not like you can, you can't build your, you can't build your

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community, obviously, but you can't build your audience or

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your Instagram channel, right, to a point where you go, I know I'm

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making so much money on this now that I no longer need

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to be a tradesperson. Because then the money you're making will

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diminish because you're no longer a tradesperson. The reason someone's willing to pay is

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because you're really good at what you're doing. Whether that's creating content, whatever it might

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be, right? And this is a feeling I

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get over actual data, but I see

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people popping up now who are creating content with

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no business value. So if I was in the trade, I

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would be like, okay, I'm a great whatever, right?

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I'm a chippy, right? And I go... I

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would start by growing my business. So I would be creating content

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to get more leads. As opposed to

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brand deals. Not brand deals. Because I think what happens is

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that you can go too early. And I think one of the benefits we

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had as a business was because we were so focused

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on this fucking app that we never did. This happy accident. We

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kind of didn't do brand deals because we didn't know what we were

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doing. We were selling merch and that was fine because people were

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like, oh yeah, I'll give you some money. We were like, here's the products. It wasn't

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shit, it wasn't amazing by any means, but it had labels in and stuff, it

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looked sound. We put some effort into it. We

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were never asking them for anything. We were never like... I

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remember the first... I'll tell you this very quick story. I remember the first

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brand deal we did, right, and it was with ITS. Shout out to ITS because

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I like you guys. We don't do much with you now, but... And

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it was a phone call that I got, and

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they were like, we wanna promote, I don't know if it was a Black Friday

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or what, it was just an offer, right? And we just didn't know what

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we were doing, so we got, they provided a still image artwork,

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and we posted it, and I always remember it, instantly, we

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got messages on the channel being like, fucking sellouts, what's this shit?

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Do you know what I mean? And I remember thinking, and they gave us,

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I think it was like 500 quid, I think we got for it, and I remember thinking, boom! I'm

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just quid, if we just press the button, that's all I've done, just press the button, man. We're

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gonna be like millionaires. But like, we

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didn't do it again, because I was like, the feedback we got, and I remember

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reading through the messages, and Ab was like, it's fucking bullshit, like what, we shouldn't

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do it for free forever. And I was like, I know, but we've obviously done it in the wrong way. Like,

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it's not been receptive. And I think there's a world where creators

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now are so focused on being a creator rather than

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being in the trade. So like you focus on being in the trade and

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creating content, your account will grow more

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than if you focus on being a creator. Absolutely. Right.

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And if I was a trades person, I'll be focusing more on how I could

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understand paid advertising than I would be trying to like, I'll

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be like, Deep diving into TikTok ads and meta ads

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being like, okay, locally, how can I utilize the

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great con? I'm really good at creating this content. I'm doing it because I'm trying to showcase how

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good I am. I'll be using a page strategy to

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get more leads to then employ someone who can

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just follow me around shooting all the content. That's what I would be doing. I wouldn't be.

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Whereas I think there's an immediacy for people to be like, give

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me an affiliate link or give me like, I want to do a branded deal and

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they're at a point where they've got like, and I'm all for the like micro-influencer and

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all these things, but. I think there's so much of

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it now and so much not, just like there is in the industry three

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years ago, because the construction industry takes a while to sort of catch up.

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We're in that world now where there's so much noise that

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I think trades are sometimes missing the opportunity they've got

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where they could build this incredible business. And

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then actually, if a brand did come along at that point, kind

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of like it's on your, you can be like, I want like, I

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want six figures. I barely want to do anything. This

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is what you'll get back. I do it in my own style. And if you don't want me to do

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it in my own style, I ain't doing it. And also if I don't do it

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in my own style, it won't work. You know, all these things that I

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think even we fall down on where we're like,

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no, we need to do it. And then we, you know, cash gets exchanged. You do something you're

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not that proud of because you've took money, you know, all these different things. I

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think a tradesperson is in such, if you're in the trade

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right now, if you're in the trade right now, right, you've got

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this amazing opportunity to build a business that no one can touch

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and then have a brand that you can license out, do sponsorships where

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you're making so much money. But I think people shoot

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too early and they go, I'm going to do these brand deals and they become reliant

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on them. and it affects the work they're doing dramatically. I

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don't think people realise how much work it takes to do brand deals and

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how much time it takes and the shit you have to deal post-shoot, all

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these different things. I would grow my business,

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I would lean into paid advertising, I would learn that

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and become a god at it, make so

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much money that I'd build a media business off the side of my actual business.

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Lee, it's been an absolute pleasure. It's been a whirlwind of

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history of On The Tours. I genuinely think that there's going to be a lot

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of people who have just become complacent

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about On The Tours, that it just exists and there's no history behind

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it. So I genuinely think that's going to be really, really fascinating for the audience.

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We've we've dived into kind

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of like marketing towards my 20 was a 2015 onwards,

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you know, like any kind of like social media and the history of that. And

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we've we've dived into, you know, what is your, you

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know, what's been the formula, which is the fact that there is no formula,

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just keep testing, keep evaluating, don't get comfortable. And

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we've looked into Like if you were to start out

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on social media as a small business in the construction industry, what

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would that look like? And I genuinely think that'll provide a lot of value. And

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so I just want to give a quick round of applause, Key, for Lee Wilcox on

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the tour. Thank you so much,

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mate. And hopefully we can get you back again at some stage to go

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in more depth. That'd be amazing. I'd love to talk more about some

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of the social engagement elements like The Lost City

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and Tool Theft and stuff like that. Yeah, I would love to get nerdy on some social

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stuff, yeah, whenever you want. But for now, if

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you could point to anybody, any of my audience in any directions, where

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So from a marketer point of view, definitely on LinkedIn, so

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follow either me or

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on the tools or both if you want to. We're doing a lot of

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stuff around, I mentioned it earlier, Tradebrain as a membership. If

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you're like In marketing or insight or

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data within construction, I think trade branding is

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like a must. I'm really peddling this at the minute. It is the

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reason we can do things like the lossy. I believe that

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About the Podcast

The Build Up
Construction Marketing
The Build Up is a podcast for marketers in the construction industry. Hosted by Daniel Moore, the Creative Director of dissident, a creative agency that creates disruptive content and social media marketing for some of the leading and most rebellious brands in the industry.

The Build Up is a podcast that puts a spotlight on the unique world of construction marketing.

Dan will be speaking to marketers of leading brands, other agencies, creatives, founders and influencers.

The series aims to highlight and give insights into key areas of construction marketing and provide insight for fellow marketers, founders and creatives in the space.

About your host

Profile picture for Daniel Moore

Daniel Moore

Meet Dan - the voice of The Build Up. 🎙️

As Creative Director at dissident creative agency, Dan’s spent years helping construction and manufacturing brands build campaigns that really work. Now, he’s bringing those insights to the podcast, chatting with industry experts, marketers, and brand builders to uncover the secrets to success.

Expect straight-talking interviews, real stories, and plenty of lessons from the world of construction marketing.