Episode 10

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Published on:

20th Jan 2025

Unilite: Alex Insley On A Family Business Turned Brand Powerhouse

In this episode of The Build Up, Dan engages in a dynamic conversation with Alex Insley from Unilite, a family-run business that has evolved significantly over the years. Alex shares the journey of Unilite, which began in 1981 and has seen substantial growth under his and his sister's leadership, particularly by focusing on the construction trades. The discussion delves into the strategic shift towards direct-to-consumer sales, highlighting how this approach has revolutionized their business model, especially during the COVID-19 pandemic when traditional wholesalers faced challenges. Alex emphasizes the importance of data-driven marketing and influencer partnerships, explaining how they have built a tight-knit group of reliable influencers who genuinely connect with their products. The episode also touches on the challenges faced by larger brands in transitioning to direct-to-consumer models and the significance of authenticity in influencer marketing. Throughout the conversation, both Dan and Alex reflect on the unique position of Unilite in the construction industry, showcasing their commitment to creativity and effective marketing strategies that set them apart from competitors.

Unilite

Alex Insley

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Transcript
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Hello and welcome to The Buildup. This is the podcast for marketing

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in the construction industry. I'm

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Dan, the creative director at Dissident. We've been working with construction brands for

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a number of years. It's an exciting and rapidly evolving industry, and

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that's why we created a podcast dedicated to the weird and wonderful world

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of construction marketing. I'll be speaking to leading brands, other agencies,

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creatives, influencers, and startups. This is the

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resource I wish we had when we first started out in the industry. Thank

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you for being here and welcome to The Builder. Welcome

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to Build Up. I'm Dan, the creative director at Dissonant, and I am joined today by

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Alex Insley. Yep, that's right. Who is the... I never figured

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Okay. And the reason being is, I just... there's

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That's true. So I never... Well, let's just say Alex from

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Unilite, also famous for Trade Legends podcast,

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among other things. Welcome to the podcast, really appreciate having

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you on. I wanted to start, well, listen, I'm

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not very good at doing intros, so I'd love for you to, for the

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people who don't know who you are, just give a brief introduction to

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Uh, so Unilight was originally created in

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1981, mother and father, so family business. And those

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guys got divorced when I was about eight, eight years old. And we, we

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never really did what we sort of do now. Like the company's evolved probably

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in the last 15 years or so that my sister and

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I were running the business for. Um, you know, it sort of, it

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was always there or thereabouts sort of grew and then decreased

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because my dad had somebody else running the business for him. And then when me and the

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sister have come into the business, For the last 15 years we've had double

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digit growth apart from one year. So

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it's sort of we primarily aim at trade construction tradesmen

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and women. And again when I came into the business the thing that we sort of

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did was I felt like we were trying to make products for everybody. Yeah.

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Whether you were going fishing camping running walking doing

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your daily job, whatever it was. And we were sort of spreading ourselves

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too thin. So I looked and I thought whenever there's a recession or anything

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like that, what one thing never stops or, you know, if

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you're short for money from a recession, you're going to not go

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camping. And the only thing that I could see was trades.

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You're always going to need somebody to fix lights or fix your toilet. So

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we started just hammering tradesmen and women. And we

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sort of, you know, started with the lighting. And then in

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the last sort of five, six years we've gone into work wear, tool

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bags, tools, knives, loads of

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different things. So it's sort of evolved over like

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Love that. It's very similar, not very similar at all. But that specific

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area of just like, what's safer

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than other industries, that was exactly how distant sort

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of found themselves in the construction industry. We had

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a massive range of clients, we did kind of like everything

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for everybody. And when COVID

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hit, the guys that stuck around were healthcare

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and construction. So about 70% of our client

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bases is currently construction about, well even, no,

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it's probably like 80-20 construction to healthcare. And,

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you know, it's one of those things that we just sort of thought this, you know, the lockdown hit, about

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three days later, you know, one of our construction class, like, should we

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jump on this video production? And I'm like, are we even allowed to?

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Are you okay? And they're like, yeah, yeah, we're cracking on as normal. No problem at all.

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And I was like, okay, this is this is this is an industry that we need to very

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Yeah, yeah, it was so we were, you know, all of

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our we had, you know, we had some great, you know, sexy clients, like

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spas and restaurants, and, you know, sort

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of high street brands. And they're all

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just like, yep, no budget, marketing's gone, sorry, for the next foreseeable

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and then building construction, healthcare. Obviously, everyone still needs healthcare,

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everyone still needs stuff building. Yeah. And especially because we work mainly with

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manufacturers. of construction products, you

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know, the even the DIY, you know, was going mad in,

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in COVID. So really, really cool. So Unionlight currently,

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it's start off as lighting, but moved into sort

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Yeah, we sort of looked in, obviously, the size that

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we were, in probably 10 years from where

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we were at the point where we sort of started to diversify, I looked and I thought, if we

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don't start looking at other avenues, when

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I'd go into a wholesaler, for example, they would say to me, they'd say, oh, you

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only sell one thing. So they weren't bothered. Whereas if you're a larger

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company, say like Milwaukee, and you've got a whole range of different things, you'd go

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in and you go, right, I want that wall. And I'm going to stick all my products on here.

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I'll supply you with all the the stands, and it didn't matter what

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you were selling, they'd put it in because it was part of a bigger profile. Whereas

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for us, we would struggle to even get a tiny little bit of space in a

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wholesaler. That makes sense, I've never even thought about that. So I looked and I thought, I need

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to be able to go in and at least fill a stand. So that

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was the work where hoodies, gilets, knives, pencils,

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even the coffee mugs, everything branded Unilite. And now obviously

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we have a much wider offering, safety glasses, whatever it is, and we can go

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in and market that whole stand and say to somebody, I can come in and

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merchandise this for you. Absolutely. Which actually gave us a foot into the wholesalers. So

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that's why initially I diversified. Yeah. And then

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the direct consumer came along, which meant actually I could use

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some of these products as free gifts or to say, look,

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if you buy this, you get this cheaper. And the whole sort of process

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then started of trying to eke out more on your average

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order value. Yeah. and stuff like that. So the two, you know, I did

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one thing and it actually helped something else without sort of semi realizing.

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Yeah. That's mad. Your toggle's gone up

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here. I know you would hate me if I didn't tell you. It was like up here a little bit.

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Hiding up there. If I saw a clip of

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that, I'd be like, Dan didn't tell me about that. That clip, that thing stayed

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there forever. It's like, um, yeah. So if, if like your collar's turned

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up or whatever, why didn't you tell me? The direct-to-consumer thing

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is interesting, because most of the companies that we work with and speak

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to, they only sell through distribution. And

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there's great things about that, but also issues for as a marketer, because

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a lot of time, you really struggle to get the data. You don't know what's working, certainly

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short term. How do you tackle that? Because I

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get the impression, I could be wrong, that a lot of, especially the really

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big brands that have got big distribution networks, and

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retailers are almost too scared to go straight to consumer.

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Did that, could the direct consumer come later? So the B2B has

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always been there. Yes. And another thing which sort

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of, you know, really saved us as a business, obviously, if you had COVID

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and it was just that COVID period, a lot of the wholesalers shut down or

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it's limited access, we'll give you whatever you order, we'll come out and meet

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you. But the direct-to-consumer thing, I kept watching

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the likes of Jim Shark the likes of Nike, Lululemon, all these

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types of brands. And then there was an article I think where it was like

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Nike had gone from doing nothing direct to consumer, they had this big massive

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network, and they'd done like 20% in the first year direct

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to consumer, and then like I think two years ago it was 65%. And

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I thought, hold on a minute. And I was looking at brands like Dyson, and I was thinking,

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well, they've got their own website. And it's absolutely everywhere. I

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know, I think they stipulate everything's got to be the same price, like map

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pricing like they have in the US. But I sort of looked and thought,

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hold on a minute. Our type of product, I can send it out. It's

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not like you send it out to sealants or something like that, and you've got to send out a

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whole box of it to warranty. You can't just order one tube of sealant online.

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And yeah, probably about five years ago now I thought, I need

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a website. So we went, ironically, to a marketing

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agency which was based in Leeds called Rascal Agency. They're not

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there anymore. And got

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those guys to build us the website, which is how I met Nathan. Because it was

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Nathan that built the website for us, for this agency. And

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then as time progressed with those guys, I kept finding that

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every time I wanted something changing, it was costing me money. Or every time I wanted

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something doing or a new idea, it was always me that was having to think of the idea. And

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I was like, this is, you know, it's laborious. And

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eventually Nathan said to me, he said, I'm leaving. I said, well, where are you going? And

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I asked him exactly what he did for us. And it was basically, he was doing the majority

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of the work and the account manager wasn't really doing anything

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for us. So I said, look, come and work for us. He was like no

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no no I want to go freelance so that I don't I don't want to come and work for

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another brand. And after about six months of using

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him freelance. He decided that actually

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I'll come and work for you. But he was originally living in Leeds. Yeah. So

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he moved down to Birmingham and that was sort of the birth of the. the

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direct-to-consumer fully then, because we had an in-house developer. And

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when he came down, he then said, look, OK, we've got this website, but

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it doesn't really link up with your internal system. So he

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sort of integrated that with our delivery thing,

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ship station, and everything sort of progressed from there. So now everything's seamless.

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Yes. And the orders get sent downstairs to the warehouse. They get picked and

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packed and scanned. Everything is done and automated. And

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like hundreds of hours a month. Mad, isn't it?

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Pure profit. And you have to look at stuff like that. As a smaller business,

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if you're not lean and you're not quick, then these bigger companies,

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they'll just gobble you alive, you know, because they're slow and laborious,

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So, um, so for context and Nathan, and I

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spoke to Nathan because Nathan's the guy that you speak to like for like the

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trade legends podcast and stuff like that. Um, he's,

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he's basically the, the genius behind the digital. Yeah. Yeah. He's, he's,

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and he's what an amazing, uh, cause he did that pretty

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He's self-taught. My

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thing was, after... So I already had Jack at this point

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doing video stuff for me, and I thought, well, why don't I bring him down,

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and then I've got him building the website and doing all the internal stuff for us.

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Jack's doing the video content, and my... Theory was

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I looked again at Gymshark because they were just based down the road and thought, I

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watched Ben's videos and these are so good. And

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he's always saying, oh yeah, we've got these guys working internally. And

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at the time, like I said to you off the podcast, there was nobody like you

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guys doing anything. And I thought, if I want that type of

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content, I'm going to have to invest in it and bring people in-house, which

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a lot of brands, they just, they don't want to touch it. They don't know

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about it, so they don't want to touch it. Especially the bigger brands as

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well. The ones with the bigger budgets, they'd rather just Forget

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about that. Yeah. But for me I wanted to sort of put my own

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stamp on the content and you can't really do that if you're using

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somebody outside the business. Yes. Unless you're specific where you

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Well I think I'm sure there's there's other

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other agencies like us who specialize in the construction industry but

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I don't think there's anyone like us. I think we were like sort

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of trailblazers of this like very specific creative

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content and social media marketing specifically for the construction industry. I

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don't think there's a lot of companies out there that do what we do. So

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brands might go to a sort of an agency similar

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to us that don't specialize in construction and they're kind of getting stuff that's generic

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and corporate and things like that. We sort of we

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were positioning ourselves as these kind of the The

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rebels, the guys who work with brands who

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want their content to be different and creative and stuff like that, which

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is always, you know, whenever I saw your content, I'm like, there's not even

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There's still brands that are like us. I mean, like, even if we were

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doing a bigger project, say now, We've got to run a

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large campaign across the US or we've got to run it across the

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whole of Europe. I still would probably look to get some external help

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on stuff like that. So there are still brands that do what we do and go. You

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know, we need more bodies to do it because it's such a big campaign. But,

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you know, it's very, very difficult to find people in construction that

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understand that sort of what we want. Yeah. You

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know, and that's where sort of you've you've pigeonholed yourself in

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Yeah, absolutely. I do think, though, that I mean, I said this, I said, I

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think I said this on several podcasts or certainly in several conversations. Unilight

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are the only ones that I think that I'm aware of

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There may be others that have got an in-house team that

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are doing it right. I think there's a lot of brands that have tried to get

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an in-house team that is like a creative team. but they're not

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the right people and they're not qualified. And I think a

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lot of the problem with that is I think they'll

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cheap out. They'll cheap out on it. They'll get a junior. They'll get someone

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who's really inexperienced in the industry, but

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they've got no one to learn from. So you get someone who's like, let's say a junior videographer

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or something like that, but they are the only videographer So how

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do you expect that junior to progress and to

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build their skills and stuff if they don't get anybody to learn off? You need a head of

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video. At the very least you need like a creative director or

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I sort of took up that role because when Jack came in obviously he could

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do whatever but it's me telling him this is what I

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need and then he'd do something I'll go that needs to tweak or put

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that track to it. And a lot of brands they don't have somebody that's

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that No that visionary for the direction of the marketing and

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that's where they should they'll bring that like you said the videographer in he'll work

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for six months he's got no direction or you know it doesn't really

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understand what the brand is yeah and nobody within the business understands what

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Yeah, it should take a tick box exercise to go videographer, that'll, that'll

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solve a problem. But, you know, especially if they

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haven't even got a robust marketing team, what's that videographer going

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to do? I'll take a video of this, but they're kind of going, I have no reason, I have no idea

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why I'm doing this. It's like, it's a sponsored art project,

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essentially, at that point, it's kind of like, I've made something. And it's,

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yeah, it's mad. You guys, I

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think, are one of the few that are actually doing it, doing it

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well with a big team, because it's a big investment. You

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know, it makes sense for a lot of companies to go down the agency route

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It's easier for us in essence to do and have

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that risk because we have the direct to consume. So it actually in

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essence, that investment is getting back what we pay for it

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and more. Whereas a lot of brands, if it's, if it's just B2B, but

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they don't realize actually, if the marketing's on point, all the distributors, you've

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got all that content for them. So they're using your content and

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eventually the business grows, but they don't see that because it's not, it's

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Yeah. You guys have got the data. You can, you can make a video, put it

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Two days, three days. And that's what we did because when the business progressed and

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I started to use influencers and introduced them and then we created our

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own influencer software that literally drags data

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in from Instagram, from TikTok, all that sort of stuff and

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sort of collates it for us. I can go on now and

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actually see all the stuff behind the scenes on

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a particular influencer and I can go, right, okay, that's when they posted

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that. We can even plug them into our system with an

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API, and it draws all their data automatically from their own profile. So

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we can actually see, well, they posted it here, and this is where the uptick

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was, and that product didn't quite work, and that time of day. And

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we've got all that data now, and again, I can't remember who

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it was that said data's the new gold. And I was like,

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data, how do I get this data? And I was like, you know, direct

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to consumer. It means when they sign up for an account, I get to

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know whether they're an electrician, HVAC or a

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plumber. I get to know how old they are, when the birthday is. I

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get to know what products they're looking at because we track them across the website.

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So then if a wholesaler comes to me and it's a plumber's merchant,

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I can say these are the products that plumbers are interested in. So I know if

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I put those into the branch, 95% of the time it's

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going to sell and people don't realize is you use one thing to

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help you with the other thing. Yeah. And these so many brands just

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don't get that. No they don't get it. It's just you know once you've sold the

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product to the wholesaler. Who's buying it? Yes, absolutely.

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And if you don't know who your customer is, how can you make products for them that you know they're

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It's just so cool. Yeah. We discussed our fair

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about the, the, um, the, the direct, the direct to consumer stuff.

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And it's, um, it's revolutionized our

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business. Yeah. When we started doing direct to consumer five years ago, we're

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now, three times the size we were. And

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it just turbocharged the business. It gave me like instant

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like data on the whole business. And I could see not

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only on social media what stuff was working obviously because we're working with the

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influencers. The influencers can say this is what's working. This

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is the questions that I'm getting and I'm getting live data all

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the time. It's instant. It's not where it's sold. The wholesaler it

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sits on their shelf for six months and then come back and say can I send all this back

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because it's not selling. Yeah. You know, even if you have a sales team going

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around and they're going, yeah, well, it hadn't sold after three months, but they're not always

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tracking that because they're focused on getting a sale. And stuff

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could be not selling at all. Yes. And you've not got that data. You're seven,

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eight, nine months behind. Whereas on the website, I can go, this

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isn't selling. I need to shift this out so I can turn my stock over and get a new

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product in. Or actually, I'm getting that feedback back that there's

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an issue with that product, especially if there is an issue with a product. It

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goes to a wholesaler. It doesn't sell for six months. 12 months later,

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suddenly you've got an issue. I could have fixed it. So it's,

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I did a little bit, and then I have

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done over the course of the years, but we're very good at sort of managing

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the disparity between the two, because obviously they're like, oh, we don't want you selling it,

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and I'm like, well, are you open on a weekend? Yeah. And

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they go, no, and I'm like, well, We are. I'm

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not going to just shut the whole website off because you want to open

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on a weekend. And you have to sort of say that

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to people, but say it in a way where we're not going to shit on you. You

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know, I still want people to come into your branch and buy it because it benefits

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me as well as benefiting you. But the reason I went direct

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to consumer was because I was trying to get products in a place like Screefix, for example. Not

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interested. Who are you? You like never heard of you. And what

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ended up happening was we pushed stuff on the direct consumer via the

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influencers. They all know who the influencers are because they want to work with

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them. Yeah. All of a sudden, how can we put

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your products in? Yeah. And then that actually gave me a bit more power

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back because I was like, well, you never wanted me when I was nothing. Yeah. And

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now you see us everywhere. I'm not interested. Yeah. So actually it gave me the option

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of picking and choosing who I worked with now. Whereas before it was like, please

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work with me. Yeah. Yeah. Whereas now I just, I'm

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not interested. I know I can go and make that money myself if I needed to,

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Do you think, you know, for these brands that were perhaps already in

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Screwfix and they've relied on that kind of trade, that there's an

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element of just, I'm too scared to go direct to consumer, especially if they haven't got the

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There is, but I also feel like you

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know, so many brands do it now. And I

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just think you can't say don't do it because most people's products

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So if it's on Amazon and you're not selling it on Amazon and somebody else

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is, I just think. You know, it's not about having control over

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like your supply chain, but it's having control over your brand. Yes.

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And I would rather do it direct to consumer than do it on Amazon. We

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are on Amazon, but I don't do that. Yeah. There's another company

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that runs our Amazon for us and that's deliberately done. So it's like

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I don't really have a hand in that. No. I get to focus all my

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energy on the direct to consumer, the own branding that we do for other

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brands because we package up products for other companies and stick

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it under their brand. And then also the B2B side. Um,

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but a lot of big brands, I mean, if somebody like Milwaukee, for example, decided,

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right, we're going to go direct to consumer, their business would probably treble.

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Yeah. Well, I think it's, I think it's sexier for power tool companies to

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I'm not as sure whether... Still keep the B2B. I still

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feel like it should be an option that somebody can go

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Yeah. Yeah. And like, for instance, like

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sealants and adhesives and stuff like that, we were talking about this earlier. Do you think that's still

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like viable for direct to consumer? Or do you think for the most part, like, because

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you've got to look at your market, haven't you? There's no point in going direct to consumer if your

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You need a product ideally that's Probably 20 pounds

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plus. Okay. Because you've got to have something that if somebody's going

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to order it, if the shipping is the same prices, you

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know, like say if you buy a box of fixings or you buy a tube of sealant, it's

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the same as getting it delivered. Yes. And it's a bit like you said with the business rates

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and the rent, business rates are more expensive. You think, well, why am I going to rent

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it? Yeah, absolutely. Um, So you have to have something

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that's a particular type of price and a particular type of product. For

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us, it's like big work lights. It warrants ordering

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one and it turns up at your house. So you then don't have to spend the time going out

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and looking for it. Or if you've been looking for it and you can't find it, it's on

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And I guess it's one of those, that's one of those items that you're not getting

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for a specific job. That's, that's a sort of decision that you're making for

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the long term, isn't it? So, you know, it's not like, although I'm

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sure there is a case where you go into your local merchant, you see a

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big, you know, like product that's more of an investment, you go, yeah,

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And you might, well, you might need to get it for a specific job. So you go, you know,

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there might be a situation that comes up where you, where you're like, I'm on this

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job today. Oh, I've just realized I've run out of sealant. I'm not going to order online. I'm

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If you're in a wholesale and you're getting stuff for your job for the day, you'll

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And you just, you pick them up and off you go. Absolutely. So I think it does make sense

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for the, especially like things like the, you know, electrical items and stuff like that.

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But yeah, for people like Milwaukee, you know... When they

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do, because they will, it will revolutionise their

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business. And it's sort of, a lot of them, like you say, are too

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scared to do that. And Milwaukee actually have sort of pigeonholed themselves in

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a way, because they've got those red vans that go out everywhere showing

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off the products. And you probably wouldn't need them as much.

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No. You know but you're paying somebody to go out with this big red van full

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of tools showcasing people when you could just go to exhibitions and

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actually the stuff's online. These days you've got people that do YouTube

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reviews of products. So theoretically you don't need to touch

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it as much. You can see it and especially like Nick was in here. You

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Nick Bundy, by the way. The worst thing I could have done this

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morning was get Nick Bundy, the electrician, in to

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come and give us a quote when Alex was coming in, because it was

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a 40-minute conversation. It was a 40-minute catch-up. I didn't even know you guys knew each

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other, but I should have known. Really, really cool.

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It's great to hear your thoughts on that. Also, just finishing

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off that kind of line of topic, Imagine

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what the marketing budgets would be like if you just went direct to consumer. Say Milwaukee, they've

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got great marketing already. Imagine if they

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went direct to consumer, how the marketing would transform, because

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they would all of a sudden go, you know, we need videos,

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They're in a unique position more so than what we are, because they're

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a bigger brand. they are getting consistently tagged in

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products every single day with people just

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showing off like products. And the one thing they do quite well is they do like

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a pipeline, a big product reveal and launch, and they get a load of

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influencers there. It's just live streaming. It gets everybody excited for it.

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But they really wouldn't have to invest as much into an

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influencer program as what, say, I've had to. Yes. Because people

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are already pushing the products. They're not actually paying anybody to push

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No. Because it's a cool product to promote. You

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know, even for free, just go look and check out my new Milwaukee tool.

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Maybe all they'd have to do is send free product to people. Yeah, perhaps. Which is

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a lot cheaper than giving extra GP away

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So we've established Unionite as

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a brand that takes marketing seriously, it takes creativity seriously,

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which I think is huge. And, you know, like

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I mentioned before, Unionite is one of those brands that I wish we'd

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have got in before you guys got a great team. But as

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soon as you know, when I'm, you know, doing my research, I'm looking at brands

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that I think would be cool to work with, I've scrolled through this is quite a few years ago.

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scrolling through the Instagram thinking they don't need us. There's no point at

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all. They've got this down. And

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one of the few brands that's, you know, essentially got a dissident team in-house in

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that respect, which is amazing and brave and not a lot of companies do it. And I'd prefer

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There's not many that could do it. And I feel

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like especially, again, product dependent. There's not many that

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What has been the what's

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what's made you like it is today in terms of a kind of like a

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market leader in that creativity and that marketing like what what things did you

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I think that one of the one of the main things that we did was probably again

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five years ago me and the sister split the business down the middle because we're all

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doing a bit of everything that's why when you ask me what my job title is I've done

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every single job in there um but I think splitting it

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into she looked after logistics and the finance

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and the HR, all the boring shit. And then, obviously, I did the

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sales, marketing, product development. And then when we looked and it was like, we

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don't have a big sales team. We've got one sales guy, Rich. And

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the reason being is every time we bought salespeople in, it's very difficult. You've

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got to pay for their car, you've got to pay for the meal, you've got to pay for them to stay away,

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you've got to pay tax, NI, pension contribution. It's

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A lot of time it can take 12 months for you to get returns on those because like they've got

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A long time. So it's a big, long investment. Whereas again,

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I thought, well, what's a quicker way of doing that? Now using

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people like Nick or Mark who you've had on the podcast. these

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guys in essence have become my sales team. Yes. And

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actually I can ring them like a wholesaler and this is I'm not

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slagging off my distributors because they're an important part of the business but

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Yes. So that's slowing my business down. It

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Whereas if I rang Nick now and said, look, can you help me with this? I've got

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this product coming out. Can you show this off? It's done in

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a day. Yeah. And anything where, like I said to you, you can speed

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your business up. that revolutionized our business.

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Influencers and social media revolutionized

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the business. I had that direct connection with my

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customer and I could create my own story that

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they could buy into and feel like they're part of the brand. So

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I don't know whether it's okay talking about this but I kind of overheard

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and it was part of the conversation earlier around Because

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essentially, like, Nick Bundy would be like an affiliate. He

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would class as an affiliate for you guys. So

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for those who aren't aware, you know, affiliate is someone

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who isn't necessarily getting paid to promote a product. They're someone

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who is actually, they've got skin in the game, they get

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some sort of cut or whatever of the sales

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that are generated from content. Typically, that's how it works. But

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the beautiful thing about this is, you

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can test stuff with these guys. You can go, right, guys,

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I want you to put out, we're ready to launch this product, or

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we want to relaunch, or we want to push on this particular thing. Here's

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a code to get x amount of

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products or whatever. And then they can put that stuff out. And then, again,

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with your software, you can track everything. Straight

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away, you can get that data instantly to go, that's worked. Which

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is amazing to be able to do, again, only because you

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can sell direct to consumer. Because if we make a piece of content, We

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know it's successful, but we don't know how successful. You can't

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quantify it. Yeah, because it's too complicated to, because we're

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working with the brands, although I'd like to work with more retailers, I

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kind of didn't realize there was such an untapped market there. We're working

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with a brand, we create launch content that goes out for

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a particular product. That goes over the next, let's say, three

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months. We market that on our client's social

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channels. That then goes in, starts to go into the

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distributors. But it might take 12 months for it to actually go into the retailers, this

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particular product. So it's about two years down the line

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that we might start to get data on this kind of thing. But a lot of the time, the

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data isn't there. It's

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not that clear or clever

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for us to go, okay, how many did you sell and be able to pull that data in?

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It'd be nice to get those figures, but I think for a company like us, it's just too difficult

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And a lot of brands as well, they don't want to be honest

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with that. Like if somebody asked me about the company, like I'm

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honest with them. This is what we do. This is how we set the influencer stuff up.

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And I try to tell people, but a lot of people go, sounds like

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a lot of work. Yeah. But it's not because once it's set up, it

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just works. It's everything we've done, we've automated. Yeah. So

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it's just, you know, and it's a bit like a Tesla car.

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The more Tesla's that are on the road, the more data they've got for the full self-driving.

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Yeah. And it's a bit like that with us now is it's just, it just keeps going

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like that. So we've, we've got all of that data. So if we want to go and do a

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particular product with Nick and we want Nick to sort of show something off. I

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know any new product that I've designed that's similar to that. I

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know pretty much Nick's the person to give that product to. Yes. And

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then it becomes so much easier rather than going everybody promotes it.

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Two people have got no sales or you know three never

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showed it off because it wasn't for them. It's just everything's instant.

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It makes the business so much more like agile quick and

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What I like as well, we have a lot of discussions around influencer

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marketing, which I was surprised, Andrew,

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I'm going to reference Andrew now, because it's the first time we've

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got Andrew on the Keelan cam, it's Andrew cam today. I've looked

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him and I've realized I've not introduced and Andrew at all. Yeah,

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yeah. Keelan's on holiday on a cruise. And

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he's what, 22? We all think

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that's weird, he's gone on a cruise. But it's

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surprising on this podcast how often we mention influencers. And

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that might be because we're biased in the fact that we work with influencers

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or content creators, and we work with brands who work with influencers. And it's not

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actually a that much of an area of

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business for us. We don't get paid necessarily to

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do that kind of thing. We're not an influential agency. But the

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topics that we come across a lot of the time is how much do you pay them? You're

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trying to get content out of these influencers. You're not doing the right content.

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It's not looking right. We used to have discussions about the

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fact that, yeah, you told us you were going to do X amount of stories, but you didn't. Or

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one of them was a rehash. We come across those problems all the time. From

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an affiliate marketing perspective, you do what you want, mate. Do what you

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Do you know one mistake that a lot of brands make is they don't realise somebody

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like me, for two, three years, I was sending products

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to different people. And I was just sending them to people's pages that

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I loved and just putting them out there, which at one point, everyone

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was like, you're everywhere. Absolutely everywhere, which it may have seemed like,

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but I was testing these people. to see, A, how

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they are to deal with on a personal level, how responsive they were,

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you know, did they talk about the product in the right way, and

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eventually I whittled it down to a select group of

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people where I was like, these people, I could take them

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home, introduce them to my mum, I know they're not going to piss anybody

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off, and I know that also they are reliable.

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And that took me two or three years to get to that. I

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didn't actually pay anybody for two or three years. I was just sending products

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out. But it was almost just testing and to see whether or

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not I had that relationship with these people over an extended period of time. Eventually,

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I started to pay people. And I think A lot of people

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in the industry will hate me because I had so many influences, people like Dave Ellwood

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and Ash Mahoney and some of these others messaging me going, how much should

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I charge? And, you know, I think you talked

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about it with Emma talking about media packs. I used to do media packs for free for

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people because it's just like, you know what, if you want one, I'll I'll do one because we had

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all the data on them, which we'd got on our own system. So I

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did them all these media packs. But a lot of brands, they

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don't they don't see that you have to you have to like

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not test people, but you have to have like a bit of

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a relationship with them first before you just go, they just expect, they'll

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say to you, who should I use? Bang. You're not actually look

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at or watch that. But I studied people and then I had all the

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data to back up to go, actually the data doesn't match

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what I'm seeing with people. Sometimes the data didn't and

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I've still went ahead with it because I was like, actually, I see what you

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do for us. Yes. And the good thing as well was a lot of

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the people we started to use had already used our product. This one

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knew I'm not going to have to push you to push this product because I

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could see you putting it out there before I've even contacted you. And

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I think brands sort of underestimate the power of social media

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was I used to just sit there. People used to call me a vampire because I was up like

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watching American content, talking to American influencers, Canadian influencers,

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and then up early talking to ones in Australia. And

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I did that for two, three years before I started paying anybody.

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Yeah. And is that, is that still you now? Are you, are you still the

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I've got my own page now where I talk to people, but

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I'm not like, I was fully addicted to, to,

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the science of it. And it worked. Obviously since I've

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sold the business I've took a step back and there's people in the office now that

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are doing it. Probably not to the same like intricate level

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that I am. Not three in the morning. But the influencer side

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of stuff now we've got a real good tight knit group of people and again

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a lot of brands they'll just scattergun it and then they take

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on loads of influence because they think the more influences we got the more money we make.

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which isn't true. I tried to, again, like

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it ended up being like that, but I didn't look at what Gymshark did, but I had like

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a select group of people. So it almost became, and

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people, oh, how do I become one? Because I kept it

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so there's like seven or eight of them there. It's the elite, you

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know, you want to be part of that group. And people are like, how do I

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get in there? And I'd have to say to people, look, it's not always about your

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follow account or whatever. There's a whole host of stuff that I'm looking at for people.

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And again, I get people saying, well, how do I get brands to look at me? And

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I'm like, well, you have to tag them in stuff to begin with. I said, but only

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work with brands that you truly, truly love. Like

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if, I don't know, you wear a Snickers

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workwear, but you get Regatta, message you. And this

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is no disrespect to Regatta or whoever. If they're

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sending you a product and you've been wearing Snickers for ages and you suddenly

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go, oh, this Regatta stuff, you know, look at it. It's great. People go, it's

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bullshit. It's just, I've never seen you wear it.

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But it's just some people will do that because they want to be a brand

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ambassador or an influencer. And I just think, just stick to the brands

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that you love. And that loyalty eventually pays off because somebody

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goes, do you know what? Their stuff's great. I love their content

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and I can see how invested they are in the brand, which sometimes

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And you can tell, the audience can tell, can't they? You know, especially

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if you're a prolific content creator, especially on long form and stuff like

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that. And then all of a sudden you sort of switch to a

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different brand. Some people could do that and they could do it quite

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well, especially if they're very honest. But, you

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know, you can just tell, can't you, if you're just like sort of shilling a

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brand that you've never had any connection with in the past, and you've always been

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a Snickers guy, that your audience is just

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like, come on, mate, we know what you're doing. Which is a

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sad thing for content creators and influencers,

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because I think I've said this in the past as well, is that

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authenticity is their brand. And that's the, you know, if that's a

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big stream of income for them, they've got to guard that

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authenticity. as a creative agency, we don't give a shit. We'll

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just like, biggest check, who's, you know, what brands are

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But people will get dangled a carrot by some of these other brands that they've never used

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before. And it's very difficult for them to turn it down because I'd never begrudge

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anybody their financial situation. But I always think you

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have to, if that is what you want to do, and you're focused on becoming

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a brand ambassador or working with brands, you have to have like,

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just don't get flirty with something just because it's dangled in front of you.

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If you if you want to work with a particular brand you have to. You

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have to stay at it, even if it takes two years. Mark with

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us wasn't somebody that I used initially, but he

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was somebody that I kept watching and I kept watching and he was tagging products in

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and he was like, I love this. And he just loved the

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product. And I thought that shines through with him. And

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eventually I said, oh, do you want to come on board? And he said, yeah. And

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And long term, like he probably, I think we discussed this a

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little bit on his episode, Mark Tiff's episode, where

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you might have to turn down short-term gains

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in terms of like a brand coming to you for the long-term goal

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of, you know, if you're wanting content creation to

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be a part of your income, a decent part of your income, you can't make

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some sacrifices in terms of brand deals to guard that

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authenticity because you can't just be shilling out to every, you know, every

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brand because you're totally reliant on your audience believing

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You never sell anything. You can't get it back. So difficult. And at the moment it's

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probably OK because a lot of brands don't do something where it's quantifiable. But

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as soon as it's evolving and maybe more brands will do direct

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I wouldn't want to be an influencer, I wouldn't want to be a

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content creator. The money maker in me would take every deal. I'd

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take every deal known to man. I'd be selling

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I mean you can compare them. You're not going to get paid to

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compare them because people... And the other thing as well that annoys

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me about brands, because I see it from both sides, obviously I've

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advised people on this is what you should charge. Mark sometimes still asks

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me, how much do you think I should charge for this? And it's like,

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well, this is how I'd work that out. But,

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you know, a lot of brands, they'll send products to influencers and

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they expect something back from it. Yes. I never sent any products to

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anybody and expected anything back. I was just like, I love your page. That

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is it. Like, I don't want anything from you. If you don't show them off, you don't show them

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off. Yeah. But people aren't willing, brands especially, to

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do that. They just think, I've sent you that, so you must, you must

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Yeah, it's mad, isn't it? We've had products, I've had products sent to me in the

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past. I'm not an influencer at all. Like

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just, and then they're like, here you go. I'm like, okay,

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like, did you need me to? And they were like, no, just enjoy. Just

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enjoy. I'm like, this is great. I felt obliged to create some

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really cool content about that. But I think if they'd been like, if

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we send you this product, can you make a video? I'd be like, no. Well, what happens if somebody doesn't like

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Yeah. And I've always said to somebody, I said, look, if you don't like it, be

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straight with me and then tell me what you don't like about it, which

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is how I came to work with PB originally was I

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sent him these like part plastic, part rubber

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starred products. And he just went, it's not for me. He says,

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I don't, I don't really like plastic. It feels too cheap plastic. Um,

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so I ended up doing a whole range of products, which now we use quite

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a lot of the aluminium sort of side of things and then sent them to him

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and he was like, these are way better. But initially, I didn't

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have anything like that. That's really cool. But I was like, at least he was honest

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Yeah. Yeah. I mean, it's valuable to get that feedback, isn't it? Absolutely

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massive. So we've split in

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the business into sort of segmenting particular

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She left in August, because obviously sold the business. So she was there

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for just over a year. But her idea was to exit the business. OK.

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Is she still in the similar industry? She's retired. That's

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She's retired. I love that. I think the thing we must see, she's older

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than me, you see. And she'd worked at the business slightly

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longer than what I had. And she was just like, you know what, I just want to go and

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enjoy myself for a couple of years. She'll probably go back to doing something. You

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know, we got property businesses together, so we still do that. But

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she just wanted to chill out, which is fair enough.

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I love that. So you segmented the business, you brought

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on, you started this program, you know, with working with

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influencers, content creators, and things like that. Was

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there anything else that you did, you know, with Unilite that's kind

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Changing the colour of the products and targeting a

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specific like tradesmen and women. Yeah,

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we had to, we used to, like I said to you before, we did stuff for

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camping, for walking, for rock climbing,

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whatever it was, we did something for everybody. And the

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products were all in different colors, different styles, nothing really

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matched. The logo didn't really say anything to anybody. And

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when I came into the business I was like right OK we need to target one

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specific group. We need to do you know a certain style

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of product where it felt more premium. The packaging represented that.

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Everything that we sort of did fell into that. And then the one

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probably biggest thing that we changed was the color of the product. Yes. Because

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you know when you do something in blue you do it in orange you do it in black. There's

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no brand identity there. Whereas we put everything into that high vis yellow.

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And I remember it was about seven or

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eight months we undernagged about it. We did products in black with yellow switches or

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all yellow with black switches. We took them to an exhibition and people said, oh,

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I'd buy that one more. And I remember when we first launched

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it because it was high-beige yellow. It was like, why would I wear a canary on my head? You know,

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like yellow head torches. And the best thing that we ever did was

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across social, across TV, because our products end up on TV,

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people go, so you like the product. So those colors now

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are synonymous with us. And then everything that we did then with

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the branding, the style of videos that we had, we had the strap line

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for the business, which was lights built tough, which

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eventually became hashtag built tough. But stuff like that,

Speaker:

all sort of one thing led to the next thing. And then you go, OK, well,

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if I change that and then before you realize it, your

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customers are sort of pushing you in a direction of how they want

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to see the brand. Because they're giving you, you know, the data back,

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especially with a direct-to-consumer. I was getting that data back all the time. Well,

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actually, they prefer aluminium products to plastic products. They're

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buying more head torches than inspection lights or whatever it

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is. And all of that sort of you know, they're,

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they're meandering your business for you. All that data that you

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get back and all the things that they say to you at an exhibition or the

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things that they say to you on social media or the way you see them using the product

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in videos. You're like, and

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that's why social media for anybody watching this, I can't,

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I can't big it up enough. It revolutionized our business.

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That's the one thing that revolutionized it. You look at

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any of the big, large successful brands over

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the last few years that have come out, you know, like Lounge Underwear, that's

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another Birmingham based business, which, you know, it's

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in essence, it's just women's underwear. But they're massive

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direct to consumer. Same with Gymshark, the same with Able,

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which is the other guy who started Gymshark, it's another gym brand. Like

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brands like Hera represent. These are all

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brands that are like, born e-com brands. Yeah.

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But how did they get so big? Because they had the data and

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the customer and they know their customer. And that was

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you know for us social media media just revolutionized

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it. I had instant access to customers 24 hours

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a day. Yeah. And feedback if something was wrong picked

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it up and it's sorted. Whereas with a disreview like I said you

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know you're waiting for your how did this campaign do.

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Yeah. But you sat there and you And

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time doesn't stop your business is still moving. Whereas if it's instant feedback. I

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So it made us more nimble. Because

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you can work so quickly, you can get sales, you can get data instantly. Has

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that affected the way that you market the brand? Because

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I imagine, I know this for a fact, there's a lot

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of brands out there, their sole focus is advertising and

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not necessarily marketing, if you know what I mean. sacrifice

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brand, like creative for

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a quick book, a quick sale. Let's just move this stuff around. Do

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you focus a lot on like, okay, not every piece of content needs to sell

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The best brands that do that are like Red Bull. You

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look on Red Bull's Instagram. You never see a Red Bull can. And

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that's because they're selling high performance, like,

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you know, on the edge, like everything's like,

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they're not even selling a can of drink. And I

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used to look at brands like that. That's where we started doing the videos

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of like smashing products or driving over in a tank. And

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in our industry, it's very difficult to do anything where you're not showing off the

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product. Yes. Because it is a product. Obviously, when

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you're doing Red Bull, you can have Red Bull plastered on

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the side of a racing car. You know, put Unilite on the side of a racing car.

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It's very, very different. And I think when you're sort of in that, Retail

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side of things, it's easier for you to do, not show off

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the product as much as industry. People want to see it working. That's

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the whole point. They want to see, you know, you turn the light on, wow, look at that

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up against the side of a house type of thing. But we

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try to do our own spin on it. Driving over in a tank sending

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There was a the thing there was no First first piece

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of content I ever saw from you like which solidified on it. These guys have got

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it Or you can keep I can't remember

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it perfectly can tell the story of like how that came to be and but we were

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sponsoring Warwickshire cricket club at the time

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I'd actually ironically talked to one of the tools about ideas for videos, and

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those guys, they were coming back with stuff, and I was thinking, it's still not quite right for

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me. Had some good ideas, but I was like... I want to convey that,

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you know, I work in construction. People want to know that stuff like construction

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is like a big, tough, hard job. You know, you're outside in

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the elements, all that sort of stuff. I want something where it shows

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just how durable one of these things is. And if you're buying our product,

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that's what you're getting. And then I had the idea to

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go down to Warwickshire Cricket Club and I thought, maybe we hit them with some

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bats. And then I thought, No, how do

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I get players in? Because I can't just have players just chucking it up and hitting a

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work light. I thought, right, what we're going to do is set it up on the tripod and

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we're going to have speed bowlers. They're two fastest bowlers

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just throwing balls at it. And then those guys were smashing

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them down. I thought, right, we'll bring out the bowling machine and turn

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it up to 100 miles an hour. which no one's ever

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going to throw something at a product 100 miles an hour. I want people to see

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that hit the product and it still works. And it's sort of that

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reverse psychology of wow look at that like. And

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It's entertaining. It goes back to that kind of entertain, educate,

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And then that set the precedent then for doing, driving over

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in a tank, shooting it with a shotgun, sending one into space. And

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we were going to carry on doing all these different videos. And then COVID hit, which

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sort of stopped that. And then because we were so focused then

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on the direct-to-consumer and the short-form content, the long-form content sort

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of fell by the wayside because we were so successful with the

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I never really went back to long for, but I would class the

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that the those kinds of the cricket one like that for me that that's

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not your typical direct consumer e commerce put

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some money behind this and try and convert, you

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know, that's that is brand essentially it's got great brand creative.

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And it says something obviously educated about

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the product, but it's not just flogging the product. It's

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got some culture behind it and some creative. And

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that kind of what I was getting at was the kind of, Some,

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some brands exist just to create ads and that's it. Every

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It makes you less successful. Yeah. You have to be sort

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of like, this is, you have to entertain people, but

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you have to give them a reason to be entertained. And this is what you're going to

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get back. You know, I'm, I'm actually selling somebody the

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product there because I'm showing how durable it is, but

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I'm not, directly saying look you gotta buy it because this thing

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is as tough as nails. Yeah. I'm doing it like look at this how cool

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this is. Yeah. Like firing cricket balls because you know most

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most guys especially be like yeah let's stick the bowling machine on let's

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let's break it and that was the sort of reasoning behind

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it even like people look and say well why did you do that space video because

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I think it cost me about six seven grand. Did it? To do. to

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send it into space. But again, it was to show, look, we test our

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products like lithium batteries to like minus 20. When it's up

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in the atmosphere, it's minus 60. And the product stayed on the whole time. So

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I'm sort of, I'm showing that we can, you

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know, the test that we do, I mean, the product's reliable, but I'm even

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going past what I test, you know, for me, it's to show, look how far

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we're going on the scale. And stuff

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like that, again, it was exciting to me because it's not just, you

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know, selling to somebody, I'm showing somebody, look how cool this is, and it's cool

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to see your product actually achieve that, if that

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Yeah, absolutely. And just for context, for the viewer not

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listening, where can people find this? Is it on LinkedIn? It's on YouTube, the

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videos. YouTube, OK. Yeah, yeah, on the Unilike YouTube, the videos. Go

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check those bits and pieces out, so you kind of understand what we're

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talking about. But really, really cool pieces of content. And was that, when

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you were filming those, again, was that with your in-house team, or

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The Sent Into Space guys are an external company

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and they obviously they have to track everything. They've got flight data

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as well because you can't just send up a... You can't send Jack

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up there. Yeah, yeah. So they have to like pre-plan everything, the

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weather, like points of location where you let it

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go and where it lands and all that and they track the whole thing for you. So

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they're external. That first cricket video

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actually wasn't done by the guys internally. That was

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a... a guy called George who has a company called Rodapond. And

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he now does loads of like real big videos for football teams. So

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he's really progressed. But that was both of those were were

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external. And the one for the

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tanks and stuff like that was done in-house, but everything else

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after that was basically, I thought, I'm using these guys,

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I love what they do, but it's costing me, costing me

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big money. And obviously when that money is sort of tight

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for a small business, you think, if I bring somebody in, I can have consistent content

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that I can go out and do. But initially it's sort of like, well,

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I'm paying somebody's wage. That's four or five of those videos that I can go and do.

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And some people don't want to take that leap. And if I hadn't taken

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I think, um, you've got to,

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if you're going to take on this much investment, because you've got what? I

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So I've got Jack, G and Kai, videographers, but

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the good thing with them is they can edit as well. Yes. Some people are

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great at shooting a camera, but can't really edit, which I think now

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is not so much. But we've got those guys, we've got Nathan who

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does all web and like CRM integrations,

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stuff like that. We've got Chloe on socials. team who'll do

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like a bit of the data for the website. And then we've

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got Lisa who does like, she looks after all the pictures and

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Okay, that's cool. I mean, just having, I mean, I

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would class almost like, in terms of content team, I'd probably put Lisa

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in there as well to some extent. You've got, you've got

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your three guys who are on video and probably Stills as well, they do a bit of Stills

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and stuff. Yeah. And you've got Lisa, like, you've

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got to commit to creating stuff so often

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to be able to warrant that amount of investment, right? And

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If you're a certain size and you've got the profit within your business,

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Go and do it. Yeah. Go and do it. But I think a lot of people are worried

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to go and do it. But obviously, again, like I said, when I

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started, there wasn't a you. No. You know, and obviously,

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if I if I hadn't started, I'd be like, yeah, I'll just. And that's another

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thing as well, is a lot of brands go, well, I don't want to go and spend that

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money on wages. But then they don't want to pay you probably a

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quarter of that to do it for six months or a year. And

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You've got, you've got a title because I think the thing is like you can, what

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happens with us regularly is we run out of budget.

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They don't realize how time consuming to

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go all the way to somewhere is just traveling there, set equipment up.

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Yeah. Obviously the stuff that goes in behind the scenes before you've

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gone out because you've got to pre-plan everything because they want to see. what

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am I getting? Yes. And then obviously you're there for maybe

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a day, two days doing a full shoot or getting stills or whatever.

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And then you've got the edit. Yeah. And then you've got any tweaks

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It's so expensive. It's funny actually. And I don't know

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whether there's some, there's, there's, there's gotta be some way of educating.

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Maybe this is, this is the podcast to educate brands on this kind of thing. I,

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I, um, I gave a rough, idea of

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cost for a production with a company of the day in a

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meeting. I said it's going to be one day production, this, this

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and this, a few extra little bits and bobs, 10 grand. That is

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going to be roughly 10 grand. I'd have to figure it out and you have to give me a proper brief.

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This is why I kind of like we prefer the retained model because it.

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We don't need to brands know where they stand with that. Yeah. And once you

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kind of understand, once you've been working with us for six months, you know, understand how

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much stuff costs. All of our rates is set, but it's just like,

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there are certain things that are like editing, for instance, you

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do a production, they say a one day production, they

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don't, Brands and people that, you

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know, our customers a lot of the time don't factor in the editing time. So

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they go, well you do one day production, we want 20 edits out of

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that. Okay, well that's tripled the cost of that production because

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that's a month of editing. As opposed to a one day production

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that has one piece of hero content. It's a

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Even when I was utilising, say, that video for

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Warwickshire Cricket Club cost me three and a half grand. Yeah.

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Three and a half grand. And it was it was one edit with a couple of social media. Yeah.

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Short short reels. Yeah. Literally three and a half grand. Yeah. But

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people like that was. 10 years ago? Yeah. It's

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mad. I don't think people understand how much

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And the guy who I was speaking to, lovely guys, you know, they're

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just not, they are not educated enough to go, is that pretty high

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end then? I'm like, no, it's not even close to high end.

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He's like, he kind of, he was like, are you like top level, like

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By the website that I had done with the marketing agency, external, it's

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50,000 pounds. Which is why I

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brought Nathan in-house, because I was like, 50 grand?

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I mean, don't get me wrong, I've made enough money off the website over the

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years from direct-to-consumer, but at the time, like, for a small company. So

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Jesus, yeah, 50 grand. 50 grand's for anybody's a lot of money, isn't

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And because, I think the thing is... But it's mindset, like,

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people don't think, actually, if I do that, Is it going to

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bring me more sales? Is it going to make the brand seem better?

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Are people going to trust that brand more? Because I've done that, which it

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I think the difficulty is, especially when it comes to pricing, is you know that you

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can get a website for a grand somewhere.

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Fiverr, some local person. So

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you know, there's a website here for a grand, there's a website here for

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50 grand. They're both going to do very different things. And a lot of it's to do

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with e-comm. It's got to be robust. It's got to sell. It's

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It's got to- If you're doing direct to consumer, the worst thing for

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Orders get messed up, you know. And because anytime a

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problem happens in ordering and things like we've seen

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this with businesses where they've changed to a different system, These

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are huge businesses. They've changed to a different system. They've fucked up

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It's ruined their business. Jim Shark had that Black Friday and they'd moved

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from... Was it Shopify to Magento?

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People switch between the two a lot. I think they'd moved to

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Magento and they switched the website on for Black Friday. And

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I think they had £100,000 worth of orders. And

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literally that website crashed, it all went down. And

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people weren't getting orders, orders hadn't gone through. And I think Ben

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said it cost him like 70,000, 80,000 in lost

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revenue, which when you're a sort of startup business as he was.

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So I was just like, if I'm going to do it, it needs to be done right. It's

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Yeah, absolutely. No, it's mad. And yeah,

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it was quite funny. And I think a lot of the time, The,

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the difficulty is with, especially when pricing video production, photography and

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stuff like that, the conversation is too long to be able to

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It's, maybe you just need to say to people like do videos behind

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the scenes here showing. How much goes

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I think a big part of the strategy for us socially was

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to show a lot of the behind the scenes because

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then you see the crew, you see the lighting, you see... But what you don't see a lot of

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is the planning and the editing. And the editing is the biggest expense.

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But even this, like if we're looking around the room, most people obviously aren't

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going to see this, but they might see pictures on your Instagram, the amount of

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camera equipment that's in here. Obviously, Andy sat there

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with... the edit for it. Obviously we're

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sat here, this is our time now, which is costing money, but

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just everything costs money. And,

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you know, we do the podcast and Jack sometimes has spent

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all week editing podcasts. You know, obviously we've got software that

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helps us, but you've still got to go over and fine tune everything if

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Absolutely. Yeah. It's mad. We'll talk about the

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production. I think we could probably wrap it up there because there's so many, Really,

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really valuable points that we've had there. I don't want to dilute it

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with anything else because we've talked about using

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ambassadors, how going direct

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to consumers completely changed the business, how you have

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split marketing and brand from other areas

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Wholesalers. Yes. Other brands for saying that influencers should

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I think I think especially for you know, and that

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was quite what was quite interesting as well. What we discussed earlier about the fact that

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there are some brands where going direct to consumer won't work. It

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just won't work. You can try it. But you're probably going to like

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annoy your distributors

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and your customers more than the

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benefit that you get from going direct-to-consumer because that, you know, box

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of screws. I don't know whether that would be relevant to go direct-to-consumer.

Speaker:

But who knows? Hilti do it. You know, Hilti, everything, pretty much

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I know a lot of the batteries and stuff I had to buy. buy

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off there for when I was designing the product. I had to go and buy everybody's batteries, which

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cost me probably a thousand pounds to go and buy all these

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Yeah, so, I mean, Hilti, everyone knows Hilti, they're one

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of the biggest, biggest construction brands. I'm

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pretty sure they're a direct consumer. We'll edit this out if they're not, I'll

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check afterwards. But I want to talk about the podcast, because

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I came on the podcast, loved it. And... It's

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another marketing tool, the podcast. Amazing marketing tool,

Speaker:

as you know, as we're discovering now. But,

Speaker:

like, How did that come about? And was that a

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part of the unilight kind of strategy that kind of branched off

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A lot of the stuff that I've done, I've stumbled across. Okay. Like people

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go, Oh yeah, you know, like you've done really well with the marketing with the brand, but

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a lot of it's stumbled across. And I mean, one, one thing really,

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I think the best thing that ever happened to us as a, as a business was COVID.

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We'd managed to get the direct consumer website done. But that also

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gave me the time because I, you know, I always wanted to

Speaker:

diversify into different products, but it actually gave me the time to actually do

Speaker:

some of these things like the tape measures, the safety glasses, all that sort of stuff. And I'd got,

Speaker:

I designed loads of different products for different things. Like I just look at something and

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think, how could I make that better? And it freed me up

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to start focusing on that side of things. And at the same time,

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I'd always wanted to do a podcast, but there'd always been negativity

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around it. Our podcast never really taken off, you know, blah, blah, blah. Podcasts aren't

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successful. And I thought, I want to

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get to know these people that I'm working with on social media. Yes. Because

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I speak to everybody all the time. I don't, I was saying to Andrew before, I don't really

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know these people on a personal level. And I

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thought, I want to hear their stories because I may

Speaker:

learn something about how to make a product better. So I

Speaker:

rang PB at the time and I was like, fancy doing a podcast? And

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he was like, no. I said, come on, I'll get the

Speaker:

whole set built at work. I said, we'll get everything ready. And

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we've got some specialised trade legends beers made with a company that like

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runs a brewery down the road. And we got the podcast together, and

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I thought, I've got Pete on, Pete can talk to people from a perspective of being

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a tradesperson, and I'll talk to them as a brand and as a

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business, and we get different people, and so if a

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brand's on, I can talk to them, and Pete obviously uses their product and vice versa

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and stuff like that. And I didn't realise just

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how successful the podcast would become purely from the fact of

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everybody that came on I feel bad if, like, I invite

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somebody onto the podcast and I don't give them something because they've travelled there. Yeah. So

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I'd always go, fancy some products? Yeah, I'll have some products. I'd

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give a hoodie or give, like, some lights or, you know,

Speaker:

utility knives and stuff like that. Not thinking anything of it. Yeah. Everybody

Speaker:

that came on would go, wow, look at this haul that I've got. Mm. And

Speaker:

people were like, oh, I want to go on there, so I get a haul of goodies. But also, people

Speaker:

were like, you know, painters and decorators that never really thought,

Speaker:

I need a really good light. Yes. You know, and they were seeing, like,

Speaker:

paint warrior Kev with this light on there, where can I get one from? And

Speaker:

because we have the direct consumer, Kev was like, you just buy one off their website, or

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it's in this wholesaler. And what's ended up happening was, just

Speaker:

from the podcast, we get painting and decorating stores that come through and

Speaker:

say, can I stop these products? I've seen them on blah, blah,

Speaker:

blah. And then, you know, the direct consumer sales were going up.

Speaker:

And I was thinking, hold on a minute, I've stumbled across like the best marketing

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tool. And I'm getting to learn about

Speaker:

these people, but also make those relationships. And if ever

Speaker:

you see Black Friday, for example, I can send out a piece of content and say to

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people, do you mind just putting this on your stories with a link? And

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you'll see the Unilight Black Friday sale on so many people's

Speaker:

pages. Yeah. Because they're like, yeah, no, no problem. Yeah. And it's, it's

Speaker:

because I've always helped these people or done a media pack for

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them or I've had them on the show and it's, it became my

Speaker:

network. And now it's, it's

Speaker:

literally, I can, you know, add, uh, Derek Barrett, uh, carpenter message

Speaker:

because he said to me, he said, Oh, thanks for sending me. He asked for a charger. And

Speaker:

because he's always supported us as a brand, I've had him on the podcast. I've

Speaker:

just sent him two or three products with his charger. He's like, you didn't have to, mate. I

Speaker:

was like, well, you know, thanks. Yeah. Type of thing. But

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he's stuck a post out this morning and put it all over his socials. I

Speaker:

never asked him to, but yeah, that's it. And that's how

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the podcast sort of progressed. I never really thought

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about it in, you know, a bigger sense. And also I

Speaker:

never wanted sponsors on there. No adamant. I don't want any sponsors because

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I was like, just don't want anybody trying to tell me what to do with it or

Speaker:

what to say on there or we can't have that guest on because it just. you

Speaker:

know, it kills the show off. And then over a period of

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time, the amount of brands that were like hounding me, saying,

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I've seen your show, I've seen this, can we sponsor it? Can we do this with you?

Speaker:

Do you do anything else? And I was like, well,

Speaker:

go on then, we'll do a giveaway. The first thing was a giveaway. And

Speaker:

then after that, it's sort of, you know, we ended up with Bisley Workwear

Speaker:

as a headline sponsor. And now obviously it's CT1, but

Speaker:

all these brands kept coming through and they were like pestering me all the

Speaker:

time, saying we want to work with the show. So it's become, in

Speaker:

And how did you, from a perspective, I don't think we're

Speaker:

in any danger of having any major sponsors for this particular podcast. Never

Speaker:

say never. We never, yeah, this is it. I think it'd be cool to have. I

Speaker:

was thinking about it the other day. Well, someone did offer to sponsor it the other day, to be fair. I

Speaker:

won't mention the word. Great guy. And we really appreciate the offer. But

Speaker:

there's a point in the podcast, in that conversation, we

Speaker:

go, I have no idea what to charge for sponsorship for this thing. It's

Speaker:

a bit like the media packs. You go, I don't know. Is there

Speaker:

a money value associated with viewers and

Speaker:

Our thing was, it was more like the Spotify. People

Speaker:

are listening to that all the time. So if we put an advert on there, I think we've

Speaker:

had well over a million downloads now on Spotify, and

Speaker:

we're over. 1.2 or

Speaker:

1.1 million views on YouTube. Obviously that's now, but

Speaker:

when it first started out, I wasn't, you know, I was like, well, if you want to sponsor it,

Speaker:

it's just going to be this. But as it's grown, I think we've got 70,000 followers

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across all platforms, which are a podcast for the trades. He's

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so niche, isn't he? He's mega. But obviously, I

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still don't go, well, you know, like some of the influencers,

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when you talk to them, they're like, yeah, I want 20 grand for this. And you go, you

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know, no. But we're

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sort of just, I'd rather have somebody that's going to be there long

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term that supports the podcast rather

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than being, OK, well, we'll be here and we don't get anything back.

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Well, it is. I want to work with you. You know I'd rather have that longevity

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So I think I think for us it's the opportunity to be able to

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stop doing it for free. You know it's that kind of thing. It just

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You know I've got Jack videos. He has to edit it. Nathan

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helps with booking people on. Um, but obviously I

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don't want it being where I'm not rewarding those guys for their, for

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their time. So it all costs, you know, the equipment that's in here. I

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dread to think the cost of the equipment and people

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go, Oh yeah, but you're hiring it out. I've had to put that

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initial investment in. Yes. And it cost us 20, 20 grand to

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do the whole podcast set with the, you know, the actual set

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and the cameras, the lights, the mics. And

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I still remember my sister going, what the fuck have you spent this money on? And I

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was like, but it's just something that will be good

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for the brand. And then when obviously the direct-to-consumer and the brand started to take

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Yeah, yeah, yeah. An interesting thing, I think a lot of people won't know

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this about our podcast studio is we actually crowdfunded it.

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We went to, I say crowdfunded it, we went to our clients and

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we were like, we're thinking about doing this. We put together like a pack. We

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think about doing this. This is something that we want to do anyway. We're

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going to do it anyway. But we haven't got the budget to make it as good

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as we could make it. We want this to be super,

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super high end. So we put together a package, like

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a discounted rate to do a pilot for our clients, six

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episodes, where we produce everything. And it was you

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know, obviously the recording, the social media clips, behind

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Yeah. Yeah. Yeah. Yeah. So that's again, any

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advice for me is if they get the opportunity to come

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on, talk about your business in a setting where people can easily

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digest it. Short form content, you can't digest anything because

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Yeah. So we've produced two, one

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podcast for Thomas Dudley. And then we're looking to do to

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revisit that next year as well. That was relatively successful. And

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because the podcast can do, it can be a

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couple of different things. It can be really successful. Yours is really successful because it

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engages with a much larger audience, which is tradesmen

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in general, tradespeople. Or you can have like a

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corporate podcast, which is having very specific conversations

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That's why I called it Trade Legends because I didn't want to a lot of people have like an electrical podcast

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but you can only talk to electricians. Exactly. There's only going to be a set amount of

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people that would listen to that whereas I wanted it to be like it's a bit more wider.

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Yes. Wider net. So I was saying before you can, I could go

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and get people that wrap cars or spray

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The guys that I was on with, like shoemakers. Yeah. Really cool. And that's the

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trade. Yeah. It's like a, like a dying trade, which is really, really

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cool. So yeah, yeah, absolutely. We did. So we crowdsourced,

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crowdfunded all of that too. And I was like, but we haven't built

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it yet. Here's what it's going to look like. Can you give us some

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money? Yeah. And that was, that was how we did it. And And

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I kind of went, why don't we do this for everything? Why don't

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we just crowdfund everything? Anytime I want to do like, I don't know,

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want to hire a new member of the team or something, I'm like, much crowdfunding. Even

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Because if people sell a specific product and they know

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they can come in any time, it's already set up for them and

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So yeah, that's something you can do.

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Just crowdfund everything. I've got a couple of other projects that I

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quite like the idea of doing, and they will be a lot of investment, I

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think, crowdfunding. Crowdfunding, that would be amazing. I've gone off topic a little bit

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there, Alex. Is there anything that

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I haven't asked you that you think, God, this is a really valuable piece of information that

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I came in with and that you've not asked me a question about? Anything I've missed here,

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I think that the only thing I did was, you have to

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take a risk on absolutely everything. You know, if I would have gone, it's going

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to cost me this to hire my first videographer. and

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gone, oh, none of the rest would have happened. So I feel like people,

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especially other marketers that are going to be watching this, especially

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from brands, even from like influencers themselves, you

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have to like, you have to take that risk on it. Because

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if you don't do anything, you're never going to know. And if you do do something and

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it goes, worst thing is somebody say, say no to you or it goes wrong and

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you try it again. You just have to like, you have to take

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that risk. And it's sort of if people are sitting there thinking, oh, well, he's

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just quoted me £10,000 for this. you've got to think in your

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head where do you where do you see the brand now and where do you want the brand to

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be yes and the only way that you get there is by doing

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those small steps across a period of time like it's taken us five

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years of social media sort of style to get to where we are and

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i'm no way an expert but i've sort of self-taught myself

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to help the business and you have to take an interest in it there's no point going

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you know, Dan, we want you to come in and we want you to do all this sort of stuff. And then they

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don't know what they want. You have to go, OK, well, we try that.

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I love this. But on the next one, could we try this? Yes. And you

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sort of lead where you go. And then, you know,

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your customers will give you feedback. I saw that video you guys did. Absolutely

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amazing. And I feel like that's what people need

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to take more risk or get more involved and obsessed. Like

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I obsessed about social media. I just saw how

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it was working and with the website and the data that we were getting. And I thought the

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more that I did that, the more it just, you know, what we were drawing into

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the software for influencers and ambassadors. I could probably

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I've got a question about that. We'll save that to after the

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podcast, because I'm quite interested in that as well. I

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want to use this episode as for the

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guys who say, who are concerned about return on investment when

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it comes to video production. Because it comes across like, yeah, yeah, yeah, great. We

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appreciate that you guys spend some money, but I just want to make sure I get a return on investment. The

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problem is, if you're B2B, you won't see that return. You

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won't understand the return on investment. You won't get the data for

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a while, but it's there. If you direct to consumer, it's

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the same thing, except you get that data straight away. You know where the sales

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are coming from. You know that this has had a great, massive impact in

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what's going on in terms of marketing. So I might just, anytime

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I get that conversation, that question, I'm just going to point them to this

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But also, the other thing that they get, which they don't realize, is if they are

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working with influencers, you are, in essence, getting extra

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salespeople that are buying into your brand. They're going

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to support you. They're online and all the

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jobs they're doing consistently using your product in these videos

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it's subliminal advertising like if you ever see people where they're talking

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in a van it's always a unilight sticker there or they've got a unilight jule

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on or they'll be like scribing something with a

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pencil and they you know it's a unilight pencil. My

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style of marketing is just. It's not in your face. I'm not trying to

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show it off all the time. It's just everything like a unilight air freshener

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in someone's van. Yeah. And I just kept going. If people

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keep seeing the logo, if people keep seeing the colour. You

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know, so if these brands are looking at that 10,000 pounds thinking, well, what

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do I get from it? I can't, there's nothing tangible. We've just made that relationship with

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an influencer. That person then is loyal to your brand and

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I had this conversation with someone the other day that we, um, I think we said, um, if

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it, we, Construction's had a tough year this

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last, this last 12 months. I think, I think on average, it's down

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by about four to 8%, depending on the type of business you

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are. So sales haven't been great for a lot of businesses. Some

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of it, some, some have been great. But,

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you know, we start to think about things like redundancies, and you

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start to think about these kinds of things. And I had a conversation with someone

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the other day that said it's probably more likely for some

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of these bigger brands who are more savvy with marketing and social

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media, they're more likely to lay off a salesperson

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than they are an influencer. You know, if the budgets are

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Influencers are salespeople. Exactly. Even if they're not pushing somebody

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to directly go and buy it from your website, they're

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showing it off that somebody might then go into a branch and

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push it. And also with the influencers, you're not paying their national insurance

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or tax, pension contributions. You're

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not having to pay for them to stay away. You've also got somebody there

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that you can pick up on the phone straight away. And you know, you haven't got all the HR issues

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Unless they go off the rails and say something that you don't like. But you have to take

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You take risks with sales guys, don't you? And girls. Because you

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can pay a sales guy 80 to 100 grand a year, whatever. There's going

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to be, you know, scales of that. who can go,

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cool, you know, and they do a good job for you. And then they take all of

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that business to a competitive,

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you know, that's, if anything, way more risky. So

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it makes sense. And that happens, especially in construction, a lot, a

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lot, it's really competitive. And you can see why the industry is super competitive. I

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don't like that about the industry. But I get it. I

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We just couldn't find anybody decent. Yeah. People that want

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to turn up for work. I can teach anybody anything, but

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I can't get, I can't make you love it. Yeah. That's absolutely mad. Really,

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really powerful stuff, Alex. Thank you so much for coming on the podcast. It's

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amazing. Where's the best place for people to find

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Probably on Instagram, Big Al Trade Legends. I did try

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and start a YouTube, but because I had a third child, everything's

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just gone out the window. So I need to get back on my own content, which is basically going to

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talk about me building houses. Me also

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doing like a finance and business podcast with a

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friend of mine called Matt, who I did a trade legends podcast with trying to teach people

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about tax and how to set up limited companies and all that

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sort of side of things. And yeah, just putting out content

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now, really, because people go, oh, people only put out these bits

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of content to do business courses and stuff like that. My thing is now is

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I've had a successful business in this side of things. And if

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people want to learn how I did my marketing or what

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type of stuff I do in the property side of things, they

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can learn that. But the majority of it will be free stuff. If

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somebody wants one-on-one coaching to help them start things, then that's fine.

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But the majority is all going to be free content YouTube. Hopefully

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teach people a little bit of what I've learned, if that's

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I think you get to a certain time

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in your life, a certain age, I'm 35 now, and

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my YouTube has gone from like nerding out about

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camera equipment to compound interest, property

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As soon as you have kids, I think, and it's sort of like my thing

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is now is, I feel like I've had, not had my life because

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I'm 41, but everything that I do now is for

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my kids. Yes. So sort of the property side and the finance side.

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But if I can help people, because I don't know everything myself. I

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learn stuff every day. But if I can help, you know, even talking about, I did

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one thing on the podcast talking about kids' pensions. People

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didn't realise you can put money away into kids' pensions from the minute

Speaker:

they're born. You know, and if you did that, like even £100 a

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month until they're 18, like the pot that they've got,

Speaker:

and if they consistently did it themselves, they'd have over a million pounds in pension by

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the time they're pension age. Yeah, never even thought about that.

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For people. That's what I love about these kinds of things is, you

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know, if you're going off and cracking off and doing your own thing in

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that area, and you're making mistakes and telling people about it, it saves me from making

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that mistake. You can learn from other people's experience, pick

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out the best bits, and I'm excited for that. I'll

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be 100% a subscriber to that because I like the

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idea of that. I do think, yeah, I think you're right. Because you don't get taught it

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No, you don't get taught. And then you learn horrible lessons,

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especially if you're like, you know, you're young, you take a credit card out and you go and

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max it out thinking. You know, not thinking

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There's no financial education in mainline education

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That's why one of my heroes is that Martin, is

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it Martin Lewis? Yes. On the TV. Even though he's not like

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my cup of tea with how he explains it, but that guy has done like

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Yeah. It's just that all this information is

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available. It's just difficult to digest and understand. I love

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it. Thank you so much again. Go and check out

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Unilite, check out Alex and keep an eye on the YouTube as

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About the Podcast

The Build Up
Construction Marketing
The Build Up is a podcast for marketers in the construction industry. Hosted by Daniel Moore, the Creative Director of dissident, a creative agency that creates disruptive content and social media marketing for some of the leading and most rebellious brands in the industry.

The Build Up is a podcast that puts a spotlight on the unique world of construction marketing.

Dan will be speaking to marketers of leading brands, other agencies, creatives, founders and influencers.

The series aims to highlight and give insights into key areas of construction marketing and provide insight for fellow marketers, founders and creatives in the space.

About your host

Profile picture for Daniel Moore

Daniel Moore

Meet Dan - the voice of The Build Up. 🎙️

As Creative Director at dissident creative agency, Dan’s spent years helping construction and manufacturing brands build campaigns that really work. Now, he’s bringing those insights to the podcast, chatting with industry experts, marketers, and brand builders to uncover the secrets to success.

Expect straight-talking interviews, real stories, and plenty of lessons from the world of construction marketing.