Episode 15

full
Published on:

31st Mar 2025

fischer fixings UK: Dan Czerwinski on Adapting a German Legacy for the UK’s DIY and Trade Markets

In this episode of The Build Up, host Dan, sits down with Dan Czerwinski, Sales and Marketing Manager at fischer fixings UK. They dive into the fascinating evolution of fischer fixings, a German brand, as it localised its marketing strategy to succeed in the competitive UK trade and DIY markets.

Dan shares his journey into the construction industry and the importance of understanding both sales and marketing. He discusses how fischer transitioned from a technical, product-focused approach to one that resonates with consumers, tradespeople, and DIY enthusiasts alike.

Discover how fischer’s rebranding, including new packaging and logo design, played a critical role in building consumer trust and standing out in a crowded market. Dan also explores the key differences between marketing to tradespeople and DIY customers, and how localisation and tailored strategies have been essential in driving their success.

Join us for this insightful conversation filled with industry tips, branding wisdom, and a closer look at the challenges and opportunities in construction marketing.

Transcript
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Hello and welcome to The Buildup. This is the podcast for marketing

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in the construction industry. I'm

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Dan, the creative director at Dissident. We've been working with construction brands for

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a number of years. It's an exciting and rapidly evolving industry, and

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that's why we created a podcast dedicated to the weird and wonderful world

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of construction marketing. I'll be speaking to leading brands, other agencies,

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creatives, influencers, and startups. This is the

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resource I wish we had when we first started out in the industry. Thank

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you for being here and welcome to The Builder. Welcome

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back to another episode of the buildup. I am Dan, the creative director at

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dissident we are a social first creative agency, right key. And

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we deal specifically with brands in the construction industry to make cool

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content hard hitting social media marketing. And today I

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am joined with the sales and marketing manager of Fisher fixings our our

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boys Fisher fixings. Dan Shavinsky, welcome, mate. Thank

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How was that? That's pretty cool, isn't it? I want

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to preface this episode by the fact that me and Dan both feel a bit rough today,

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not because of like drinking or anything, just the winter and colds

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and stuff like that. Busy lifestyles. Really excited to have you on. Obviously,

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we've worked with each other for years. We're friends anyway.

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And I kind of know a bit of your story anyway, but I think there's some stuff that we can

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kind of like, there'll be some stuff that I don't think I'm that

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Exactly, for sure. But I want to start with, can you give

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So at Fisher's, obviously sales and marketing, but I also encompass

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product management. We set up an e-commerce department recently. And

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yeah, I've been at Fisher for nearly 10 years now. I

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like to say I'm involved in every single part of the business, like a good marketing manager should

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be really. But yeah, we've kind of just grown

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and grown in the past five years in terms of our marketing strategy, our

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communication strategy, and of course, working with you guys at Dissident,

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it just really helps us along the way. So yeah,

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I mean, the intention for this episode really was to just get one

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massive testimonial for Dissident Creative Agency. That's what

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I'm going for. Yeah, if you can sort of steer clear of any actual

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value and just talk about Dissident for the whole time, that would be amazing, mate. I'd

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appreciate that. I really like the directors at Dissident, they're really

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good. How did you find yourself in construction? Because like There's

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two sort of schools of marketers in

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construction. There's the ones that found themselves in it, and

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they do incredibly well, and they're excited about it. And there's the ones that found themselves

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in it, and they're not excited about it. And I feel like you're the

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first school. You really thrive on this industry,

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I think I do now. I was thinking this in the car on the way up. I

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hate it when people say, I fell into construction. I'm

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allowed to swear on this, but nobody fucking falls into construction. You

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apply for a job, right? Yeah, exactly. And I think I'm a bit more elegant than

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falling into construction. So I strode into construction, but by

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accident. So my first job 14 years

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ago now was as a merchandiser for ITW on

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a graduate program. So I just left uni and I

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was thinking, oh yeah, merchandising, that's cool. I'm going to be working with retail

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outlets, like in fashion or something like that. Completely not. I

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walked into my interview, as you do when you're

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21, do no research on the brand that you're going

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to go apply for. walked into a branch of a business called

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SIG, got taken into a room and got

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told I was going to be merchandising construction brands. And

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what do I know? Oh my God, I knew nothing. First

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question for my very first interview at ITW was,

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look at that store, tell me what's wrong. I

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don't know what's wrong. So the first thing I

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did was pick on a sales guy, which has kind of been what I do for

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the past 14 years. Just pick on the sales guys.

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But yeah, after that, I was a sales guy for like

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six months. So as a merchandiser, that's where I started, which

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kind of gave me a footing into what

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I use in a lot of our marketing now. So I like to think there's

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a lot a lot behind marketing with your

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gut, knowing internally what you think will

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work. And I think a lot of that has come from, okay, it's only six

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months in sales, but working a little bit in sales, working a

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long time in product management. and then making the transition to marketing.

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I think when I left product management and became a marketer, that's

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Yeah, I think having that perspective on sales in

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general, even if it's not necessarily in the same industry, I

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think that can make a big difference to your outlook on marketing content. If

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you've just got any kind of sales experience, it just gives you a

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Yeah, I think a lot of... people who join

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a marketing team or become a marketing manager can do it nowadays straight

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out of uni. There's jobs out there that you can be sort of like

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junior market manager or entry-level market manager. You need no background

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in that industry. You don't need to know what sells a product. You don't need to know what drives

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your consumer to buy that product. You are just a market manager. And

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I would say to people like that, spend time with your sales force.

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Spend time in your retail outlets. Learn why people

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actually buy your product. Because if you don't know that as a starting point,

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you've got no hope. Then developing a marketing plan, pulling

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more consumers into your product, getting them to understand the values

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of your brand, et cetera, et cetera. So I think there's a lot to learn from

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sales. And sales isn't just men and women walking

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to shops, flogging their gear. There's a lot more to it

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and I think understanding that as a marketer really

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I think also from the point of view of social media, which

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is that kind of our realm, ever since we started running

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accounts and actually doing the community management, which for people who

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don't know is actually responding to and engaging with

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people on social media on behalf of the brand. So we essentially put

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ourselves into the brand from the audience's perspective.

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You start to get almost like a feel, more of a feel

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for the brand. And it's almost like

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an opinion from the consumer's perspective, which I think

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makes a huge difference. So if you've got that insight into sales,

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but also that insight into, actually, this is, you know, unabridged,

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like what your consumer thinks of you, because they're actively

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tagging you in it, or slating it or whatever it could be.

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Again, I think that massively helps as a marketer to

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understand, okay, I'm starting to get a picture here of

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It allows you to understand the value of your brand, doesn't it?

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If your value proposition hits with your consumer, then you get

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that feedback straight away. If it doesn't, then you know

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you need to look elsewhere, or you need to change your tactic, or readjust

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your brand architecture. Something needs

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to change if it's not hitting those points that you want. Jobs.

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Next job, ITW. So finished ITW, joined

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Fisher. And yeah, like we were saying,

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10 years at Fisher now. joined it again

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as a product manager. So if you've never worked in product management before,

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it is literally the best job. It is

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the glue to every single department. I mean, you learn a lot about

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marketing in product management because obviously you get the information fed

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to you from product development or from R&D. So you really have

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to understand those key features first of a product or a service

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that you're offering, and then you learn how to market that

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and how to sell it and how to push it to your consumer. And even

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if it does fit within your product mix, you kind of learn all of that as

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a product manager. But then obviously the

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fun bit's the marketing, right? And that's where the love of marketing came,

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because he wants to be the glue that

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pulls in all the departments from procurement, from marketing, from sales, when you

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The colouring in department, as a lot of people call it. So

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you were a project manager at Fisher, where did

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Yes, I was a product manager for ITW. I took a

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short hiatus into the food and beverage industry, which

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isn't exciting as it sounds, it's super boring. But one

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claim to fame from that was I worked on a project team that

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made the the first ever conical metal

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detector. Is that right? Yeah, sounds fancy doesn't it? Basically it

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makes crisps go down a chute faster and make sure there's no

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I can get behind that,

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that sounds really cool.

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So now Sales and Marketing Manager at Fisher. But for

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those who don't know about Fisher, can you give

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us a brief introduction to Fisher as a brand, what

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So, I hope a lot of people do know Fisher now after a lot

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of hard work with brand awareness campaigns. Absolutely, I'm sure they do. But

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yeah, so for people who don't know, so we're a construction fixings manufacturer, which

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plain and simple means that we make wall plugs for DIY

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users, wall plugs for trade. We make resin anchors for

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kind of more technical specification work. We make through bolts,

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anything you think that connects something to a wall, something to

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steel, something to concrete, Fisher probably make it. Recently

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we've kind of expanded our sales channels and we make

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much more like system solutions now. So

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like supports for subframe, ACT fixings, which is a cladding system.

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So when you see those nice ceramic panels on the outside of buildings, there's

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probably a bit of fissure behind that holding it to the

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wall. So yeah, we've really diversified as

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a business, but I think our core business will always

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be wall plugs in nylon. And I love that about Fisher

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because even though it's such a highly technical brand

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and so much R&D and so much research that goes into everything

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that Fisher do. it's a tiny product at the end of

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the day. And for your general consumer, you

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don't need to know all that stuff that's behind it. You don't need to know the thousands of

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design hours. You want to know that's in the wall and it's working. And

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that's it. And I think that there's a beauty behind that of like complexity

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to simplicity. And that's a really easy

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way to market products as well. You know, there's so much research behind it.

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You can talk to your blue about all

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the man hours it has taken to design this product. You can talk

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guff about technical specification. But really, it's the

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simplicity of the product that sells it. And it's the trust of the consumer that

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sells it. And it's our job as marketers to tell that story,

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to kind of build the emotion behind it. And people don't care about the technical side. They

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But you have just given me an idea for a new campaign where we

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have like all of these different elements that go into like, let's say the duopower or

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something like that. Number one, world's number one

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UK's number one. UK's number one plug. But let's say world. Let's say world. It's opinion based, this

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Yeah, who cares? Universe's number one plug. But

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you got all these kind of like cool pieces of content that are

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like, it's almost like a montage of like, scientists, developers,

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salespeople, blah blah blah blah all these different things like and

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and the research and development you get all these films and they

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all kind of like are within their own little boxes and they're all kind

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of like getting funneled into the duo power and then eventually it just goes

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into a wall. It's some DIYer just putting like up like a

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I like the idea of that. So German

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brand. And then it brings me

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on to this incredible phallic prop

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here, which is the S-plug. S-plug, right?

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We've not really had anything to do with the S-plug because it was kind of a four hour time and

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we've kind of always been focused on the duopowers and stuff like

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that. But that was what Fisher, like, that was their

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This is like our legacy product. As some cooler people

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than I would say, this is the OG Fisher Globe. Yeah,

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so Arthur Fisher's, not first invention, but

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first invention in the construction industry. I'm

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about to say a really contentious statement because there's a lot of

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other brands who don't believe this is true, but it is true. So

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it was the world's first nylon wall plug. So

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we'll put that out and I'll get loads of hate from other brands, but who cares? Yeah, so

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it was the first invention by Fisher. It kind of started our way

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into construction and then it just developed from there, really.

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I saw some piece of information the other day that Fisher

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holds over 10,000 patents and they develop like another

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20 patents per employee every single year, which is like crazy when you think

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about it. But yeah, it's been a, if

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you think that started a multi-billion euro

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business from, Not this, not the metal one. Not

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that specific thing. No, I don't know what wall that would go into. But

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yeah, the whole business built off a nylon wall plug. It's crazy when

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You think of all the different subsidiaries across the world. Yeah.

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You know, all the money in the research and development, the content from the marketing

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perspective that gets put into this. And it's all from something that

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Yeah, and if you think about it, for the past five years,

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Fisher and specifically in the UK, all of

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our marketing content and all of our brand awareness campaigns have

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been centralised around not this version of the Warplug, but

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another version of the Warplug. So you think of all the investment from

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marketing, from sales, from procurement, that goes into this one

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tiny little product, it's crazy. I know. Fisher

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now, not just that wall plug in shot, but all

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the ones that we do, 10 million plugs a day are sold.

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Yeah. Somebody's putting stuff up. Yeah. And

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Maybe, yeah, yeah, yeah. We've got a lot

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of wall plugs, a lot of duo powers in the studio as a

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result of a lot of the campaigns and stuff that we've done and it's nice

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to have. In

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terms of Fisher as a brand, in terms of

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where the

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products positioned and the brands positioned, Can you

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give us an insight into kind of like where they are? I mean, straight

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off the bat, what do you think people think of Fisher

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So we kind of went through a big change like five or

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six years ago. We called it like a corporate design

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refresh or a brand refresh, but it

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wasn't really that. It was more like a repositioning or

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repositioning statement from everybody within the group. So

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when I first joined Fisher, And I think up until probably like five

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or six years ago, we were very much like a technical business that engineers

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would know or installers would know, but we weren't, a

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DIY user wouldn't know Fisher. We weren't a consumer-focused brand.

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We're still not anywhere near a consumer brand,

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but we were never focused on being that. And there

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were some really simple changes that happened over the space of a year

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that really changed the aspect of Fisher and how it related with the customer. So

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the first one was we changed our logo. So not as drastic

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as like the crap that Jaguar are doing right now, like making their

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brand look like a toy car. Nevermind. So

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before the Fisher logo was as it is now. but

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with innovative solutions underneath, which kind of means nothing to nobody, right?

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It's not making a statement to anybody, unless you're an engineer, unless you're

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invested in R&D at Fisher, it didn't mean anything to

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anybody. So we dropped that, cleaned up the logo, created

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what we call at Fisher the brand box. So standard Pantone color

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for Fisher that has been from the very, very start. Don't ask me to quote

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Or the hex code? You know the hex code, don't

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EA2227. My boy knows his

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I should have asked that before I came on the podcast. Like, quickly ring the marketing team.

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Like, what's the Pantone colour? What's the hex code? I'm

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No, but yeah, so we created this really simple brand box where the

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logo sits, really proud, like really visible. And

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then I think that's what that allowed Fisher as a brand to

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do is completely change the way we present our product in

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our packaging. Yes. So I think a big part of marketing that is

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And that's like, even if it's a tangible or a non tangible

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product, people don't pay enough attention to packaging. You

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can spend thousands on marketing, even millions

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if you're a big brand of marketing, and if your packaging looks toss, people

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aren't gonna relate to it once they've seen your content, once they've seen your advertising. If

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you forget about the packaging side of marketing, then that's

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your conversion area, right? That's your marketing to sales side.

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And if you're not hitting that, or if you're not focusing

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on the right consumer base, people aren't gonna pick it up. Same

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with a website. If you've got a great product, If you're marketing, if

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you're like broadcast marketing or you're advertising is on point, you

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It's graphic. It's a break in the funnel, right? Yeah.

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It's massive, isn't it? You see, especially in DIY, more

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so than in any other industry, where you've got people who

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are probably less educated, perhaps less educated. in

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what all these products do. Perhaps anytime they come to a

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new project, they're introduced to brand new products that they don't have any sort

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of prior knowledge to. They're going to go based on price and look

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Big problem in construction price. It's awful

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the amount of just selling on price goes on in construction. The

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only industry where people still buy the cheapest thing. Yes.

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Would you ever buy the cheapest shoes? Absolutely not. Would you buy like two

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pound flip flops or would you buy 30 quid, 40 quid, 50 quid,

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You always go for kind of middle ground, don't you? Yeah,

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it depends on your sort of thought process, but I

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sort of probably position myself sort of middle to high end

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on most things. Like I sort of like, okay, I don't want to

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have like the cheapest thing, unless it's like very specific stuff.

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Yeah, that's my thing. But people in construction don't have that. psychological

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It's all about the bottom line. Yeah, it's such a struggle to

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get to that point where people now believe, okay, this product is

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actually worth 50% more, 20% more. But packaging can do that. Packaging

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can really help you increase

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your product margins. Because if it's believable, if it's on brand, if

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it's hitting the right consumer segment, then it helps. But

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what that kind of centralized change allowed us to do in the UK

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was to completely kind of reposition Fisher's

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direction into the marketplace. So like I was saying before, we're very much a

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technical brand, same in the UK, selling to engineers,

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selling to installers, didn't really care about trade, didn't really care about DIY. I

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say that, I wasn't at Fisher, so I don't know. But I think when

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I joined, that was kind of the ethos of the business. But what

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kind of simplification of the brand, the design, the

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evolution of the packaging kind of made me think

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was, okay, so we've got these building

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blocks now. Let's focus on trade. Let's reposition where

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Fisher stands within the construction sector. And

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let's go to these markets because we've got a good looking brand.

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We've now got good looking packaging. Why don't we start marketing to

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these people? Why don't we try and get them to believe

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in Fisher, or at least know about Fisher and know what we're about? And

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that's really kind of what we've been doing for a good five or

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six years now, just banging that drum. Like we are a trade

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brand. We are,

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we are still a technical brand as well. And we are, we are a DIY brand, but

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behind all this is kind of like one core positioning

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statement. And it's not like, I think a

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lot of marketers do this, but don't realize they're doing it. It's not a

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secret positioning statement. It's not like kind of, marketing voodoo that

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nobody knows about and you finally find it. I think people do it or

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they know what their positioning statement is but we changed our

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positioning statement We still, the messaging that

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we use is still different per channel, like it always should be, because you'll never

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be saying the same message to the same people.

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But behind it all is like trusted in construction. And

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through everything that we do in our broadcast media, in

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our advertising, even through to like our PR

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and white papers, it's always got to kind of in one way think

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back to, okay, this is a trusted brand. These guys have been in the construction industry

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for 70 plus years and know what they're talking about. And if it

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doesn't, then it's not usable, it's

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pointless. Why are you spending all this time

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and money trying to reposition your brand to this position statement, but

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in your advertising, you're not saying those words. You're not

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making the consumer think that. And that really helped us kind

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of bring us back in line with the trade sector, not

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as much with the DIY sector, but we're pushing that. We're still going,

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but there's a lot of DIY brands out there. Have a heads up

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I mean, that's the thing with DIY. So

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there's this. So we, you know, we're heavily invested

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in Fisher's marketing and brand positioning. And now we

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tailor the content and social media marketing towards that

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brand position. So, you know, our

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big thing with installers, tradespeople is

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we're looking for those people who care about

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longevity, care about doing a good job. The

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kind of guys and girls that have got some of the best tools, therefore they

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use the best consumable products, like a wall plug,

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a screw, whatever. They want to make sure that if they put something in,

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it's well secured, because first of all,

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they want to do a good job. They care about that kind of stuff. That's part of their values. But also, they

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don't want to get called back. If they're an actual self-employed tradesperson, and

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they put up, I don't know, 500 quid's worth of

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radiator, they want to make sure that radiator stays on the wall, regardless of what's going

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That's kind of like the key value proposition that you just hit, but it's

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still so hard to get the consumer to think like that. Oh,

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your wall plugs are twice the price of a standard wall plug.

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It's a couple of quid. And there was always that thing that

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we struggled with early on. We didn't

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struggle with that. I think it's actually OK. But the thing that came up

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a lot was I know Fisher, when we started when we as dissidents

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started to promote that we were working with Fisher, we were telling our trades sort

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of friends, they're like, yeah, Fisher are good. They're really good, but

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they're too expensive. Yeah, they're good, very expensive. I'm like, okay,

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but there's got to be a way here. That's like, everyone

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knows that Fisher are the best, or, you know, or

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one of the best or whatever. Real, real high quality. There's

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always that but. I'm like, well, if

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you do that thing, like, Dark Minds are one of the nicest boots you can

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get, but they're expensive. You know what I mean? People still buy them. People still

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buy them, you know what I mean? Because they are the boot to get, for the most part.

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So it's not a far cry from, you know, going from, it's

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not too expensive. Expensive, because expensive means quality, right? So

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it's positioning your brand in a way that

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exudes quality. But the reason why I was getting

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at that was, do DIYers care

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about price? Because a lot of time, they're not consuming a product on

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the level that perhaps a tradesperson is or an installer. So

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my thought has always been, are they an easier market? Because

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they're kind of looking for, good packaging essentially.

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I imagine perhaps a DIYer is going into

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buying some wall plugs without a great deal of industry knowledge and prior

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sort of interaction with all of these different brands that are

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to the other literatures going on that looks fancy I'll

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get that because it's because it's five quid there's definitely

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an element of that I think I think packaging cells in DIY but

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also like consistency cells in DIY yes so

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like if there's Consistency sells in all marketplaces,

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and it's kind of one thing that every brand should always follow. Be

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consistent in your messaging, but even more so in DIY.

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And it's through the whole scope of marketing practices. If

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you look at some big DIY brands, they've been there selling

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the same product in the same place in the store with the same

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packaging for five, 10 years. And that

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helps just to breed the trust. There might not even be a position, a

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certain message that they're trying to get across to a DIY user, it's

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in good packaging, it's in a decent place within the

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store, so it's that kind of like panic buy, oh, I need these

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items, I'll just pick these. But price doesn't come into it at

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all, I don't think, because if you think of how a

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DIY customer consumes product, they'll consume product

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in very minor quantities. So you're talking like packs

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of four, packs of eight, because they buy enough to do that job right. So

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you see the differentiation of price between

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a pack of four, say, let's use a great brand

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example, 3M and Command. So you can pick that

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up in any DIY store, right? Yeah. And

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they've done a great job at marketing to the consumer because people, everybody

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knows Command, right? Yeah, exactly. It's the one thing that everybody knows. And it

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works well as well. But they're always in the same place in store, packaging always

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the same. Their advertising is always the same. It's

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very clean. It's very kind of, it's not subtle at

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all. It's like, use this product to stick up this picture frame,

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but it doesn't need to be subtle, right? It's not trying to make it look cool. It's trying to

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It's almost like one step up from like JML, isn't it? I've always found like,

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No, no, exactly. They've got this market where they've got this thing

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that works incredibly well. And they've gone

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a step further than JML in terms of like, this is a really

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clever thing. Let me show you how it works without the JML

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kind of things, the TVs that are auto

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playing in shops. And

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you go, that's really innovative. Well done. I

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don't know how they did it, but they've done it. Same

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with Frogtape, right? I've always thought about Frogtape and things like

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that. I've never picked up a roll of Frogtape as

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someone who isn't at all handy and

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certainly not a tradesperson. But if I've needed something like masking

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I can put myself in the mindset of a DIY and go, that

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looks fun. But I've never looked

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Yeah, exactly. It's a second thought, isn't it? And then if you were

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to look at the price, like I was saying about command or even something

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like screws, price of 8 compared to the price of a box of 50 that

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a trader would buy. You're probably paying the same price but for in

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trade a much larger quantity but it's not in cool packaging

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or it's not in not in cool packaging sorry but it's not in like really DIY

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focused packaging. So yeah, if

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I look back now, probably like when we first launched Duopower,

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the best place to launch it would have been in DIY, because the

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Yeah, yeah, it looks cool, right? It's like two colors, it's got these little fins on

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it, it's got serrated edges, it's like perfect DIY product.

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But we started off with, and this kind of harps back

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to the consistency, of

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our brand, of our new brand position, let's say. We started

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off like advertising in trade, basically just pushing trade. This

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is where we saw the most kind of like capital gains for JuroPower.

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I mean, JuroLine in general, basically. So we just did it like,

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I think we've been pushing JuroLine now for like six years. Same

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messaging behind each single piece of advertising, same

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kind of layout, same kind of structure. Packaging's always been

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the same. The price has gone up and down depending on on market dependence. and

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what people are willing to pay. But it's been a hard slog

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for like five, six years pushing the same product,

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trying to find a new way to display the same messages

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to the consumer. But I think maybe like two or three

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years ago, it just switched, like the taps just started flowing. People

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were just, yeah, we love this product. We know this product. We've seen

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it everywhere. We've heard about it everywhere. I've never used it,

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but I'll use it now because I trust it. And it's that kind of consistent, kind

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of working off the positioning statement in the background, but it's the same messaging

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to the same consumer. They know where to find it. They know what the

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content is going to look like. They know what the performance advertising is like

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on like GA. They've seen it everywhere. So yeah, we'll buy it. Yeah.

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And it's all of a sudden like somebody switch. just

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It's great. All of a sudden Duraline is a

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It's our top performing product now. In terms of growth, in terms of value to the business,

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it is the top performing product group for Fisher UK, which

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is crazy. And it's such a simple

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Oh, yes, absolutely. I think the beauty

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of something like this is in the simplicity of

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how it works and what it does. And I think, again, although

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we've really, really pushed trades for the last

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three, four years or whatever, with DuoLine, and

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there's always been an element of DIY sort of attached to it, but it's never been a pure

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focus for us. Like, I don't want to get too heavy into a

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particular product that we all know doubt about in Dissident. It's

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quite perfectly positioned for DIY because it works, and

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it's a lot, it's really forgiving. You know what I mean? It's like, it's

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one of those kind of things. We speak to, again, I'm not a

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tradie. I'm not even really a DIYer. But

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you hear the kind of, the feedback and

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it's like, it just feels right. When you're driving a screw and

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it just feels right, you know when it's like, when it's been engaged

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and it's like. So I think you've been brainwashed by our

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Maybe, maybe. It's all the years of pushing it down.

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All of the influencers have started influencing me, I think that's what it is.

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I think maybe one reason why we haven't gone into, that

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heavily into DOIs, it's maybe like a problem of

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like background like, I know trade really well. Yes.

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I know the consumer base. I know the installers. So

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like because a lot of our marketing is kind of like gut marketing. So I know that's

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going to work. Let's try it. Let's look at the KPIs after but I know that's

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going to work. So you kind of like tend as

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a market manager to stick to the places that you know you're going to do

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well in. Yes. Because you've got a limited amount of resource, limited amount of

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budget. So where do you get the biggest bang for your buck? The place that you know. Yeah.

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And it's a failing but it's also a positive because you

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want to invest in somewhere where you're going to get your biggest ROI right. And

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Yeah, I think it definitely comes into it that you've got a lot more

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tradies buying a lot more products than you would perhaps DIYers. It's

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still a big market, DIY. Huge, yeah. But

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your tradies, they're knocking up bathrooms left,

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right, and center. They're putting in kitchens. They're going to need

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a lot of products compared to a DIYer. Um, but it's again,

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still, it's still a huge, uh, industry. And I'm kind of, I'm

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excited to tap into that. Uh, to the point where I was, I was saying the

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other day, I don't know, did I tell you about this? I've been thinking about like actually setting up like a

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DIY, like social account. And actually like from

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the point of view of like, I would like the, I, I, I'm not

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handy at all. I always feel like a fraud when I'm like, you

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know, working with all these more like construction brands and I'm

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not handy at all. Like sometimes I'll get in

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the marketing material and you can just tell I don't know how to hold a drill. But

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I thought about it the other day because I do like, we did a

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video with my daughter and it was installing a Duo Power

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and a Duo Tech. Duo Tech's my favorite Fisher product.

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We did two videos and actually one of them actually went

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out on Fisher Socials and I was like that was really

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cool. My daughter, this was a couple of years ago, she was

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really into it. She'd have been like five at the time I reckon, something

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like that. That's a cool concept, you

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know what I mean? Just like father learns DIY because

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he'd like to pass that kind of knowledge on to his daughter or something like that, but

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There's like a longevity feel to that, like passing on the

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But secretly, I've got to try and learn it myself. But

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I thought it'd be a good opportunity as well to like actually, you

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know, if there's a big push for DIY, like, then at

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the very least, I can talk about it a little bit. I've got some experience in DIY,

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Don't worry, I've worked in the industry for 14 years and still can't put a shelf on

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Anytime you do put a shelf and you look really angry when you do it from

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I'm dreading seeing this. I won't watch this podcast. I hate my

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You're so angry, yeah. But if you look at my daughter's face, if you

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go onto Fisher's socials, scroll back far enough, you will see

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a video of my daughter doing an install of,

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I think it's the Duotech, and she looks so angry

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when she's put in. Obviously, it's not just you. Yeah, maybe it's me. When

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she's driving the drill in through the plasterboard, she looks like she could kill

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I love it. So what's worked

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for Fisher? And then I think we could probably talk about

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the fact that Fisher is a global brand. They're

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massive. They started in Germany. And then

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so they've got all these different subsidiaries across

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the world, all these different countries that have their own sort of Fisher slice

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of the pie. What's worked specifically for

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Fisher UK? Well, I suppose over

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In terms of marketing or in terms of product marketing? In terms of marketing. I

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think it's just being UK centric. Yes,

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we have an international marketing team that produce a lot of assets for

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all the subsidiaries and they do a really good job. on

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providing the deliverables to us, but they're not always focused

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to individual marketplaces. So as you can imagine, big European

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business based in Germany, they're going to focus more on Central Europe. And

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that works for a lot of the subsidiaries in Central Europe because the content's really

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good. The assets are really crisp, clean. They deliver a

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The renders are cool as well. There's some great 3D

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stuff that you can only get from head office because they're developing the product,

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Yeah, exactly. And they work really well, and we use those in the UK.

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But what I think has worked for every subsidiary is the corporate design

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refresh, like what I was talking about before. So big, bold, red,

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big, bold logo, always stick to that. And I think every subsidiary

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now does stick to that. I think that's one core thing that has

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worked for all of the different countries, like stick to our brand

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architecture, basically. I say that

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and I realize that I'm wearing a t-shirt that doesn't stick to the brand architecture. That's

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Oh God, what a bit of spiel wearing this then. But

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yeah, sticking to the brand architecture really works because it's kind of like that

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unified front. People know when they see

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a brand box, when they see the logo, that that's Fisher, right? It's

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cool for any brand to do that across their kind

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of touch points in the marketing sphere. But what's worked for Fisher UK

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is being very UK-centric in our advertising and

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in our advertising concepts. We moved pretty

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much from when I first joined Fisher away from using

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a lot of the broadcast media stuff that came

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from centralized marketing because it just didn't suit our consumer. I

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think the UK are lucky because we have a

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very different consumer to any other European country.

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You can maybe align it to kind of like Australian or

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American construction workers as well or

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tradesmen, maybe Australian because we're a

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very close country anyway. But yeah, there's a huge

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difference between the way that kind of Europeans consume

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the content and what they want to see like clean, crisp, like really

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focused on product, really focused on installation. Don't need to

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make it look cool. Like they don't care if it's cool or not. They want to know, yes,

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this has been engineered perfectly and it will work in every situation. Whereas

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I think the UK consumer, they want to know it looks

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cool. They want to know, yeah, I'm buying this really cool product. Even

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if it's a fix-in, fix-ins aren't cool, but if it looks cool, yeah, I'm

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Fix-ins are cool, I think. Fix-ins are one of

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the cooler products in construction. But

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I think you're right. A lot of European content is

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They're in this perfect environment, and

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the models are pretty good looking, and everyone's pristine.

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All their clothes are pristine and branded and stuff like that. And

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then you get to the UK, and you still want to have an element of

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the protagonist, let's say, in a particular film, a tradesperson, a tradeswoman,

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a tradesman. um are still like you kind

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of still want them to be what what's the what's the word where it's

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like it's it's relatable but also you're

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looking to like attain it like i think it's realism though isn't

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producing a fairytale advert that doesn't mean anybody to anything is never

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And like you said before, I just I'm just thinking back to some of the content I've seen,

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like the construction worker on the site with all branded

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clothing from the brand that he's using. Is that ever gonna

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happen? Is that believable? No, it's not, is it? Unless

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maybe you're like a Milwaukee or something like that. Yeah, do some nice clothes and

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a proper fanboy, but you'll never get one person just wearing head to toe that

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one brand. So it just doesn't relate. And I think That

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is where our kind of concept for our

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advertising and kind of everything that we do in terms of marketing is, yeah,

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let's make it relatable. Let's understand who the guy or

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who the girl is buying this product and let's advertise to them. And

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let's make them kind of like easily think, oh

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I do stuff like that. I look like that. I want to work with that product. It's

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kind of making like that cognitive decision a lot quicker and

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a lot easier because it's relatable. They don't have to think, Oh,

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do I do stuff like that? Is that brand that I could use? No, it's

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there. That's me. That looks cool. Yeah, I'm gonna try it. Yeah. And

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I think through all of the the past like four or

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It's one of the I see when I speak to other

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other brands who have got their head office in especially Germany, but like just

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in general, like, like mainland Europe. This

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kind of thing of like, We'd love to work with you, but we

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got all our content from, from head office and yeah, it's

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really hard for me to say, but yeah, it doesn't look right over here.

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It's great for them. Um, and, and some of

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it's, some of it's really good, but a lot of it, you just sort of think doesn't

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translate, doesn't translate well to the UK translator translates really

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well to all of the other countries that you're, you know, you in Europe.

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Which is probably the smallest market typically. And

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it's really it's a tough sell to

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these brands that we're looking to work with. Just like saying you

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know we don't have any sort of resource to

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do anything in terms of like localized content. But

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all their content is foreign. And I'm just I think I

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wonder like for these especially like things like clothing brands and

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some of the like the sexier products like the power tools like if

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they did actually put like a little bit more budget into the localized content

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that's like more relevant not just influences but like proper

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media content yeah whether it'd be more successful over here

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I think I think it definitely would like you even like look at some of the

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kind of centralized marketing well, they'll still produce localized

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content for each market. Yes. And

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you kind of think of some of the bad ones, you kind of think

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of some of the smaller like cleaning product brands, and you you'll know

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the ones I mean about like, you you watch the advert, it's a mom and

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a child like cleaning a window, but it's so obviously overdubbed from

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like a Spanish ad. Yeah, you can really tell that then you go on

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holiday to Spain, you see that advert, you go, Oh, that's the

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original. So there's a good, there's a good way

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of doing it. And there's a bad way of doing it. I think the big consumer brands, okay, never

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worked for one, but you see the different advertising types in every single country.

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So you go on a holiday, you see a Kocad. Okay, it looks the same,

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it kind of has the same feeling as a Kocad in your own country, but it's slightly different

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because it's tailored to that market. Yes. Perfect marketing. Yeah. So

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why? Why can't construction brands

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do the same? Because you see a lot of good content, but it's not UK specific.

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And you can have such a bigger impact just changing some minute

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little things like the guy's dressed differently, he's a bit more rugged. The

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advertising copy itself looks a bit cooler, it speaks differently too. to

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the UK, it's not rocket science,

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No, you get the look right, you get the feel right, you get the

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messaging right. It's like three or four sort of core

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components that are specific to a

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You still speak for your brand, but just in a slightly different way to

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It's almost like a tonal change. It's

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just thinking like, Well, let's

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say we take a piece of marketing from

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Europe and you go, OK,

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the messaging's nice. What I want to do is

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stay along those lines of that message. We're just going to tweak it.

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And then the tone of the video or the still, we're

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going to tweak. We're going to make it a little bit more gritty, a little bit more rock and roll. We're going to make it a little bit

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more sexy for the

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I think that's what some of these decentralized brands are

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scared of. If we change our core imagery

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or core content delivery, it's not going to

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look like the brand anymore. But it is. It's just going to look like the brand

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in a different space. It's not going to change the

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ethos of your brand just by tweaking it. The messaging is still going

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to be there. What you're trying to tell the consumer is still there. It's

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I think there's going to be a lot of brands that are

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so tied into their brand guidelines and

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you must not tweak this. And I think in some circumstances, I

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can, I understand, I don't understand that thought process behind that.

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Cause you just like, uh, like you, when you see these brands that

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are like really inconsistent, not, not huge

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brands, obviously, but these guys that, you know, the mark, the website looks completely

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different to the imagery, the imagery is all over the place. There's socials that are a

Speaker:

mess because it's just, there's no. consistent messaging

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and consistent look and feel, it just doesn't

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look right, doesn't resonate. So I get it, but I

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think for the UK especially, give them a bit of

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I think there's time and place for brand guidelines, like on

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any kind of corporate communication, delivery

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you need to follow corporate guidelines like to the T and

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we do it and okay it might not always look the prettiest it

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might not always be what we want but kind of when it's

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that corporate communication to a consumer to another business

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then I think yes that works because when you're

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when you're delivering that kind of pure information on a

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product or on a service that if all around

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the world, it looks exactly the same. And there's a lot of work gone into the background of

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it in terms of your typeface, in terms of your position of your

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brand logo. So it's all consistent. I think that works really well. I

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think when it comes to kind of like the more creative advertising, then

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No, no, yeah. I think that, yeah, there's certain elements

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that you think, well, that's got to stay consistent across the board. You're gonna

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get me in trouble with the brand police now. Yeah, yeah, yeah. It

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wouldn't be the first time. No. What's

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the focus now for Fisher? As a

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marketer, as a sales manager, we're

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coming up to, I mean, this is going to age the podcast because this is probably going to come out

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next year. We've come up to the end of 2024. What's

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the focus now? Are you continuing along the same veins? Are you

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Yeah, I think one mistake, marketers

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and market managers make is changing too quickly. Yes.

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Like we're not a consumer brand yet. We don't own 100% of

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the market space. We're not fully integrated into trade yet.

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So why move away from it and start a different campaign and start a different like

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tact. We'll evolve from

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what we're doing for 2024 and for the past few years. But

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the messaging will be the same. We'll do it in a more creative way. We'll

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stick to kind of like the position that we've aligned ourselves to. I

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think there will be more avenues for Fisher into DIY. And

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I think that's going to be a big part of our

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sales and marketing directive for 2025. We miss

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out on this huge consumer segment that we do know

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how to market to. We have done in the past, we know how to

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sell product to them, but we just haven't put that resource into there. So

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I think that'll be a big part. And

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yeah, I think. I think moving to try

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and become more of a consumer brand as Fisher was kind of

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my end game at Fisher. If I can get Fisher

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to be a consumer brand and to be known by 100% of

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the market, yeah, that's me done. That's my marketing

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career sorted. I'm happy. We did, I think

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three or four years ago, we did a bit of international market research. We

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asked some key questions to every single, to a sample, sample

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consumers in every single country. And Fisher UK came

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out really bad. And this is like five or six years ago, let's say.

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So the unprompted, do you know who Fisher Fixins are? I

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think it's 14% came out. That's pretty terrible. I was

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shocked by that. I thought, oh, we're much bigger than that. But no. We

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kind of try and track this on like a yearly basis, but the last time I tracked it was

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the start of this year and a completely unsegmented

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sample of the UK population. So not in trade, not

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in DIY, just everybody just took a sample of that, put out

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Yeah, 50% of everybody in the UK know what Fisher Fixins are.

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Amazing. Unfortunately, it then went only 30% know

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a little problem that we might need to look at it as Fisher as a brand

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and kind of like our channel structure in terms of terms of sales, but

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still 50% unprompted, do you know Fisher Fixit? I think

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that's a great result in like five years. It's crazy

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that we've come so far in such a short space

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of time by focusing on the same thing. Yeah, it just hops back

Speaker:

to consistency, Consistency breeds

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performance. It's relevant for, for everybody. Um, every

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marketer, like keep it consistent, like keep on going. And

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yeah, it's, uh, I think we, we, we need to get higher. It'd

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be good if it got to like the 70% and then got the usage

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usage percentages up. So there's a lot of those 50% that wouldn't use

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the product, but they're afraid of it. So it's kind of looking at those metrics

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now and kind of like trying to take those up next and yeah.

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Be interesting. If there is going to be more of a focus on a DIY audience,

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be interesting. Like

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I say, you've dabbled in that a little bit, but it's not been a core focus. It'll

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be interesting to see what the results are. Now that we've got

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trade, we've not got 100% of the market, but we've got

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a big, big chunk of the trade market. Does

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I think we've got that like, we've got that key metric now. So without marketing and

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DIY, we've got that kind of consumer awareness metric. So

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it'd be really interesting to see like, okay, let's do 30% of

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our marketing that we would have done to trade to DIY next year. Halfway through

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the year, review the metrics, see where we are. Yeah, that'd be cool. And

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I think that is for DIY, that is the metric you focus on.

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Do people know your product? If it's 100% yes,

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great, then you look at the conversion strategy. Then you think, okay, they know it,

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why aren't they buying it? So get that knowledge out there first, and

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It's almost like, you know, you speak to anybody that's,

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well, let's say DIYers, but it could just be anybody, like, have you heard of WD-40?

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You know, and it's like, it's such a well-known brand.

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I imagine a lot of people don't know what it's for in

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general. They assume you spray it on something and

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it stops creaks or whatever. They might not be super,

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super educated on what the brand is, but they know the brand. It's

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kind of like pushing into that. I did a bit of research into what the hell

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I think they were just around for like a hundred years. Is that what it is?

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No one else bothered to do anything close but you know if

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you can get if you can get to that level where it's just like... It's one of those products

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Yeah, yeah, it's mad. We were, who were

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we speaking to the other day? Loctite. And

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you know, it's like, if you've done anything with like bikes or

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cars, you know what Loctite are, what Loctite is. And

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I got like really nostalgic kind of looking at that. And I don't think, they're

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not a huge consumer brand, but like if you're a little bit into like

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engineering or mechanics and stuff, you know who they are. Or

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if you're into like maintaining bikes and stuff. But

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it's mad because their packaging, their look and feel

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has not changed for like 25 years or more, I

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don't know. But yeah, synonymous with

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I don't even know any competitors for WD-40. No. If I

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There will be tons of them, and they're just like scratching, trying

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The market manager's doing nothing. He's sat there like, yeah, I don't need to do anything

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That's what I want to be. I want to be that man. It's got superpower, isn't

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Yeah, it's done. It's a no-brainer to

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the whole industry. I wonder if there are, I'd be interested

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to hear if there's like, who are the competitors of

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WD40 and how do they try and compete? I'd

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love to get one of those guys in. Are there any particular channels,

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like going really nerdy into marketing now, any particular channels

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that Fisher are focusing on? Or sort

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of a different way of tackling that is, are there any particular channels

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that are working incredibly well for Fisher,

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in terms of like, you know, obviously social channels or PR,

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you know, whatever, any sort of marketing vehicles that are working particularly

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Yeah, so always for Fisher, Instagram's kind of been our

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go-to. We stepped away from Facebook quite a while ago,

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just to do with the complexity and the poor performance of the advertising spend,

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I think. You rarely hit the people that you want to on

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Facebook. But Instagram, it's a channel

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for trade for us. And it's solely focused on trade. There's kind

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of very little technical content. There's no content focused on

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engineers, but I like that about our Instagram channel. It is the channel

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for trade for Fisher. Where

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we have kind of developed more recently

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is putting a lot more money into performance marketing. So putting a lot more through

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Google ads and focusing on our SEO, which is then kind of trying

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to position a different sales

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channel official, so our kind of engineering side, a lot

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more differently because it doesn't hit as well on social channels. Or

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if it does, it's

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not particularly interesting unless you want to look and find it, which is where

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GA and SEO actually really work because people are looking for it

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and people are finding it, right? They're not just flicking through your socials and stop

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on a four hour talk about, I don't know,

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BSA 2022 or something like that. Nobody's flicking through Instagram

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and going, oh, there's a post on the Golden Thread, I'll stop and watch that. No,

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it's not happening. So that's kind of a more recent

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big push, like we've always worked with SEO and Google Ads,

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sorry. But yeah, it's been much more of a focus and

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it seems to be really kind of resonating with people who are looking

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for that particular kind of content. And especially within the engineering world,

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obviously they reviewed the report from Grenfell the other day

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and a lot of information came out from that. But one of the biggest kind

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of regulation changes has prompted us to really

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kind of hyper-invest really quickly and to pushing people

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to this. to this very long form, but very detailed content

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is the BSA 2022 in the golden thread, which is all about correct

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product, correct place, correct installation, not overturning specs. So

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that's been one area that's kind of still in development, but

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it's working really well because it's that information share, it's that knowledge share, it's

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positioning Fisher as an expert in this field, like we

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are, but we just don't shout about it. So I think that

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that's just going to grow and grow for all businesses. regulation is

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going to be huge moving forward so you're not going to be able to

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It's almost like a marketing or you know a

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USP for a lot of these brands isn't it you know like the the

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Grenfell stuff as tragic as it was has delivered

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for some brands who are able to get these certain

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certificates relating to like fire

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safety for instance, like all you do then is you just

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market the crap out of the fact that you've got that certificate. Our

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product is suitable in these types of situations. Check

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it out. And it's kind of like an easy sell because everyone's way

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too scared or it's just completely illegal to

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not specing products like that. So

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we work with quite a few brands that are just like, you

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just need to shout about this, it's an easy sell. All the other

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stuff's kind of like a moot point because there's only about three other companies

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that have this kind of certificate or whatever. I think that's

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really interesting. So Instagram, huge for the tradies.

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Facebook, not so much. Instagram,

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Yeah, then YouTube as well kind of never really been

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a huge focus for us because I don't

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know, I think you need to have a large following

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or be kind of a consumer brand to kind of drive

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that viewership. I think influencers do a great job because

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they create that buzz around themselves. But

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it's very hard to create that buzz around the brand unless you're Coca-Cola, Nike.

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People aren't going to automatically consume the content that

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you deliver unless they're interested in it. But it's

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now working to deliver that interest, to

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start building a base on YouTube, a base of kind of solid core fans,

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and then pushing it out to mass market and kind of focusing on the areas,

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on the reasons, sorry, why people consume content on YouTube. Long form

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specifically. Yeah, yeah, exactly. And kind of, What's

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the key points that we need to get across to kind of retain viewers

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and to increase our share of the watched hours?

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Because our share of watched hours is very low at the moment. Okay,

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when we push a video, yeah, it gets more watched hours, but that's not

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the metric you want to look at, right? It's like, okay,

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80% of your viewers watched 80% of your video. You don't want... 200,000 people

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watched one second. The hours might

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be great, but you've just spent that money for nobody to watch your video. So

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I think for 2025, it'd be really interesting to try and

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develop some content people actually want to consume and actually take

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something away with them. Like you were talking about earlier about learning DIY

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and then being able to pass it down. That's a really interesting concept. And I think maybe

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that's something at Fisher we can develop on like training people to

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use Fisher products obviously, but in

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different areas of this kind of day-to-day life. And we've done a few of

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those bits on YouTube already, which actually performed

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really well. But I don't think we kind of put it into an exciting kind

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of, we didn't serialize it. And I think that's one

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of the huge things about YouTube, serialization. You need to serialize your

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content. People need to expect another episode,

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another episode. installation on a weekly, monthly, two

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weekly, whatever basis. And then that's how you kind of start to build your

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viewers and build your engagement rate. And it

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just, it kind of just started like

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Half a year ago, a year ago, we started really focusing on what we were delivering

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on YouTube. Obviously, you've got to put advertising

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Yeah, especially when you've actually invested quite

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a lot of money into the content as a whole. If you're just filming all this stuff on

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your phone, You don't need to be doing stuff flat because you've

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not lost a ton of investment doing that. You've just lost time. Whereas if you're

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actually producing high production

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value content and you just let it go out organically, unless

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it's amazing. It's just not gonna

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get even then if even if it is amazing like it's you've

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got to build you got to build some consistency on

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YouTube it's interesting that because like if you think about coca-cola like I would never think

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about like going on to like coca-cola or Pepsi's YouTube, you

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know, I mean, you have to have a reason almost don't you know, and I think because because

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companies like Fisher fixings construction brands um they

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solve a problem they're not like a consumable that's just like nice to

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drink or whatever they're solving an actual problem then you can focus on the

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problems and you can educate and i think you know cocoa

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probably have do have a really good youtube i've just never thought to go on

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it but you think it's full of just their ads so people go to watch your ads I

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don't know. I would hope that the market is

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good enough that it would almost be like, who

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was it? I think it's Red Bull is a really classic example of like

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if their YouTube is full of stuff that's not related to their drink at all. It's

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Well, because they're doing an excellent job with all their like extreme sports,

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sports sponsorships. I think they also kind of Sponsor

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a German football team as well. So they're so diversified. It's crazy.

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Yeah, but for the most part that you know, all they have all their advertising

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all their marketing is is literally just entertainment for

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their target audience and they're just but they've become such a big brand

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that You just associate that kind of stuff with with

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with Red Bull You could totally do the same with any kind of construction brand

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couldn't you you can just go here's here's here's a

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series that Becomes very familiar could be a podcast could

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be whatever You just slap the name on there and it's just entertaining

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content or educational content for a particular audience

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I think that's the two segments in it. It's

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entertaining or educational and like YouTube is a

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new Google, right? You go onto, even though it's part of the same business, you

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go onto YouTube, you search what you would have searched in Google. So all

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the metrics are exactly the same as Google would be. And it's kind

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of delivering either those two segments that we just spoke about. And

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it's getting the balance right. You don't want to be too educational and people don't

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stay on your channel and watch your other videos. But also you don't want to

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be that company that just takes a piss all the time. It's just math. What I

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think would be interesting would to see how much influencers

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have to spend on YouTube advertising compared to brands. and

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what kind of the relation between okay we have to spend 50% less

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because we've developed this persona around our kind of

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YouTube channel and our own influencer team compared to what a

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It would be like the types of content as well that would make a big difference.

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The difference between what the content, the brand makes

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compared to the influencer will have a big impact on that. It's a

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tough one really, because when you think about, it's

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a bit like LinkedIn in that respect. You know, YouTube,

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if you follow a person, it's a bit like, you know, that kind of

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thing about the Richard Branson versus Virgin. Like you're more likely to follow Richard

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Branson than Virgin. So influencers content

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creators and stuff like this an individual that you happen to engage with then

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That's probably gonna be more successful than just a brand. Mm-hmm.

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I would say yeah, especially on things like YouTube if

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you do a hybrid where it's like You've the

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content is a particular individual But they're massively associated

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with a brand and their branding is all over everything you

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think of Oh Mark

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Tiff and Unilight or something like that. You associate Mark

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Tiff with Unilight. So any content that Mark Tiff makes is

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no stranger to promoting Unilight during his

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content and stuff like that. But essentially, because he's been so synonymous with it,

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I believe he's sponsored by Unilight. Don't quote me on that. You

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know, you, what you technically could do is you could create, you could find another

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marketer. If you could find another influencer like that, who's, um,

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you know, really engaged with your particular product and you could just go. make

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this, here's money, go and make this stuff and

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we're gonna slap our name on it. That would totally work on YouTube

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It's a rising influencer market now isn't it? It used to be you

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slap a celebrity face on a product and that association between

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that celebrity and that product sells it for you and every

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time you see that celebrity you think of Red Bull, you think of

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Nestle, you think of whatever it might be. Now it's you

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work with an influencer that influencer becomes synonymous with that

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brand and now they sell it for you. And that's, it's kind of

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just, it's gone huge. And it's really weird how people kind of have

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moved away from trusting celebrity endorsement and would much

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rather trust a real life person who's working with that brand, who

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uses it every day. And it's not just, oh, we know that

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Because the construction influencer marketing is very different

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to perhaps cosmetics, where you see typically

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it's female influencers and they're like, it's

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so blatant. The whole piece of

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the content was funded by this brand.

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and they make almost no effort to try

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and hide that but at the same time they kind of do so

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it becomes a bit fake and stuff like that whereas I think construction

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the guys who do it well It's long-term stuff, isn't it?

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We hear about it all the time on the podcast, that just

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shilling out one product, then a different product, then a different product, then a different product, and

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Yeah, we're back to that point where we said before, it's the realism. It's

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realistic. Okay, so I believe it. Like you say, just...

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okay i've been sent this i'm gonna try oh my god it's amazing yes i mean

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it was in that light bulb moment oh no yeah but you could you know i

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think there's this element of like i use this all the time this is really really

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good as opposed to like you could totally be the kind of person who's like fisher

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have sent me this thing or whoever have sent me this thing I

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have no idea what it's like, I'm gonna try it. That's kind of almost a

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little bit more authentic. It's the kind of the, join

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me as I do my such and such. Obviously I put my such and such thing

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on that's completely different to last week. You've just been paid

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for, and people can just see through it now, but I think actually

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construction influences are actually quite a lot more savvy. And

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Exactly. They don't really believe in the brand that this one support. I like, obviously

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I don't know any, but you could just get the impression that they don't believe in the

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brand that they're working with, or they don't, they wouldn't use it on a daily basis or

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they know they've just got a big payday. Whereas with, with the construction

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market and influences in particular, because they're using

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it, they're not going to rely on themselves to a brand that. they don't trust, they

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don't believe in. They wouldn't use. Whereas in

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Yeah, it's just shilling out. There are people in

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the construction industry that do just shill out for a payday.

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We know them, don't we, Key? You know what I mean? We're familiar. We don't mention

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Yeah. I say it all the time. I would be the worst

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influencer because I would shill out to every brand known to mankind. It's

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like as an agency, we're very much like that. Before

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we start working with a particular brand, we don't care if it works. We

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don't care if it's good, do we? You know what I mean? It's like you're paying as a service to

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market it. Influencers is a little bit different because you're paying

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them for their authenticity and the trust that

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their audience has with them. So they have to kind of Understand

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the product especially if it's new to them understand test it Let me see if it's any good

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because I don't want to wreck the trust that I have with with our audience We

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don't have an audience not much not much of an audience anyway And

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the our audience certainly doesn't care if we think a product's good

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or not because that's not what we're saying necessarily it's an interesting

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kind of difference between influences and and

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agencies where the classic

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example of an influence is working with a brand, they decide

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to not work with them anymore, next week you see them with the

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competitor brand and you think it's a

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bit nasty, their audience loses a bit of that trust and stuff like that.

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The influencer is selling their believability as a person, right? And you're selling

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your skills as an agency. Exactly. It's completely different.

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But yes, which means like, you know, I would hate to be an influencer from

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that perspective because I'd be like, I would be looking for who's paying us

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the most. Whereas those guys have to make that honest decision of

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just like, yes, I might get a better deal here. And

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I do like the product, but I like this product better. And

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It's got to be difficult because there's a shelf life to everybody in there, especially

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on social. So you've got to make that bang for the buck, but you've got to be believable at

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And most of these guys aren't full-time

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influencers anyway. So there's a little bit of flexibility, I think, in that most

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of them have got jobs anyway. which I

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think is cool. Typically we have this conversation with brands

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like Fisher, Stabil, Vera or

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Wera, that essentially they are not

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selling direct to consumer, they're selling to distributors. So they've got

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this balance of their

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end user, which they're kind of marketing, a lot of time they market their product to,

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and then they've got their actual buyer, which is the retail

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or the distributor or whatever. How do you guys sort of tackle, how

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do you specifically tackle that kind of mindset of almost like there's

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So this is quite simple, like we completely ignore it. Okay. Like

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half and back to when I first joined Fisher, all of our marketing

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was B2B. Okay. All what we did was deliverables for

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the distributor. Times change, things move

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on, marketing strategies change. Even back in my

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ITW days, it was just B2B marketing again. So

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very little focus on the actual end consumer. It's

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almost like saying, if it's in store, people will buy it. It's

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kind of that mentality, which doesn't work, especially in this day and age. People

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have choice, people have variation. So you need to pull that

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choice towards your own brand. So we kind

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of switched 100% from what we'd

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call push marketing or push campaigns, which was B2B,

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trying to push product into there, trying to force demand. from

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the distributor rather than now, which is much more pull

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market into pulling that demand from the end user into

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our distributors. And then that generates sales for us to

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the distributor. So it's a very kind of clean

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cut way to look at it because, okay, we still deliver

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literature and kind of stuff like that into our distribution network. Yeah,

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yeah. Okay. It's still placement marketing.

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It's still a big part of marketing, but it's kind of not, how

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we market the product anymore. They are kind of like tertiary marketing sectors

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that we still deliver, but don't focus on. Because

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at the end of the day, it's become harder and harder to convince

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a retailer to take your product if there's no demand for it. Because why

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would they? Because there's so much

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kind of, reflection of similar products in other brands

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that they can say, well, I already stock X, Y, and Z, so why would I stock a

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Exactly. I'm already getting sales on these. I've only got limited space in

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my stores to have an amount of products. Something's got

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So we completely switched off our B2B focus. I'm

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not saying that we don't care about it, but what we found was that, obviously,

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when we're doing our B2C marketing, that consumer or

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advertising to that consumer will still hit our distributors. They'll still see

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our advertising content. They'll still see what we're putting out on socials. They'll

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still see like our white papers. They'll still see our

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performance marketing for Google ads. They'll still see all of that. So

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it still encapsulates the B2B market, but it's not

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driven for them. It's not aimed at them. We're not trying to convert

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them. We're trying to convert the end consumer. And

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it works. Like we get, we've had kind of

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like, over the past

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few years, maybe like 20, 25% customer growth in

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terms of just pure numbers as in how many customers that we have. So

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people come in to Fisher and say, we want to buy your product because we

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know there's a demand for it, which is great. It's a shining light

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on the marketing that we're doing today. Inbound marketing. Yeah, I use that all the time when

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I have a review of the MDs. I've delivered this. Purely

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They're calling us. We're not having to call them. And that's all based on

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Yeah. And same with existing customers who we want to expand our product mix

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with. We don't market direct to them. Yes, we have deliverables for

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them, but we wait for that pull to come from the end user.

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And then you don't even need to sell the product then. No. Because they already

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want it. The demand's already there. Why waste your time on creating

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more demand from that distributor when it's already there? Exactly. You

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don't need to spend any resource on it. It's done. So yeah, completely

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upended our kind of way of thinking in terms

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of the marketing scope of what we did. We

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still do little bits like email marketing mainly goes to

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our distributor network, but it's

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not kind of focused, it's not resource heavy, it's this

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is us, this is our new product kind of thing, it's not. We

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don't really have any KPI driven marketing based on

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When you think about it from the distributor and the retailer perspective,

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all your marketing is generated towards getting them more sales. And

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so even before the product is launched in

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their stores. There's a higher demand for

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it. When it does go in, it generates sales for that particular business,

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which of course generates sales for the actual

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manufacturer, the Fisher Fixins. So it's

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great for them. Basically, they should do, but they don't have to do any

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I think that's kind of what made us think of this switch because

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we always used to think, oh yeah, okay, so our retailers are going

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to sell this product for us. Anybody that walks in is going to sell

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Fisher over somebody else. It doesn't happen in a retail environment. People

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pick up off the shelf what they want and take it to their tail. It's the same in

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any retail environment. Why would construction be different? Maybe when you

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get to the higher end, like technical specification and engineering work, yes, then

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it does get sold by other businesses and by other

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distributors. But when it's purely retail focused, it's never

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going to happen. So why don't we skip that side of the marketing? Do

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kind of the retailer's job for them as well, and just push the product to that consumer.

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Just find them on their phones. And then they go, oh, that's interesting. And

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it's a mixed bag of, I mean, we could talk a little bit before we

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finish off, because I feel like what what time we on key 117 you're joking

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me feels like two hours flown by that's the

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yeah maybe I'm still a bit poorly the Now

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I was going to talk about the mix of what

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we do in terms of the social and

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stuff, but I feel like we're at the point now where we

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can start thinking about finishing

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off the episode. This is going to have to get edited out by the way because I'm just not

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making any sense. It's all right, I'm writing it down. Thank you. What

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about So we've talked

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a little bit about, you know, there's obviously influencer marketing. It's

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getting bigger. This year was a big push on

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that in terms of the industry as a whole. I think next year it's gonna be even bigger.

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But I think people are gonna be a little bit more careful. I think brands are gonna be a little bit more

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careful next year with the influencers because I think

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there was a big surge of them this year, as in

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Yeah, I think also, like, I think construction has

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had a pretty tough year this year. And I challenge

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any brand into construction to say, yeah, we've had a storming year and

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we're 30% up year. I don't think it's happened. Just because of the way that

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the economy is driven this

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year and the way that construction kind of output has gone this year. I think

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a lot of brands, including Fisher, will be a lot more careful with the resource that

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we have. And that doesn't mean spend is going to go down and things like

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that. I think it means that people look more closely

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at the KPIs that they achieve with each piece of content, with

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each advertising campaign, and that includes influencers. I've

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never been one for kind of like data-driven marketing. I

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like KPIs as an afterthought to kind of prove that this is right, this

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is wrong. and then you kind of readjust and go again. I

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don't like looking at KPIs to then deliver a creative. I think that's

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kind of the wrong way around. And it's

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not the fun way around either. Yeah, who wants to live like that? Yeah, come up

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with a great ideas first, spend a load of money on it,

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make some great content that you think is amazing, and then look if it's done well. Yeah.

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Yeah, it might be a bit counterintuitive, but. it's

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fun in it. If you don't have fun in life, it comes across in what

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I think you've got to be, it's all about being careful about how you

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manage your budget. If you've got a tiny budget and you can only afford one thing, you

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have to be very careful about what that one thing is. If you can use

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that budget more efficiently, spread it across multiple different campaigns and,

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you know, There's luxury to having a bigger budget, obviously. There

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are certain things that you can go, this isn't going to generate tons

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and tons of interest, but it is going to add to our brand positioning of

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being more integrated

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and more aligned with, let's say,

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the construction worker, the tradesperson. So we're going to

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do a load of thought leadership pieces or something around,

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I don't know, leather behind the trade stuff that we did, which,

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you know, for the most part doesn't sell Fisher products at all. They're just heroes, heroes

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construction. It was like a fun project that we wanted to do, but we

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But it's that position, back to that positioning statement, that basically feeds

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off that core positioning statement. And that's, that's the way

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that we got it across in that kind of certain segment of our

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advertising. I think It

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might go that a lot of brands might go the way that their market has to prove its worth.

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Like we and ROI. I hate the word ROI.

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Like why people ask for. I know why they ask for ROI. But I bloody

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fucking hate the term. I hate calculating it. Because a lot of

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time ROI is. Yeah, I think it might do about this much a

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Yeah, who knows? Especially with your sort of strategy

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of like the B2B marketing basically is for the most part, especially the digital

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side is turned off. You know what I mean? I'm going straight to the consumers. That's

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a way, it's a more long-winded process, but I would say it's a

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more, it's going to

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be a more successful process really long term. But How

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the hell do you get the data for that? You haven't got

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I'd love to have it. And then it'd make my job a lot easier when I'm reporting

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Yeah, and also all of the Google Analytics, all that kind of thing, all the

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CRM, you haven't got access to that. So you

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Yeah, you can only go off sales data, feel, and then if you want to spend

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money doing market research, that then takes away core

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budget from what you want to do in the creative space, but you probably will

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need to do it because somebody's going to want to know what bang

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they got for their buck, right? And the only way to do it then is market research. So

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yeah, I think that could take a much bigger role because

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people need to do market research to prove the worth of marketing. It's

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a great place to be in if you're a market research company, but in terms of

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like creative marketing, It's kind of like a step backwards a little bit.

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Hopefully. Future of construction, what

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are you thinking? Marketing specifically. We've

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seen this boom of social media. Still brands that

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are not really taking content and social media seriously, or

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they're just starting to have a little play with this. I

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think we're on some brands that still haven't really got a website. Properly, you

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know, there's a lot of brands that still don't have a website It's

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like, you know, you know, we always joke that Construction

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marketing is about 10 years in the past for a lot. Yeah as

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an average Predictions for

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the next couple of years of construction marketing what like what which

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think kind of the power of your website is going to become key, especially with

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the increase in regulation within the industry, not

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just on the technical side, kind of on like the trade side as well. So

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where you can deliver

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information that is relevant to that regulation change

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or the increase of increase

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of eyeballs on what you're actually doing, then that's going to, I think that's

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going to massively increase. So people who don't have websites or don't have

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really accessible content on their websites really need to up their game. Because

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if you can't find that information, like, and if you're working on

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a high rise building, for example, and you can't find information from the manufacturer that

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you need, you get to another manufacturer. Yes, you go to another construction

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company. So I think that's a huge part of construction. Like

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you say, 10 years behind, people have awful websites still. People have

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one page websites that I know have said under construction

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for the past five years. How long are you taking? Yeah, so

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I feel like the performance and the UX of your website needs

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to be spot on. And Fisher's isn't. We still need to do a lot of

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work. So I'm not even saying that our website is a perfect example but

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we're getting there and 2025 will be okay we need to be

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there we need to be the top of the game especially when

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it comes to like delivering certification and regulation changes yeah

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being that thought leader being that occupying that space as an expert again um

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And then I kind of see, because there's been such a huge growth

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of influencer marketing, like you were just previously saying, I

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can see it kind of declining or teetering off. Because the more people

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that occupy the space, the less believable it becomes. I think

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there'll be a core demand for certain influencers that

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you know are kind of like, OK, I believe them. They use their

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products. The genuine article. Yeah, they are the real deal. Whereas

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all the other ones who kind of like, try and occupy the

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space, but they do a little bit here, do a little bit for that brand, kind of

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flip between what they actually, not

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what they advertise, but what they physically do as a

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job. Yes. So like, I think it's a much more believable where you have

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a guy who's an electrician, and on his Instagram, or

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wherever he posts his content, that's all he does. Always

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a plumber, and that's all he does. Not one day I'm a plumber. Next

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day, I'm a kitchen cabinet fitter. Next day, I'm building a wall. That

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doesn't work. OK, there are general trades people, but in terms of

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the believability in pushing a product and pushing yourself,

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I think you'll be much more focused on sector or application rather

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than... We do everything for everybody and

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I think there'll be a push as well for long form content. I think YouTube,

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they've got more of a pull on the content creators at the

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moment because I think it's getting saturated on Instagram, TikTok and

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stuff like that. YouTube still, I feel a little bit untapped really

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as a platform because the barrier for

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entry is quite high and the fact that you've got to

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If you don't know your stuff and you're doing a 60 minute video, you're

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kind of fucked right now. What are you going to talk about for an hour if

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Because there's a lot of gimmicks out there on Instagram and TikTok where people

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just kind of show you the product and then it's like, come over here and the

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camera moves. It's like everybody's doing it. Whereas YouTube can be a little bit

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more, you can be a little bit more individual. And

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I quite like that, but also from an authenticity point of view, like

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the YouTubers of, you know, I'm a YouTube guy, every single night,

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YouTube on the telly. Um, and, uh,

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I've got certain accounts that I watch, especially in video production and photography and

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stuff where if they tell me a product is good, I believe them because

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I've watched them for years and they've showed up in a

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long form, 10 minute, 20 minute videos talking about how

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they did this or how they did that. I'm gonna believe them when they say this

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products actually decent. Yeah, I was somebody on Instagram. I don't know.

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I don't know I just I feel like long long form is you just get you get

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a little bit more of a relationship built So I I think that's gonna happen I'm

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here for it. I quite like the idea of long form and it's from a brand's point of view I quite

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like the idea of going I would like to be on your long form content,

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please I think it's the demographic that YouTube pulls

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It's like probably that kind of slightly older, like

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outside of the teens, we're looking for the kind of content that you're consuming anyway. People

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who have got a longer attention span and who are willing to give that

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kind of professional content. more than

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20% of the video's chance. Whereas we all know Instagram, scroll,

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scroll, scroll, scroll, maybe watch a reel for 30 seconds, not

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really consume the content fully and

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not really kind of like think about what this person's saying. Oh, yeah, that looks cool.

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Scroll, scroll, scroll, scroll. Whereas YouTube, I think that the

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way that you consume it in kind of your head is much different. You go looking

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for that kind of piece of factual evidence, or the

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entertainment side, and then that's kind of a different side of the coin. But

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yeah, you go looking for professionalism and kind of somebody to deliver you

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something that you need, but you still want to be 100% believable,

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You're a child, Keelen. What's your

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YouTube workflow? What are you doing on

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How are you consuming YouTube? I

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just watch funny stuff, really. Funny stuff? Not funny, but not

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Into your shorts and stuff like that, is that a thing? Nah. Where

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do you consume it as well? Like what platforms in terms of like computer,

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phone, TV? Oh, I'm a TV guy, yeah. TV guy, right. That's

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interesting. So long form, entertaining, and

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you're like 12. So that's an interesting demographic. And

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I'm the same. I'm on my TV. I'm on my Google TV,

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my 70 inch or whatever in the living room,

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a ridiculously big TV. And I'm there, I'm looking

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for the recommended and my subscriptions and I'm

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catching up on the stuff that my guys that I've subscribed to.

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I like raw stuff at the minute. Like

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stuff that's just like, it's not really like produced

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that highly, it's just like this guy being genuinely him.

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It's interesting and again I'm here for that as well because from

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a point of view of like if I was to be a content creator I would like the

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idea of not having to edit a great deal. But also

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from the point of view of the brand stuff that still needs to be separated from

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things like influencer content and stuff like that. It's still got to

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be glossy. I think, I think there's, there is a space for having

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some brands deliver raw content, but

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not at the expense of their brand positioning. You know what I mean? Which is

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why TikTok's a little bit of like a gray area for a lot of brands because

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they're like, Oh, it needs to be raw. It needs to be on my, doesn't. I

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don't think it can be. But

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polished content like the stuff that Dissident does or whatever, which

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is like, you know, don't get me wrong, it's not like a TV ad. It's just

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a little bit more production value. It

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can still work on TikTok. Yes, it might not work as well as

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an individual who produces raw content. But

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that's not what the brand is. And I think you can damage a brand by trying to, trying

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Yeah, I think that's it. Like, I remember when we first

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started jumping every single social media trend going, yeah, no matter what

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it does to the brand, no matter what it does to your, your CD, completely

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trick your CD out. Yeah, don't go on. We'll copy this. Oh,

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there was a really shit trend. It was like a little stick

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I hated that. We did something for Fisher from it. It wasn't the

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current social media. media manager who's doing it, it was one that's

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left a long time ago. I looked at it, I was like, what the fuck is this

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brand are we doing? Bob likes Fisher, you like Bob. Fuck

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Oh yeah, we tried them. I

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don't think you were a fan of that and neither was I. We

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were trying, we were having a play with stuff like that. It

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Oh yeah, because everybody jumped on that as well. There's a

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time and a place for following trend, but I don't think it's for brands.

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No. Like sometimes some brands do it really well, but you've got

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to be really clever if you're going to jump on a trend. Yes. And kind of

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maybe even counter-intuitively go against the trend, just

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to kind of occupy the opposite space. But not

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enough people do it well enough. No. And it

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just looks shit. let's all do the same thing

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at the same time, and all reach for the same kind of grab of

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Yeah, and this is the thing, if you're not separating yourself in

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the market, and in terms of your actual material, the

Speaker:

content you put out, what's the point? It's a throwaway piece of

Speaker:

content, unless it's doing something that's wildly interesting,

Speaker:

It's like people following sporting events and

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then their feed becomes all about that

Speaker:

sporting event. When the brand's got nothing to do with sport. But

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why? It's not getting you a new consumer segment because

Speaker:

they're not looking at your brand for content about football or

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content about the rugby. That's not why they're looking at your brand,

Speaker:

but you're trying to occupy the space of the brand that is. So it's not

Speaker:

gonna do anything for you. It's just, again, like wasted resource.

Speaker:

At Fisher, we try and stay away from any trends and

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kind of following any kind of like cultural sporting events.

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Although we did have a, we had a laugh at a meeting,

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didn't we, where I pitched an idea where we

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get a load of like non-related influencers and

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we put a load of budget towards that. and like sponsoring sporting events

Speaker:

That's counter-intuitive marketing. That's like occupying the space and

Speaker:

just doing something really creative and funny with it. Like why

Speaker:

the fuck is this footballer holding up a massive duopower or

Speaker:

We were looking at like show jumping or something like that or like dressage. Like

Speaker:

Fisher Fixings presents dressage. Eh?

Speaker:

And then you get these beauty influencers who have got

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no experience in DIY perhaps and they're just like this is the new superpower. But

Speaker:

I love that. I love that because it is that counterintuitive marketing

Speaker:

that people make people like sit up and think, yeah, this is hilarious. But

Speaker:

It's going to be one of those things where you'd have to do it perfectly. Yeah, I

Speaker:

think that's why we've not done it. It's like it would be so much resource. And if

Speaker:

It'd be fun to do, but it'd be, you know, it's... And you know what, I'm

Speaker:

stealing this off a podcast that I listened to the other day, but a brand that have

Speaker:

done it really well is Yorkshire Tea. Oh yeah? If you watch any

Speaker:

of the Yorkshire Tea adverts, they hire, like, really, like, high-end

Speaker:

celebrities and put them into the Yorkshire Tea environment. Amazing.

Speaker:

I'm not going to say anything more, just go watch the adverts, listen to the... find the podcast, it's

Speaker:

There was... we will finish off in a second but like

Speaker:

like war buttons did some you know they've had a few different campaigns

Speaker:

where they've had like um who's

Speaker:

the guy that says no Samuel

Speaker:

L. Jackson. Samuel L.

Speaker:

Jackson and Lenny Hedrich. I swear I've seen them on Warburton's advert. You

Speaker:

may well have done. I think he got Sylvester Stallone,

Speaker:

I'm not 100% sure. I watched a keynote speech

Speaker:

with Jonathan Warburton and he was talking about that. It's

Speaker:

brilliant. At what point would you associate Samuel

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L. Jackson with Warburton's bread? The most English

Speaker:

Brilliant, but it's like the opposite of celebrity endorsement, but it

Speaker:

Yeah, but it was so, so, so good. I feel like we've come

Speaker:

to the natural end of this, Dan, but is there anything

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that you wish we'd have talked about that I haven't asked you a question on? Is

Speaker:

I don't think there's anything that we haven't covered that I specifically wanted to say.

Speaker:

I think like kind of, hopefully the little

Speaker:

gold, if one golden nugget of marketing has come from this, it's like

Speaker:

follow your, your position statement. Make sure that it's

Speaker:

true for all of your marketing. I don't think you can really go wrong if

Speaker:

you, if you truly believe in, in that and what

Speaker:

your brand is about and you just make sure that it emanates through wherever

Speaker:

it's your copy, wherever it's your advertising content, wherever it's

Speaker:

your push media. It doesn't matter, as long as it emanates that same

Speaker:

message and keep consistency. I think that is

Speaker:

kind of the two key messages that I would hope people would take

Speaker:

I 100% agree. Positioning is massive and

Speaker:

it's got to be consistent across all platforms. It

Speaker:

doesn't mean that everything has to look the same, it just has to deliver the same messaging,

Speaker:

same communication, same values. Dan Stravinsky,

Speaker:

Fisher Fixins, our friends. Thank you so

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About the Podcast

The Build Up
Construction Marketing
The Build Up is a podcast for marketers in the construction industry. Hosted by Daniel Moore, the Creative Director of dissident, a creative agency that creates disruptive content and social media marketing for some of the leading and most rebellious brands in the industry.

The Build Up is a podcast that puts a spotlight on the unique world of construction marketing.

Dan will be speaking to marketers of leading brands, other agencies, creatives, founders and influencers.

The series aims to highlight and give insights into key areas of construction marketing and provide insight for fellow marketers, founders and creatives in the space.

About your host

Profile picture for Daniel Moore

Daniel Moore

Meet Dan - the voice of The Build Up. 🎙️

As Creative Director at dissident creative agency, Dan’s spent years helping construction and manufacturing brands build campaigns that really work. Now, he’s bringing those insights to the podcast, chatting with industry experts, marketers, and brand builders to uncover the secrets to success.

Expect straight-talking interviews, real stories, and plenty of lessons from the world of construction marketing.