Episode 11

full
Published on:

3rd Feb 2025

Scott DIY: How a Home Renovation Sparked a Viral Content Career

In this episode, Dan sits down with Scott Bagley (Scott DIY) to discuss his journey from marketing professional to full-time content creator in the home renovation space. Scott shares how he turned his DIY passion into a massive online presence, growing a loyal following on platforms like TikTok and Instagram.

Tune in for insights on overcoming content creation challenges, the power of storytelling, and strategies for building an engaged community. Scott also compares TikTok vs. Instagram and reveals how he’s used social media to grow his brand and connect with his audience authentically.

Follow Scott Bagley (Scott DIY):

Instagram

TikTok

This podcast is produced by dissident creative agency, the original disrupters of construction marketing. This podcast is born out of our passion to create conversations that push boundaries as hard as our content!

If breaking rules and standing out is your thing, we want to hear from you...

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Transcript
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Hello, and welcome to The Buildup. This is the podcast for marketing

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in the construction industry. I'm

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Dan, the creative director at Dissident. We've been working with construction brands for

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a number of years. It's an exciting and rapidly evolving industry, and

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that's why we created a podcast dedicated to the weird and wonderful world

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of construction marketing. I'll be speaking to leading brands, other agencies,

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creatives, influencers, and startups. This is the

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resource I wish we had when we first started out in the industry. Thank

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you for being here and welcome to The Builder. Welcome

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to The Buildup. I'm Dan, the creative director at Dissident. We are a social first

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creative agency working with construction brands to create hard

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hitting content and social media marketing. And today I'm

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joined by Scott DIY, Scott Bagley. Welcome

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I don't do intros because I know I almost screwed up your name as

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I do for most people. The pressure of names really gets to me for

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some reason, I don't know why. What I'd love for you to do is

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give a little introduction to yourself, kind of what you do currently

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Yeah sure so right now I am a full-time content

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creator and I produce content which is mainly based

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around my own project which is a home renovation and

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that is everything from bricklaying so

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the real nuts and bolts of construction all the way to painting

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walls and hanging picture frames. Not

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to be offensive to painting and decorators, it's a serious job, but

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that is literally every single job that's required in a renovation. That's

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I love it. And to your point on like hanging pictures and stuff like that, I

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am terrified about putting stuff in the walls and to hang pictures. I don't

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know why. There's a, there's a thing about it in our old studio. I actually got

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a guy in to come and put pictures up on the walls because I was just too scared. I

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Well, you know what's funny? Loads of customers feel the same. So I've done a

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little bit of work before this content creation with helping

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people locally with handyman jobs, right? And they're scared

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of putting pictures up on the wall. Two reasons. One is because they

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are sure in their mind that they're going to hit a pipe or a

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cable and it's going to kill them instantly. And then the

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other thing is getting it level as well. To make sure

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you get a picture level, it changes the whole aesthetics of the

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I mean, there's got to be a job, right, just for picture hangers, like, I'm sure

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that I'm sure that kind of thing exists in like stately homes and stuff like that,

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and perhaps even, you know, like, hotels

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and stuff, but domestic picture hangers, there's got to be

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Well I mean if you kind of know what you're doing with nails

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and knowing where to find things in walls then anyone should be pretty okay

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I still struggle though to be fair. It helps if you've

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got a laser level. Yeah I'd like a laser level. It really does help. That

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helps with so many jobs it's ridiculous. What's your go-to? Can

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you speak about that? Go-to laser level? Yeah. I mean Dewalt laser

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levels are the best in my opinion. I have used

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a, oh I can't even remember the brand, it's like a Lasgo laser

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level, it's quite cheap but it does the job and you can get some

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No idea. I know I'm sponsored by them. I like

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to say DeWalt. In their presence I

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said DeWalt and DeWalt and no one's bite

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Yeah, DeWalt's the one. I quite like to say caravan as well as opposed to

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caravan. You know what I mean? Extra emphasis on that an

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at the end. I don't know why. What do you think, Elan? Caravan? Caravan.

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You don't say tooth though, do you? You say tough. Tough, yeah.

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Yeah, so his opinion doesn't count anyway. by

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default, he's not allowed to have an opinion. We're not going to talk about scones and

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scones. No, not today, not today. Although it is worth mentioning

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to the viewers in the audience at home that

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the award for the least amount of travel

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time for a guest goes to you because you are literally what,

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Yeah, and I was still late. I always find like

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the closer you are to where you need to go, the later you'll be. If

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you've got a really long journey, you think, oh, I need to add at least 45 minutes onto

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It's true, actually. I had a mate in uni and he lived literally

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one door down from the uni. He was always the last one in. Yeah, yeah. 100%. That's

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a bit off topic, though. Today we're going to talk about kind of your

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backstory. I want to figure out how

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you got to where you are now. and kind of what you've

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learned along the way and what you see for the future of yourself

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and for the industry as a whole. But can you talk us through, so

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right now you are a full-time content creator, all

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the major social accounts and stuff you do incredibly well

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on. What brought you to this point? Because you've not

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I mean this story doesn't really start as you would expect a content

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creator story to start but maybe that's the best way.

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So I mean I kind of went into the

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world of work after finishing school thinking I don't know what I'm going to

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do you know like a lot of people. And I ended up doing

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an apprenticeship program, which was like a two-week thing

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where you'd spend time doing different trades. So it was all based around

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trades. It was with a program called PM Training based

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in Stoke-on-Trent. And in that two weeks, I

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did all different things. And maybe it was four weeks, actually. But anyway,

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I did carpentry, plumbing, all that type of stuff, painting and decorating. And

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I loved it all, engineering as well. And I

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also did, as well as all of those trade skills, which is

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quite strange, marketing. Marketing was thrown in there. In

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the apprenticeship? In the apprenticeship scheme. Why not? I love it. Yeah. So anyway,

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I did all of them, including marketing. And the day come after the four weeks

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to decide what it is that I wanted to do with my life from that point

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on. Big week. It all depends on

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if the people that you've done the work for want to work

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with you as well. So you make your choice and then check if they're okay with it. Anyway,

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I got feedback saying that they're all happy for me to

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go and work with them. And I actually really enjoyed all the trade jobs as

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well. In fact, I enjoyed painting and decorating the most, but that's probably

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because the lads are now the most fun at the time. And I was quite young,

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like 16, 17, something like that. 17. Yeah, anyway, so But

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the only person that actually turned up on the day to say, we

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want you to work with us, was the marketing manager for this company

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called Aspire Housing. It's a housing company. And yeah,

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so I just kind of said, well, they are pretty keen. And it

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pays a little bit more. So I'll do it. And that's how

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I got into marketing. And I came into marketing at a time

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where it was, social media was

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just becoming a thing, really. So, I

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mean, this is, I'm 32 now. I was 17 at

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the time. You know, that's, is that 2000 and,

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what is that? Is that 2008? I have no

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idea. Well, anyway. My maths

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is terrible. But anyway, it just so happened that I came in right at

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the beginning of this wave of social media into the corporate world. And

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I just basically just went head first into

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it. I was of the age, and no one else who was more senior than

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me. I was doing an apprenticeship, knew anything about social media. So

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I just dove into it. And the career just

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happened there in marketing. So I did

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that for 13 years. The problem is,

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although I was good at the job and I got some really big jobs

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in marketing as well, like for global brands and

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multiple brands, it was fantastic. No,

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so I moved on from Aspire after being there for about four

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years or so. And they paid for me to get a uni qualification

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as well, which was fantastic. And then I went on to private,

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so that was a third sector company. I went on to a private company,

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which was product marketing. And that was like, and

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that was really nice insight for me how fast paced that needed to be.

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Not agency though, right? Not agency, directly. That was that was

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Riedel. I'm not going to name all the companies I've worked for. But

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yeah, and anyway, and then I moved from there to another job, which

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was like a global group company. It was a massive opportunity and

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I just massively flourished in that as well. And my job essentially

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became looking after social media accounts

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for these big brands and looking after the influencer teams,

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finding, sourcing influencers, working with them to

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And what kind of year was this? This is like in the infancy of

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Yeah, so this kind of went in from, we should probably work out

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what those dates are, to be honest. So if

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Listen, you don't become a

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content creator and a creator because you're good

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Exactly. That happens afterwards. Yeah, that happens afterwards.

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So 2011. 2011, that's when I came in. Social media was booming. And then eventually, as

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I moved through these companies, I found a niche that

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I was particularly good at. really enjoyed and because it

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was all creative like I've always been a creative person. But

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the problem is those jobs didn't really resonate with

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me personally on one very significant level

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and that was because it wasn't physical enough. I've always been like a very physical

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person so I would always go to the gym after work and

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it would It would frustrate me that I

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sat behind a desk a lot of the time. You know, I'd beg for days when I can

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get out of the office and go and talk to people. Yeah, I'm also

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a very talkative person as well, so. Those two things went hand in

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hand. Anyway, as time

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went on, I was still in marketing and I had a

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bit of a wobble and I left marketing thinking, right, I need to go

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and do something else, but I don't know what it is. I was fortunate to have a bit

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of cash in the bank. So I thought I'd take six months off and

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really like assess my life, who I am, what I want to do, that type

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of thing. In the meantime, whilst I was doing that, I just kind of did a

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PT job, a pure gym, just because I love the gym and

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all that type of stuff. And I really enjoyed that. That was really cool. But

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then COVID hit whilst I was doing that part time job, which

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was ending all the gyms. So I thought, you know what, enough

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thinking, I haven't thought about what it is that I want to do. So I went back into

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marketing. And that's when I bought my first, I needed to

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buy my first house, COVID came. and

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the landlord of the house we were staying in needed to sell or

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wanted to sell and me and my partner had to move.

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We found out my partner was pregnant as well just as

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we'd found the house that we wanted to move into and it happened to be a

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full renovation and we was the top, top, top,

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top end of our budget and we had no room for

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making any of those amendments that we needed. So I just kind of

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went ahead with it anyway, because the bank had already signed off

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on it and we needed a place to live. So yeah, I just started kind

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of doing my own DIY. And that's

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kind of the story of how I got all of my social

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media expertise. the influencer stuff, I had

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a real good insight in from the corporate standpoint, you

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know, from the business side. And that was the beginning

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of my physical journey, which is the construction stuff that I

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So the, so when you started doing the renovations, did

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the renovations They had to happen anyway. And

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No. So I was in a position where we had this baby come

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in and I think it was five months from the day we moved in to when my

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partner gave birth. So I had to make as many changes to this house

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that would make it livable as possible. You need a full rewire, everything like

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that. Luckily by this point whilst I was doing that, when I started

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that six months off, I was doing the electrician's qualification. So

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I was learning about the physicality of like the

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build of a house and all that sort of stuff and learning

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about wiring a house. So when I moved into the house, I thought it'd be

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a good place for me to start giving it a go. And also

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all the other little jobs on the side as well. And it was like removing floors,

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putting floors back, you know, taking off old plaster, taking

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off old paper, wallpaper, that type of stuff. So I did that

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to a point where my partner gave birth and then The house

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was better, but not anywhere near like

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we wanted it. And the kitchen was pretty much unusable. And

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it had a very tiny extension on the back, which was so

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badly insulated, it had no cavity either, that the

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tiny radiator we had in that room, it was freezing in there the

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whole time. And with a newborn baby in the house and

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my partner, I just thought, well, why not

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knock that down and leave it open for six, seven months, you know? But

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no, the reality is like I was just seeing like pound notes flying out

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the back door because of all the expensive gas and electricity at

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the time. I knew that that wasn't going to come down, you

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know, so I'd have to do something about it. So I got a

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few builders around and I decided, and I asked them, would

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you be able to get onto this project and how fast can you do it and what's the price going to be?

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And I got some massive quotes, some like 35 grand,

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stuff like that. for someone with no money and no

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real way of getting that money either. It was almost an impossibility, but

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I knew it needed to be started. But one of the builders just said

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to me, tell you what, I could start in a few months time, but it'd

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be much quicker if you would dig the footings. And

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he said, I know that sounds crazy, but literally all you're doing is like

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knocking that building down there. There's nothing structural about it. And

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then just digging. a trench in the ground and he told

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me the dimensions I'd need to dig and I can get a building regulations company

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to check it and then he can come in and do the rest. Anyway I

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did that and he just said well you've come this far why

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don't you just you know try and do a little bit more and then so I

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did. So I just started learning how to bricklay and

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And during that process are you documenting pretty much

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Well I moved into the house not thinking about documenting anything and

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then I did a build in the garden which was like a bit of

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a brick garage extension and I did that as like a

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trial run really kind of like what can I do

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you know this is a bit of fun we need that and that

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that went really well and it was

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only at that point I kind of thought I need to start recording

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what I'm doing because I'm going to forget this in the future. I'm going

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to forget that like the struggles and the time I went through in

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order to do this thing with no experience. So I'm going to record

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it for myself and then when I had some footage all together I

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kind of thought one day, and I was at a new marketing job at this point,

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and I'd been there for like a year, and I was on

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my lunch break, and I thought, I've just made some good videos for

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this company. I'm going to make one for myself, using the

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footage of this build that I've just done. And I'm just going to find a

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trending audio and put that over the top of it. And I posted that on TikTok,

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which is the first ever video I posted on any platform for

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myself. And that went viral. And first one, yeah. yeah

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and you know what I've had some negativity around that I've had a lot of people saying

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like you know why you've come out of nowhere you've got all this followers and I've

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been doing this for 10 years or whatever and all that and

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and like or five years or four years whatever and and

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then I just reply back well I've been doing this for 13 years.

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Yeah. Ever since social media was a thing, I've been doing this for brands. Yeah.

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It's, it's, I know it's one of them kind of things. It's just like, like it

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is. You can't fathom the negativity on,

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especially on TikTok, but on social media in general, people just want

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to complain. And it's like, just

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Yeah. And you know what's funny is I never expected from

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trades, tradies, you know, I just I've always, you know, There's

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just kind of that thing of that, you know, you expect traders to

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be kind of humble and, and kind of like helpful and

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caring and, and, you know, in support of their fellow, you know,

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like a man or trader, whatever. Um,

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uh, but then you just get some keyboard warriors. They exist everywhere and

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And I've seen my fair share of them. I've experienced

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every way that someone can be negative and positive, I

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think, online. And that has definitely had an impact on

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me. And in a way that like now, maybe I

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haven't been doing it that long, but I do feel completely desensitized. to

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any comment that anyone makes. Someone could be saying, this is the

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best thing I've ever seen in my life. You've changed my life because I've gone and

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done this, that and the other. And that will be almost like over

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my head. And it's exactly the same for all of the bad stuff

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that people say. It's over my head. It really The

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only time I think anyone could ever, and I'm going to say this and then people are

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going to try start doing this, but the only time someone could

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ever really knock me in a way is if it's someone

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that clearly really knows their stuff and

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makes a very good point in the comments that I have actually done

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something wrong and I shouldn't be showing other people that because it's actually

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wrong. Which hasn't happened because

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I do a lot of research before I do anything to make sure that what I'm

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putting out there you know, is safe, it is okay to

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do. It might not be the best way of doing it, I haven't been in the trade that

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long, but it's not wrong and it's not, you know, it's

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You know, I'm finding more and more that we work with

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tradespeople rather than brands, you know, because when you work with a brand,

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you get to learn. Let's say we didn't have any, any interaction with

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tradespeople. Um, and we work with the brand and we get to understand what their,

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their product does. We get to know the applications, but we don't get

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to understand the nuances of, of, um, of, of the applications and

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of the, you know, the, the different creative ways that that product can be

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used. And I've said this a number of times, like, you know, trades

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and, and, DIY, it's really

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just creativity. It's just about problem solving, isn't it? And it's amazing.

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I watch videos of Mark

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Tiff's a really good example. I watched some of his videos on YouTube. And

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he's like, I've just found out this way of doing this. And

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I'm like, and it's, I'd usually do it this way. But now I figured

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out that I can do it this way. What do you guys think? Do you know any other ways? And you've seen

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the comments all the other ways that that could have been done? Yeah. And it's like,

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no way, like, there's so much subjectivity in

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Yeah it's great. Yeah I love it when I see someone with a little trick that

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just makes things so much easier and you see that

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and again that coming back to what you said at the beginning of this podcast

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it was literally about how people are

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making content as a builder and

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who are they making that content for. Are they making it for a customer or are

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they making it for a brand or other tradies just

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You know, yeah, it's it's I just I think it's

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I think it's amazing. So we've got to the point where you started

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to document the stuff that you're doing on social media. So

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the stuff you're doing with the with the build with the renovation, which you're still living in, right? Yeah.

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But is there a pivotal point where you go,

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I'm going to go full bore on this and actually make something

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of this? Do you have like a little sort of light

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Yeah, the light bulb moment was a crazy moment in

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my life. And it's something that me and my partner will always remember. It

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was literally like game changing in a day. So

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I can remember it

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was straight after Christmas and maybe

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the second day or first day back at work in my

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marketing job and I was dreading going back like everyone

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does. But like I had this real pit about going back. I knew

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it wasn't what I wanted to do long term. And there

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was a, the extension was pretty much done

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at that point. So I hadn't rendered the exterior or

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finished the interior at all, but the exterior was done. And

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I got a load of messages after posting a TikTok,

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which reached 7.5 million people at the time. about

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how much it cost me to make this extension. It

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cost £9,200 to build an extension and

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that was just materials and that blew up online. Got

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some hate as well on that just because of you know builders charging a

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lot more but they need to because it's labour and that's how they get paid. That's

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just the material cost. Yeah I think they missed that a little bit though. Anyway

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I got loads of inquiries from like national press basically and

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I was on the radio and I had loads of these like little like interview

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type things set up and it was that moment when my

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partner said to me I was just about to go on the radio and she says you need

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to make an Instagram account right now, like right

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now because and this is like half an hour before I'm about

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to go on radio, never been on radio before in my life. and she

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said like people are going to look you up straight away whilst you're talking

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so get it done right now. And I was starting to panic because I was like

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you know like I got this account made. Because you were purely TikTok at that point? Purely TikTok

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yeah. And the reason why I started on TikTok is because it's more of

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a community where you can talk with people. So originally

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my content was like, this is what I'm doing, and if any

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experts out there know how I could do it better or could give me advice for

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the next step, please do. So I might make a video saying, you know,

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builders of TikTok, I need your help. I've got these bricks in

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front of me, but they don't measure the same, and I need

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to know how to lay them properly. and and i'd get responses and

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that was built that built a really warm community you

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know so that going back to the question of when

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was that day it was the literally the the maybe

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third or the fifth of january i think it might have been the fifth of january and

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I handed my notice in and I was on radio two

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days later I think it was and I started this

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Instagram account on the same day as the radio. I started posting

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some of my posts from TikTok on Instagram just so

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it was like a portfolio and within I

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don't know, a week I had like 70k followers and

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then you know another week went by and it was like 100k.

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It really went through the roof and I

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Yeah and do you find, do you think that the, because that's massive growth,

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70k is absolutely insane. in

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any, in a year, let alone anything shorter than

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that. Were there like other factors

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that kind of led to that? Like you mentioned like you were on radio and stuff, but there's sort of

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other things kind of feeding the Instagram and feeding the interest or was it

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It was an absolute perfect storm of media channels.

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So I already had a reputation and a

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following on TikTok. At that point I think I was at 60k followers

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on TikTok. Not too bad. I had 60K

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followers and I had loads of content backed up.

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I was brand new to Instagram. And there's a thing with the

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algorithm on Instagram. If you create an account and you don't post for

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a long time, it kind of puts you in a category. Whereas if

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you open an account and just start posting quite freely, it

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means you're very active. So I had all this content and I was posting

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like a piece of viral content every day. So

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I knew that that content was already viral because it had done so well on TikTok. And

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I was posting a viral piece of content every single day and

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people were literally flooding in to watch it. That's genius. The

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other side of the coin is traditional marketing, you

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know, the PR side. all of national media

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was talking about this guy who just built an extension with no experience and

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I mean all of national media like it was everywhere. And

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then obviously there was the radio and I was

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on GB news as well and you know like actual you

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know on webcam so it was kind of yeah it just went

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So that hook then for the audience, this guy

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with no experience has built an extension for nine

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grand. Was that unheard of? And

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were you aware of the importance of that at the time?

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When you started doing this, were you like, no one's ever done this before. It's

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Yeah, honestly, I had to do this extension. In my mind,

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in my mind, I had to do this extension because the

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house was in such bad shape. We were losing all this heat, we were paying loads

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of bills, like it needed to be done. I felt like I could do

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it. My partner also said she felt like I could do

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it as well with absolutely no proof. because

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I'd never done it before. But I was just willing. And

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so I just kind of cracked on with it. And it took me

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a long time. And I had this amazing community of people on

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TikTok, which I'll always be grateful for because they did

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help me out through some like really difficult spots, you know, difficult questions that

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The, so the interesting thing is, cause so, so it, your journey started

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on TikTok and it's, and it, well, it's, it's, it's essentially grown from

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there. Um, so you started off on TikTok. Um,

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your partner, um, asked, mentioned that you should probably start an

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Instagram and you've rushed to start an Instagram. You started posting

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on that. And I've got your stats as of yesterday, they may have gone up, um,

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since then. Um, 36 and

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a half K on YouTube. Yeah, respectable. Thanks.

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190k on TikTok. It's pretty insane, right? I think

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it's 191 today. 191. 81k on Facebook, which

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is the one that everyone's trying to get away from. But actually,

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I think it's kind of coming, but it's creeping back. 408k

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on Instagram, again, potentially more today, because I checked these numbers yesterday.

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Like, was there a strategy to go big on

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Instagram? Because that's a bit, that's a big difference. 190k on TikTok, which

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was your first platform and then 408k as a result. Is

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it, did you put more of your eggs into Instagram? Or

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is Instagram one of those things that's easier to build? Or does it suit

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your content more? Why are the numbers so

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Well, Instagram, so I'd already built a really nice warm

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community on TikTok. So when I went over to Instagram, I

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knew that I had a lot of videos, but I

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didn't have that longevity of conversation

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and community building on there. So that was my

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priority once I started that account to obviously keep

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TikTok flowing as it was normally, but to build a

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warm community on Instagram as well. Because what I didn't want to happen, which

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does happen to some people, is that you have all these viral videos and it goes through

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the roof and then all of a sudden they start losing

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followers because that one little story that they did isn't interesting anymore.

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It's the one thing. So I wanted to build a really warm community. So

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I did kind of lean more into Instagram. And as a

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result, it did pick up a lot of followers. And

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I think the reason why TikTok hasn't followed suit, there

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was a massive TikTok algorithm change,

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which you'll hear every single content creator talk about, which

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was when they brought in their content creator program,

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like it's like a beta payment program or

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something. I don't really know the proper name for it, but essentially it's

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a new payment method for paying content creators based on

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views. And when that came in and

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content had to be over one minute long, that

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changed the game on that platform. And

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it just, and they brought in loads of adverts and stuff. And my love for that

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platform slowly died away. Not for

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the people and, you know, providing the content still, but

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for the way the platform was going. Whereas Instagram, I

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was finding that the people in the comments were

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very well-meaning. So they might not have been, it might

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not be as um savage community

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and savage meaning like purely truthful what people think and

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they tell you what it's not that type of savage uh but

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it's very much like high positivity on instagram so

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it was a nice place to be and i was making content for instagram mainly

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then you'd rather be there yeah yeah if there's a if there's a kind of

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hostile environment over here and a nice place to be over here with some warm and

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But I'm right in saying Instagram, currently,

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it's not a paid platform, you can't get revenue from Instagram, you can for

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Facebook, you can for YouTube, you can

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from TikTok. So it's an interesting kind

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of, because you could have made some money there, couldn't you? And I'm sure you do

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in terms of like TikTok and YouTube, and you have

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the ability to do that. But even still, you've kind of gone, actually,

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these are my people over here, a place where I'm not going to make any money from

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the actual platform, which is interesting. So that

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was a good point. But you still keep all these profiles taken

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over. You're still making content for each of those. In

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terms of like, because you're one person, you

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know, I'm sure you get little bits of help from here

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and there and support. Do you have

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a completely different content strategy for

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each platform? I mean, specifically, I get YouTube's long form as

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a rule, apart from your shorts and stuff like that. Do

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you cross pollinate like from TikTok and Instagram and stuff? Is that part

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So if I had the time, it would be unique. I know exactly what works

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on what platform and what doesn't. And all I

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kind of have to choose one platform to prioritize over any

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other. At the moment I'm prioritizing Instagram first content.

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Instagram first content's a little bit more curated, higher

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quality, and it's just, um, It's

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a nice way of storytelling. It's a nice place

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to be, like I said before, whereas TikTok is more conversational,

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a bit more raw. And I'd love

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to be able to do that type of content. In fact, it takes half the time it does

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on Instagram. But I've got to spend my time

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somewhere, and I'm putting it into Instagram at the moment. And the reason why

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I'm doing that is because I'm staying true to

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what I personally want to do when it

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comes to delivering my content, my journey, my story. And

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although that might not always result in the best views and

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the best engagement, what I need to do is

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create a profile that accurately reflects what it's like

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for somebody to go through a renovation as a DIYer. And

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that's going to be important for me many years in the future because I want to be able to look

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back on this. I want to look back on these videos and go, that is

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genuinely what I thought and did at the time. I

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don't want to sugarcoat that. This is a, this is really a vlog. It's

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I think it's got to be, um, the longevity of

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it is, is, is a huge part of this as well, isn't it? So if you, and

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what I mean by that is if, if you're trying to create content for Instagram,

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which you actually enjoy making, and that's, you know, your favoured, um,

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and more natural way of making content. But then there's a strategy for

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TikTok, which is less aligned with, you know, your,

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um, not values, but you know what I mean? Like how, what you enjoy

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more. Um, it becomes, it can become harder to maintain

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that if you're trying to do all those kinds of things. Whereas I think you're right. If you prioritize

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and a lot of brands will do this as well, because they don't have the budget necessarily to

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have specific strategies and completely separate content for

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each platform. They'll prioritize one, but it's still good to show up

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Yeah, I mean, the thing is, is like it started off with

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a priority on TikTok and a brand could do exactly the same. So like

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when I've worked for companies, we prioritize an account. We have so much time and

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resources, you know, that staff time, video time, everything, you

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know, money to pay influencers. We have to choose a platform and

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then just focus on whatever that that is going to be. And and

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then once you've had success there, you feel like you've built that audience, you've completed the

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goals that you had in mind. Yeah. Move on to the next one. Yeah. For

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Yeah, long form. Yeah. I love a bit of long form. I love storytelling. And

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I'm excited for this

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kind of resurgence of long form. Because I'm like, I'm

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the guy that's on the telly, like my YouTube's on

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my TV. And I'm like, in the evenings, watching

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it on my TV. I love my long form stuff, my 15 minute, 20 minute videos.

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I'm exactly the same. That's, that's my, that's my television. Like, when

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I run out of stuff to watch on my recommended and my subscriptions on

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YouTube, I'm like, what am I going to do for the rest of

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I just I just like reach for the Xbox for the PlayStation controller. Yeah.

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So massive success across multiple platforms and

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and building a great community. Are there certain things

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that you've done? along those

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lines. Let's specifically talk about Instagram because it's easier to pinpoint

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one. Are there certain things that you've done to

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make that happen in terms of either tactics, strategies, consistency?

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Are there certain elements of your content and what you've

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Yeah, I mean, the success comes from

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the main element, which is storytelling. And

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storytelling is something I've invested in a lot

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in my own learning. So when I first started this

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journey, I was under the impression that

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the way I spoke and my accent was seen as

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a negative. And that is definitely the way I came

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into this journey. there was a guy,

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Vinny something, he does workshops

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on TikTok mainly about speaking confidently in

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front of people. I never did one of the workshops but one of his

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videos triggered me into starting

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the storytelling which I'm known for today. which

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is basically, if you think that you're bad at talking to people, you

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can change that. You're not born that way. It is something you

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can learn and improve on. And all you have to

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do is practice it. And I don't know why I needed to be told that,

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but for some reason I did. And after

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watching that TikTok video, I sat back, I was like, Oh,

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I could be good at that. So then I started literally

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practicing getting a camera, talking to my phone, and

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stories, Instagram stories has helped me improve a lot. And

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that's just helped me refine the way that I deliver anything. And

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that's how I've been able to deliver this

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high quality storytelling through my social

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media platforms. Massive, just massive amounts of

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And you are, everyone knows you as the person that they could listen to

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to go to sleep, like people love your voice. And

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I've never known people say anything particularly nice about the Stoke accent.

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I think you're like an

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anomaly for people in Stoke that just

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I don't understand it because I always saw when I was in the corporate world

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as well, I always saw my voice as a,

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an issue. I know that sounds, that sounds crazy, but

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I remember so many times sitting in meetings, especially like

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when I go abroad, like I used to have to go to New York a lot and

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we'd all be in like a big boardroom, very important people there. And

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as soon as I start speaking and not just because they're American or

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whatever, it was almost like the, that no

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matter what I said, they would switch off a little bit.

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And I think it was down to the accent. And I couldn't quite

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put my finger on what it was. So back then, where even in

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an office environment, I'd find a way of creating a

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hook. And in the same way that you create a hook for a

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social media video, like, I can't believe that removing one

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brick can make your whole house fall down. That's a hook, right?

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And how do you hook people's attention in

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a corporate environment as well? Because you need to. The

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boss hears and speaks to lots of different people. And

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if you want to pitch a new idea, you've got to get his attention. You

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know, did you realize that influencer marketing can

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increase our visibility by 2 million views

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and we only have to spend 10 grand to do it? That's a hook in a corporate environment

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because then your boss is listening and you've got to have the information to back it up.

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So that's kind of like where I started learning those hooks and

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Build tactics around the fact that you didn't have confidence in your own voice and accent.

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Yeah. I remember the first time I think first

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time I met you was at an event that one of our clients was putting on. And

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it was the home improvements channel, where they

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were there and and they were like, you need to speak to Scott, he's got the most beautiful voice

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ever. And then I'm like, and I was like, Oh, he's speaking

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someone in the moment, I think you were on the road in front of us on the bus on

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the way back to the hotel. And, and,

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and I could hear you talking. I'm like, Sounds like he's from Stoke.

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And I've got Molly with me, who's like five minutes

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down the road from me, so I was around the corner. So people on

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Destin will know her voice relatively well. And

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yeah, it was like, it was such a mad thing. I'm like, it's just like, she's

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down the road from Molly and 10 minutes down the road from, you

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and uh small world yeah but even even back

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then you were like his voice is so amazing i could just listen to him for

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for hours and then you were you were sold on the fact

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that you you people didn't like it yeah but i don't know whether that's because

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i trained it to be this way oh right okay like i don't

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i don't know i i can't i don't have anything to reference my

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voice against it from the past because i never i would purposely never be

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in front of a camera Like I've never had any experience of that in

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the corporate environment, never had to talk about anything on camera. So

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it was literally just like learning how to talk, not

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Irmin and Arin every time I spoke. It's literally, it's something that

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anyone can practice. And maybe, maybe that is the thing that's

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Maybe. And to be fair, you know, We're not, we

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don't, we don't have to say everything nice about the Stoke accent and the Stoke voice.

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There's some wailing screeching Stoke that's knocking about, isn't there? You know, we all

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know them, you know what I mean? Like at the school gates. But

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as a ruler, yeah, I think, I think, I think the Stoke accent,

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especially like a really soft one like yours is like really endearing. I

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think, I think people outside of, not that your whole, the

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whole of this podcast should be about the value of

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Stoke. Scott's accent, but I

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think people outside sort of think of it as somewhere between like sort of

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Liverpool and like West Midlands or something like that. I

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was in Teesside the other day and these guys were adamant

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they didn't sound like Geordies. I'm like you're having a laugh aren't you?

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But actually it's like somewhere between like Geordie and Leeds or

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It's definitely something that I've got in mind that I want to go into more.

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Like, if people like my voice and that's just a general consensus,

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then I'd definitely like to go into doing more. I've done a radio advert.

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So, you know, that again, it's that endearing thing, maybe a trustworthy

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northerner voice, because that's what we go for. Children's books,

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anything, I don't know. It's just a bit of fun at the end of the day.

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I love it. I love it. I think you'd be great at that. So

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I watch your content, and I find it really interesting. And

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you mentioned storytelling. And when I watched your films, I

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think about all the planning that goes, that's involved with the setting up of these

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shots and the fact that you are one person kind of, you

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know, filming this stuff and the challenges around that. Can

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you talk to us about the challenges of having this kind of storytelling mentality? Is

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Well, I mean, I read something, I read something not long ago.

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It was about influences and burnout. And

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apparently 73%, I think I'm

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remembering that right, have suffered burnout and

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therefore leave the social media content

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creation game for good because it's that intense, right?

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My YouTube subscriptions is completely dead at the moment. I don't know whether yours

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is the same but like a year ago it was like the heyday of like

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YouTube and like these days I'm like where's my favorite creators? They've

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I know it sounds it sounds bonkers and it

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would sound bonkers to me if I wasn't a content creator as

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well that the people who are an influencer could

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suffer burnout because it seems like such an amazing way of life. You

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can just do what you want all the time and but actually what

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you've just alluded to there with the the level of

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planning that goes into not only the physical

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project of doing the DIY job and learning about how

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all that works, to then moving the camera around for

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all the different angles and just, you know, the

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audio of it all as well, because you need to capture some ASMR. It

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is, and it is hard. I'm working seven days a week at

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the moment, and I'm not saying this for anyone to have sympathy for me, like

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I'm living my dream at the moment, but I am working hard for

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Yeah, yeah, it's not an easy ride, is it? And basically you have to,

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a lot of these guys, especially people like yourself, you aren't just like, you're

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a really good kind of metaphor or an

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anti-metaphor for your uh type of content is

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is that the opposite of run and gun you know what i mean this is pre-thought out

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pre-planned content um that's got a story attached to it

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you could almost write the script ahead of time and figure out the shots from there

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um that's a that's a video production company's like

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skill set but in uh for for your your

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perhaps um skill set prior to doing this has probably been

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quite helpful but for a lot of guys who don't have a

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media degree and stuff like that, it's got to be a massive

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challenge for them and something they're not used to and there'll be

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a lot of doubt in their heads about what they're doing,

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if they're doing it right, what's working and stuff like that. And so

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not only have you got to do all that kind of stuff, also you've got

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to film yourself and actually get it right, get

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the thing right. I mean it's okay to make mistakes obviously in DIY and construction, but

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ideally you want to be seen as doing a good job of

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the thing that you're that you're doing, especially if it's your actual if

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it's your actual trade. So yeah, hugely, hugely difficult,

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but you know, your type, your type of

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content compared to someone who's just doing doing lots of you

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know, cutaways and transitions, and it's kind of moving and sexy, and

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that's great content again, but it's kind of, for that kind of stuff, there's

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still a lot of planning, but there's more room for

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It's originality, right? So again, and

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I've had a lot of people, including other influencers, say to

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me, why don't you just make it a little bit easier for yourself and make some videos

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which are just, you know, really fast paced, nice camera angles, ASMR

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type stuff. And I do that sometimes when, when

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I'm planning the next thing in the run of content,

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you know, just to keep things going. But for me, my content

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creation journey is all about creating original content that I haven't

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seen elsewhere. Okay, I might pull some ideas in

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from other places online, like everyone does, but just not

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copying and pasting, doing my own thing and getting it

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right and making because the doubt comes in, just

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like you said. You know, you doubt yourself. So I want to push myself to

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the nth degree and find that I

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am good and back that up, you know, by success. And

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that kind of comes through to different types of content creators that

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businesses work with and what are they actually paying

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for, you know. When a business works with me,

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they're paying for somebody who is thinking about it

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from a story film perspective, you know, so I'm

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giving a feel for the product or brand as

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well as showing it and talking through it. I also have the

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authenticity of my account as well, which, you

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know, I'll never be bought out. I only use things that I believe in. And

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that all plays into my type

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of content creation. Whereas there are other content creators who

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might just take a picture of a floor that's just been laid or just

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do some nice shots of mixing up the adhesive. And

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although that does make very quick viral content,

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you know, virality, but it doesn't stick in someone's

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mind. you know, that that content is there one minute gone

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the next. And one of the reasons why I'm going more towards YouTube

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is because I want a legacy. Yeah. You know, I want to put those that

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storytelling and high quality content creation

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and DIY and construction into a long term format.

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And I think the only way to really do that and really get good at

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And I, I honestly feel like YouTube influencers,

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let's call them that because it's easier for

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the world to understand, but I would consider some of the guys that I follow on

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YouTube not to be influencers, but they technically are. They influence a lot of

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people, but they're essentially a channel, a content creator.

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Those guys, if they say I've got this and it's interesting, I'm

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already on Amazon, I'm getting that thing. It's such

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a valuable, because you, I don't know, you

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almost build a relation, more of a relationship um

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with the audience on YouTube and you know vice

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versa like that there's people on YouTube I'm just desperate

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for them to make a film and even if it's they make a film about something I'm not that interested in

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yeah you want to catch up yeah I love it I love YouTube

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so much and You know, Instagram is a great platform. And

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I think the two combined are great because obviously you can do shorter

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pieces of content, which means you can do more content on Instagram. And

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That's where TikTok started for me. Yeah, it's all about that community. And

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what's the next step in that journey? You know, a stable platform

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So storytelling content, that content will of course vary.

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You'll want to mix it up every now and again, you want to change some stuff up, you want to

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be not creating the same thing over and over again. But there are

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particular trends in,

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I'm using the word trend lightly, in the

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types of content that you're audiences engaging with more

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these days? For instance, like, are you doing certain things

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that you go, Oh, this is getting more engagement than usual, or whatever,

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if you notice in certain areas of your content being like more,

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It depends, again, what you're classing. So if

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we're looking at success factors, what success factors

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are we looking at? Is it reach? Is it engagement? And

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what is the sentiment? Are people

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saving it because it's, wow, I can't let that go. I need to come back to that. And

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that's something I think about when I'm making the video. So

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I will usually make a video for, either

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max views which help me reach new people

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and open me up to a larger audience. Those are usually

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quite generic videos which might be seasonal based

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content around something that a lot of people can relate

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to. An example of that might be, just

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thinking off the top of my head, It's autumn, leaves

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fall in autumn. What's the fastest way to get all the leaves off

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your drive? And I've come up with that

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solution and you're going to watch it. And that's your, that's

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your, that's your viral view. Someone's going to watch and go, wow, that was cool.

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next yes you know and then maybe forget about it yeah and

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and then you've got the engagement which is um i'm

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just about to put the top on a bench and i've got these

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two different types of wood and i think i've chosen this

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one because i like the color but i'm not sure how much it's going to perform if

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you know anything about this type of timber make

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sure you comment because I really need that help. There's your engagement

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piece. And then the saving piece is all

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about like, this is how I've made a coffee corner

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out of, you know, £50 worth

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of materials, start to finish. And then someone's going

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to watch and go, I could do that myself, save. And that also

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can be viral. They all can merge a little bit into the others, but the

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And then if you talk all of those together, I know we've got different factors of

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like what we class as engagement. What do you

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think kind of subjectively

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your audience enjoys the most, like your fans, like what

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I, do you know what it is? I quite, it sounds horrible

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and this isn't necessarily on you, I like to see you suffer

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and then see how you come through. It's that kind of hero arc

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of just like, he's come across a problem but I know his

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wife, is Poipana a wife? And daughter have

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got to get but they're coming home and he's got to fix this

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You know, that kind of thing. Yeah. So I also, when

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sometimes I'll start doing it with no idea

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what the story is going to look like. Sometimes I have to do the project and then the

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story just emerges as I'm doing it. You know, I knew that I was on

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a timescale with a particular project and it had to be done before my partner gets

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home. So obviously the storyline that's going to keep someone

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hooked is that really classic storyline that comes

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back to learning about storytelling of hero meets

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problem. Problem is almost too much to overcome,

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but then he does overcome it and everyone's happy at the end. You know, you

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can change that a couple of different ways, but that's the way. And so

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you can weave that into your content for sure. But what

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are they coming back for? To be honest, I think a

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lot of people are coming back to check in. Like

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you just said with YouTube, because it's

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a very long series that people have followed for now two

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years, they're literally coming back, not for a particular

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project, but literally to see what I'm doing

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now. The familiar face online that they know. and

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I share a lot through stories as well, so people get the BTS

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as well, you know of like in the moment, oh no

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Yeah I like that, it's nice to hear that kind of like, You

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know, like this stuff that this stuff that works and

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this stuff that like brands like to see, but what's the stuff you, your fans

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want to see, you know what I mean? Like, cause a lot of the time you just, sometimes

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you just have to make stuff for your audience, uh, regardless of

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whether it's going to have any particular metrics or whatever, but then how do you, how

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do you get those metrics? You know, how do you get enjoyment metrics?

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Yeah, I mean, how do you understand why they're coming back? The

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only way I could, the only way I've been able to think about it

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is that they just want to catch up and see what I'm doing. And

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there's definitely types of content that go more

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viral than others. And that is the relatable, seasonal

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based content. You know, it's something that's hard hitting right now that most

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Yeah, absolutely. Last

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question before I won't get into like probably what is the most valuable piece

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of content

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I guess from this episode. Is

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there some stuff that you've tried in the past that's flopped and that you

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will never do again? You know, so that we can, so that other people can learn from your

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mistakes. There's certain things you think, I'll give this a try. And you go either, that

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either didn't work in terms of like numbers or

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Yeah. And I've got a funny story. I went to

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the Audi dealership by Britannia Stadium and

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I was talking to the guy there. We were actually getting a car for my dad, not me.

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he was telling us a story, he had no idea what I did for a living, but

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he was telling us a story about how he'd had a TikToker girl

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come to the showroom and say, um, I want a,

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an Audi RS6. And he was like, Oh, are

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you sure that's the one that you want? Are you sure that's the, cause he was a young girl. He said, she's

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probably about 18 or something like that. Are you sure that's the one that you want?

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And she was like, yeah, that's definitely the one I want. And he was like, well, you

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do realize, you know, it's a, it's a, it's a lot of money. And,

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uh, And she was just like, well, my

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accountant says I can do it because of my TikToks doing really

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well. Anyway, I've started the story and I can't remember the question. What

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have you done that's flopped? Yeah, yeah. And

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so I was like, when he was telling me this story, I was like, what? is

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that girl doing online that's getting this RS6. Whatever

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she's doing, I'm going to give a go. You know, that is

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a no brainer. And he said that it was selling products

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through TikTok shop. Okay. Okay. And I knew about that

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already. And I've seen that people are having success with it, but I didn't know

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how much success. Anyway, there was a couple of

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times where I made content specifically

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to sell a product and maybe

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it's the way I delivered it and or

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it like because the it like the lack of authenticity maybe

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came through maybe that was a me thing don't know but

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either way those videos absolutely dropped off a cliff and

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they're the worst videos I've ever posted and yeah and

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This is the thing with marketing, as you know, it's test, test,

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test. And if it didn't work, it's great. Move on. I'm better for knowing

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that now. Because let's be honest, you know, I don't think there's anything wrong with

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selling on TikTok. I think it's absolutely fine. We're all here to make a living. How

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you do it is completely up to you. And I find there's

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a lot of snobbery in the social media world that I think is, you

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know, I keep saying the word objectively today. What's wrong with me, Caelan? I

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just sort of think, well, we're all kind of businesses. Your

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tactics on how you make a living is entirely up to you. I can

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give you some unsolicited advice on how

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that's perceived in the wider world, but do you. I don't

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see it being an issue. It's quite a lot of

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people that take issue on like boosting posts and stuff, and I just sort of think, let

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I mean, I literally would do what you want when it comes to that

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type of selling or boosting or anything like that. It

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works for your business, it works for your business. I have always taken the

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Mr. Beast strategy, that if people aren't watching your

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content, it's because it's shit. and that's just

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the truth yeah it is true like you know you're not getting a

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million views you're not worth a million views simple

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as that absolutely and you can cry about it or

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you can get better at it yeah that's a really really good

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that I've often had to struggle with with brands. So

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you've got, let's say we put, and

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this is kind of hopefully going to lead me really nicely into my next question. You

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have these two types of content. And as the owner of

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a social media agency, I have to kind of educate our clients on things.

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There's content that's engaging that gets you nothing. There

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is no end net

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result, positive result from this particular content regardless

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of the fact that it's actually got a lot of engagement. And

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there's content that's incredibly valuable from

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the point of view of selling a particular product that gets zero engagement because

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it's not, the engagement isn't needed on that post, it's not

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required. And that's

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something that I've always felt like has had to be kind of educated

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into our clients because we typically make the

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content that gets very little engagement as an agency. It will

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still get some, it will still get, you know, great, decent numbers. Nowhere near an

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influencer's numbers because your

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content is almost like reliant on, to some extent, engagement. Views,

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clicks, likes, and stuff like that. Whereas we can put like a glossy ad

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out uh or an advertisement for a particular product it

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doesn't need obviously it's great if it does get engagement but for the most part we're

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educating the audience on this is a cool new product and some of the best

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ads you ever see get very little engagement but it still works yeah

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i wasn't compelled to go great tool you know what i mean i like

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these yeah it just didn't add this content like that that

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just kind of doesn't work and i'm and i'm okay with that But

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it kind of leads me on to the next question because you've kind of worked in both areas. You

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are now a content creator that makes your own content for your audience but

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also for and with paid

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brand deals and stuff like that. That's how content

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creators make a living a lot of the time or through like ad

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revenue. Yeah. But you've been

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on the side of marketing brands and you understand how

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brands have to go between the

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kind of glossy content, promo, catalogs, all that kind

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of stuff. How do you feel like influencer

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content and let's call it let's call it dissident content for lack of a

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better word even though we work a lot with content creators in our

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own work let's let's assume that we only ever made like glossy stuff

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with models for instance how do those two kind of fit together in

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a modern world especially in the construction industry which is kind of in its infancy when

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it comes to things like this like i think this is a really good educational point oh

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man so uh i'll there's a lot to unpack with

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what you've just said um so we can get into it i

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basically with I'd say 60% of

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the brands that I speak to, to begin with, have only ever done

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the glossy stuff. Maybe more than 60%. We've

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never even thought about influencer marketing, let alone putting the

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budget to one side and having a plan and a strategy to

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work with influencers. But having worked on both sides,

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I've been asked, I've asked businesses like

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Dissident to create glossy marketing materials,

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which always come back amazing. And it's always an amazing portfolio piece

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that you want your customers to see because it gives a

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really great example of what the product or service that you're offering. And

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that's like your core, that's your hub. That's when someone's interested

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in what it is that you are selling. That's what I

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always found. But the problem is, you need

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to get somebody interested first and you need

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to have that awareness. It's all that awareness interest funnel

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and you know desire and all those touch points. But that awareness sphere

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is it's an expensive sphere for a brand to

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be in and if you're not careful you can do it in the wrong

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way. So You know, when I was

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doing all of my research, when I worked in the corporate world,

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all I broke it down to was, what's going to give you the most bang

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for your buck? And so what's going to give you the most views

Speaker:

with your target audience for the amount of money you're spending? And

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without a doubt, when I looked at all of it,

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it came down to influencers. Because at the end

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of the day, you are creating

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something with somebody who is, they might not

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be a creative agency, so they might not have all the special cameras and

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they might not be able to make the glossy pieces, but they're definitely making

Speaker:

something that people are resonating with. And they've got proof of that.

Speaker:

Because they've been doing it for years, they've got the following and they get the engagement and the numbers. So

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you can rely on them to do that work for you. They

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can create the content and share it and get the

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reach. And if you choose the right influencers, you

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also kind of piggyback off their authenticity as

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well. And that's a big deal. You know, there's a lot of

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brands that don't consider when you're doing business with

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an influencer that they are

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risking their authenticity by backing your brand or products. So

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there's that element. Those two go together really well.

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You hook somebody in with your influencer work or

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even a little in-house setup that your staff can do. There's

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loads of really good examples on TikTok especially of

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where like an in-house marketing team have just gone and done like some really crazy

Speaker:

raw footage stuff and it's worked. It doesn't always

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work though. And then obviously when someone's interested, they

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come through to a brand page where there's like 50% of

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it is, or maybe more is the glossy stuff. You learn

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more about the brand, the products, the services, the people behind it.

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They go to the website, maybe it's a little bit more higher

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spec there. So you're getting like really into longer form glossy videos

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then. And then you've sold your product or service. So

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It's kind of like, it was taught to me in, In

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university, it's the difference between advertising and, sorry,

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an advert and a corporate video. So an advert is

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something that grabs your attention when you weren't looking for

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it. So that could be influencer marketing, it could be obviously a paid campaign

Speaker:

or something like that. Advertising is very much a case of

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like, I wasn't looking for this thing, and now it's found its

Speaker:

way to me. So that could be again, through influencers and stuff like that.

Speaker:

Whereas a corporate video is something that you create for

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people who have already shown interest. So that's where you go for

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your more information, your details, you want to get excited

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about the specs and you want to see like

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the glossy video with the clever lighting

Speaker:

and the beautiful graphics and the breakdowns of the tool

Speaker:

But brands make the mistake of asking influencers to

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They try and make influencers do a corporate video. Yes. Yeah. Which breaks

Speaker:

authenticity. And it's completely, it completely flops.

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What about the hybrid? So we, so, so I

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like, I like leaving. So I've said this

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on the podcast before. We're very

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much governed by our clients. We'll guide them in

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some respects into what we think is right. But eventually, they're

Speaker:

paying. So we'll say, let those

Speaker:

guys, let the influencers be

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influencers. Let them do their thing. Put in a loose contract. Put

Speaker:

in loose terms. And because they're

Speaker:

not an agency, they can't just go and make a thing if it doesn't exist

Speaker:

yet. Most of the time, these steel guys have still got jobs.

Speaker:

Let those guys do their thing, let it be raw, let it be unfiltered, and let

Speaker:

it be them. Let us do us our thing. And then

Speaker:

there's like this sweet spot in the middle where we're like, you know, that, like,

Speaker:

that's that, you know, we've got, let's say, four or

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five ambassadors for this particular brand. Let's bring those guys in

Speaker:

for our um high production content um

Speaker:

and we can kind of combine the two we can do something where that you

Speaker:

know that's going out on our platform though we could go out on theirs if you wanted

Speaker:

to because that you know there's again you don't want to break the consistency of

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having if you're all of your content is a has a

Speaker:

particular look and then didn't make a film that looks wildly

Speaker:

different. You might want to share it for a little bit and get rid of it off the

Speaker:

feed or something like that. Have you had much experience

Speaker:

in kind of that element where you've kind of gone like, and I saw the guys that

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I've heard of it, yeah. That kind of clever thing of let's not use

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models, let's use actual personalities and

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So I am only in this game, I've only been

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in this influencer game a few, you know, a couple of years now. And

Speaker:

so it's only, it's taken me at least a year to get in front of brands

Speaker:

which might be making those types of decisions, right. And so

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just coming at it from an influencer point of view, I have

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delivered content. So I've delivered a speech to

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a camera in front of a room full of people, off

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the cuff, let's say, and then use

Speaker:

that for like YouTube videos or whatever. And it's only when a brand sees

Speaker:

you do that as a content creator, they're like, okay

Speaker:

then. that's a skill that we don't have in-house, we

Speaker:

would have to pay an actor or a model or somebody to do that for

Speaker:

us. How can we now then include that person in

Speaker:

our more corporate stuff, our interest videos. So

Speaker:

you then I guess you ring fencing a group of influencers who

Speaker:

are part of your awareness team and then maybe picking

Speaker:

a couple of those influencers out and just, just putting

Speaker:

Yeah. Into the corporate side of things. And that's kind of, that's okay.

Speaker:

As long as it's done the right way, I suppose. It has to be done the right way.

Speaker:

But for example, like This is

Speaker:

a tricky situation to be in when you're sponsored as

Speaker:

an influencer by a brand. So I've got two main sponsors right

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now, Dewalt and CT1. And I

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personally chose to work with them because I,

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for example, Dewalt, I've used them since day one. They are

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a great tool brand. Everyone knows it. It's an

Speaker:

amazing opportunity to work with them and be sponsored by them. CT1, they

Speaker:

are an unbelievable product, probably the best sealant

Speaker:

and adhesive in the industry and I say that without worrying about

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the repercussions because it actually is at

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the moment anyway. So why not work with that

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best if I can and luckily I've got

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them as a sponsor so I work with them and that hopefully my

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authenticity isn't compromised because although yes I

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am working closely with a company and I'm using their

Speaker:

products and tools in the content that I make. it

Speaker:

I genuinely believe in those things anyway. And it's

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about and it's about delivering that to your audience and making sure

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that they understand that I and all

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influencers should do this. I'm not going to sell out and

Speaker:

just become someone who pushes for no reason just like

Speaker:

I think it's an interesting one and it's one that crops up

Speaker:

in a conversation I had the other day with a potential brand.

Speaker:

And we went through some idea development, and they were

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looking to do some, they're like

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a tool brand that does like a ton and ton of different power tools and

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stuff like that. And we were coming up

Speaker:

with this concept of like, having a presenter, someone

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who's like, in the field, not one of the sales guys, someone

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who's actually kind of on the tours to talk about

Speaker:

the like their massive range of tours, have them available

Speaker:

on a regular basis that can talk well to

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camera, presents well, and has

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availability to be going for multiple shoot days and stuff. And

Speaker:

it's got to be a content creator, it's got to be an influencer, it's got to

Speaker:

be the one and it's like, you

Speaker:

know, somebody who can go in and build a studio, build a set,

Speaker:

and be able to shoot, I don't know, 15 videos

Speaker:

in a day, just knock out a load of content on these particular tools.

Speaker:

And I'm seeing that more and more is that

Speaker:

is this kind of this the need for essentially like

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an ambassador in some respects, but one that

Speaker:

can actually come in and do professional, you

Speaker:

know, kind of like, not really adverts, but you know what I mean, like almost a QVC

Speaker:

style. This is this and this is how it then do some demos, but have

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that be consistent. And I think Ambassador is

Speaker:

the way forward in that kind of thing. Someone who's like, not only gels with

Speaker:

the brand, but knows the product and knows the applications

Speaker:

and can relate to the end user in that respect. The

Speaker:

trouble is with that is like how close they

Speaker:

are to the brand or whether this product is going to be filmed and

Speaker:

you know some of the best ambassadors are miles away from

Speaker:

where the studio is and stuff like that. That's the thing that

Speaker:

we find really really tricky. And maybe

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we can get Dewalt or something on some kind

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of like ambassador, like long, like

Speaker:

regular YouTube studio type content because I

Speaker:

think you're the only person locally to us that we know

Speaker:

to do that kind of thing. But that's a big thing is having content

Speaker:

creators that you know do well in

Speaker:

Yeah, so there's an example of that. There's a guy called

Speaker:

Simon Bowling. I have a lot of respect for that guy. Milwaukee guys. Yeah,

Speaker:

he is Milwaukee and he is acting as

Speaker:

kind of like an ambassador on their behalf because he does his own content

Speaker:

but he also films for them as well. So he

Speaker:

does that. He's going from that awareness to that interest

Speaker:

bubble and creating the more glossy stuff. and the brand comes

Speaker:

down with all their cameras or the agency that they hire comes

Speaker:

down with the cameras and does a proper shoot. I know as

Speaker:

an influencer and as a presenter he likes that type of stuff

Speaker:

and I've had opportunities like that

Speaker:

sent my way as well. Really the

Speaker:

only people I want to be doing that for are D.Walt. so

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I'm looking for an opportunity to be doing that with DeWalt. They

Speaker:

already have two guys that do a similar thing

Speaker:

for them and I didn't know that

Speaker:

until I recently went to their headquarters but those guys are

Speaker:

People who have been in the trade a long time and they've just built a

Speaker:

relationship with Dewalt and now they use

Speaker:

the products. They're almost like in-house product experts. They can

Speaker:

talk to video. I think the issue that they've got there is

Speaker:

that these in-house product experts don't actually have any following. There's

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no way of reach. And they're not content creation experts. So

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although they might know the tools, and they

Speaker:

can deliver to a camera, they can't do any of the

Speaker:

rest of it, which means they would still have to post it through an

Speaker:

advertisement, which would cost a lot of money or something like that. or

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just put it on the brand's social media channel. So for me, a

Speaker:

next step for me, my relationship with Dewalt next

Speaker:

year, logical conclusion would be that I can do some videos for

Speaker:

them on the more glossy side and talk about the products and what

Speaker:

they're used for and all that type of stuff and actually help that be

Speaker:

Because you get the best of both worlds and you've got a brand

Speaker:

ambassador, you know the gear. you're on the tools, but

Speaker:

also you can bring that clout, that social media clout. So you've got the double

Speaker:

whammy there of like, not only is this a great piece of content that

Speaker:

can live on its own, but also your following can kind of come

Speaker:

They have their, they have like a Dewalt van, which

Speaker:

is well, a van, it's a lorry. and it's all kitted out

Speaker:

and it looks ace and I don't know if they made content in

Speaker:

that but that kind of made me think about well if

Speaker:

you have a van or just like say it's a motorhome for

Speaker:

example. I've seen these at some like golf days and stuff where the

Speaker:

brands go and like a famous player might go into them

Speaker:

and have all the clubs fitted out on the day and all that type of stuff. So

Speaker:

why can't somebody create one of those as like a podcast and

Speaker:

YouTube studio like you're on about and then someone just has to

Speaker:

drive it to wherever that location is, park it up for a week,

Speaker:

do a load of content, you know, maybe that works. It'd be

Speaker:

better if it was a building. But yeah, there's options.

Speaker:

A building in the Midlands perhaps in central Staffordshire, you

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I'll see what they say. Yeah cheers mate, I appreciate that.

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That's the only reason why we do this podcast is so we can

Speaker:

I say now you've delivered it now, now get down to

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Mate it's been an absolute pleasure, it's been a proper eye opener as well to

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your process and I think that's going to be really valuable to the audiences that

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kind of the behind the scenes of

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the process and what goes into making, um,

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not, not only your content, but building your audience and kind of what, what

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you had to do and sacrifice to do that. And also I think it's, um,

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it's. It's surprising and nice to hear the

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story of it. It didn't, it wasn't really

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a strategy initially. It just, it happened, a

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few amazing things happened at one time and you were like, this is cool. I'm

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going to continue on this thread. Have you

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got any last questions, Keelen? What's

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So there's been a few ideas floating

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around on this subject and To be honest,

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I'm yet to nail one fully down. So

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the ideas are... I have

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to basically dig down to what it is that I personally really

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want to do. Because the ideas can go off so many

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different directions. If I wanted to do something just for views and

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clout, I would move to Canada and build a

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log cabin on the side of a lake by myself, living

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off just tuna. Do you know what I mean? And it's like, I'm

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the sort of guy with the drive and motivation that could go and do that. Like,

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if I really needed to, I would do. Would I enjoy it? No. Do

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I want to do that in my career right now? No. So I need to find

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out where the middle point is of like, what

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it is that I want to do, but is also interesting to the public. And

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there's a variation of ideas that I've got going on and

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I think though whatever it is that I am going to choose will

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need to begin at least summertime

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2025. It's got to begin then and no later because my house is

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coming to a point where it's getting close to

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completion and like anyone who owns a house knows there's a million and

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one jobs you can keep doing forever. I can keep improving things

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that don't always need improving but for me personally

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I like renovating things or building things completely

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from scratch. So it's either if you were to really kind

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of narrow it down, next steps could be a really cool

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concept house. So something that's like really battered or

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very old or something like that that needs renovation or

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a very interesting new build. And

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So the problem that Scott DIY has got is

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I mean that's a big problem to have though isn't it? You know, like

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you physically, like your content is based around renovating a

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Well the benefit for me is, I mean there's loads of benefits in

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terms of like my business, you know, earning the

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money and doing and all that type of stuff. But for me,

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I love to make things and restore things and stuff

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like that. So I've got to play into that because there's

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a big difference between someone who's behind a camera who's

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saying, I'm doing this today, or someone who's like genuinely passionate

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and I'm like, I'm doing this today, you know, like, I can't wait

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to get involved in this. I've never done it before, but we're going to give it the best shot.

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And that's who I want to be in my content. Like I have been up

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It's got to be it's got to be like passion driven. You've got to be like, come along for

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the journey. This is what I'm doing. Yeah. Well, I'm excited for

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whatever comes your way, Scott. I really appreciate you sharing

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your story and some of the behind the scenes of how

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you get to 408k on Instagram and long

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may that growth continue. We look forward

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to seeing your more long form

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stuff on on YouTube as well. I'm looking forward to getting my

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teeth into that. I think that's it. Kieran, isn't it? We're

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good. You got any more questions? Is there anything that

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I should have asked you that you feel like you were dying to

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There's probably two things. Okay. And they're not big things. Okay. But

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it's about, so it's just from my side of

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being an influencer and getting asked a lot by content

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creators who might not have grown so quickly or are

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on this content creation journey and they ask, sorry,

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and they ask, How do I

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get what you've got? How do I grow so quickly? How do I learn

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what you've learned? What is the secret sauce? What's the shortcut? Yeah,

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what's the shortcut? And I think it's a really important

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message to say to those people that it

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really is a short-term pain, long-term gain

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scenario. You're going to work for a year getting

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nothing at least before you start seeing some return

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on the time investment you know and then over

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that and then eventually you'll start picking picking bits

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up and you can try and run with it as best you can but it is it's a painful

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game to be in and and the second thing is probably

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on the flip side so it's like from brand perspective it's

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the I did kind of briefly touch on it before the Brands

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don't know much about influencer marketing. Especially not in construction. Especially

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not in construction. And they should start to

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learn about it. Learn about it now, before your competitors

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are doing it. Get that edge, create content, get

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viral views, and get your brand out there. quickly

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and easily and the more you learn about it now as well it's going to put that

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brand in a better position because there's a

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lot of people who may be older in the construction industry they're

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a bit scared of what this influencer thing is are they going to be taken for a

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mug by somebody because it's a person at the end of the day and

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they're not going to get the value out of it but you only learn

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by doing in life. Yes. And when it's proven to

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be one of the biggest marketing channels in the world and it's only growing

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its billions and now being invested into marketing for

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influencers you've got to get ahead of that curve or

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Yeah, absolutely. I think 2025 is going to be a big

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year for influencer marketing for brands. We're seeing

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the trend in the conversations that we're having, not just with

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our clients, but prospective clients. You know, they're coming to us

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because they see that we've got relationships with a

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good network of influencers. And that's almost been like an in, an

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accidental in with these brands. and

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it's absolutely massive. One of the things that I keep meaning

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to touch on but I haven't because I don't really know what the answer is to this kind of thing but

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it's something that I might just briefly bring up just right at the end of this episode

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is brand exclusivity is

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one of the challenges with especially construction because

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there's a lot of brands that will

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do a multitude of different products, that

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actually kind of push themselves into different product verticals. And

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they might only do like one or two products in that particular range. But

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then that, if you're a, let's say a Dewalt guy,

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and they bring out a product that is something

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that's aligned with another type of brand that you want

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to work with, And then you've got kind of almost like an exclusivity kind

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of thing with DeWalt that kind of blocks you out of that market. What's

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the solution to that, do you think? I'm still trying to struggle apart from the fact that

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you have contracts that say, listen, like I will

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work with you on these particular types of things. You have

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a range of products here. I'm going to work with you in this range here because I want the options

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to do that kind of thing. Have you thought about that and discussed that with brands in

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I haven't had to discuss it really. I've only had to discuss it

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once but exclusivity is

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expensive for the brand. Expensive and

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it should be because the influencer is losing a

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lot of money. So I did a, I did a, I got

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asked by a brand, very well-known tool brand, not Dewalt,

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to do, be exclusive with them on their tools

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which also included hand tools. So

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not just power tools but hand tools. And I

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calculated, I did a bit of a cost breakdown.

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It wasn't really anything too scientific about how much

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I could potentially lose my business over the year just

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through other collaborations. Not that, so that isn't

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the price of what I would be just for what

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they want me to do. That's what I will lose. So that's just added

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Yeah, yeah, there's a term for that, isn't there? It's

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Yeah, yeah, that's it. So it's kind of like based on what I've

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had in the past and even the growth that I'm looking at

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anyway, like how much is that going to be? It was a

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significant fee, you know, and I was surprised to

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see that number. But the numbers don't lie, like I

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didn't make it up to myself, you know, I wasn't making it up as I was working at

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home. You know, I was just surprised to see it. So when

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I went back to the brand, I knew how they react. And while

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it's safe to say I didn't do exclusivity with them. And to be honest,

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I didn't really want the exclusivity at

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that point with that brand. It was just too far

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of a stretch. If they pay me all that money, I would have probably sat back

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and gone, going on holiday, you know. What's expected

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of me. Yeah, exactly. But now they're going to want blood, you know, for

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that sort of money. But as, you know, my

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journey progresses and as my following increases and the community

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gets warmer and the brands that I work with are more

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aligned with me, that exclusivity conversation isn't

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as scary. And because I have the big platform, the

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Yeah, I think that's massive. The

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concern is, you know, DeWalt bring out an adhesive and

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you go, we're working with a bloody adhesive company, you know, or

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whatever. And like, so it gets a bit dodgy. And, you

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know, I was speaking to another brand, I can't remember who it

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was the other day, and they were saying like, everybody's doing it, you know, this, this,

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you know, this trends in construction, where brands are

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bringing out sort of ancillary, ancillary

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project products, I don't even know if that's the right term. But

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they're usually in this vertical, and they're kind of branched out into this vertical,

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they're going to have making a big push on that. And we're like, why there's already, there's

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already big players in here, but it may it makes it quite difficult for

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the for the content creators and we've experienced this where

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So I would put this to a brand and say and

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I have put this to brands and say one of the best things about

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me and my account is my authenticity The reason why

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that is is because I'm not like this isn't a DeWalt showroom. And

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for example, there's just there isn't a DeWalt poster

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behind me. I'm not wearing all DeWalt clothes. And don't

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get me wrong. All of the clothes are amazing. The tools are amazing, all

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that sort of stuff. But there are times where you want to use a

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different clothing or a different brand for any other reason

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than just it looks cool or it's your style, whatever

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it could be. So and that actually contributes to

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your authenticity. So if you want

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people to believe in the influence that you're working with, what you're paying

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Amazing. Amazing. Scott, we're gonna have to wrap it up there because Keelan's

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given me the no, we've got zero minutes. Thank you

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so much, mate. It's been an absolute pleasure to

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About the Podcast

The Build Up
Construction Marketing
The Build Up is a podcast for marketers in the construction industry. Hosted by Daniel Moore, the Creative Director of dissident, a creative agency that creates disruptive content and social media marketing for some of the leading and most rebellious brands in the industry.

The Build Up is a podcast that puts a spotlight on the unique world of construction marketing.

Dan will be speaking to marketers of leading brands, other agencies, creatives, founders and influencers.

The series aims to highlight and give insights into key areas of construction marketing and provide insight for fellow marketers, founders and creatives in the space.

About your host

Profile picture for Daniel Moore

Daniel Moore

Meet Dan - the voice of The Build Up. 🎙️

As Creative Director at dissident creative agency, Dan’s spent years helping construction and manufacturing brands build campaigns that really work. Now, he’s bringing those insights to the podcast, chatting with industry experts, marketers, and brand builders to uncover the secrets to success.

Expect straight-talking interviews, real stories, and plenty of lessons from the world of construction marketing.