Episode 1

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Published on:

13th Oct 2024

Stabila: Modernising Stabila UK's Strategy And the Effectiveness Of Research

In this episode of The Build Up Podcast, host Dan Moore, Creative Director at dissident creative agency, chats with Ollie Partington, Managing Director of Stabila UK and Ireland. Ollie shares his journey from marketing graduate to leading the UK arm of a renowned German construction brand. They dive into the shifting landscape of construction marketing and how market research has played a vital role in Stabila’s strategy to increase brand awareness and diversify its product range.

The discussion touches on the importance of building strong relationships with both retailers and end users, with Ollie emphasizing a balanced communication strategy that includes social media, trade shows, and community engagement. They also explore the challenges of marketing through distributors, the power of influencer partnerships, and the necessity of long-term brand messaging. Packed with insights, this episode reveals how to modernise a brand in a traditional industry and how recommendations shape buying behaviour among tradespeople.

Ollie’s Socials

https://www.linkedin.com/in/oliver-partington-16232225/

Stabila's Website

https://www.stabila.com/en/home.htm

dissident’s Links

https://linktr.ee/dissidentagency 

Transcript
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Hello and welcome to The Buildup. This is the podcast for marketing

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in the construction industry. I'm

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Dan, the creative director at Dissident. We've been working with construction brands for

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a number of years. It's an exciting and rapidly evolving industry, and

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that's why we created a podcast dedicated to the weird and wonderful world

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of construction marketing. I'll be speaking to leading brands, other agencies,

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creatives, influencers, and startups. This is the

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resource I wish we had when we first started out in the industry. Thank

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you for being here and welcome to The Builder. Welcome

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to the podcast. Thank you. This is The Build-Up. We're calling it

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The Build-Up, I think. It's a working title. I

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keep trying to call it The Grow-Up. Yeah, all right. But that's

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my own specific podcast about me just trying to stop being a

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man-child. We've

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Mum calls me Oliver, I'm in trouble. So

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we've got Ollie Partington from Stabila. You

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can call it Stabila if you like, you can call it Stabila if you like, but we've

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decided it's Stabila today. And

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you are the Managing Director, right? That's

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right, yeah. Of Stabila, but you used to be Marketing Director. Sales

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and Marketing Director. Sales and Marketing Director. So really

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well versed to talk about construction, marketing,

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especially from a brand side. I think this might be the first brand

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side kind of like marketing specialist that we've had on

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the show so far, which I'm really, really excited about. And we're

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going to be talking today about your

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sort of journey in construction, what you

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do at Stabila, how you see the kind

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of landscape and stuff like that. But before we do, can

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you give us a little introduction to yourself, kind of your journey and

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how you got from, I don't know, not working in construction

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Yeah, I can do. Yeah, so obviously I'm

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Ollie Partington. I'm the managing director for Stabila UK

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and Ireland. If I go all

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the way back to the start, I did a marketing degree

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when I was at university. More from a

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case of, I didn't know what else to do. I just did a generic business

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course, quite like marketing. It's more into sort of the

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psychology of buying behavior. So that's kind of the interest that

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sparked it originally. I then came

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straight out of university on a graduate scheme with Axe Nobel,

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so with Dulux paint, very much to try

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and do marketing and sales. To be honest, I probably

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ended up spending then the bulk of the next 13 years

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I was there working in some sort of commercial

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salesy type role. So probably sort

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of developed a bit of an opinion that, Sales

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was the coal face of the business

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and marketing was sort of a creative thing that happened

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in the background. I started to get more actively involved

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with brand strategy and comms and

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And then moving on towards Tabilla,

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I'd already been involved in a lot of different parts of

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organisations, supply chain, sales, marketing, operations,

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stores that we had at the time. and

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decided I wanted to do something that was a bit of a broader, more

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strategic commercial job. So Stabila

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came up. Now Stabila are a

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very well-established, been going for 135 years, German manufacturer. of

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measuring equipment. So predominantly spirit levels is where

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our reputation lies, but tape measures, digital

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levels, folding rules, laser levels. So

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anything to do with measurement equipment. Now for

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Stabila in the UK, they'd not employed

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their own people here before. A very traditional model

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of treating the UK and a lot

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of the rest of the world as export markets. you load

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trailers, you send it to agents and wholesalers, and then

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they're responsible for relaying the brand message. So

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they were looking for somebody to come in and effectively set up a

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business in the UK. So it

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kind of, it worked nicely for me because it's kind

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of a startup, but without the pressure of a

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Yeah, you've got a big brand behind you already. Exactly. And they're already well

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Yeah, established, well-known brand. One

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of the first things we actually did, I'm going off on a tangent a little bit, was we

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did market research. Because I said, when I came in, before deciding

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what sort of people we bring in, what brand strategies we put in

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place, we kind of need to know where we're at. And

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what it showed us really clearly was awareness was

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the gap for us. Actually, if people know about Stabilr,

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the chances are they already own it. And if they already own Stabilr,

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satisfaction is really high and recommendations really high. So

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we, I mean, we spent a lot of money on doing market research that

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kind of told us, told us one thing mainly, which is focus

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on awareness. If you drive, drive the brand message. So

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yeah, I, uh, I joined as sales and marketing director really

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with that, uh, that approach to start building better relationships with

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retailers to start building a clearer, um, uh,

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pull marketing strategy. So instead of just pushing products

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onto people to push it onto other people, to focus on

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the end user, um, and to get that cut through on marketing

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communication all the way, all the way down to, to the end user.

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So bringing in a marketing manager, a couple of sales guys to

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really grow and develop the business. Um, I think the step into

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being a managing director, um, To

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be honest, it was described to me pretty well by a member of my team who said, it's

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pretty much the same old shit wrapped in glitter, isn't it?

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I might as well show off the sparkles, but it's

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sort of a continuation of what we're already doing. It's

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a commercial brief. Stabila as an organization,

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the reason I've been going for 135 years is they

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are product focused. They have

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people within the organization that are so passionate and focused

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on innovation. I think they hold over 200 patents,

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which for people that might be outside of the industry go, it's

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just a spirit level, isn't it? But there's 200 patents behind the

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product range that we do. So you know that

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the manufacturing and the quality and the product that's coming over is

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brilliant. So you've got real trust in it. The challenge then

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comes to communicating it and getting the message out

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Can we take a little step back to the market research? Because that was something that

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we brushed on. brushed over, spoke

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about in a different episode with

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Ryan from SLG. He was really, really big into his research and it's something that

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I'd love to kind of find out more about. Just broad strokes, like

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what does market research look like? Like how do you engage with

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that? Are you looking at third parties or like

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putting out, are there specific places you can go to to get this data?

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Yeah, so we partnered with, I

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mean, for a start, you have to partner with a third party because you

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need to get authentic opinions from actual tradesmen. So

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I think we worked off a target of, I think it

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was 400 people tradesmen would speak to. And

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in that, you've got a clear

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brief to them on, there has to be a demographic split. Then

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there has to be a split on the trades that you operate in. So you have this

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full, network set out of

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these are all the type of people we need to talk to. So you have to have

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somebody that can source those people

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and find them. So it's a third party in Germany that we

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partner with that then had an agent or

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part of their operation in the UK. So, and they just

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start with a series of questions. So you agree with them. There are a

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series of questions that you want to ask that will give you data

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and an output to help you inform, inform your decisions. So,

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you know, take awareness as an example, simple question.

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Have you heard of Stabila before? Then

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it goes on to the next question, which is, well, what's your experience been

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like? And then they'll have like a criteria, you'll have

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24 different things that will say, well, where does it sit when it comes

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to quality? Where does

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it sit when it comes to longevity or accuracy? These

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sort of key attributes that you apply to a brand. You

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then compare it to other brands as well. So you

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have to find 400 tradesmen that are willing to spend quite

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a lot of time talking to somebody, talking

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to a researcher about it. It's quite a long process.

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Really cool though and I just I love the idea of being able

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to have like at the end of that you've let some you've you've not

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had to really deal with like you've obviously got to pay for it but if

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you've paid a third party who can get access to these people

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you can set the criteria of kind of what those people look like You

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get all this data back and I imagine there's some kind of trends and charts and

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all these kinds of different things of kind of, okay, this is

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what the general consensus of opinion is across, let's say, all

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of them but then you can specify to different areas. And then you can

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use that information as like ammunition to

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go, right, this is the strategy. Based on this research, we

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can move forward on a particular strategy because we're

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not just blindly having a go. I love that idea

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and it's something that we've not really ever come across as a, we've

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never had to utilise as an agency because we don't go

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that far in depth and as a result I know very

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I think you can, if you don't use a third party you can overlay your

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own bias and it's really easy like in any

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marketing decision or even a sales decision You have an opinion, and

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the longer you've been in the industry or the longer you've been in

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an organization, you apply your own view on what it

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should look like. And you can go into market research and think,

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right, I know that we need to drive awareness with a younger audience. position

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the questions differently according to who you're talking to

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because you're overlaying your own bias. So you use a third party and

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like you're saying, what you get afterwards is really rich

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data that you know has come from somebody that's completely impartial.

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They might have this network of people to talk to, but they don't really know

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Maybe, yeah. Can

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you tell us a little bit more about Stabila? I've

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done it again. Stabila, you can call it whatever you want. I might change

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it throughout the actual episode.

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In terms of like, It's

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a German brand, obviously, right? Is it German? Yeah, yeah, yeah. Talk

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to us a little bit more about who uses Stabila

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and is there a typical kind

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So I suppose our target market is professional tradesmen.

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That's sort of the global aim for

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Stabila is to be number one in measurement equipment for

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the professional. There's more that goes into

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making a Stabila level versus everything else that's out on the market.

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So it means that there's a price premium. So yeah, our target market

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is professional trade. Beyond

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that, we have the benefit of most

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trades and most people will need some form of measurement

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tool. You need an accurate spirit level. You need a

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tape measure. A lot of people will be using lasers now.

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We can cover a lot of different trades, from installer trades

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to carpentry to bricklaying. Again, going

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back to the research, beauty of that is it helps you understand where

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your strengths are and where your weaknesses are. Because

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the reality is what a

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plumber needs is different to what a carpenter needs. Because

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we just make measurement equipment, it means that actually we've

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got over 200, 220 products

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in the range that mean that there are products that are tailored and

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That's really cool. And from a business model point of view, Stabila

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is sold all through distributors,

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Yeah, correct. So we don't do direct-to-consumer. It's

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not to say it's not something we'd look at and consider in the future,

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because, like I said before, the big focus on

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communication for us is communicating directly to the end

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user, people that are using the product, and at some point, you'd

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expect that to evolve into being able to

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service them and have a direct relationship. But yeah, I

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say it's the same globally for us, that our model is we work either

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through wholesaler or we work through

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The reason why I ask that, because it has its own marketing,

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I wouldn't say problems, but things

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that you've got to check off, which is, and this is something we come across a lot

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in the work that we do, is marketing

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direct to consumer is very different to marketing to essentially

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like an end user that's buying through a distributor. Because the

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sales is different, you know, like all of a sudden you're,

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well, There's no point in doing an e-commerce

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ad, which is something we do for some of our brands, because some

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of them do sell direct to consumer, where you go, this

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is a product, it's amazing, click the link to buy it, and you can get loads of

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great sales data based off all of the creative that

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we make. Whereas most of the brands that we work with sell

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through distributors, sell through retailers. So that now we're marketing to

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end users, hoping that the end users go into the distributor to

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buy that product and the sales data eventually comes around in

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six months to 12 months time or whatever. We know if it's been successful or not

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and that's a big challenge. But also it's

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a unique challenge in the fact that if you've got a brand new product that's

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coming out, And currently,

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it's not in the distributors. It's not in the retailers and stuff like that. You've

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got to get sort of buy-in from the end user before the

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distributor will even consider taking it most of the time. I imagine some

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will be like, yeah, we know that that will sell, no problem at all, because we

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sell so much stabilizer stuff that it's not going to be a problem. But if you

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bring out something that's pretty wild, you've then got to do marketing

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campaigns to get the consumer to

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ask their local retailer to sell this stuff,

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you know? Do you come across that? And is that a

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Absolutely, yeah. And I think that there's the

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pace at which a lot of retailers, particularly larger retailers,

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work can be quite slow. So a really good example of you

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launch a new product and you can talk well in advance, but then

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you can have nine monthly times before it can physically get listed.

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and you're preparing yourself for a launch and you can generate the demand

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with end users, but you can also piss them off if they then can't buy

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it. This is where like online retailing,

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there are pros and there are cons to it. The pro is you can move quickly.

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So we had a big product launch last year and we

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did get some traditional retailers, builders, merchants on

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board, but we got some key online retailers all

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over it from an early stage, committing to content,

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committing to listings, full videos, everything all

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lined up ready. You can move really quickly then. So when

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you launch, you can do your pull, pull marketing. You can

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engage with end users. You can create demand for the product. you've

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got availability straight away because it's there online. And

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then the next step is then you drive demand with the retailer. I'd

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say with anything, it's a combination of that push

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marketing. You have to be able to drive demand with retail either

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through sales approach or through marketing.

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And likewise, you then have to have the other side pull, drive

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demand of the end user, and you squeeze it in the middle, and you push

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that relationship between an end user and between a retailer by

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doing the two. But we've had some really good examples

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where where the pool marketing, it's

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a longer game, but it's a better game to play. So

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without naming names, we partner with

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a social group. It's a Brick Lane social group. They

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set up a new event, we're straight on

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board with it, supporting it. And then a retailer also

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steps in to support it, who we've really struggled to get any

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contact with. But because of that focus with that end user,

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that end user group, straight away you then have the retailer coming to

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us saying, We need to talk to you about Stabila because we keep

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getting pestered by all these bricklayers about, um, we

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need to have this, this and this product in store. Perfect. So there's

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things like that that come through. Um, cause everything leaves a

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perception, you know, a buyer, a retailer, they're still

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a person that are involved in the industry. So the

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more things that you do, the more activity you do, they

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will see it. No, like I do get, um. you

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know, big, big buyers at big retailers that will

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say, I really like your social content. So you,

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you're not trying to build Instagram content

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for that senior corporate buyer, but they're following it

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Absolutely. We came across something the other day and it was something that got recommended.

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I was having some chats with some very clever

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marketers essentially. They work in a completely different industry to us and have

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completely different deliverables to us. But they

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were saying There's an interesting one, they were saying like, you know, marketing

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is always the first thing to go when when budgets are tight and stuff like that. So

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his strategy was he essentially a marketing agency, but

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they work with salespeople, sales directors, sales, as

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a rule. So if you separate marketing and sales, a lot of the time, there's like a gray

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middle ground. But he's like, we're going straight to

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the sales guys, what can we do to support the sales guys, which typically

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marketing support sales, but sometimes they don't speak to each

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other that well. And that got me thinking about something

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that we're working on at the moment with one of our clients, which

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is to completely revamp their sales experience

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of going into retails with a brand new product. Because like you

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said, typically products can take up to 12 months from

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launch to actually get into somewhere like Screwfix or something like

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that. Screwfix is a little bit better now because again it's online, a

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lot of it, but traditional retailers sometimes

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it can just take a long time, you can have a lot of conversations before it gets to

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the point where that's in there. So what we're doing is

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we're starting to look at the sales presentations and

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the way that they engage with these buyers and drive the

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pull within the actual presentations. Because a lot of the time, these

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presentations are like, this is the product, this is how it stacks up against its competitors, pricing,

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stats, maybe some cool visuals, but that's kind

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of it. And the sales guys are just kind of working on that. So we're

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looking at like revamping the whole experience so that we can, with

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a big emphasis on the pull. So we're showing the

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general public, the end user, the influencer going, where the

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hell can I get this product? Because it's amazing. And like really pushing

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sort of that element to it. Again, a bit of an experiment, we'll see how it works. But

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the idea behind it is if we can bring a

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product to market six months earlier than it would

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typically be before

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we were working with them. That would be a hell of a lot of income for

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the brand. An extra six months of sales would be

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crazy money. I never thought

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about it like that. I just always assumed let's just focus on the campaigns and

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let's not think about the sales guy because sales guy maybe gets some imagery from

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us, you know, like down the line or something. But that's about it.

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For me, one of my main learnings after

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spending a lot of time doing sales and now coming into a

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role where he's probably more marketing than he is sales is that

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the two are the same thing ultimately. It's a slightly different

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approach, slightly different audience, but you know, the

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role of sales and marketing is to get product in people's hands. It's

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a slightly different way. You know, it's that push and that pull. You've got sales people

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that are getting product into retailers and then you've

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got marketing people that are getting end users to demand it.

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But they're doing the same thing ultimately. You know,

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where we're quite lucky is we're a small team. So if

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you are in sales, you are in marketing. And if you are in marketing, you

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Yeah, exactly. I'm customer services. Seriously,

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that's not a joke. If you go on the website and you ring up Stabila

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Love it. I shouldn't really put that out there, should I?

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That's okay. might start ringing you and be like, I've got

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a problem with my level. Everything's on the skew. I

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love that. I mean, let's have a think about the

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sort of landscape of marketing in the construction industry.

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We've had a couple of conversations beforehand about this. What's

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your views on kind of what that looks like now? And

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perhaps you can reference like what it used

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to be like, you know, when you first started in the industry, because you were at Dulux

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Yeah so I was at Dulux for 13 years, I said predominantly in sales

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but spent most of the time in and around construction, so

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dealing with painting contractors. What

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I say is… there's a perception

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that it's a very traditional industry construction with

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an older demographic. And there is an element of truth to

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that. And I'd say historically, it has been driven

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by marketing and comms has been

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driven by very traditional methods. So print media, magazines,

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and that's what most brands would do. You know, you would have a magazine that

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all the builders merchants buy into and they have a stack of them on the

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counter and people take them away. and read them. But

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I think that it's accelerated really quickly. And I

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think a lot of brands have been left behind because there's been

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a perception that just do the same thing. Each

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year you follow the same path, the same type of look and

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the same type of feel and the same type of message and

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the same avenues to communicate. I'd say

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particularly the bigger established brands just

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follow the same path and almost treat

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the industry as, well, it's traditional, it's older guys and

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those older guys, they're not going to go on to TikTok. And

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the reality is that I'd say the different ways

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in which you can communicate your brand message have accelerated so

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much over the past past couple of years, really.

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And the reason why people have been left behind is they thought, well, you

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know, our target market, uh, are over the age of 55. But

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the reality is, yeah, there probably is some truth in that. And

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they might not be going on Tik TOK, but the industry

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is, is growing and is moving on. And there is a younger audience

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that everybody is trying to fight over to get in front of

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And they're brand loyal as well. These guys, like, you know, they care about

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what they wear, they care about what they use, they're invested in

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a story. Whereas, you know, traditionally I think,

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you know, the building trade was you got the cheapest thing you could get your hands

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on, cheapest boots, cheapest work clothes. Perhaps you'd

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spend a bit extra money on like your drills and stuff like that, but everything else

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was like, because they were buying it themselves, they were like, I just need to get the job

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done. Whereas I think these days, more and more, you

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see like apprentices like shelling out

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tons and tons of money on some of the best gear because it's like, I

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want this to last. And they've got like almost like a completely different

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mentality and they're very brand loyal as they are for their clothes

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and stuff like when they're outside of the industry. So yeah, there's still

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the old guard, they're still about, but the new guys

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Yeah, there was one thing actually that surprised me when we did our market research, because

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you see the different demographics and you see how they buy.

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And I'd sort of thought that you would have people

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that are over 55, they're more willing to spend money on

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quality tools. So for us, we sell quality tools, the

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more expensive, there's a lot of cheaper alternatives. So that's

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still our core market. Actually, the younger audience and those apprentices are

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just as, if not more willing to spend more money. So

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again, you kind of, you treat them as well. Younger people

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nowadays, and they'll shop around and they'll, uh, they'll go online and

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they'll buy, they'll buy cheap. They don't. How you

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communicate to them. is changing, that

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you do have to have then a really balanced

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comms strategy. Because again, I think a lot have been left behind, but

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then people lurch to Instagram. It's

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just Instagram. Actually, it's not. It's Instagram, it's

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TikTok, it's podcasts that people listen to,

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but it's also Facebook and it's community groups. I

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think the common thread all the way through, and we talked about this on the phone,

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is I think that in the UK

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in particular, trades people and their buying behavior

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is influenced heavily by recommendation. We

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hear it all the time from older people that say, you know,

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I bought my first Stabila level as an apprentice because my

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dad always had a Stabila. And you get the same thing, the

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same thing now. But the bit that's changed is how

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those recommendations get to people. Because if you go back, you know,

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that 55 year old plus, if you go

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back 20, 30 years when their first starting out might be a bit longer, You

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know, you're getting to a point where internet isn't even there. So

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recommendation is literally the guy on the site telling them.

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Now, people still work off recommendation, they're still

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willing to buy expensive quality tools

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and power tools. but they get recommendations through

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other ways and other means. And this is where socials becomes important.

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They will scroll through on TikTok and they'll look

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at videos and see what people are saying about product. They'll go

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on YouTube. They follow YouTube channels of people that

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give recommendations. That's how they get it. So

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that's probably the common thread has always been recommendation. The

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bit that's changed significantly has been the different

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Absolutely. Which it's, you know, the

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influencer, the recommendation kind of thing is, you know, the

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bones of it essentially. You have somebody, and

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it can be like, this can be working twofold, you've got the guy

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on site who you aspire to be, the top level

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craftsman, artisan, like, tradesperson,

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using like some of the best tools, you got that guy produces really good

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work, or that girl produces really good work. they're the tools that they use

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to get that job done, therefore they're probably a good fit for if I want

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to be like that. And you'll get exactly the same thing on social media. So

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if you aspire to be the, you know, the

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same level or if you just like really respect the opinion of

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a particular person on social media because they make good work and

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they get loads of jobs and whatever it could be, and

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you see the tools that they're using and the way they're using them, you go,

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that's obviously the right pick. You know what I mean? Even if they're not even

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saying it, you just see a logo. You just go, well,

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okay, that's obviously the one for the job. Because I

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can't imagine there's a lot of people out there that do, like, genuine research

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into tools. I might be talking up

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my arse there, but you know how you sort of do, like, you would research

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a car. and you would look at MPG, you'd

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look at the safety factors and all that kind of thing. I

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think trades people will probably buy stuff a little bit differently because they

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might do their research after the recommendation because it's kind of like a nerdy thing

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to do, it's exciting. But I can't imagine there's

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a lot of people put into a Google search but give

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me like a top 10 levels

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I don't think you are, and I'm

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not saying this with a huge amount of experience of it, I think it's

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slightly different in the US. So I think the US, there

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are a lot of YouTube channels that do comparisons. They

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get big hits and that is people that will say, I've got

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four different laser levels here and I'm going to show you how they work and

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I'm going to tell you what I think about all of them and then I'm going to rank them for

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I think that's a little bit different to what I had in my head, which was

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essentially going onto a web page and looking

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at one level against the other or one drill against another.

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I think something like top 10 or comparisons

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between two or three different products, I think that probably happens a

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lot, to be fair. even in the UK,

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because that's a fun thing to watch of an evening, isn't it? You know what I mean? Even

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if you've already made your decision, you know? It's like, well, at least I made the

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right choice or whatever. That's

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really, really interesting. It kind of brings me

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on to like how, so the market

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has changed. The way that people interact with brands is

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changing. So, and you've, how long have you been at Stabila 4 now?

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Two and a half years. Two and a half years. Have you

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made some differences to Stabila as

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a UK presence then and what does that look like since you took over?

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Yeah I think there's maybe two points I've made. One was again

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something we discussed around like modernizing a brand. So

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I'll go back eight years first. This was before I

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was with Stabila. So eight years ago Stabila was

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turning over 50 million euros. It's

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Globally, yeah. So not in the UK. Yeah, that'd be cool. I

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probably would need someone to do customer service. I couldn't do

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that myself. Yeah,

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so a lot of that growth has come from changing and

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breathing some life into the brand. So some of that starts with

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the research, but then goes to how you want to communicate the

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brand and where you want to communicate it. So that journey's already

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happened. And the reason I explained that first is part

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of that journey was bringing me in to

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start with, to try and put some changes in place. And

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a lot of it starts with What's your clear brand

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strategy? So use the market research that we talked about

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earlier. What are the key things that you

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want to focus on? So for us, it was things like awareness that

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we've already talked about. It was about product diversity. So

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one of our core strengths is we've got a lot of different products that

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nobody knows about. It's a bit of awareness. customer

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journey, so actually how people interact with our

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tools, our products, and interact with the brand. So build

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a clear strategy, and then it comes to what are the vehicles and

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the avenues you've got to communicate. So we

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started to do quite a lot more with community groups.

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So we partner with the Tireless community on Facebook.

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We partner with the Bricklayers Social Club. Those give

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us the opportunity to be part of

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the conversation. So you can do proactive social listening, there's

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a face to the brand. That again is a key

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part of communicating is you want to put a face and

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you want to create a relationship between the brand and the end user

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that didn't necessarily exist before. It then

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expands into trade shows, trade events. So we

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thought about all the different trade events that happen in the UK because

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it's a lot of money and a lot of time commitment to do them. And

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we don't have a big budget. So we sat

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back and said, we've kind of dabbled in them before, you know, we turn up with a toolbar or

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two and people can come and they can buy product. We said, we

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either do it or we don't. You know, I don't want to go and just have toolbars.

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So, you know, we committed, we invested in bigger

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stands, better execution, more like

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experience type things, like we do a strength bar to create challenge

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to try and bring people on. Because even at

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the shows, we just interact with people that already knew Stabila

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and already bought it. So we're like, actually, how do you, you have to create a bigger presence

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to pull people into the brand. Um, yeah,

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so we, we've tried to make a lot of

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changes in how we bring the brand in front of people, um, to invest

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in that pool marketing through shows, through socials, through

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partnerships and collaborations. And it's been working well.

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Amazing. So modernizing the brand essentially like

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that was that's been a huge success for you thinking about

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all the different ways that we can communicate to the end user and we can drive

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awareness to the actual product and there's multiple ways of doing that.

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In terms of the trade shows and stuff like that it's an interesting thought

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that because I have interactions with brands who've got big

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budgets and small budgets and so some of them like

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I don't I've had conversations with

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people who can't afford our services because they use

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a lot of their budget on things like trade shows and stuff like that and they get

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kind of like an okay stand, it looks alright. And

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then I see them and their stand's dead, like it's

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properly dead. And I sort of look at that and

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I'm thinking, I don't know. personally, which

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way would have been better for them? Working with us and having,

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you know, putting all of that budget into like social content, you

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know, a decent social media presence, a team behind like what they do, or

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this like, or the three or four trade shows. And

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I don't think I've ever really asked this to a

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brand before, but what's your measure of success from

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the trade shows? Because I

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see them as being massively beneficial and I've also seen brands

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that we work with really step up their game at the trade shows.

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and it's and like they've gone from like you know kind of the little stands that

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kind of barely branded and stuff like that kind of like boxes and

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stuff to something that's like had quite a lot of investment and

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their presence is skyrocketing and i'm so it doesn't make sense to

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me because i'm like there's not that many people at that trade show and not all of them have

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come to see you but You're seeing the trajectory of brand

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awareness just from a few big trade shows. It just makes sense to

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A measure of success with any, with any marketing activity you

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do, um, it's difficult to pin, pin

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on. The reason a lot of people like a trade show, um, particularly

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the tool fairs is you can sell. So you have a measure of success because

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you can say, well, we've sold X amount here. We've sold X amount there.

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Yeah, so you partner up with a distributor, they bring a till, you bring the

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stock and you can sell to people. So

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it gives you a bit of a measure because you can physically sell

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but then you go, what's your benchmark? Is it last year? My take

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on it is The sales is a good indication. It's

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not the measure. The measure is how many people are

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we interacting with and what's the nature of those interactions. You

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know, going back to our strategy, are you driving awareness? Are

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we talking to people that we didn't talk to before? Are

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we driving better product diversity? So are there people that come

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to the stand and love Stabila, but they didn't know that you did pocket

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tapes and they bought a load of them. So it's

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more, It's a little bit more advanced than

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just saying, well, how much do you sell on them? The

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way you invest your money from a marketing point of view, you could if

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you had if you doubled your budget you'd spend it straight away yeah you know but

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you'd never really know what exactly the return

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on investment is and you can spend a lot of time trying

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to gauge on that specific activity so like we've

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done radio advertising which you do and you straight

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And you can get different criteria, you

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can develop return on investment, the reality is you don't know.

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But going back a step, when

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you do that market research to start with, we will

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do that every two years. So that was, it's

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really important that you'd follow the same track every two years. Because you

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do the market research that tells you what your awareness is. That's your benchmark. You

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build a long term plan. So we'll do this next

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year, we'll do the market research again, and it'll tell us roughly

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how we've done. You take it with a pinch of salt, but that

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for me is the gauge

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of success for all the activity you

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Proper long-term strategy. It's massive and it's something that,

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you know, as a social media agency, you know, we

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don't focus as much on long-term strategy because

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we're just kind of being told what to do. We've got this new product, okay, let's do

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a campaign on that. We've got this other campaign that we're

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doing on sort of awareness of these kinds of things. So we're kind of moving on

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from that. But there's an overarching kind

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of like long-term strategy in all the different things that we're doing that's

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been set up by people

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who are more clever than us, the marketing directors and stuff like that, or

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other agencies. And I was

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speaking to, again, Ryan from SLG about this, the thing

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of long term, we as

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marketers and creators, we get bored of our content and

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the campaigns way before our audience does. Stick with

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it. Stick with it because, you know, we're just like, oh, we've seen too much of

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this same kind of thing. I'm like, your audience hasn't. There's people that

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you haven't even, that haven't seen this yet. It's just because you're sick of

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it doesn't mean you should move. Like, stick with it. Stay the

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course and re-evaluate in a year,

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two years time, whatever. and see how it worked. And I

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think a lot of that is missed in marketing. It's just like, if it wasn't a success on

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the day, how many numbers to how many, how many, how

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much engagement did we get in the first four hours? There's

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there's some element to like, that's, you know, that's, it's worth measuring. But

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There's a comms guru I worked with years

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and years ago. You always described it as it's

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what's the golden thread. So the golden thread that

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goes through all those five, 10 years of comms

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activation or even how you communicate a

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brand or whatever, that golden thread is the bit that pieces them all

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together, that stops you from going, right, we're going to

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do this this year. I'm bored of it. So we're just going to pivot and

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we're going to do something completely different. know, understand who

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you are and understand who your customer is, build a golden thread and

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just tie everything back to it. This is where, you know, for Stabila, we

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know what our golden thread is. We know what our audience

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is. It's a professional tradesman and for us it is precision.

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You know, like we always start our training with the most costly mistake on

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a construction job is a measurement one. Yeah. So that is

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why we exist ultimately. And that is our golden thread through

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Mate, that's a hell of a marketing message, isn't it? That like, like taking

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it back to basics, like why you need our product, um,

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because you know, it's, it's the thing that you use to measure everything.

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And anytime you. measure wrong, make

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a mistake or whatever, it's costing you time, it's costing you materials, it's costing you money. That's

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a really, really cool analogy, I

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guess, for like a great marketing message. Love

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that. Really, really interesting to hear about the trade

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show stuff because we are at a lot of trade shows. And

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I look at the cost of some of the stuff that we, you know, some of the stands that

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we have for our clients and the amount of time, amount of people

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that have got to put on it. they're bringing in celebrities and stuff like

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that and I'm like Jesus that's a lot of money, was it worth it?

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But I think it is. But I wouldn't know if I

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had the choice of having one thing

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or another, that's a hard decision for me. It's like do you go full trade shows

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and then no content, no social presence. What

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do you have? You know what I mean? I think ideally you'd have a bit of

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everything and you'd have enough budget to do all these kinds of different things, but

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I imagine that it will all come down to research, of

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course. I think the theme of this has almost been research,

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Is it like that's a hard balance? Because you're

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trying to balance, you know, you should say, well, you

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should be visible everywhere. You should have a balanced communication

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strategy, which says socials, content,

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print media, maybe a bit of radio, trade shows, you

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should do the whole lot. But like I was saying before, with

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things like trade shows, either do it or don't. If you're going

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to do it, you've got to do it properly. And it's kind of the same with socials

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and with content, because you have to You

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have to raise your game to a good level of content, but you have to

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be consistent. You have to stick at it, which is an

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area where we've done okay with, but we've not been particularly consistent.

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So you have to raise your game, produce good

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content, and then it has to be like a metronome. You know, you have to

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be able to just get the same consistent message

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Good plug for dissident creative agency then Keelan

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because you know obviously for small teams

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that perhaps don't have social media marketing or content creation then obviously

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we can help keep that consistency because someone else is doing it for you. You

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just have to pay us loads of money to do it. But

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that leads us really nicely into the awareness element because I

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think you guys do social media particularly well. There's a few elements that I think you do

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particularly well. You partner up with some really cool people, some great people You

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are out there and you're partnering with

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third parties like the events that you mentioned and stuff like that.

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Can you talk us a little bit about your kind of like how that came about, what's

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going on with Stabila in terms of your, I mean

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I guess social outreach would be a social kind of like presence

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and how you gain awareness would be interesting, most interesting to

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Yeah. So I, I suppose social has been quite an important part since

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way before I joined. So, you know, when I joined, I inherited

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a, um, a good UK platform on,

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on Instagram. Um, we have TikTok, we

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use Facebook as well. Um, so it's,

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it's across a number of different social channels. The, uh, our

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approach is, is again, we, we will map out content

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for a full year now. key messages that we want to get across.

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And those messages are split into product

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awareness, it all goes back to the market research and strategy. So

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And we try and then generate videos and content that

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are around the product. But the end game there is we want to

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show people products that they've not seen before. Amazing. Or

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we want to show them things about products that they have that they didn't know it could

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do. So you'll have things that are like product focus.

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And then you try and build in awareness features

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or things that create a little bit more interest. So,

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you know, I have things like golden oldies. So like we've got something,

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I've got a letter through from a guy who's had his level

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for 55 years and we're we

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put the letter out because it helps show longevity. So

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you have different features like that, or we have features where

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we focus in on the people that we partner with. When

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it comes to how our partnerships work, it's

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it's a balance. I've said the word balance all the time, all the way through this,

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but it is a balance between getting

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reach, because you want to partner

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with people that can get your message across, and authenticity. So

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we get a lot of people approach us wanting to

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work with us. We don't have a massive budget to

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do it. So we have to be quite careful with

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who we partner with. So they don't tend to be people that have hundreds

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and millions of followers. There tend to

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be people that, I mean you know the terms for it, I always forget, like

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a micro-influencer, that have less

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of an audience but more of a cult following. Goes back to that recommendation bit

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I was saying before, that you know if Liam's got eight,

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nine thousand, how many has Liam got now? I've no idea, I can

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Something like that. It's not, I don't think it's even that many is it? On

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Instagram, But the

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point is a smaller but more engaged following.

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5,800 is pretty good. We'll see if we can get that up. It

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But he will have those people that they listen to what he says and they engage

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with the message that he's got. So it's a balance.

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So we will have our Stabila family that are

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contracted partners that work with us and we collaborate with

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each year. We tend to max out around eight.

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With that we'll have like everybody does, the idea

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of the type of content that we want to produce each month, but we try

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and give an element of responsibility to

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them. And this is where the authenticity comes in. Yes. Because we

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don't want to say to them, right, this spirit level, we want everybody plugging

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this, this month. Because the reality is Liam's a plumber, Ollie

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Lee's a carpenter, Adam Simmons is a steel fabricator. They

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use different tools for different jobs. Yes. And that's what we want to try and get across.

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And in a lot of instances, you know, the

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way we partner is through tools. So,

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you know, you can have the option to take cash if you've been with us for a long time,

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but with most of them, you get

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a value of tools through every year. Give us the gear. Yeah. And

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that I think is quite important because that's where authenticity

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comes in. And with any partnerships and collaborations we do

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on socials, we want people that are already

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bought in and engaged to the brand. So it doesn't become a,

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we want to give you money or we want to throw tools at you in the hope that

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you'll put it out there and it'll get reached. We want people that are

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already passionate that will recommend it because they

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believe in the product, not because they're paid to. And

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that's really important. So most of the people we partner with, they,

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when we start having conversations, we've already interacted with them for years. You

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know, they share content of our products. They give us feedback. We've

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already got a relationship that then forms to something a

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bit more formal. Underneath that, we

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collaborate with people and can get them tool discounts. We

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don't give free tools out to people. And

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it might be a little bit naive because you might miss the opportunity to get some

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fantastic reach opportunities. But what it

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gives us is it's protecting that authenticity in

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message. And, you know, we'll have people that

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We'll say, look, I'm interested in getting this laser. And they go, great,

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I can sort you out a discount. If you do some great videos for

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us, I can get you a discount. But there's commitment from them.

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There's financial commitment from them to work with

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and back the brand. And then sometimes the follow up

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conversation is, what do you want me to say? What do you

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want me to say in the video? What are the things you want me to pull out? And we say,

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well, It's your tool, you've bought it, you

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know, warts and all, review it. If there's things that you

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think aren't great with it, say it, that's absolutely

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fine because it has to be authentic, warts and all.

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It's really, really interesting and there was a

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thread of thought that I had midway through that conversation around

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the authenticity and the difference between taking money and

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taking product. And I think that's this, I don't know where

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I'm going with this, but essentially, let me just air my thoughts. You've

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got someone like Liam, who is a full-time tradesperson. They

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make their income via their trade. But

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they love social media. They've got a small audience

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on social media. not enough for them to make a living out of it and stuff like

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that, but enough to be of interest to a lot of people. So

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you can take some money, but he doesn't need money, he's got a job. He's not a full-time influencer.

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So from my point of view, from a brand's point of view, If

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he's got an option, he can take some cash or he can take some

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product. If he's taking the product, it's

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kind of an indicator that that's going to be used and he's

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kind of almost got the right mentality for what you want

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to achieve because he's not looking to just make a buck off every brand

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that he works with. He just loves the brand and therefore he's going to talk

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about it in a really authentic way. I think every

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episode I say this about 60 times. Somebody takes

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the cash, nothing wrong with that. But eventually, the

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more you take the cash, the more it leads into, right,

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this is a full-time job for me now, influencing. And eventually,

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I'm not going to have enough time to do the actual work.

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And therefore, not always, there's going to be some accounts

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out there that are really authentic, and they are a full-time influencer

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that content gets less and less authentic and therefore the

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brands who have got a brand values like yourselves and a strategy are

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going to become less and less interested so they go on this kind

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of trajectory of like money money money money and then all of a sudden they get there and

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it's like like the the graph goes money and

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like authentic like but like the opposite way so that the this

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is like not authentic, this is really authentic and basically the

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more money they get the less authentic their content and then it

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goes like a dip down. So where

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I'm going with that is, and I've said it before, the market is

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all about this micro influence, the smaller creator, because

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it benefits everybody if they're, you know, if they're taking even

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if it's small amounts of cash, but mainly for like, they're just taking products and stuff means

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that they can make more content, and they can enjoy it more, and we

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can keep doing the job that they enjoy. And

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you're not turning Liam's and all these different people into

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huge accounts that eventually become defunct because no one

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cares about what they've got to say because they're not even a trade anymore. They're off the tools, which

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is a term you hear a lot about. They're off

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I think that model doesn't always work like that. It's

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the risk that as you grow and more money comes in, then

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you shift focuses away from being on the tools to off the tools.

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And actually, it's more about who pays you the

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most. We partner with, informally,

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some, what's the big influence, what would you call them?

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Just influencers, I think. Super turbo, mega rich. Yeah,

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Like we, we will work with bigger accounts that, um,

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we don't have any financial relationship with whatsoever. Um,

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they will recommend our products because they believe in it. You know, it's people like

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Robin Clever. Um, he does a show on fixed radio.

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He's got a really big social following. Um,

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he uses Stabila because he believes in it. Um, we

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talk to him occasionally. we interact with him, he's part of

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what we would see as our community. But it doesn't mean that there

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needs to be a financial relationship. His

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relationship is with the brand and with the product. One

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of our family, Adam Simmons, he's got, I

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think he's got over 90,000 followers. he

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would always share our tools. The reason he's part of the family is almost as

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a thank you because he's doing now what he was doing before.

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Exactly. Because his audience wants to see the

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work that he's doing and they want to see the tools that he's using and he believes and

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buys into the product anyway. Yeah. Um, no, like

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he, he bought one of our high end lasers, uh, and

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did all of the, the series of reviews on it. They're completely unpaid.

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He didn't tell us, didn't ask us for any support. Bought it

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That's really cool. And it's an interesting thing, isn't it?

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It's like, you know, we would keep doing this podcast regardless

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of whether Shure paid us for these microphones, you

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know? Because we like the microphone, we don't have to get paid for every product

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that's in all of our content, you know? We just go, I don't want any money off

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Shure. Like, Shure make cool microphones that look like they're really good, they're

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really expensive, but they do what we need them to do. You

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know, you don't have to get paid by everybody just because

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it's a tool that you've always used. Great if you can, but I

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think as soon as you go, I think, you know, he's been using Stabila

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forever. And then let's say he has a conversation with you guys, say, hey, do you want to start paying

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me? And you go, no. And like, would

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he then stop using Stabila? No, because it's his

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tool. You know, he's got that kind of brand loyalty, not just because of

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the brand, but because of the quality. it kind of fits with

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his workflow. I'm

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not sure what the takeaway is from that, apart from just being careful

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about the people that you work with when it comes to these

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kinds of relationships. You've got the family, which

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is a little bit more formal. You've got the guys who want

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to make content on your products, and you can go for

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it, but you've still got to pay for them. There's a little bit of a discount here, but you've still got to pay for them.

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And we're not associating ourselves with that, because

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I think there is risk and we've talked

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about this before there's risk with using influencers and big accounts because

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then you can especially if you actively partner with them

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rather than them just using your product you can't really control that but

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if you actively partner with a particular individual or several

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individuals and then all of a sudden they fall out

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of favor with the industry Yeah, which

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happens a lot. You are then associated, especially

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if they are the Stabila guy, you know, and

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you associate them with Stabila. There's a lot of

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accounts that you associate with a particular brand. And

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if they do something a bit shady or if they fall out of favor, they

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Or if you fall out of love with them, you know, like if you decide we don't

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want to partner with you anymore, it can turn very sour very quickly. But

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like you're saying before, I suppose key takeaway for me is the authenticity. If

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you have an authentic, uh, partner on

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socials and you have a genuine relationship there that is

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not a financial one that they bought into the brand, then

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you kind of protected from things like that. Because like you said before, if

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they were paid or not paid, they'd still be doing the same content and

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still be sharing the message about the brand. So you have

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And it goes back to the original message of garnering recommendations.

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If you've got this authentic people using

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your product on social media, that's going to result in

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more recommendations. And it's an extension of the old school 50 years

Speaker:

ago, seeing the guy on site that was doing a really good job

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using those particular products and you go, well, I aspire to be that person and

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I had a question for you. Yes. So you were

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talking before about like measures of success. When it

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comes to socials, because you do holistic management of

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people's socials end to end, how do you

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It's a mix, and usually we'll have KPIs. So

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the KPIs, the key performance indicators, are

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things that are stipulated by the client. So

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sometimes it'll be sales, but that's quite difficult because

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most of the time we're dealing with people who are dealing direct

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distributors. So you can put out an amazing campaign, it will

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do incredibly well. And if all of your distributors are terrible at

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sales, it's there's not going to be that much benefit. So

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that's quite difficult. I think what There's

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a number of different factors that we sort of measure

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success on, which is followers. A lot

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of the time, there'll be some sort

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of KPI around building awareness of the brand. But

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because of the creative side of what we do, and

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because we don't do a lot of paid activation, a lot

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of the measurement

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is around the engagement on a particular campaign and how that's

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worked. Because not always are we creating campaigns

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based on a product. We might be doing a bit of awareness of something.

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We do quite a lot of brand work where we're sort

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of more sort of pushing the values of a

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particular brand because we want to associate the brand with a particular type of person.

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And then if we start to see more of those kinds of people using the

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products on social media, then we'll sort

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of gauge that as a success. But the

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hard kind of figures we really

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struggle to get. So we'll work with exactly what we've

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got, which is engagement, followers, and

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generally, from our point of view, from a creative director's

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point of view, is how is the brand appearing? So if I've got

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a goal of this is how I want the brand to appear, or our client has a particular

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goal, we want to appear like this to this kind of people from a visual point

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of view. And then we'll start to push

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out content that's more aligned with that across the next year. And

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so we'll look at the benchmark of what they were like before we started working with

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them and what they were like after. And we can see a very clear visual

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difference of how they look to an end user. And

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we could probably do some clever research with that and go, when you

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look at, let's say we want to appeal to a type

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of audience that will pay a little bit more for a more refined product.

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And so we'll take, let's say their socials, because we're a social media agency, we'll

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take all their social kind of content, pull it into some

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kind of document, which is the benchmark. And then a

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year later, we'll pull all of our stuff that we've made.

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And we'll make a visual comparison of to

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like let's say an end user of like which one of those would

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you pay more for? So we haven't done stuff like

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that. Research is very much like we could start doing

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this now because we've been working with brands a longer time. So

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it's a really wishy-washy way of saying there's quite

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a few different ways that we measure success. A lot of those will be stipulated by

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the client. The one that I'm most interested in is brand appearance.

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They're the things that really factoring because you know at

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Distant it has a look and not to say that

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it's the only thing we can do we work with healthcare brands not everything has to be like rock and

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roll and super gritty and contrasty but it

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is our preference especially for the construction industry it's like it's how we work

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best but visuals for me and

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the sort of the less measurable stuff is very much about brand

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appearance and Oh,

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there's a term I used the other day that was really clever and I've completely forgotten

Speaker:

it. I feel like I might have stolen it from somebody else. Positioning. Positioning

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is not the term, but brand positioning, how the brand is

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positioned. I used a different term, but that's an easier one. It

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I wasn't ready. It does answer it because it's

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quite a leady question because somebody asked me the other day what's

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your target on number of followers. I said I don't

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have a target on number of followers. Vanity metric for the most part. Providing

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we're not losing people. I'm more interested in

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an engaged community and exactly like

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you said when people look at our

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content and our page, how does that make them feel? You know,

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like if you could survey people and say, right, now

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you've been viewing the content, how'd you feel about Stabila?

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You know, what are the five words that come straight to your mind? And

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if those align back to what your golden thread is and what

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your strategy is, then that's what you're

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trying to achieve. And it is more of a visual thing. You know, you look

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at it, you look at the grid and you look at the reels and go, is this, Is

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this helping to us achieve that feeling that

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That's the most important bit. Does it position it in the right area?

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And one of the things that you

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have to have a moral compass in this role, because we

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can manipulate our clients' accounts. We have

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a lot of scary control over what we can do to our

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brand as an agency. If we wanted to, we could ruin a

Speaker:

brand really quickly. And obviously, but we don't want that.

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We want success. Don't put that on your sales page. We want them

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to keep paying us. But there are some KPIs that

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we do have. So followers is one of them. For a lot of our brands, they

Speaker:

want to build their reach. Reach is important. Exactly. Not to be ignored.

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So, and so we, a lot of time we'll get bonuses on if

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we hit targets, which is cool. But we,

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there are quite shady ways of getting stuff up. I mean, buying followers

Speaker:

is an obvious one, but putting out ridiculous competitions to

Speaker:

get numbers up and stuff like that is another one. It's not

Speaker:

shady, it's a genuine strategy and it works fine. But

Speaker:

what you're going to get with that is a lot of people that don't engage with the brand. So you

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hit one KPI, but not another one. And then so

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you're fighting all those things. So you have to have a moral compass because yes, we

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could hit that KPI. We could hit it relatively easily in

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the time allotted to us. But we also want to make sure that

Speaker:

we're not just got a load of people that aren't engaged with the brand because they're

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people who notoriously just enter competitions to win stuff.

Speaker:

And we've come across that a lot. You've got to be so careful. So

Speaker:

although we can hit KPIs, we will communicate

Speaker:

to the client that we're going to do it in a way that's best for the brand. And if we don't hit that

Speaker:

KPI, it's because our moral

Speaker:

compass didn't allow it. Or, obviously, if we've just not done

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a good job, we will tell them. They'll know. They'll know because we communicate these

Speaker:

things constantly. Yeah, there's

Speaker:

so many ways you can manipulate the figures. And engagement, you know,

Speaker:

it's one of those things where, I mean, I've said this before, going

Speaker:

off on a bit of a social media tangent, people who don't understand

Speaker:

social media, let's say we're working with marketing managers who perhaps aren't

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as knowledgeable about social media, which is fine, it's not for

Speaker:

everybody, they are looking at a

Speaker:

lot of the time engagement. So they want to see a lot of engagement on posts

Speaker:

and things like that. My

Speaker:

argument to this and a lot of marketers will agree

Speaker:

with me that you can't always get engagement on everything. So because the

Speaker:

classic example is you post a selfie of you with your dog, gets

Speaker:

a shitload of engagement. You post an amazing 10 grand

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production of the new product, gets hardly anywhere

Speaker:

as much engagement as that. But which has sold your product better? The

Speaker:

one in the picture of you with your dog or the picture of the 10 grand

Speaker:

production of this amazing product? And so the

Speaker:

argument is that big production of your new product

Speaker:

doesn't need engagement. It just needs eyeballs. When

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I see an advert, I don't instantly go, really cool ad, guys.

Speaker:

Well done. But it's still worked. It's still ingrained in

Speaker:

my head. And then if I start to see the follow-ups of that, I start to see

Speaker:

influencers using it. I start to see users engaging with

Speaker:

it. I start to see the brands doing little walkthroughs

Speaker:

of that particular product. then it's

Speaker:

working even further. If I see more selfies of you with

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your dog or whatever, they get tons of engagement. Yes,

Speaker:

I might engage like that. Have a great time. Doesn't change any behavior.

Speaker:

It's not led me to purchase a

Speaker:

particular product. And that's something we have to educate our clients on

Speaker:

a regular basis. Just because they didn't get the engagement that

Speaker:

you wanted, doesn't mean it didn't work. But

Speaker:

again it comes back to balance because there will be some pieces

Speaker:

of content that we can make. A classic example

Speaker:

is high production UGC content. So if we essentially are working with

Speaker:

an account or just ourselves and we produce a vertical video that

Speaker:

kind of looks like it could have been shot on a phone but it's actually like really nicely lit

Speaker:

and it's really high quality and it's essentially 10 grand's worth of camera being

Speaker:

turned on its side and shot in a way that kind of

Speaker:

looks a bit like user generated content. um they

Speaker:

get tons of engagement but what you've got to be careful with is if you've got a

Speaker:

brand that's positioning itself as a as

Speaker:

a high um you know higher level and uh

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you know a premium product you want to be careful with UGC content

Speaker:

because that um positions you know when you start

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to see this kind of stuff being produced by the company

Speaker:

it looks like I don't know it kind of it's there's a

Speaker:

juxtaposition there between the brand positioning and the content that you create and

Speaker:

so you've got to kind of balance that out we we struggle with this a little bit

Speaker:

because UGC gets a lot of engagement and it's good because

Speaker:

we can see the product in use. What I don't like is to see it on the feed

Speaker:

of our clients so I struggle and I've sort of battled with our marketing

Speaker:

managers to be like Can we not have as much crappy

Speaker:

phone content on our client's socials anymore? Or

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can we at least have a little break because I need people to see that this is a very

Speaker:

quality, high premium brand with all of the glossy stuff

Speaker:

That's where your influence has come in though, isn't it? Let them do

Speaker:

it in their own way. They've got their own style that appeals to their own audience.

Speaker:

You just have a much cleaner, clearer way

Speaker:

100%. It comes back to that balance again. You've got to figure

Speaker:

it out and sometimes you can make mistakes and you go, hold on guys, I don't like how

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this brand's looking at the moment. And we do need to pivot,

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we need to stop this right now because my

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job as a creative director is to see things from afar and

Speaker:

project things as much as possible. I

Speaker:

feel like we're coming to the end here, Oliver. We've had some really, really good discussions and

Speaker:

I think, hopefully, there's been a lot of really, really good takeaways. Is

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there anything that I should have asked you that you feel like

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I haven't? Is there something, if you come in here loaded with some information,

Speaker:

No, I think I've probably got it through. There's maybe

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one bit actually that Going

Speaker:

back to the market research, something that surprised us that is

Speaker:

becoming more of a core part of how we communicate that

Speaker:

I never expected to be. It was probably the biggest surprise when we did market

Speaker:

research, Facebook. So we

Speaker:

were all under the impression, Instagram, TikTok,

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you know, Facebook's dead. Everyone says that. To all

Speaker:

people. I don't think it is. No. When

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we did our research, and we've done more since

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to establish this, Facebook shouldn't

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be forgotten because most tradesmen are on

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Facebook more from a professional perspective. So

Speaker:

if you think of who their core market is, people getting

Speaker:

stuff done in their house, it is boomers, isn't it? is people that

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have money that are at home more often and that are getting

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painting decorators in, they're getting extensions done, they're the

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ones that own property, they're the ones that have the money, they're the

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ones that are all on Facebook and they're the ones that are on community groups

Speaker:

on Facebook asking for recommendations for a builder. So

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you find most trades people will have a business account

Speaker:

on Facebook The other avenue is they're

Speaker:

also part of these community groups. So

Speaker:

like Tyler's community, like Bricklayer's online, Bricklayer's social

Speaker:

club. They're huge. They have tens, hundreds

Speaker:

of thousands of followers that the engagement levels that

Speaker:

they get in their community is more than any

Speaker:

other social influencer you'll find. Most

Speaker:

people that are on it, are engaging actively. So if

Speaker:

you as a brand start to engage and involve in those community groups

Speaker:

and you're more visible, I'm not saying Facebook is an advertising

Speaker:

opportunity, but that community aspect

Speaker:

on Facebook is a lot bigger than a lot of people think

Speaker:

Yeah and you know I'm starting to see a trend of the

Speaker:

younger generation, I'm 35, Molly

Speaker:

who works here is 24, she's on Facebook regularly

Speaker:

and I always say like why the hell are you on, like I'm not on, I don't do anything

Speaker:

on Facebook at all because I just think it's a weird depressing mess

Speaker:

of news and ads. And

Speaker:

you know every time I go on there I cringe and um

Speaker:

but Marley's on it all the time and she doesn't post anything on there she's just kind of

Speaker:

stalking doing her thing like looking at different stuff that's going on

Speaker:

getting her news or whatever she'll be on Instagram as well but it's

Speaker:

a surprising amount she's on Facebook it's almost

Speaker:

like I don't know it's almost like trendy to

Speaker:

be kind of retro again um which you know which

Speaker:

I find that interesting. We've

Speaker:

not had great success with a lot of our brands on Facebook, and it's

Speaker:

purely from an engagement point of view. Our stuff engages better on

Speaker:

Instagram, but we'll never discount it. You know, Facebook's old,

Speaker:

you know, and the Facebook ads is still so

Speaker:

powerful. And we don't put

Speaker:

a lot into Facebook anymore for a lot of our brands. but

Speaker:

purely because the organic stuff doesn't go anywhere near as much engagement

Speaker:

but you're absolutely right. Trades people, smaller

Speaker:

companies, white man, white fan man, I always could do that. Painters

Speaker:

and decorators, small businesses, they're all on Facebook. I

Speaker:

went, I flicked onto Facebook the other day, I was taking my bike in for a service, push

Speaker:

bike. and it was the first time I'll be like, I'm

Speaker:

just going to check, I know that this company's going to be on Facebook, I just want to see if they're open

Speaker:

today on this particular time or something like that. No,

Speaker:

I think I checked and they weren't open so I went onto their Facebook and it said, that was

Speaker:

my news, it said we're out today, we're going to an event. So

Speaker:

yeah, the classic example of like these small businesses, like that's where

Speaker:

you get your information. They probably wouldn't have posted that on

Speaker:

Instagram because it's just a quick post, you know what I mean? They don't have

Speaker:

to find a nice bit of creative for that. It's just a quick

Speaker:

text post and stuff. So yeah, absolutely. Facebook's still

Speaker:

relevant. My sort of hot take for this

Speaker:

is TikTok. If you're not

Speaker:

on TikTok because you think you have to make silly videos and do like

Speaker:

TikTok type content, What

Speaker:

I'm saying is you don't have to make that stuff. You don't have to do those kind

Speaker:

of like that kind of content. You can produce the same stuff

Speaker:

that you're making on Instagram, on TikTok. Yes,

Speaker:

it might not get as much engagement on that platform, but at least you're

Speaker:

there. At least you're showing up. Show up in as many places as possible. However,

Speaker:

to this day, I don't think we've got one client who has a X

Speaker:

account, a Twitter account. We don't look after any of that stuff anymore. No, we don't do

Speaker:

No. We had one that was owned by an agent that we're trying to get shut down, but it doesn't

Speaker:

get used. Yeah. It's not an avenue. I don't really

Speaker:

From a brand point of view, I don't know what you would

Speaker:

use it for. No. I sort of get TikTok,

Speaker:

Instagram, Facebook, LinkedIn, these as avenues to

Speaker:

communicate different messages in different ways should

Speaker:

Yeah, it's a weird one isn't it? Absolutely. Last

Speaker:

question. We've talked about the past,

Speaker:

we've talked about the present of marketing in the

Speaker:

construction industry. Have you got any predictions of like the way

Speaker:

it's going to kind of keep evolving from now on? Have

Speaker:

you got any like sort of foresight into, I reckon it might go in this direction or

Speaker:

I think it'd be a continuation of what we're already seeing. I think there

Speaker:

will be an ever increasing number of ways for

Speaker:

you to communicate in a digital virtual world. I

Speaker:

think that it will lead to the

Speaker:

erosion of sort of standard traditional methods

Speaker:

like print media. So yeah, I think the future holds. to

Speaker:

be honest, the same continuation of what we're doing now. But that

Speaker:

said, you know, in three years time, there might

Speaker:

be a completely new platform, a new TikTok and Instagram

Speaker:

starts to die because there's a different way. The main message

Speaker:

is you've got to be on your toes as a brand and

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you've got to be willing, like the conversation at the start about podcasts. to

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put yourself out there a little bit and step into a new way

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of communicating because soon that new way of communicating will

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be mainstream and congested. You just

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have to be constantly ready to keep on growing. Like

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you said a second ago, You want your brand to be visible in

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as many places as you can because it's a great opportunity

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to get better reach than would have happened 40 years

Speaker:

ago when the only way is through word of mouth on sites

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And I think a good point to make from

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that is it's good to be seen in as many different places as possible, but

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keep your brand positioning, your brand message and the values intact.

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Don't feel like you have to conform to the rules or

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the perceived rules of that particular platform. Stick to the

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core messaging, stay the course, keep that golden thread. You

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don't have to start doing silly dances on TikTok just as

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a brand because everyone else is doing it. You can stay the course and

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still produce really good content. Oli, thank you so much. It's

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been an absolute pleasure. Thanks for having

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me. Everybody go and check out Stabila and all the cool content and see all the stuff that

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they're doing and all the stuff that we discussed. It's been a pleasure. Thank you, mate. Thanks.

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About the Podcast

The Build Up
Construction Marketing
The Build Up is a podcast for marketers in the construction industry. Hosted by Daniel Moore, the Creative Director of dissident, a creative agency that creates disruptive content and social media marketing for some of the leading and most rebellious brands in the industry.

The Build Up is a podcast that puts a spotlight on the unique world of construction marketing.

Dan will be speaking to marketers of leading brands, other agencies, creatives, founders and influencers.

The series aims to highlight and give insights into key areas of construction marketing and provide insight for fellow marketers, founders and creatives in the space.

About your host

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Daniel Moore

Meet Dan - the voice of The Build Up. 🎙️

As Creative Director at dissident creative agency, Dan’s spent years helping construction and manufacturing brands build campaigns that really work. Now, he’s bringing those insights to the podcast, chatting with industry experts, marketers, and brand builders to uncover the secrets to success.

Expect straight-talking interviews, real stories, and plenty of lessons from the world of construction marketing.