Episode 13

full
Published on:

3rd Mar 2025

Craig Hancock: How to Sell What No One Thinks They Need

In this episode of The Build Up Podcast, host Dan, Creative Director at dissident creative agency, is joined by Craig Hancock, a freelance marketer with extensive experience in the construction sector.

We explore the challenges of marketing in construction, from branding and B2B strategy to the unique difficulties of selling services like facilities management and maintenance contracts. Craig shares insights from his work with Ignite Facilities, discussing how personalised marketing and real-world experience can help brands stand out in a competitive market.

The conversation also covers the role of health and safety in marketing, the often-overlooked value of preventative maintenance, and how to engage customers in industries where marketing is traditionally an afterthought.

Subscribe now and don’t miss future episodes of The Build Up podcast!

Transcript
Speaker:

Hello and welcome to The Buildup. This is the podcast for marketing

Speaker:

in the construction industry. I'm

Speaker:

Dan, the creative director at Dissident. We've been working with construction brands for

Speaker:

a number of years. It's an exciting and rapidly evolving industry, and

Speaker:

that's why we created a podcast dedicated to the weird and wonderful world

Speaker:

of construction marketing. I'll be speaking to leading brands, other agencies,

Speaker:

creatives, influencers, and startups. This is the

Speaker:

resource I wish we had when we first started out in the industry. Thank

Speaker:

you for being here and welcome to The Builder. Welcome

Speaker:

to another episode of the build up. I'm Dan, the creative director at Dissident. We're

Speaker:

a social first creative agency that makes cool, hard

Speaker:

hitting content and social media marketing for construction brands.

Speaker:

And today I'm joined by Craig Hancock. I don't know why I

Speaker:

checked. I don't know why I checked my phone, because I've known you for years. I'm

Speaker:

with, I know you, but Craig. Craig. And

Speaker:

Craig, you are, you are, I'm alright, so

Speaker:

freelance, but you actually do long-term projects with brands and

Speaker:

Yeah, so Ignite Facilities. All the main brands, but

Speaker:

yeah, helping out with their marketing. So I think it's a great idea to

Speaker:

Amazing. I mean, and you've had experience in like construction industry in the past with

Speaker:

other brands and stuff like that. So I thought it'd be really, really cool. And we, Key, we've

Speaker:

not, I mean, shout out Key. Shout out Key in the new dissident hoodie as

Speaker:

well. Check out the piece. Can you tell

Speaker:

we only got these on Friday and literally it came in the whole team's

Speaker:

all wearing the new Dissident merch. You

Speaker:

Thank you. And everyone is wearing it. Yeah, we all look immaculate. Put

Speaker:

You watch, one wash and these will be wrecked. But

Speaker:

yeah, it's nice to have some creatives on the podcast, which is something I've been talking about for

Speaker:

a while, because we get the in-house marketers, we

Speaker:

get the agency guys, but it's nice to see

Speaker:

some proper creators, because your background is design, right?

Speaker:

Yeah, so I've worked for a few different creative agencies,

Speaker:

digital agencies, specialising in print and

Speaker:

digital, and then took the punt and

Speaker:

went at it on my own. But yeah, I think when we first met,

Speaker:

I was working for quite a big agency. And we've, yeah, I've just

Speaker:

We're good. And so I thought it'd

Speaker:

be really nice to kind of get you in from from the kind of more creative perspective, also,

Speaker:

again, marketing as a whole, because I remember, I

Speaker:

mean, your big thing's brand, right? Like, I've always known you

Speaker:

as being like, really, really focused on brand, which is massive in

Speaker:

construction. And I don't think brand actually gets enough

Speaker:

kind of I don't know, airtime when it comes to

Speaker:

the marketers and stuff like that. I think when you think about branding exercises

Speaker:

and all that kind of thing, you think of like Surreal or,

Speaker:

you know, all these like big brands that like go mad on their creativity

Speaker:

and their culture and stuff like that. But branding and positioning is

Speaker:

massive in construction. It

Speaker:

needs to get more of a, well I'm nerd out about

Speaker:

I've got to admit Surreal is one of my favourites. And it's,

Speaker:

I think whoever runs their marketing, you would go, that's not going to work. And

Speaker:

then it works. And even on LinkedIn, which I

Speaker:

think is B2B focused there, their

Speaker:

marketing is not B2B focused as we would think of

Speaker:

it. If you went to a uni lecture, you would not be taught

Speaker:

that. But then it works so well, I think just because it

Speaker:

is so out there, it just really... I think a

Speaker:

It's just fucking cereal. You know what I mean? You know cereal.

Speaker:

They're like a marketer's like kind of like... It's

Speaker:

like marketing porn. It's just like a cereal company,

Speaker:

It's high protein. Yeah, they got Barry Scott back. Have

Speaker:

you brought any cereal, cereal though? No. No, I found

Speaker:

that, so I love the marketing and loads of people in our industry

Speaker:

love cereal, cereals, marketing. And you go, have you brought any?

Speaker:

What's it taste like? No idea. So I

Speaker:

Yeah, I don't know. I don't know. I mean, my excuse

Speaker:

is I don't actually eat cereal at all. At

Speaker:

the anytime I will, like if I'm hungover, I'll eat cereal. And

Speaker:

that's pretty much it, really. I just like, as a rule, not

Speaker:

Again, unless I'm hungover, in which case... So if I listen to this, there's going to be

Speaker:

a surreal campaign of, have you had a good drink? Yeah.

Speaker:

That's an angle. And Barry Scott behind it going, bang, and your hangover's going

Speaker:

slowly. So, background in marketing design,

Speaker:

worked with quite a few construction brands. Now you work for, do you want

Speaker:

me, I mean, you might as well tell us about Ignite because I think that's going to

Speaker:

sort of set the precedent for the rest of the conversation. Give us a little intro

Speaker:

Yeah, I mean, for me, obviously I come from agencies and

Speaker:

then sort of got on my own, Ignite, sort of one of the biggest clients of

Speaker:

mine, and that's who I'm happy to talk about, because they're

Speaker:

within the trades industry. I mean, they were founded in 2018, and it's

Speaker:

Chris and Rachel who run the company. They've got

Speaker:

a background within facilities management, so it started

Speaker:

off primarily as sort of like your plumbing, your heating, and then they've

Speaker:

now got electrical, And

Speaker:

anything like gas, so the gas safe, they've got all the accreditations that you need now.

Speaker:

And as well as that, they've just started

Speaker:

to do heat pumps. So that's a whole new

Speaker:

market, which I think is, especially for me,

Speaker:

I love trying to, I love when you can get a marketing campaign is something that is

Speaker:

a heavily saturated market. if you scroll on Facebook, if you're on

Speaker:

any social media, there's always heat pump grants available. And

Speaker:

you get loads of really in your face marketing. So actually I think people

Speaker:

really have become desensitized to the heat pump marketing. Whereas

Speaker:

actually I'm finding that if you do the sort of personalized approach or

Speaker:

actually getting stories of what's happened and how good they are, that's

Speaker:

becoming a lot better for us. We're getting more reactions for that one.

Speaker:

And the main one for us is Chris, who runs the company, he got a heat pump in his

Speaker:

own house. So, A lot of the time,

Speaker:

if a customer has something installed or we've done work for a company, you

Speaker:

can't then go, how's it going? Is everything okay? Whereas because it's Chris's actual

Speaker:

house, can you just get a photo of that when you go home tonight? Yeah. Oh,

Speaker:

how's it going? And just, you can bug him for every question. And I think

Speaker:

I think, yeah, in any situation where you've got

Speaker:

a product that goes out to launch that having any kind of experience in it is

Speaker:

ideal rather than just relying on the sort of the sort

Speaker:

of the sheet that comes with the product that tells you the features and benefits and

Speaker:

all that kind of thing actually having some like real world experience. You

Speaker:

know, you mentioned about like, on the on the pre roll

Speaker:

about like, you know, how you would kind of set it to sort

Speaker:

of standby, almost like standby mode when you get on holiday and having that kind

Speaker:

of like, you know, typical experience. Like,

Speaker:

if you've got normal radiators and stuff, you always kind of put put the like the radiators down

Speaker:

to like, don't freeze mode or whatever. And it's nice to kind

Speaker:

of have like specific piece of experience so you

Speaker:

can kind of obviously get that feedback and then relay

Speaker:

that in some kind of marketing and almost like take more of a personal approach to some extent.

Speaker:

That's it, because I know like client testimonials are great, but you

Speaker:

can't repeatedly bug clients for it and you get customers that are going to be busy, like

Speaker:

clients you'll, you can't, how's it going, you end up bugging them like I

Speaker:

don't want to push them away, whereas because it's his company. we

Speaker:

can keep bugging him. And yeah, it was exactly that. And it's also the

Speaker:

little thing, he came back off holiday when we're

Speaker:

going through it, because it tells you how much it costs

Speaker:

per day. And then obviously when you turn it back on, it tells you the cost

Speaker:

of that. And it was in essence like three times, it was

Speaker:

about three times a normal day's usage. So

Speaker:

actually, if you got it turned off when it didn't really use anything, we

Speaker:

realized that if you're away for three days, turn it off. If you're not

Speaker:

away for, if you're away for just like one night or two nights, just leave it running. Just

Speaker:

leave it running because they're so efficient, you're not using anything anyway. And

Speaker:

it's probably quite similar with traditional conbini boilers and normal boilers. And

Speaker:

there's a whole like campaign that I want to do on that because

Speaker:

people won't be thinking of it. They'll say, oh right, I'm going on holiday now, or I'm

Speaker:

going away tonight, I'm staying in Manchester, I'm staying in Birmingham tonight, right. Turn the boiler

Speaker:

off, right, we're going out, everything done, all the plugs off, and then you go out. actually

Speaker:

that's not the most cost effective route.

Speaker:

Leave it running. And it's these like little hidden gems that

Speaker:

Let's push that out there. He almost kind of like positions you as like a trusted,

Speaker:

almost like partner. And it's like, you're not just like, hey, get our

Speaker:

heat pump and have it installed by us because it's great. It's like, did

Speaker:

you know this? You know, it's kind of giving them a little bit, giving them a bit

Speaker:

of information that is like useful and these

Speaker:

Yeah well I know we were saying earlier on before we

Speaker:

started on the b-roll about sort of apprenticeships and with the

Speaker:

apprentice that's working there Quite often, if

Speaker:

there's a big job going on, you can get hands on help. But if it's just

Speaker:

a quick job, go in, do that, he'll just be standing around waiting

Speaker:

and just picking up as much as he can. I said, well, actually, I want to know what you're

Speaker:

picking up. The key element, and there was one thing that was said the

Speaker:

other day, it was when you're doing install, like say a stock tap,

Speaker:

stock cock, when you install it, you tie it up all the way, and then you

Speaker:

just turn it back half a turn. Which, if

Speaker:

you're in the industry, that's standard. Everyone does it. But

Speaker:

to us, oh I'd never think of that. I'd tighten up as tight as I can on happy days.

Speaker:

But is that stop it like season or something? Yeah, stop it season. But it's

Speaker:

something that just comes naturally to them. You're probably never going to be taught that, but

Speaker:

when you're in the industry and you're doing it, you're on the tools. It's

Speaker:

that little, it's the hidden gems that I love. They're the most, for

Speaker:

me, they're the most marketable elements. Stuff that is natural

Speaker:

to you, Oh, I always do that. Or something that you

Speaker:

think, I always do that and everyone else would find it

Speaker:

boring. It's not boring. That's the things that you go, wow, I

Speaker:

love that. I want to get that out there. It could be the best piece of equipment

Speaker:

going. There's going to be adverts out there for it. There'll be promotional

Speaker:

products for it. But the little hidden gems, that's what

Speaker:

I think it's that element of like, It's

Speaker:

weird, it's like advice from, I don't

Speaker:

know, it's hard to describe, it's almost more personal. And

Speaker:

if you're positioning yourself as almost like a

Speaker:

personable, relatable company

Speaker:

that cares, perhaps one that's local, perhaps one that's family-run, it's perfect, perfect

Speaker:

I think that's worked well. So the ethos with Ignite is

Speaker:

for the emergency call outs, it's a one and a half hour call out from

Speaker:

their head office, which is Hanley in Drone and Square. So actually, you

Speaker:

are getting that personal service. You will get to know who's coming

Speaker:

out to you. It's going to be someone who's worked

Speaker:

in the company, they know what they're doing. It can be Chris himself coming

Speaker:

out. And if you've got an issue

Speaker:

with a boiler, you know, your heating's gone, you're not water, you want someone coming

Speaker:

quickly, you'll find a lot of, say, the big blue

Speaker:

chip companies out there use a national service. there

Speaker:

was a company recently that, it's

Speaker:

a financial decision they've made to go with this other company, to

Speaker:

go with the National Facilities Maintenance Company. And

Speaker:

I think that they've chosen it for purely financial reasoning,

Speaker:

because they were probably cheaper, but their call-out time, they've been waiting two

Speaker:

months to get their heating sorted, and they're

Speaker:

in the car industry. And I'm thinking, How has

Speaker:

that been marketed to them? Because the

Speaker:

heaters weren't working, so the paint wasn't drying. And

Speaker:

without saying names of any companies, you think, they've been waiting for that long.

Speaker:

So actually their production times would have been going downhill rapidly. Whereas

Speaker:

when the guys came out, fixed it, there you go. And you think, well, why

Speaker:

aren't more companies researching into it? They just

Speaker:

stick with whoever they've been using. Oh, we always use these guys. We'll stick with

Speaker:

them. Why? And I think it's the,

Speaker:

we were talking the other day and sort of saying, you know, your

Speaker:

insurance, if you stay with your insurer year after year, it's

Speaker:

not normally to your, it's not normally on your, on your

Speaker:

terms. Whereas actually people shop around. with

Speaker:

facilities management, with your trades, people don't seem to

Speaker:

shop around once you've got someone to use them. So why

Speaker:

not shop around? And I think there's definitely a marketable campaign

Speaker:

Take us back to the facilities management then. So like,

Speaker:

can you talk us through that as a business model in general, just for people who aren't like perhaps

Speaker:

familiar with that. So you've got multiple trades in under one roof going

Speaker:

Yeah, services, maintenance, installation. So, you know, you're

Speaker:

going back to your core trades, plumbing, electricians,

Speaker:

gas. So, and if it's heating, if it's water, if it's

Speaker:

electrical, it's covered. That's facilities management. And

Speaker:

you'll generally find in big businesses, there's sort of one person who's in

Speaker:

charge of that, especially with Ignite. You're

Speaker:

going to have, so it's the Stratland one call one solution. So

Speaker:

actually, if you've got an issue, ring up, it'll be sorted. And

Speaker:

if it isn't, if it isn't something that say we obviously it was a window repair, there's

Speaker:

someone that we know we can, so it's one call one solution for whatever you need

Speaker:

and you can be helped with. And it helps that, so actually shopping around,

Speaker:

you can be using us, we'll be able to tell you who we can use and who to,

Speaker:

because if there was a company that's going to be, you know, somewhere up north, we've

Speaker:

helped a lot of companies all over, but you wouldn't want, if you need a quick repair,

Speaker:

you're going to be wanting someone who can come and help you quickly. So that's, yeah,

Speaker:

it's sort of the ethos and it is the family atmosphere because it's family company. a

Speaker:

family run, and I think you get that ethos from

Speaker:

within, which I think makes it more fun to market. Like

Speaker:

going to exhibitions, you get to know, you go, yeah, no, this is the Boston,

Speaker:

yeah, it's the family, there you go. Yeah, it just makes it, I

Speaker:

And especially because, so facilities management in a local area, it

Speaker:

kind of makes sense. It's got to be like, It's

Speaker:

got to be nice to be able to have a market that's

Speaker:

within a catchment area as well. Like just from a logistics

Speaker:

point of view, being like anytime you're doing any sort of digital stuff, any

Speaker:

Keep the budget tight. And with it being stoke as well, things like

Speaker:

you're going to be looking at pottery industry. If

Speaker:

a kiln goes down, yeah well then they stop production they

Speaker:

just sit around there getting annoyed yeah so actually

Speaker:

we'll go out there and get it fixed immediately and it's knowing

Speaker:

the pains of that there might be a pottery company somewhere else

Speaker:

but Stoke we're predominantly known for that so that's one of these industries that

Speaker:

you want to be getting into because it's just it's

Speaker:

it's a great industry to market to but also we know it because it's

Speaker:

a Stoke one it's the catchment area so yeah it's

Speaker:

And B2B as well. So your

Speaker:

marketing material and your sales is going straight to another business, right?

Speaker:

Okay. We'll do heat pumps for residential, so

Speaker:

the domestic side of it. Okay. And boiler installs. Okay. But

Speaker:

then a lot of it you do find, especially like in the shopping around, if

Speaker:

there's just, if it's someone who's got a really small job, they

Speaker:

probably don't want to use a facilities management company. They're just, we

Speaker:

are primarily aimed at businesses. It's mostly B2B.

Speaker:

The B2C side of things is when it comes to heat pumps and

Speaker:

boiler installs. But yeah, mainly B2B. You want to get into

Speaker:

those businesses that you know you can help out, you know they need the

Speaker:

help. And especially when, you know, if a lot of companies say,

Speaker:

you know, you've got an electrical issue, and then you

Speaker:

have a plumbing issue at the same time well that's all that's two companies right so and then

Speaker:

the facilities manager within the company is trying to ring one guy and relate the

Speaker:

other and get him come in don't need to do that, just ring us and we'll

Speaker:

It's the agency model essentially, isn't it? Yeah. Although more

Speaker:

and more agencies are becoming specialists now, as

Speaker:

Well, I know you hate the full service agency.

Speaker:

The more, the longer I'm, that

Speaker:

we're a non-full service agency, the more I keep adding stuff.

Speaker:

So I kind of understand. There's like, yeah, I've

Speaker:

never, there's an element of like the full service agency. So

Speaker:

there's, I'll get off my sort of like, what's

Speaker:

it? I didn't have a lot of sleep last night. What's the soapbox? Is

Speaker:

it the full service agencies? Full

Speaker:

service agencies are great. What I And

Speaker:

I think they definitely have their place. And some of them will do everything amazingly

Speaker:

well. But I think the more services that you bring on, the

Speaker:

less specialist you can be, the less resource you can put into that. So

Speaker:

if you, for instance, if you've got, let's

Speaker:

say, web design as part of your service offering, but

Speaker:

you don't do a lot of websites. You've got one guy, one girl doing websites. And

Speaker:

then a company comes to you, they go, hey, we don't want all of this stuff. And

Speaker:

you're really good at social media marketing, you're really good at content. And

Speaker:

you do websites, but you've only got one person, and they're kind of limited on resource. And

Speaker:

the client wants that you're probably not the best fit

Speaker:

to go and do that website compared to an agency that specializes in

Speaker:

That's you'll find I think you do find as well when you've got that

Speaker:

there'll probably one person there that's amazing with WordPress and

Speaker:

then you get a company coming and saying I want this this this that I want to integrate and

Speaker:

I want our e-commerce in the back end you know well that's probably a bespoke build

Speaker:

then and then that's going from WordPress to a complete

Speaker:

coded bespoke website for you. Totally

Speaker:

So there's an element of that. But I do think full service agencies are

Speaker:

still valuable. But there's certain elements where if you have a

Speaker:

situation where, look, I just need everything looking after. And

Speaker:

not one specific thing of these needs to have serious

Speaker:

priority over others. Full service agency is great. But

Speaker:

if you go to a full service agency for social media marketing, and

Speaker:

Because you're going to an agency that doesn't just specialise in that.

Speaker:

Because I think, coming from the agency world, I always find it, with

Speaker:

facilities management, people go, oh so they do plumbing and

Speaker:

electrical. Well yeah, but the amount of accreditations that you have to

Speaker:

have, whereas in a full-service agency you don't really have to be accredited.

Speaker:

Anyone can start doing social really, they can just start to

Speaker:

do it. When you're in the actual industry for trades, all

Speaker:

And it's not just that, the amount of training they have to do. Because we're

Speaker:

going, oh yeah, where's one of the lads that will be on a training course? Oh, he's on another training course.

Speaker:

And it's just, and I think it's unreal how accredited they

Speaker:

have to be. The health and safety side of things, and comparing that

Speaker:

to like a full service, no, full digital marketing agency, anyone

Speaker:

You could download a free WordPress template, just edit it and tweak it.

Speaker:

Because you've got the eye for design as well. And with a team, you could

Speaker:

get it started. But if someone said, I want a full bespoke build website.

Speaker:

I mean, 50 grand's worth of website. That's a big job, that. I

Speaker:

think the two worlds are so

Speaker:

similar, but so different because you don't have to be accredited to

Speaker:

Well, a lot of the time as well, you know, with the agencies that kind of get, most

Speaker:

agencies don't have production in house. And if they do, they're usually pretty

Speaker:

shocking. And I don't mind saying that full service agencies, sorry,

Speaker:

that this production agencies that are doing incredible work. But most

Speaker:

of the time, a videographer, a photographer, a graphic designer, maybe not a graphic designer,

Speaker:

but those kinds of like, the content side of media,

Speaker:

they're way too expensive to just have sitting around. And if you're not, if you're

Speaker:

not literally dishing out work to them constantly, they're not gonna be making making

Speaker:

their money's worth. So a lot

Speaker:

of the time they won't have them in-house. So we get contacted

Speaker:

by other agencies fairly regularly to quote on shoots. And

Speaker:

we usually lose out on price because agencies looking

Speaker:

at other agencies, you know, they might have told the

Speaker:

client roughly what it's going to be, but they kind of based that on like one guy with

Speaker:

a gimbal's worth of production as opposed to a full production. Um,

Speaker:

so, um, but then when I saw it, but I keep in touch, I'm like,

Speaker:

yeah, that's how that's how the world works. And,

Speaker:

um, and then I see the actual film that this whoever's done

Speaker:

it, I'm like, I'm like, no

Speaker:

one took this film seriously. I'm like, This

Speaker:

might have been part of a huge campaign where the design's amazing, the

Speaker:

website's great, the PR's amazing, the film's toss. And

Speaker:

I'm like, how has no one put any priority on this film?

Speaker:

And it's because they've just hide it out to a freelancer that's

Speaker:

done it for a grand or 800 quid or however much, because

Speaker:

neither the agency or the client took it seriously. I don't know where I'm going with this rant.

Speaker:

Give us some money, basically. Give us all the

Speaker:

I suppose it's also the care, and because you know

Speaker:

the industry, things like, if someone isn't within the

Speaker:

construction trades industry, they wouldn't know. So if I'm doing

Speaker:

a shoot or I'm doing anything like that, I'll know that, right, that's a

Speaker:

walkway, you can't have a cable on that. Health and safety is

Speaker:

paramount. And if you're doing a shoot, you

Speaker:

want to make sure that, I mean, obviously everyone always is, but there could be,

Speaker:

someone could take a photograph of the guys not actually on the tools and

Speaker:

then use that And it looks like they could be on the tools, and

Speaker:

they're not wearing the PPE. They're not wearing the safety gear. It's a huge thing,

Speaker:

PPE is massive, man. Anytime we're on site, the

Speaker:

thing that either any of the, because there's usually about

Speaker:

two or three parties involved. So if we're going to build, if we're going to a

Speaker:

building site, we've got the guys have got one in London next week with

Speaker:

one of our clients. And so they're

Speaker:

on a big building site for, I think it's like a care home. Central

Speaker:

London, beautiful place. Our client's supplying some

Speaker:

of the arch brick support, lintels

Speaker:

and stuff like that. So we're going in and shooting all that kind of stuff. Got a

Speaker:

videographer and a photographer. And I

Speaker:

can already tell like I'm getting seasoned into all the email. So you've got the client, you've

Speaker:

got the brickwork contractor, and you've got the main contractor. And there's sometimes there's

Speaker:

even like another tier one contractor or a housing builder or

Speaker:

whatever. in there and all of them are concerned

Speaker:

about what's going to be in the film and if they're going to get screwed because

Speaker:

they're just so concerned about like all of the dangerous shit

Speaker:

that happens on a building site that you know health and safety to

Speaker:

you know they can try their best but they can't police everybody And

Speaker:

some of these builders are animals, let's be honest, you know. And

Speaker:

we're all the same, like, you know, what I'm

Speaker:

doing now with my PPE is silly, it's not actually that valuable. You

Speaker:

can have those kinds of thoughts and as soon as the health and safety person isn't looking, you're

Speaker:

not going to be wearing the gloves because they're getting in your way, you want to get your job done. But

Speaker:

in the film, I mean, the construction industry is like so

Speaker:

I think you're going to think it's that as well, because we

Speaker:

know it, you've then got to go in and go, you

Speaker:

need to put your gloves on. You know they're going to go in, oh fine,

Speaker:

but you've got to just force them to do it. And then if they're not actually

Speaker:

on the tools or not in the shot, make sure they're not in any

Speaker:

video way. And if you've got someone there who's just come in, they

Speaker:

can normally do beautiful landscape videography. They've come into construction,

Speaker:

the shots are amazing. The cinematography side

Speaker:

of it is, wow, you can't use that. No,

Speaker:

can't use that can't use that can't use that it's hard it's heartbreaking when

Speaker:

you get those films back and they go nope nope nope nope nope because it's and

Speaker:

they're literally haven't even looked at the creativity they're just going pp pp pp

Speaker:

it's not right i remember i was on a shoot again in central london and

Speaker:

um uh anyone any

Speaker:

any videographers that and photographers that work in central london will realize

Speaker:

how much of a fucking pain it is to go to go and do that kind of stuff like

Speaker:

just just being just not being able to park uh

Speaker:

is is expensive anyway um and there

Speaker:

was a guy there on site and he was like yeah yeah i'm

Speaker:

like just because i'm not gonna be wearing gloves you

Speaker:

know um whatever happens i'm not wearing gloves i never wear

Speaker:

gloves i'm like cool do me a favor don't get in any shots and

Speaker:

he was like and turns out he's the main fucking guy he's there

Speaker:

he's in every shot going yeah do this and he's and i'm like no

Speaker:

i could have really done with you not being like the manager of

Speaker:

these guys uh so we we kept rolling on him

Speaker:

and yeah the you know the in the end the It

Speaker:

wasn't our client. It was, you know, again, one of the steps down. They

Speaker:

were like, yeah, you can't use any footage with him. And I'm like, you could

Speaker:

have told him not to turn up that day. If you don't know,

Speaker:

he's going to be such a nightmare because we were like, everyone's got to wear PPE. And he was the only guy

Speaker:

that was just like, respectfully, no. And

Speaker:

we were like, cool, you know, he was nice about it. But he just happened

Speaker:

to be like the most animated, cool looking guy that seemed to

Speaker:

I'm lucky that I've never

Speaker:

come up against that. I've been on some like

Speaker:

big shoots with multiple guys. And they always seem to

Speaker:

understand when you say, If I get your photo and it ends up

Speaker:

on social media and you're not wearing the PPE, what are you going to get? All

Speaker:

the people will start commenting and having a go at you, and that means a

Speaker:

great marketing campaign will flop. You're going to

Speaker:

get publicity, but it's bad publicity, and I think that's when it starts to fail, because

Speaker:

then they go, oh, if he's not wearing the correct PPE, and everyone then will just focus

Speaker:

on that. It doesn't matter, you've just done the best brickwork, you know,

Speaker:

you just put the best piping installed to a boiler, it looks

Speaker:

of that. No one cares because he wasn't wearing, oh he hadn't got

Speaker:

his safety glasses on. And they'll pick up on that and I

Speaker:

have always found that the guys on site, if I hardcore

Speaker:

explain to them that, they have been quite

Speaker:

happy to go, all right then. And if anyone asks you, you always wear

Speaker:

it, yeah cool. But yeah, if someone doesn't know that, they won't

Speaker:

be looking through it. And you know what, blue roll, I don't know about you, blue roll ends

Speaker:

up in shots. move that, move the blue roll because it doesn't

Speaker:

look, we all know it's used, everyone knows it, every trade will

Speaker:

have blue roll or some big wipes. Big wipes,

Speaker:

yeah. They are used but unless it's like a professional shot,

Speaker:

blue roll just, it always looks a bit messy, you want to be moving out the way, it's

Speaker:

not a nice sleek box like Vicar Wipes, you'll be moving it out the way

Speaker:

and if someone coming in just getting like that cinematic, you

Speaker:

They don't want to think about that. It's a scratchy, half-soaked roll

Speaker:

Or just a dirty rag. We all

Speaker:

know they're used. You can't do a job without using rags. You

Speaker:

just don't want them in the shots. Even in b-roll shots, you don't

Speaker:

want it in there. You want it at least looking professional, sleek, and nice and

Speaker:

The thing that I've always found about the construction industry is it's actually quite

Speaker:

catty when it comes to like people getting on

Speaker:

social media and being keyboard warriors. I think it's one of the worst industries

Speaker:

that I've ever worked in for just pointing out stuff that's

Speaker:

got no relevance to them at all. They're just, you know, if

Speaker:

they see something, they go, oh, yeah, I wouldn't be doing that. You should be doing this kind of

Speaker:

thing. And oh, that bloke's being dead dangerous or whatever. I'm

Speaker:

like, like even even if I saw like

Speaker:

something in my industry of someone doing a shit job I wouldn't think

Speaker:

to just go on socials and go to a brand and go that's

Speaker:

shit that is like you wouldn't be able to do that and he's like breaking the rules

Speaker:

or being unsafe and for some reason in construction especially

Speaker:

these men just kind of riled up

Speaker:

by the by all the health and safety stuff and i just think it's bizarre because

Speaker:

most of the time um when you see this it doesn't happen to

Speaker:

us a great deal um but i'm aware of it even

Speaker:

in marketing material as in like it's obviously fake

Speaker:

yes it's a fake photo shoot this is this is practically fashion

Speaker:

with a tool yeah do you know what i mean i thought i should be wearing pp i'm like

Speaker:

He's definitely not on site. He's in a production studio, which is

Speaker:

super safe anyway, and he's just showing the tool off.

Speaker:

It's not even plugged in, mate. You can see the plug just hanging

Speaker:

over. Yeah, and it's like, so we have to do this, you know,

Speaker:

it's one of those things, you know, we were shooting with Werner, We're in

Speaker:

a ladders, great client, great ladders by the way.

Speaker:

And it's one of those sort of situations where you get everything set

Speaker:

up right and then the model's kind of doing their

Speaker:

thing. And usually this is an actual builder. And then we're like, right, okay,

Speaker:

we've got to put a load of PPE on it now. And I'm like, damn, this guy

Speaker:

wrecks all our light and all the high vis stuff's reflecting like crazy. We've

Speaker:

got all like safety glasses, the work boots are an obvious thing,

Speaker:

but even like the gloves, I'm like, damn. We could have really done without that.

Speaker:

I get it. Especially with the reflective side, I think. You've just set all your lighting up.

Speaker:

Yeah. And then you go, yeah, we're now going to have loads of reflection. Yeah.

Speaker:

Okay, let's rethink about this. But if you don't, you start getting hate. It

Speaker:

does seem like you could have the best marketing campaign out there.

Speaker:

You've just something, you know, it's a goldmine. Something that people aren't

Speaker:

talking about. You know, it's the hidden gem of the

Speaker:

industry that once you get out there, people go, oh, yeah, great. Yeah. But

Speaker:

if there's not a bit of PPE, people will pick up on it. Yeah. And

Speaker:

they just go mad. And I don't understand, it seems like an industry where you think it

Speaker:

wouldn't happen. But yeah, they really do call you out.

Speaker:

Middle-aged sort of, you know, sort of hard-working blokes getting on

Speaker:

their keyboards and going, oh, I should be wearing PPE. Where's this

Speaker:

come from? I don't know. Do you know why I think it is? I

Speaker:

think it's because for some reason there's been this kind

Speaker:

of thing about construction being so competitive. It's

Speaker:

a really, really competitive industry and there's a lot of hate between

Speaker:

brands. There's a lot of like secrets and

Speaker:

you know, there's almost like a bit of bitchiness around like, well, you can't, you

Speaker:

know, I've sometimes felt weird commenting on

Speaker:

a post that's like a rival of one of our clients. Even

Speaker:

though in any other circumstance, like I can speak to my direct competitors

Speaker:

and be very friendly with them because we're friends most of

Speaker:

the time. It's nice. I mean, the creative industry is a nice industry

Speaker:

to be in, even though it is still incredibly competitive. but

Speaker:

in a good way, whereas I think construction's like competitive in a bad way a lot of the

Speaker:

The creative industry, yeah, I would say, and I

Speaker:

think we're always happy, like if I have a phone call from someone

Speaker:

who I know is doing work with someone I've worked with, they're

Speaker:

like, oh, I just, I don't want to pick your brains. And I think with creatives, we

Speaker:

do love to just spout what we're thinking and go, right, this

Speaker:

is what I got an idea on. And they go,

Speaker:

right, so I've got, you know, I'll do a marketing campaign. And it can be something completely

Speaker:

different to the industry you're working in. But it can work quite well. When I was at an agency,

Speaker:

when I was doing agency work, I can always remember there was, I did a campaign that

Speaker:

worked really well for a butcher's and a solicitor's, which was,

Speaker:

it was a direct mail campaign that worked with, it was on my channel, so

Speaker:

it also went with social. And they both worked really well. It

Speaker:

was very similar, I'm thinking, but you'd never get that. If

Speaker:

it was just in-house, they would never have the same things working. And

Speaker:

if someone rings me and I've done the same, I've rang other people

Speaker:

up and said, I've got an idea about this. What

Speaker:

do you think? And it's just that sort of having that backup and

Speaker:

just having someone to run ideas with. Whereas in the construction industry,

Speaker:

Yeah, you might imagine like, like the CEO of DeWalt,

Speaker:

ringing up the CEO of Bosch and being like, any

Speaker:

advice? What's working for

Speaker:

you at the moment? It's mad, but like creatives and marketers will

Speaker:

just do that. And it's because I think, because I think there's a lot of ways to

Speaker:

skin a cat when it comes to marketing, whereas I think a lot of construction is just like, our

Speaker:

thing is better than the competitor. That's like all for a lot

Speaker:

of the for up until Recently, when they've started

Speaker:

getting clever marketers in, that's been their only differentiation

Speaker:

is we need to make our thing look better than the

Speaker:

other thing. And I think they're only just, this is why this podcast exists,

Speaker:

is there's more

Speaker:

clever, more creative marketers coming into the industry and educating,

Speaker:

you know, the C-suite, whatever, execs, Is

Speaker:

With us, the C-suite, they're the top level. For

Speaker:

facilities management, you want to be getting below that. Because they've

Speaker:

put someone in charge of facilities management, that's who you want to get to. You're

Speaker:

above the gatekeeper, but you're not C-suite level, you want to be to that mid-level.

Speaker:

is it's a hard market because they're the ones that actually are

Speaker:

normally quite busy so that you can't get to them is it the c-suite level

Speaker:

there's normally a route in yeah and then if you're aiming for the gatekeepers to

Speaker:

do a campaign for them you know you want to be sending all them some nice gifts that's

Speaker:

quite getting to that mid-tier range that they might not have an email address

Speaker:

they're just they're not linked in they're not linked in they haven't

Speaker:

got a direct phone number But if anyone in the C-suite wants them,

Speaker:

they've got the mobile number, just give them a call. They're the ones that we're

Speaker:

getting in. So we're marketing to them. And it's fun to

Speaker:

market too, because it's a challenge. I think that makes it more

Speaker:

fun. And actually going back to what we've just been saying, I spoke to other people. And

Speaker:

so one of my mates who works, he

Speaker:

works with sort of garden centers. He never has this

Speaker:

issue, because he knows who he's aiming to, and it's primarily B2C. a

Speaker:

campaign, this is what I want to be doing, and we can just go to the pub and

Speaker:

chat. And you wouldn't get that within the construction industry really,

Speaker:

because they go, that guy's from Milwaukee, and I'm not talking, yeah,

Speaker:

yeah, yeah. We'll go sit over there, and they can sit there. And it's

Speaker:

weird, because actually they could, there's probably things they could work together on. There's

Speaker:

Yeah, it's which is it's weird, isn't it? When you go to these like, I'm

Speaker:

going to an exhibition next this

Speaker:

week. And it's literally like agencies, the

Speaker:

only people that can just go to all Milwaukee, McKee,

Speaker:

whoever, I'm just like going between all I'm just like, do you want to give us some money? Do you want to

Speaker:

give some money? Like, content, content, content, like we'll just we'll work

Speaker:

I think it's like print. I

Speaker:

Which look great, by the way, don't they? It just looks a bit

Speaker:

weird when you keep rubbing your chest. Check the back, Craig. Look at that. You know what

Speaker:

Ambidextrousness going on there. We thought about putting in some like

Speaker:

Easter eggs like on the sleeve or something, but we just went classic.

Speaker:

No, with printers though, now there's people you'll use for, say,

Speaker:

business cards, there's people you'll use for promotional merchandise. Even with promotional merchandise,

Speaker:

you know, you get a mug done by one person, but they might not be

Speaker:

very good at doing, and especially within promotional tape measures.

Speaker:

Everything is different, but they're all in the same industry, and

Speaker:

they are quite similar. They won't speak to each other like construction. I have found that

Speaker:

before, and you think, but you could always refer to them and

Speaker:

they can refer to you there's definitely work to be done there but everyone

Speaker:

Yeah I think this is the thing I think it's always been

Speaker:

that thing of like it's very price driven

Speaker:

and it's very much what's better or that's what the

Speaker:

perception has been but actually I think you know the

Speaker:

higher ups in the c-suites and the sales directors are being

Speaker:

better educated by the marketers to be like no actually there is brand loyalty and

Speaker:

there's um there's there's more clever stuff there's positioning it's

Speaker:

not necessarily about whether your product or

Speaker:

service is the cheapest and the best it's actually

Speaker:

just like there's a lot more factors that are involved and that makes the

Speaker:

process of marketing it a lot more interesting a lot more nuanced

Speaker:

because you can have you know notoriously, like we

Speaker:

get stuff, you know, we buy stuff all the time that we know isn't as good as

Speaker:

a competitor, but we we prefer it because we like the brand. Yeah. And

Speaker:

that's, you know, cool. It's like,

Speaker:

you know, it's, it makes our job a little bit more fun, because we

Speaker:

can be like, okay, we know our product isn't anywhere near as

Speaker:

good as our competitors. And we also know that it's actually a little bit more expensive.

Speaker:

So let's do some creative stuff to work

Speaker:

around that. Because now we know it's not just built on

Speaker:

industry, it's the educational piece sticking out.

Speaker:

People will only normally call you out when something's broken. And

Speaker:

it's like, oh, it's broken now, so I need someone to come out. But actually,

Speaker:

if the educational piece that we're marketing is

Speaker:

that it's preventative maintenance. So it's regular maintenance, so yeah,

Speaker:

you will be... So say you're paying, you know, £50 a

Speaker:

year for maintenance on something, or £100, £200, whatever, you're

Speaker:

paying that. But if that thing breaks down, one, you've got the

Speaker:

company shut down, and then two you've got then the extra fee

Speaker:

of it coming out and being because if it's broken then you'll come

Speaker:

out inspect it find out what's broken with it and when it's broken you then got

Speaker:

to get the parts and it's still going to be a bit and then you get the parts and then you got to fix it if

Speaker:

it's being regularly maintained you'll find out that actually if

Speaker:

something is you go right that that hasn't got long left it'll

Speaker:

probably last this long but we'll get the part in ready for it

Speaker:

yeah or shall we just do it now and then you let the client decide you always let the client decide but

Speaker:

It's it's that sort of regular maintenance that people don't want to pay for

Speaker:

but then when you're educating them Yeah, but think it's because people won't

Speaker:

think about the production cost of like when the company stops

Speaker:

Yeah They think about they think about their monthly billing.

Speaker:

Yeah, it's it's all you know, especially like the blue chip ones It's just financial

Speaker:

side of things. Well actually if you think about the

Speaker:

financial side of things of once we've fixed, you know, once you've got to fix it

Speaker:

and your production stops, the costs are a lot higher than

Speaker:

just paying that regular fee to get the guy to come out. And actually the regular

Speaker:

fee includes someone coming out, checking it. So

Speaker:

if it's checked, then we'll know what's wrong with it and you'll get a report on

Speaker:

actually, well, this is well, this is fine. And that person then will also

Speaker:

know your bit of kit. And that's all,

Speaker:

you know, with night finding the, you

Speaker:

know, say someone like Churchills, they know the kit that's in there,

Speaker:

and if something is going to go wrong, they'll have been told. And if something, you know, you get

Speaker:

the one-off, how's that happened? Oh well, it could be

Speaker:

this, it could be that. Right, we'll come in, have the parts ready, know

Speaker:

what they need to order, and it's done then. So you're not having that downtime.

Speaker:

And it's that educational piece, like you were saying,

Speaker:

it's educating people about that. And I think that's where

Speaker:

sort of Apple Jobs is marketing. You've got to educate people about

Speaker:

things that they probably don't care about, but should care about.

Speaker:

Yes. And it's not just the obvious stuff like, it's,

Speaker:

you know, we've got this special offer on or we're great

Speaker:

at doing this, you know what I mean? It's the little things that

Speaker:

can make a huge difference. In terms of facilities management then, like,

Speaker:

We love marketing less sexy stuff.

Speaker:

And I think when it comes to facilities management, it doesn't get much

Speaker:

less sexy than that as an idea, as a concept.

Speaker:

It's maintenance, right? But at the same time, that's a

Speaker:

great challenge. Because I'm like, OK, it's a maintenance contract. If

Speaker:

you took it back to its bare bones, how do you market that? And it's

Speaker:

like, oh, no, I've got some special ideas for this. But on

Speaker:

that thought, though, like, What have you found since working in

Speaker:

that industry has been the the biggest challenge in general? For

Speaker:

let's say so we can relate to the other facilities management marketers

Speaker:

It will be probably people stuck, people stuck with

Speaker:

the one person so there's a company out there and they'll

Speaker:

go right well we've always used someone who's the

Speaker:

electrician, someone who's the plumber and someone who does the heating, yeah

Speaker:

we've always used him. you have an issue, you ring them, oh we're busy, you can't come

Speaker:

out straight away, and it could be a one-man band because, you know, it could be a

Speaker:

lot cheaper, but then they've always used them and they're slightly

Speaker:

more willing to wait. So the C-suite level will be going, right,

Speaker:

we need it fixed, come down and they go, right, it's coming

Speaker:

to get fixed next week. it might not happen next week, it just gets pushed on,

Speaker:

but it kind of still works in a way for them. Whereas actually,

Speaker:

once you get in there and you go, right, well, we can come out and get it fixed, and it's,

Speaker:

again, educating them with, you're using that, it's the detrimental

Speaker:

effect of continuing to use what you've been doing. looking

Speaker:

at sort of like the insurance side of things, you know, if you're stuck with a car insurer and

Speaker:

you keep using them, it ends up being a bit detrimental to you in the long run.

Speaker:

And everyone shops around. Why don't people shop around for facilities management? Why don't people

Speaker:

shop around and go, well, who should I be using? There's always that worry

Speaker:

of, oh, well, who am I going to use? And that's, you know, are they

Speaker:

going to be any good? Which is why I want to be putting the testimonials out there and

Speaker:

getting the videography content that shows how good they are. But

Speaker:

then anyone can do that. It's once you're getting in front of them, getting your people

Speaker:

out there, and I think facilities management, especially the facilities marketing out there, it's

Speaker:

the same issues you have. It's just getting yourself in them because people have

Speaker:

been using the same company for so many years and they stick with them. And

Speaker:

they just get stuck in that sort of like, well, we've always done

Speaker:

It's one of those tricky sort of situations, isn't it? It's like, We're

Speaker:

going to take this back to really nerdy stuff now when it comes to creativity, but

Speaker:

we were speaking about switching over to DaVinci Resolve from

Speaker:

Premiere Pro for the videography nerds. Have you

Speaker:

done that? No, because I'm just like, it's almost like

Speaker:

the cost of trying to learn a new

Speaker:

piece of software. There's a special name for those kinds of video

Speaker:

software, isn't it? I've completely forgot what it's called now. It's a three-letter acronym.

Speaker:

So you've been using Premiere Pro for ages, and you're thinking, DaVinci

Speaker:

Resolve technically works a lot better, runs a lot better, and the color

Speaker:

gradient's better. I'm like, cool. But the faff of

Speaker:

changing is enough to stop you.

Speaker:

Even though you know you can technically perform better

Speaker:

if you do make that decision, it's the effort of making that decision. And

Speaker:

so that, as marketers, is kind of a very similar thing for you guys.

Speaker:

You're trying to get these guys to switch provider, which

Speaker:

is effort and risk, but actually

Speaker:

But Adobe are the behemoth, and I know we're going, but Adobe are

Speaker:

the behemoth, they own it, don't they? And I always say this, and if

Speaker:

Adobe's listening, don't. If they just put their prices up massively, you might

Speaker:

want to charge it five times as much. We

Speaker:

just kind of go, oh, right, okay. I don't know

Speaker:

what to do. I'd be panicking over that, because Adobe have just got

Speaker:

the market covered. There's so much

Speaker:

of the software out there, but the Adobe one does work well with

Speaker:

each other. You can go from Premiere Pro to After Effects, and then you

Speaker:

can import stuff from Illustrator. It just works well. Whereas

Speaker:

actually, if you then go to DaVinci, it's not

Speaker:

It's only mildly different, but for a team of the

Speaker:

six of us, but really there's only four that would ever use Premiere Pro or

Speaker:

DaVinci Resolve, that's a one-time cost.

Speaker:

So DaVinci Resolve is a one-time cost, you are not paying

Speaker:

a monthly subscription. I think, I

Speaker:

can't remember what our Adobe bill is, but it's probably around

Speaker:

three, four hundred pounds a month, something like that. It's a lot of money for

Speaker:

our team, for a small business. So you

Speaker:

could take a chunk out of that for, you know, just a good switch to DaVinci

Speaker:

But you can't, because if you're still going to be using Illustrator

Speaker:

and Photoshop, to edit, you know, stills, and you want to

Speaker:

be creating thumbnails. How then do you do that

Speaker:

if you spent all your money on DaVinci and you're going, I'm going to stop using Adobe? You've then got

Speaker:

to find other software. And it's the same, like, oh

Speaker:

no, the hidden gems. You'll be used to keyboard shortcuts. Everybody

Speaker:

has to do that. Like, well, have you just done that? Oh, you know, just command it. You

Speaker:

know your shortcuts. If you then swap to a different piece of software, your shortcuts

Speaker:

have changed. Right, what do I do for that? And you've got to learn it.

Speaker:

Is that time taken to learn it going to be worth it? It's really hard to put

Speaker:

But it's essentially the same problem that the

Speaker:

facilities management companies have of just like we've always used

Speaker:

this guy or this company. It's probably costing us

Speaker:

at the moment more than if we went with you guys. but

Speaker:

the faff of it kind of puts me off and so it's the same marketing problem.

Speaker:

And if you think about the way that Da Vinci have got

Speaker:

around this solution is they've used ambassadors and influencers

Speaker:

so I never get a piece of content

Speaker:

that comes directly from DaVinci to say, hey, you should use our software.

Speaker:

I see influencers switching, and making a

Speaker:

lot of content around switching. And I'm like, okay, I trust this

Speaker:

person's opinion. Let's have a little look at this. And we do a lot in influencer marketing.

Speaker:

So we kind of understand the value of someone's opinion

Speaker:

that's trusted in the industry. And you sort of

Speaker:

think, okay, that's interesting. How do we then switch that onto, let's

Speaker:

say, if we were in this, having this discussion properly, like,

Speaker:

okay, so we can market it, we can put some great stuff out

Speaker:

there, we need to make sure that DaVinci is, or, you know, let's say, in

Speaker:

this instance, a facilities management company, is

Speaker:

turning up in the right places and looking right, you

Speaker:

know what I mean? But actually, you can have these kind of other

Speaker:

strategies of, you know, essentially a testimonial, a case study, Maybe

Speaker:

someone else in the industry that's, you know, quite well respected. You

Speaker:

can start to kind of get those messages out there because, you

Speaker:

know, the influencers on LinkedIn are essentially the sales directors, CEOs

Speaker:

Yeah, because that's it. There's not going to be an influencer on

Speaker:

That's, it's not, yeah, that's the... We have to scale these things down,

Speaker:

but it still works because you only need what, like 20? If

Speaker:

you did like 20 new big contracts, that's a

Speaker:

I think a lot of people will go for influencers and go for the huge ones.

Speaker:

There's the micro-influencers that you can work with, but also you

Speaker:

can find influencers that are, say they're doing

Speaker:

something, it could be like the paint and decorate or the, because I know that there's

Speaker:

a plasterer and he's got

Speaker:

massive following. Obviously he's on a job doing it, but then he can

Speaker:

be talking with Ignite and talking about what they're doing.

Speaker:

It's trying to find that partnership and that can work really

Speaker:

well. But we have found that, yeah, testimonials, and

Speaker:

someone going, well, I know you might be thinking it's a risk, but it will save.

Speaker:

Yeah, it worked for us. It worked for my business. And I'm the CEO of

Speaker:

a really well respected company, or I'm the managing director, whatever.

Speaker:

And they've got a load of mates who are also managing directors and CEOs. And

Speaker:

they go, Oh, fair enough. And, you know, it's being able

Speaker:

to leverage those kinds of things. It's like I'm running

Speaker:

some ads at the moment on Instagram and LinkedIn. Just

Speaker:

playing, really, just having some fun. And I think I've given myself like

Speaker:

700 quid's worth of budget just to play for the next couple of weeks. And

Speaker:

the cost per click was ridiculous. So

Speaker:

I don't know, let's say on one of my ads, let's

Speaker:

see if I can get the stats up. So I

Speaker:

had one ad. turn my

Speaker:

There we go. So you go to Instagram, add insights. Okay.

Speaker:

And then it buffers for ages. So

Speaker:

I've got, let's say, I got on this particular, so

Speaker:

basically the same scenario, I'm going to turn my phone off. I basically ran the same ad

Speaker:

on LinkedIn and on Instagram just to test them.

Speaker:

Even though I knew Instagram was actually a really bad platform for

Speaker:

It's not great. So like reach was 28,000 people. It had 88 interactions. This

Speaker:

Yeah, this is literally just our, it was our, what do you call it? showreel.

Speaker:

I just throw it through. Oh for you, for you guys. Oh yeah,

Speaker:

I didn't know if you got like a client in mind that they'd give you that amazing,

Speaker:

because you do get that. You get that client that says right, I know you

Speaker:

trust what we're doing. I've had it in the past where I said right, you're going to an exhibition, you

Speaker:

need a brochure doing, I've got the reasoning behind it,

Speaker:

this is what I'm thinking, what you think, and they go Yeah, right. No,

Speaker:

no, have a look and make sure you agree. No, that's exactly

Speaker:

what we need. And that level of trust, once you

Speaker:

get that, that is when you know that you've proved your

Speaker:

worth and then you can go and obviously like doing what you're doing, you

Speaker:

do it for yourself first, don't you? Then you make sure you proved it and then you go,

Speaker:

right, this one could be a bit risky, but it's going to

Speaker:

pay off. It will pay off here, but we're going to try that bit as well. Put a little bit

Speaker:

of pot of money to that side, you know, for your Instagram there, but LinkedIn

Speaker:

is where it's at. And then sometimes it randomly happens where

Speaker:

I'm going to have to spend some time researching into what

Speaker:

has gone, what's changed here. It could be an algorithm change, which is

Speaker:

Yeah, I mean, so this gives you like an idea. So I had 152 interactions

Speaker:

with this ad, which cost me 25p in

Speaker:

interaction. So that's not too bad. But that's kind of

Speaker:

untargeted, it's kind of targeted to the right people, but I couldn't

Speaker:

be that granular. And there is a point to this is that kind of like the

Speaker:

idea of this, the influencers of your industry

Speaker:

don't need to necessarily be influencers, they just need to be the right kinds

Speaker:

of people in the right places. So there's 2525 p

Speaker:

per interaction 152 interactions. I've been

Speaker:

running a LinkedIn ad and I've had 11 interactions so far

Speaker:

and they've cost me a 10 or a piece. So

Speaker:

I've had 11 people interact with

Speaker:

my ad properly. Lots of people have seen it but only 11 people

Speaker:

have actually interacted. I've had zero leads and it's cost me £110 to get those 11 people to click on my ad. Have you

Speaker:

had leads on Instagram? Yeah,

Speaker:

they're going through to a landing page. But yeah,

Speaker:

no one's actually interacted properly with that. They're not taking it

Speaker:

to the next step, which is fine, because it's just a test. But

Speaker:

yeah, it shows the difference of If

Speaker:

I got one lead on there, it's so targeted, that

Speaker:

particular ad on LinkedIn, for it

Speaker:

to cost £10 per click. I've gone

Speaker:

so granular on that, that I'm only interacting with

Speaker:

who could potentially be my target clients, as opposed to, Instagram,

Speaker:

which had 152 interactions as opposed to 11. But

Speaker:

it's just random random, they're kind of in the right industry, but

Speaker:

maybe not really. And that and this is the thing with with

Speaker:

marketing b2b is the numbers are

Speaker:

less, but the people that the sort of demographics

Speaker:

and the targeting is super, super specific.

Speaker:

So your marketing efforts, you know, can potentially only go

Speaker:

out to 12 people. But if one of those 12 people and all those

Speaker:

12 people are perfect avatar for your for

Speaker:

your customer, you know, one of those one

Speaker:

of those people actually converts, that's

Speaker:

a huge thing for, you know, potentially, because it's, it's a year's contract

Speaker:

It's like you've got your ideal customer persona you're going to aim at.

Speaker:

There is always that, the secondary customer persona, of

Speaker:

the customer persona that knows your ideal customer persona. So like for me,

Speaker:

someone who you're marketing at going, do

Speaker:

you always have an issue? with your, you know, is

Speaker:

your heating never working in your office? That person who's watching you

Speaker:

going, yeah, there is, there's always, my office is always freezing. They'll know

Speaker:

the person who's in charge of the heating. And then that's who,

Speaker:

so you're marketing through them, aren't you? But it's that secondary customer persona

Speaker:

that you're, you know, indirectly getting your ideal customer persona. So

Speaker:

Well, yeah, I mean, that's quite interesting as well, because I always assumed that you're kind

Speaker:

of, it is B2B. What you do, but

Speaker:

a lot of the way that we do is kind of like we our clients are

Speaker:

operating B2B, but we're marketing as if they're a

Speaker:

B2C client, because we're trying to get buy-in from

Speaker:

the end user, which in your case is the people in the office,

Speaker:

that are going, why is it so bloody cold in here, that need to go and speak to

Speaker:

their facilities manager to say, can you sort this out, for them to then

Speaker:

contact you. So it's actually a very similar kind of thing. You're actually almost technically

Speaker:

marketing in those situations to your end user. It's just,

Speaker:

again, weirdly, they're still in business. that

Speaker:

gets a little bit confusing, but it's kind of the same thing. So you can, you know, there's always that

Speaker:

kind of like the, the, you know, the double, the

Speaker:

double whammy of, you know, marketing to both sides. And

Speaker:

that's quite clever. Yeah, I didn't think that would be the case. But it

Speaker:

always comes around to like, you end up, you think you're a B2B

Speaker:

the creative industry. You end up talking and you go, oh no, that's quite similar

Speaker:

to what I was doing. Even though completely different industry, completely different

Speaker:

In those situations you go, okay, now I've got some great ideas, let's go, let's go. This

Speaker:

So we've done quite a bit of a sponsorship for

Speaker:

Luckily there's no Stoke fans in here today, so we're all

Speaker:

but there was a big campaign that actually on the on the Vale scoreboard either

Speaker:

side of it it said ignite with an eye. Okay. because the

Speaker:

stokey way of pronouncing Ignite doesn't always sound like it starts with an

Speaker:

I. And then the amount of people that would come

Speaker:

to you and go, oh Ignite with an I. And actually it

Speaker:

was a great campaign because it wasn't, all the services were advertised after

Speaker:

and there was, because there's two scoreboards either side and then

Speaker:

say the services one side but Ignite with an I. And then

Speaker:

you've got the Port Vale podcast. and that someone referenced,

Speaker:

oh Ignite With An Eye. And it just kind of gets out there, which

Speaker:

then sort of does that earworm effect of knowing, oh, I've

Speaker:

got an issue with that. What about Ignite With An Eye? And then people start

Speaker:

saying it, you think, that's quite, and it's great when that works.

Speaker:

And that's that secondary demographic that you just sort of, right, if we get in with them and

Speaker:

they remember, they see you all the time, then

Speaker:

it works. It's not the one where you want to spend your big budget on. No.

Speaker:

your big budget, your ideal customer persona, but just getting that outer

Speaker:

wire. For us, like sponsorships, it's always knowing who to sponsor, what

Speaker:

you're going to get back from it. You've got to do a lot of research. I

Speaker:

think at times people will think, all right, marketing, it's just some fancy

Speaker:

fluffy stuff. There's a lot of research and you have to do some of that

Speaker:

boring data stuff to get a marketing guy to go, it's

Speaker:

going to work and this is why it's going to work, here's all the proof, here's the research we've done

Speaker:

into it. That's taken quite a bit of time to do. And then here's

Speaker:

even more time and it's gonna work. But yeah, you've got

Speaker:

You got I think marketing is all about priorities, isn't

Speaker:

it? I think, you know, one of the worst things you can do is give the

Speaker:

owner of a small to medium, small to medium business,

Speaker:

I don't think it's the right term. So I think technically small to medium is like anywhere between

Speaker:

like zero and a hundred thousand people or something. It's

Speaker:

really broad, but let's say you've got, you know, a local

Speaker:

installers that have got like, I don't know, 15 people on the books or something like

Speaker:

that. Worst thing you can do is give that business owner any

Speaker:

marketing budget because they will really

Speaker:

poorly, a lot of the time, um, prioritize

Speaker:

that money. And I see it all the time. I see these

Speaker:

back in the day when we were working with like, kind of smaller businesses like

Speaker:

that, they would be like, scrimping and saving and kind

Speaker:

of, you know, like sort of turning down proposals for stuff

Speaker:

that they'd asked us to, you know, propose for. And then I'd see them

Speaker:

advertising at the local cricket club. And I'm like, How

Speaker:

much does that cost you? Surely, surely, you know, if you're, if

Speaker:

you're doing silly things like that, on the regular, and

Speaker:

not putting any money into like a website, let's say, or

Speaker:

social media presence, or any kind of communication or even better paid ads.

Speaker:

Yep. then you are going

Speaker:

to be failing. And then you would see them a year later, they'd ask you

Speaker:

the same questions again, and they'd be like, hey, can you give us a quote for this? And I'm like,

Speaker:

I haven't got enough budget for that. I'm like, maybe stop putting stupid fucking ads

Speaker:

Well, I think it's that thing where you see someone, they're doing

Speaker:

something for that sake. So the marketing, it's going back

Speaker:

to super basics. They've got a brochure for brochure's sake. Why have you got

Speaker:

a brochure? Oh, well, my rival company's got a brochure. Yeah, but

Speaker:

are you going out to exhibitions? No. What sites do

Speaker:

with your brochure and what do you do with it? Oh, well, we've got 5,000 of them in

Speaker:

the office. They're not getting anywhere. They're not getting your business. I

Speaker:

think one of the things we both agree on, you only want to market as

Speaker:

long as it's getting you something. You need a return on investment. I

Speaker:

could design you the best brochure in the world. If it's going to sit on your shelf or it's a doorstop, that's

Speaker:

Especially if it's a limited budget. If you've got money to

Speaker:

burn and you kind of like, look, we've got We've

Speaker:

got 70%, 80% of our budget

Speaker:

is for priority, 20% is for play. Great.

Speaker:

Sponsored art projects, Ryan Jones called it from SLG. 20% of

Speaker:

That's the one way you can be really creative. You can go

Speaker:

all out there and that's when you try your surreal route.

Speaker:

Will this work? Will getting Barry Scott work?

Speaker:

You know, will spending a load of money on something that's, it's a risk. If

Speaker:

you can find a company who's got that 20% budget for the risk you want, they

Speaker:

pay off sometimes. But you've still got the 80% to make sure this is working, this is

Speaker:

working, this is working. Let's take the risk on this. Whereas

Speaker:

that risk you're on is normally where you've had to do a lot of research for it,

Speaker:

and you've got to make sure it works. And I think, but

Speaker:

you can have the most fun with that. Yeah. Again, I don't think Surreal

Speaker:

I think I might have found the takeaway from this

Speaker:

podcast. We kind of went into this, just thought we'll have a laugh. We just

Speaker:

said we'd have a chat. Yeah, we didn't prep for it at all.

Speaker:

I think we've found the takeaway is, you know, prioritise your

Speaker:

marketing. activities. Ideally

Speaker:

have a strategy in place first. That's really helpful. But I also appreciate companies

Speaker:

who can't afford or that aren't clever enough to create a

Speaker:

strategy. There are some best practices that you can

Speaker:

do that you sort of think that will probably work. Yeah. In

Speaker:

an ideal world everyone would have a really great marketing strategy and it would be created

Speaker:

by someone who's very clever. But I appreciate that it doesn't happen sometimes.

Speaker:

Get your priorities right in your marketing. But if you can leave 20 percent aside of

Speaker:

your marketing budget to have some fun. just be creative and

Speaker:

if it doesn't you know understand that if it doesn't work that it was a great test.

Speaker:

It's a great test that you can you've got in your arsenal because

Speaker:

it could work in the future but I also think that the 80% you've

Speaker:

got to make sure that it's being used wisely. So actually if you are

Speaker:

doing adverts in the local rag or in a zine somewhere

Speaker:

you've got the research of who is the readership of that, where is

Speaker:

it coming from, who's going to be reading that, is that, is it your ideal client, customer,

Speaker:

owner, is it the outer retail, get into it, or is

Speaker:

it just people that aren't going to ever use your services, it's

Speaker:

a waste, and then that budget would be better spent on ads. That

Speaker:

would be way better spent, but a lot of the time people, I

Speaker:

find companies probably won't want to speak because, you know, I haven't got a budget for that. This

Speaker:

is our budget. So, well, have a chat. Let's see. Because if you're

Speaker:

spending, you know, I spent two grand a year doing that advertising. but

Speaker:

two grand on an actual successful social

Speaker:

ad campaign or even PPC will be far more effective

Speaker:

and get you your desired outcome than using just,

Speaker:

you know, oh, I got offered to do an advert in a paper and it cost me

Speaker:

this much, so I've done it. Where's the strategy behind

Speaker:

it? And I think people can have the strategy, but yeah, 80% strategic.

Speaker:

It's got to be really thought-focused, no

Speaker:

desired outcome, spend a bit of time thinking about it, even

Speaker:

if you haven't got a big budget, still spend a bit of time, but if you can have that 20%, have

Speaker:

some fun. But even, ask

Speaker:

people within the company how they'd market it. How did they talk about it

Speaker:

down the pub? Who do you work for? What do you do? And then they

Speaker:

could say, there could be something that they all describe the company as that's actually

Speaker:

quite a funny one, like the ignite with an I thing came from someone discussing

Speaker:

it and say, ignite, all right with an I. It's obvious that,

Speaker:

it's obvious, but actually it works successfully well because then it

Speaker:

started becoming an e-worm. And also the sponsorship side of things, if

Speaker:

you're going to sponsor something, well, could you get someone back from them? So

Speaker:

if you're sponsoring something for us that needs facilities management, well,

Speaker:

is there a contract there? What are you going to get? And that's always a question that

Speaker:

throughout my career, that if I'm sponsoring something or there's some sponsorship available,

Speaker:

is there a kickback? Is there something you can get back? it's

Speaker:

not just sponsoring for sponsoring's sake. Because you'll notice that other people have

Speaker:

sponsored them, and they've got contracts with them. You

Speaker:

quite often find that, because if I see someone sponsored, I'm like, oh, I've got

Speaker:

that. I want to ask every question under the sun. It's then when you

Speaker:

go, oh right, that's why you sponsored him. That's clever, that

Speaker:

makes sense. Because from the outlay, it might not make sense, but

Speaker:

then when you start asking questions, you realize that they've got that, or there's a company

Speaker:

It's a little golden handshake or whatever, you know, there's some stuff in the background that's,

Speaker:

um, that's, you know, that's, that's led to that point. There's

Speaker:

also some very strategic, um, you know, sponsorships that

Speaker:

actually you're working quite a bit on, like, you know, tools for the motor trade or

Speaker:

whatever, you know, tools for, sorry, motorsport. Um,

Speaker:

there's certain things. I, I had this concept, this, this would be the 20 percenter. We

Speaker:

had this client, we've got this client, sorry, and we had this kind

Speaker:

of idea for like alternative influencer

Speaker:

marketing. We didn't do it in the end because it was

Speaker:

silly, but I'd like to do it where we sponsor events

Speaker:

that are completely irrelevant to our target market.

Speaker:

construction, so I was looking into show jumping, like

Speaker:

having a tool brand like sponsor the show jumping, but

Speaker:

also getting influencers that are so comically not trades

Speaker:

people or DIYers to try and market our

Speaker:

product just as like a laugh. The logistics of it were

Speaker:

going to be a nightmare, but we were going to have a go. So we're going to go on like, you

Speaker:

know, an agency, influencer agency website, go listen, we've

Speaker:

got 10 grand to play with. Give us

Speaker:

your most ridiculous but high number of

Speaker:

influencers in unrelated fields that

Speaker:

can talk about our particular glue or whatever. And

Speaker:

they're like beauty influencers or something. Be

Speaker:

like, I've also got this new glue. We

Speaker:

knew that those obviously those campaigns would not be successful. But

Speaker:

what we would do is we would like kind of like keep that footage back

Speaker:

and actually create our own campaign based on the footage that we get from these influencers

Speaker:

that aren't in relatable fields. We didn't do it in the end, but that was a really

Speaker:

good example of like the extra 20% of just like, just be

Speaker:

You could get, yeah, if you get a... I think, well, Sonny

Speaker:

D did, I didn't get Mr. Motivator back or something that recently. Nolten

Speaker:

Agency did all that kind of stuff. Dan and

Speaker:

Lloyd Nolten. and all that clever people that work there. I'm pretty

Speaker:

sure it's Mr. Motivator or something like

Speaker:

that. They've done like a series of like, sort

Speaker:

of 80s and 90s, like celebs that you've

Speaker:

seen on like this morning or whatever. And they're bringing them back for

Speaker:

these kind of like, like throwback treats like Sunny Delight,

Speaker:

you know, I haven't drank a Sunny Delight since I was a kid. Because

Speaker:

I think the last time I drank one, it made me sick. or something like that.

Speaker:

I'm sure they've fixed all the chemicals that are in. Yeah.

Speaker:

Yeah. But I'm like, great. That's that's amazing. It's not made me buy

Speaker:

one yet. It's a bit like surreal, but I like the I like the marketing. Keep

Speaker:

at it. Yeah. Is there anything that I should have

Speaker:

asked you or you wanted to speak about that you feel like we haven't touched on yet at

Speaker:

No, I think I'd come into it. I want, you know,

Speaker:

I want to have a chat with you. Just to, you know,

Speaker:

a catch-up chat and just to cover all the marketing aspects and

Speaker:

actually the similarities in the industry. Because construction is

Speaker:

construction and trades, but actually, you know, facilities management is trades. There's a massive

Speaker:

correlation between the two, but they're marketed quite differently.

Speaker:

because it's completely different people, but it's actually the same people that

Speaker:

are using them. The end user is, you know, actually it's the person who's

Speaker:

sitting in the office. It's again, it's not customer persona, it's the,

Speaker:

you know, the secondary users that you can be targeting.

Speaker:

It's the same. But then you'll find that within a lot of different industries

Speaker:

That's another takeaway then, is in this industry of

Speaker:

construction, be less competitive, make more friends. The

Speaker:

marketers as a rule are pretty cool with each other anyway, aren't they? But, you know,

Speaker:

it's nice to be able to have those kinds of like inroads into other

Speaker:

industries that are perhaps what you would class as like complementary

Speaker:

trades or businesses that are related to the brand that you

Speaker:

work with. and figure out what those guys are doing and

Speaker:

share the information and help marketing

Speaker:

and construction build because again

Speaker:

one of the issues that we found in construction is

Speaker:

there's a lot of marketers that are

Speaker:

woefully unproductive. experienced,

Speaker:

like educated in this particular industry. It's not

Speaker:

their fault. They've been hired

Speaker:

by somebody who didn't take marketing that serious in the first place. A

Speaker:

lot of the time what happens is when you get into the construction industry is you hire a

Speaker:

junior because it was a tick box exercise. And

Speaker:

they were like, right, we've got a marketer now. enjoy,

Speaker:

go. And that market is probably fresh out of uni going, I

Speaker:

could still do with some support. And

Speaker:

they haven't got it. And we find it the same, the same with construction, sorry,

Speaker:

the same with creativity in a lot of brands, is they'll

Speaker:

get like an in house videographer, like almost fresh out of university. They haven't got

Speaker:

a clue how to run a production. And some of those productions

Speaker:

are really important. And then they get upset because

Speaker:

the video production is not that great. And that's because

Speaker:

a junior needs a senior and the senior needs a creative director and

Speaker:

It's the stuff that isn't maybe in the forefront. So

Speaker:

a junior might just focus on the subject, you doing what you're doing. Whereas

Speaker:

we're all thinking, right, actually, that's most important, but what's going on in the

Speaker:

background is just as important. Let's make sure there isn't anything

Speaker:

going on, PPE. It's learning about

Speaker:

what we know what actually is important within the industry. It's what you learn

Speaker:

over the years. Whereas if you come straight out, you're a junior, you

Speaker:

go, right, so the most important thing is the thing that's at the forefront of

Speaker:

the video. Your video in there, that's it. This stuff doesn't matter.

Speaker:

That's the most important. And I think it's paramount just

Speaker:

as much all of it. You want to be making sure that everything's important,

Speaker:

but then also conveying that importance to people.

Speaker:

So actually wearing PPE, you might not want to, but it is very important.

Speaker:

And knowing how to deal with people, because some junior might have just

Speaker:

come out, want to be, you know, in the industry, might

Speaker:

never have been speaking to people within all walks of life and

Speaker:

just very shy. I mean, the modern age where people

Speaker:

seem to just talk via messaging apps. Actually, you know, going

Speaker:

Yeah, and yeah, again, if you've got if you've got someone

Speaker:

to learn from, that's actually going to be these people and negotiating with them on once

Speaker:

you know, again, PPE. Yeah, that's another that's that's perhaps another

Speaker:

takeaway from the episode is where's where you PP when when you when

Speaker:

you see a camera, make sure you've got PPE on. For our

Speaker:

When we're not there, it's on you. But when we're here, when you see lenses

Speaker:

and cameras and lights and stuff like that, put the PPE on.

Speaker:

One helpful piece of PPE worn will make our

Speaker:

There's no donating. You don't need to donate money to us. Just wear PPE and

Speaker:

Craig, I've really enjoyed this, mate. Thank you so much for coming on. I've

Speaker:

enjoyed geeking out with another creative about the wonderful world of

Speaker:

construction marketing and creativity. And that's

Speaker:

me signing off because I don't know how to sign off. Thank you. Thank you very much.

Listen for free

Show artwork for The Build Up

About the Podcast

The Build Up
Construction Marketing
The Build Up is a podcast for marketers in the construction industry. Hosted by Daniel Moore, the Creative Director of dissident, a creative agency that creates disruptive content and social media marketing for some of the leading and most rebellious brands in the industry.

The Build Up is a podcast that puts a spotlight on the unique world of construction marketing.

Dan will be speaking to marketers of leading brands, other agencies, creatives, founders and influencers.

The series aims to highlight and give insights into key areas of construction marketing and provide insight for fellow marketers, founders and creatives in the space.

About your host

Profile picture for Daniel Moore

Daniel Moore

Meet Dan - the voice of The Build Up. 🎙️

As Creative Director at dissident creative agency, Dan’s spent years helping construction and manufacturing brands build campaigns that really work. Now, he’s bringing those insights to the podcast, chatting with industry experts, marketers, and brand builders to uncover the secrets to success.

Expect straight-talking interviews, real stories, and plenty of lessons from the world of construction marketing.