Episode 2

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Published on:

14th Oct 2024

MJTiff: Mark's Journey from Sole Trader to Plumbing Influencer & The Power Of Authenticity

In this episode of The Build Up Podcast, I had the pleasure of speaking with Mark, the owner of MJ Tiff Plumbing and Heating, who shared his remarkable journey from being a sole trader for over two decades to becoming a prominent influencer in the plumbing and heating industry. Mark discussed the challenges he faced during his transition to self-employment, including personal hardships and the initial struggles of building his brand through social media. He delved into his experiences with platforms like Instagram and YouTube, highlighting the importance of consistency, authenticity, and strategic content creation in growing his audience and monetizing his efforts. We explored the nuances of influencer marketing within the construction sector, the significance of genuine engagement over vanity metrics, and the evolving perception of tradespeople in society. Mark's insights into the construction community and the value of maintaining authentic relationships with brands, provided a refreshing perspective on the intersection of trade and digital marketing.

MJTiff's Socials

https://www.youtube.com/@MJTiffPlumbing

https://www.instagram.com/mjtiff_plumbingandheating

Dissident Links

https://linktr.ee/dissidentagency

Transcript
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Hello and welcome to The Buildup. This is the podcast for marketing

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in the construction industry. I'm

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Dan, the creative director at Dissident. We've been working with construction brands for

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a number of years. It's an exciting and rapidly evolving industry, and

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that's why we created a podcast dedicated to the weird and wonderful world

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of construction marketing. I'll be speaking to leading brands, other agencies,

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creatives, influencers, and startups. This is the

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resource I wish we had when we first started out in the industry. Thank

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you for being here and welcome to The Builder. Yeah.

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Well, welcome to the podcast, Mark. Before we get into today's

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sort of topics of like marketing and kind of your experience within

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working with brands and stuff like, can you tell us a bit about who you are

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So I'm Mark, owner of MJ Tiff Plumbing and

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Heating, just a sole trader, heating company that I've had,

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plumbing and heating company that I've had for, what must it be now?

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20, 20,

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Yeah, and that at that point then you can apply to be monetized and

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you'll begin earning a little bit. But to get to that point

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is a tough slog. You have to... You have to

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You have to hit certain, the algorithm, everyone

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says about the algorithms on YouTube, it's its

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own entity. But yeah, in essence, I got into YouTube then.

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But yeah, the last three years, getting into content

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creating, getting into the social media side, we

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started with Instagram. And it's sort of built from there, really.

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And what got you, what triggered the, I

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imagine you already had like personal social accounts and stuff, but what triggered the

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sort of the thought process? Or was it more of a gradual thing of

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just like, I'm going to start posting plumbing-related content

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So I have my personal private Instagram account I've

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had for 15 years or whatever it is. How long has Instagram been going?

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Because I was quite late to get in a personal

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one. I want to say 2011. Okay, yeah, so it's probably 2015-16

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I got onto Instagram, on my

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personal thing, family, kids, etc. And

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I was always sort of putting little bits of content, not

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content at the point, it was just pictures of jobs I was in, sending a

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bathroom for Mrs. Smith down the road, I put it on there. And

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that would, locally, because you always follow people, friends,

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family, you don't sort of follow people on a private one

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nationwide, worldwide. So I was getting a little bit of work from that.

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And then I'm one of these people that if I'm going to do something, I

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massively invest time into learning how to do that the

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best I can before I begin doing it. You got to nerd out.

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Yeah, properly nerd out, get as much stats, everything as

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I can get in, because I don't want to go in half-hearted. Some

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people, they like to learn along the way, I like to do

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it. So always being a massive car guy, I watched loads of car content

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on YouTube and that was, I enjoyed watching that. And

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then when I sort of thought, it's probably six months before I started YouTube, I'm

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thinking in my head, I could do a YouTube channel

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that's engaging as much as a car content is. Because

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at the time, there was YouTube plumbing content. But it was very,

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this is a 2769R valve that

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goes on there. Factual, massively factual. And

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there were four or five people doing it. And it was good. There was good

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content. And you'd always refer back to it. But I just thought I

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could bring something a little different. Because you don't want to always copy

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what everyone else is doing. So

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I was watching car content, and just the progression of

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a little bit of an intro, you know, a 60 second, 90 second

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intro, then a sort of a, how

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we call it, you know, when you get your logo

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come on, that, and then into the actual storytelling.

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And I thought I could bring that, plumbing wise, onto a

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YouTube channel. So I looked and had a bit of

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a play around with it and, and, and watched pod, listen to

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podcasts, watch stuff on YouTube about YouTube channels, listen

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to podcasts that people I followed had done about their journey into

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it. And that was massively good at taking in the information. So

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at this point I've gone, right, I know where I need to be at. I know your

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thumbnails are key. I know your titles are key. I know people

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say tags aren't key. But I always

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put tags in my videos. Some people go, we

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don't even bother. Even big creators in various other things. not

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worth it. All I, all I think is for five minutes putting those

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attacks in. YouTube have given you that box for a

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reason. Yeah, why not use it? So you use it. So I sort of bought

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that into it and I, what I bought in was a little teaser trailer at

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the start and I don't think anyone at the time was doing it, where it's a

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quick cut of about 30, 40

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seconds of what was going to be in that video and it would always end

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with something like going, oh shit, and fade to

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black. and so that 30

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seconds is key in any sort of content format, I think. The hook. The hook. So

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I brought that in and again played around with all

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my titles apart from probably 10 videos have

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got the red, I call it, I think the font is Capture.

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It's a Capture font, it's like a stamp, like

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an urban sort of thing, you know, you've got a certain font

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to that, it's like a stamp one. with the red outline

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and I read somewhere that that's like, uh, it draws

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people in having that. So I've always stuck with that. A

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lot of people change the colors up and whatnot. Stuck with that. Um, and

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then just started to put the content out and it began getting a

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little bit of track. Your mates will watch you or you'll watch it six

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times. So you've got six views just to make yourself feel better. And I

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read somewhere, I think it's on average, it took 12 to

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18 months for something like 95%

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of channels to become monetized. So that's a long slog when

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you're not earning anything back from it. But I was enjoying it.

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I liked the editing process. I think it took me 50 days to

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get monetized. So I hit them numbers in the first 50 days by

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doing your research, by going in the

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ground running. So then two or

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three months in, I was earning 40, 50

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quid a month or so. And I was like, hang on a minute, this is, I can

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pay that or I can pay that. And at the time I just bought a brand new

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van. And in my head, I thought, I leased the van. And

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the van was 240 quid a month to lease this van. And I thought, if

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ever I could get my channel to pay for my van, I've made

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it. I've got a free van then. And that was the

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sort of the driving force behind it. And it didn't take long to hit them figures,

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as people will know if they've done it. Consistency, every

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Wednesday, every Sunday, 6pm, 6pm. I

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think in the first two years, I missed one day

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of that content. And it just becomes synonymous

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with me, with the consistency. And those other plumbers out

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there at the time, you know, Pete, PB Plumber, he was putting a

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lot of content out. Then Pete, he'd drop off for a couple of months and

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then come back on. Because he was already established, so he

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already had these companies he was working with. So it was sort of in

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and out for him. Whereas I liked the,

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the, the putting them together and getting them out. And I quite liked the deadline

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date. You must get it with stuff that you do. I've got a, I

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remember going one day on a, cause I'd film

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it, edit it and get it out within two days. I remember a

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Wednesday morning, I've gone, shit, I've got no, I've got

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no Wednesday night content. And I'm like, I

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need to do something. Bearing in mind, I've got to do the work, do my

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job, because probably eating's my job, do my job, film

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it, get the job done without rushing the job, then edit

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this. It was quite early, though, so the edit was quite raw. Then

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upload it, because I do everything at the time just on my phone, filmed

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it on my phone, edited on my phone, and then get it

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out for this Wednesday night. Now, you know, or people

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listening and watching might not know, you begin uploading a

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video, it might take half an hour, an hour to upload 15

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minutes. But then after it's uploaded, it's then

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got to render and process. Do the HD version. Do the HD version.

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Then it might come back, you can't monetize this content or

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there's a copyright infringement on it because the painters have

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had the Radio 2 on in the background or something like that. So

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it was, it was then, he was up against it

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and I quite enjoyed that. So it began that whole

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thing of, keeping up with the consistency and with

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it being consistent, the numbers were going up, the money

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was earning was going up. And at

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that point I went, right, I need to pull out, just going back

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to the Instagram, I need to pull out of my personal Instagram and

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go at this with everything. Set my own company

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Instagram up to go with the YouTube channel that's now gaining traction and

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work it in tandem. And then At the time, TikTok was

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a thing and I didn't want to get into the whole TikTok thing. I still don't like

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it as a platform. And the same as

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Facebook. I don't like it as a platform, but speaking

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to various people, Facebook is the big one for the money now. There's

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big money in Facebook, yeah. I'm not massively

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in it for the money. um and you

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can't be in it for the money you need to to enjoy what you're doing but

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there does come that tipping point where you're going hang on i'm earning some

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good money with this but you've also got to do your day

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job because someone could flip that social media switch tomorrow yes

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everything goes off and i've still got to put an eating business you

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get shadow banned you don't know why yeah yeah we have this with brands

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People can, I don't condone this, I'm not even sure if

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I want to talk about this, but there's some shady stuff that

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you can do as a competitor to another brand to

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affect their socials. For instance, buying

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followers, but for another brand. So you're still

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loading the other brand with followers. Yeah, which gets them shadow banned, especially

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if you use a really unreputable company. We

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don't recommend ever doing this anyway. Don't

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ever buy followers. It's just a

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vanity metric. But yeah, there

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are ways that you can essentially affect another brand

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and their algorithm. Because Facebook and Instagram and stuff, they don't know

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that you've not bought those. They just see it as a red flag. They just

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have the money anyway. Exactly. So it's, yeah, there's loads

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of mad stuff that you can do, but obviously lots

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of terrible things that can happen to your social accounts. We had that recently

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where your account gets hacked. Yeah. Have you had your account

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hacked? We had a brand hacked. Yeah. We've had

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our stuff hacked as well. And

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it's not like really, you know, with hindsight you go,

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A lot of the time, you don't even know how it happened. It's usually user

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error. It's very rarely some clever stuff going on. It's just you just

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Well, I was at the Tool Rally a couple of months

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ago now. And Tom, he's got a

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gardening business. And he turned up at the Tool

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Theft Rally. And he'd

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had the worst weekend ever. His social media had been hacked. Now, Tom's got

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a massive 10,000 followers. But

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that's why he does a lot of his work and puts a lot of his content out

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on it. And a lot of companies know him for that. And

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Yeah, yeah, yeah. And it's proper followers. Now, he had been

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hacked on the Friday, I think. And he said these hackers were coming to

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him saying, we want 10 grand to get your thing back. And

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he even said to me, at one point, I even thought about paying it because

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they can lose that account and what he earns through sponsorship and

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whatnot generates more than that. He

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said, so at one point I was like, should I just pay them that to get my

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account back? Because they give it back because those

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accounts now are becoming commodities, aren't they?

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Long story short, he got his account back and he said that Instagram had said to

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him, get a blue tick because it's double security

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on it. Now, I've always, I'm guilty for

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saying to people, oh, you're a blue tick ranker, what you got that for? Never

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wanted a blue tick. If there's a way of having a blue

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tick and getting the security, but not showing

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the blue tick, I'd have had it. After speaking with Tom that

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day, on that Monday, I went home that night, I think it's 12 quid a month, Got

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it. Yeah. And I've had people go, well, are you paying for that? I went, it's

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not that. Yeah. I used to think it was that, but actually

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speaking to someone that's Instagram has said, get that tick because

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it's a two phase security. Yes. I went home, got it. And

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you've just got that reassurance now that if something happens, Instagram

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have got you back. Cause I think you have to upload your, either your passport or

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Okay same yeah so yeah I've come away from that I've gone yeah I've

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now I'm now blue tick ranker. For us as content creators is

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it's it's like a it's like a portfolio

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to other companies they check you on them you

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know luckily I've got the YouTube side and that as well and But

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yeah, it is, it is something that people will go for

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because they know, like what I was saying with Tom, he was at one point thinking,

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should I just give him the money because it's worth more to me in the long run than starting

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It's almost like tool theft, but in the fact that with

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tool theft, and obviously that's a big hot topic at the moment, with tool theft, at

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the very least, you can buy some more tools. It's a

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horrible thing to think about. You can't buy 10,000 followers

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overnight. Some people can. Some people can, yeah, not genuine. So

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if your main source of income is content creation, ideally

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you'd probably be on the tools, you have like a side hustle or

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an actual trade. But if your main source

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of income is producing content to your big follower

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base that you've worked on for 10 years, 5 years or whatever, and then

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that gets pulled away, the brands aren't going to keep paying you. Not

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Well this is the whole thing with, I mean I know it's a massive sort of

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hot topic again with the whole boiling of followers now. We

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all know there's accounts out there with you'd

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sort of throwing yourself under the bus a little bit with what I'm about

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to say. Um, there's accounts out there with

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big high numbers, but

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it's probably not 90%. I think I put, when I was coming down

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here earlier, I said, I put an Instagram readout saying, um, who's going to

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touch on this. So say, let's say for instance, you've got 500,000 followers and 60% of those

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are bot accounts, fake followers. but

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a company sees your 500,000 followers, as

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that's your reach. Well, it's not. If that company needs to look at who

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the followers are, because you're either going to have authentic followers

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from the construction industry, or you're going to have random accounts with

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one comment, one post, and x amount more of followers

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that they've got, because they just bought accounts. But a company doesn't

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see that sometimes. They just see the big figure. They think if we throw

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money at that creator, or we give that creator

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a contract and deal, then he's going to get, or she's going

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You've got to do due diligence. What was

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it? Due diligence. Yeah, I really struggle

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with that. I literally came off a call earlier where I tried to say this,

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and so I was having a call with Emma who we

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both know and we were talking about this and the fact that there

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will still be brands out there with perhaps they haven't

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got a marketing team or the marketing team aren't that savvy when it comes to social media

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so they'll just see a big number and they'll say throw money at that person whereas

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someone in the know an agency or whoever we're not an

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influencer agency but we know enough to be able to when we're working with brands when

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we're selecting people to work with we can spot some

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red flags, i.e. huge following, really small engagement,

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or really low views, or spikes in

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views on a particular post. We think that's 100% been

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boosted or something like that. And we can see that with brands as well. Um,

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so yeah, but there will still be brands out there that aren't educated

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And that's where it's like, I often go through mine

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from now and again, and there's also a way you can do it now. I think

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if you click on followers, it tells you how many, uh,

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But I wouldn't want, I would rather lose, you know, two, three, 4000

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followers that aren't real followers. Because

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then when a company comes to me, I can say, I can put that content out

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and it will organically reach the market that

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you want it to. It's not going to reach these accounts that

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are in the middle of Antarctic or bloody middle of the desert or wherever, that

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are just bought accounts. Um, you know, companies,

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and that's why when a company comes to me to work with me or want to

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work with me, I'll say these are the actual viewer retention numbers.

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YouTube, again, I've got, you know, 55, I think it's

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55, 60%

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viewer retention on my videos as a whole, as an average, whereas

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they say over 30% is really good on long form. So

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mine's quite high, Which goes to show, I've got,

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I think I've got coming up for 40,000 subscribers on YouTube, but

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all of those subscribers watch the content. I'd rather

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have that than 140,000 and my view rate

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be 10%. Because if you're doing your due

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diligence, if you're doing

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that, I can go. with, with a

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rate card and a screen grab of exactly what I can give

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that company. Whereas a lot of people, if they know their

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stuff, they'll look and go, Oh yeah, you've got all these numbers, but you're only getting 10%,

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No, and I think brands, either marketing teams

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or brands or agencies, are smart enough now

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as well. You'd think most of them are. The guys that

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we hang out with are, where they're reading into

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a lot of the other metrics as

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well. They're looking at how engaged the audience is, not just

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with numbers, but actual like, if they're just seeing emojis and stuff like

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that, okay, fair enough, that's cool. But you know, a lot of, what

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we look for is like cult followers. These are

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guys who are really invested in that particular individual and

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they really care about what they have to say. And also if that marries

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up with the fact that this person's super authentic and is

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actually quite picky, even better. That's perfect. The

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best people to influence me in

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my own gear buying journey are

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these guys that are like, no nonsense, kind of like, you

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can just tell straight away. They're not just like reviewing

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things and saying good things about products for the money. Or

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they'll be super genuine. Or they'll be like, I didn't even review that because it's

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garbage, and I don't want to say anything bad about it. This, however, is incredible. And

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I've been using it for x amount of time. No one's paying me to say it, whatever. Um,

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you know, you really got to like do a bit of research into that

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I get it. I get, um, probably four or five emails

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a week from random accounts. Um,

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and now, and again, you'll get something that I'll look at and I'll go, for instance,

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I had it the other week. um, a laser level. Now

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I work with a, I didn't work with them. I got

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given a laser level from a company years ago when I first got into it

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and just had that off them. And they said, could you promote that

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in a video? And I had it and promoted it. So anyway, these new

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ones come along now. They, they wrote to me, you know,

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we're willing to give you an item in return. Could you do a video on

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it? And what I always say, it's like a generic thing now, I'll

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say to a company, right, first off, I appreciate you emailing me.

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Thanks a lot. Thanks for taking your time. Then I'll go, right,

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what I want from you is send me that product for

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a month or six weeks. Let me use it and let me keep

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it at the end of it. Let me use it and let me see if

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it works for how I work. I said, because

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it might be great or it might be rubbish. and

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then I'll send that to them. They usually come back with, that's

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great, we'll get it sent out to you, what we want in return is this much,

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and I reiterate to them, look, as per

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the first email, send it out to me, by all means send it out

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to me, and if I think it's any good, and then I'll put, because what

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you don't want is you sending that out to me, thinking that's

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the payment, me reviewing it and going, it's

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actually, it's crap because you don't want me to put that out.

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Whereas if you're sending it me and this is what you want, and I think it's crap, I'll

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say it, send it out to me. Let me use it. If I think it's crap, I'll

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say to you, look, it's not for me. Move on. I

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said, but if I do like it, then we'll have a conversation because

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now you, now my following's grown. I

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will now have a conversation that, yeah, okay, if I like

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it and I want to work with you, I'll have that product. But then also I've

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got to take time out to make content for that. It's now. there's

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a cost involved in it. And I get it, right? I get

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people that are new into the social media stuff and YouTube

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channels and all that. Cause I did it when I was first started.

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Company will send you something for free. You'll get it. That's

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your payment of having this free item. And you're all excited and

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it's great. And I, I did, I sat there and I've done it and I got, I

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can't remember what it might be in that laser level. Got it for free. Brilliant. I've

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got this, this laser level now for free. I'll put it on my

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video going how great it is. As your journey progresses

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through, you realize that what

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you're saying people are then being influenced.

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I've got no problem with the influencer word. I know a lot of people don't

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Because it's synonymous with like sort of

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lifestyle accounts who are like promoting supplements

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that is poison and stuff like that kind of thing

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I mean I've got no problem with it but they'll then send that

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out and you know if I'm going to influence someone into it I

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want a monetary, you know, I want to be paid for

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the time that I'm putting in to promote that product. But you get

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that as you go along, you know, you get your free stuff and then you

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realize you're worth a little bit, or you'll speak to other people within

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the, I spoke to, there's a, there's a spark in Nick Bundy who's, who's,

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he's very open and Nick's been great in helping me early, early

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doors. You know, what, what should I be charging for this? I

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think I spoke to him at one point and he went, are you,

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are you earning money off that as well? And I went, well, no, I've got that product

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for free. No, it's like a rite of passage until

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you get to that point. And then you go, how much should I be charging?

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And he goes, look at your views, look at your authentic views. You

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should be about, let's say fragments, 400 quid to

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do a standalone video on that. Then as your views and

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your numbers, authentic numbers begin to grow, then,

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okay, it might be 800 pound, might be a thousand pound

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because you know, as a norm, if

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I do a 10 minute video on a laser level for

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my YouTube channel, is not going to get the numbers

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of a normal day in the life of video. So

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if I'm not earning X amount from that video, they need to subsidize that.

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But also by doing that standalone video, it

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can be detrimental to your algorithms. So what I'll say to

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a company now is, I'll give you 90 seconds

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within my video, but it's that money, because

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that hits more. It's a better performing video. It's a better performing video

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than having a standalone video that companies seem

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to want. Oh, we want a 10 minute review video on

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Yeah, if you're a standout tool reviewer, brilliant, but I

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could integrate that into organically into using

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it because we know

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who watches what, we know how YouTube give you that much data

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and analytics to see when people are watching. If

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I do a little bit in my video and it's me chatting in the van for two minutes, right,

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we've just been to Dan's house, we're going to Bob's house next, two minutes in

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the van, The viewer retention drops off. You see people

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drop off. So you need to, so I then know

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I need to say where I'm going next within putting

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the trap back on the sink. Yeah. Right. We get this back on and

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then we're going to go to Bob's down the road because they won't click off that.

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Yeah. And all YouTube want is people to stay on that platform. Yes. As

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long as you can. Absolutely. And that's the trick. That's where creating the

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That's a really clever strategy, actually. It's like, don't try

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and make a thing its own thing. Try

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and incorporate into the valuable content that you usually make. And I think

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it's going to seem certainly more authentic then. But also that

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it's actually in use. And there'll be clever people

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like The only person that sprung to mind

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then was Peter McKinnon, who most people on YouTube

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will know as that kind of photographer video guy. Really good, if you haven't checked his

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stuff out, I haven't looked at any in years to be fair, but he

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makes incredible sort of filmmaker, photographer type content,

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and he was really early doors on it. and so

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he there'll be a some sort of promotion of a particular product

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he'll squeeze that into an incredibly valuable video

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that i imagine the video was mainly the whole purpose was

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to talk about this product yeah but he's somehow he's organically done it yeah

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he's squeezed it into something that is actually more relevant to him which is I've been

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trying this new thing, check this out, the blah, blah, blah, really

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cinematic video. And it's been massively helped by this thing. And let me

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just do a quick two minutes on this. And then it goes back into the video. And then it

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may be like I mentioned it again at the end. And it seems more seamless

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and still part of some really valuable content that its audience

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is showing up for on a regular basis. On that note, though, how

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do you Do you have a particular strategy for,

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so you've got essentially three accounts, your main ones are Instagram

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Instagram and YouTube are the main ones. I've got TikTok. I've always struggled

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with TikTok because for a long, long time, probably

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only in the last three or four months, I began to read and

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reply to comments. Because I found TikTok to be so

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negative. You could put anything on TikTok and

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you'll get hammered for it. You know, I could pick that cup up and drink it.

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Some people go, wow, what the bloody hell are you using your right hand for? Use your left hand. And

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I'm just like, it's such a negative platform,

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you don't need that mentally. So I used

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to put stuff on and just leave it, never used to even look at

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the replies. I always used to say TikTok

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is like nursery school and like first

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school. Instagram was like your secondary

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school, your sixth form, because people enjoy the content more.

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They'll go, I really like that. Well, that's really good. You do get

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a few little negative comments, but as a whole, Instagram was very

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positive and the plumbing community on Instagram and

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the construction industry in general on Instagram is

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brilliant. There's a couple of little accounts and you know, you

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might not like them, they might not like you or whatever. But as

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a whole, the construction industry on Instagram is

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amazing. Yeah, if you're not on it, and you're thinking

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of going on it and putting your work out there, just to showcase your

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work, do it. It's lovely to see all these guys

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having each other's backs. Oh massively, you know, the community. I know full

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well, I could go anywhere in the country, say I was up north in

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the country and my van broke down, I could put on my Instagram, I'm

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in Norfolk here, is anyone out,

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can anyone help me? And there would be someone, because the reach in the in

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the construction industry, it's just really good. And there's

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a lot of people got your back, whereas TikTok just seems to be throwaway

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content. Everybody's got an opinion, or they just sit

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there and hammer the keys. And I never used to,

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I engage a little bit more now, but it's a short form

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content, same as on Facebook Shorts. and

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YouTube shorts, people can just

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throw comments on there for fun and they can be horrible comments. Whereas

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you find a long form stuff on YouTube, the comments on

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my YouTube videos are 99%

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brilliant, you get the odd one. But sometimes when you engage with these

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comments on YouTube that are quite negative, within five

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or six they're like, all right, okay, I understand where you're coming from. Or

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I'll go, right, I get what you mean now. Because I

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think often you'll read a comment and you'll read

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it in a negative, you're always on the defensive, because

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you're so used to getting hammered, nine times out of ten it's, oh

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love that video, whatever, but you'll get one comment and maybe doesn't mean it in

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a detrimental way, but you'll read it that way, so

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But some people are a bit sort of like, And

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dyslexic is not the right term, but they'll

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struggle a little bit with like how they communicate on text and

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Because you could type something and I could read it one way, you'd

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read it a different way, but you mean the same thing. But each way

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would be, one could be really negative way it's

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And you get that. And I think a lot of people, a lot

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of people are quick to just fire stuff out on their social media. But

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that's then trying to stay authentic to your

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views as well. I've got certain views. I do

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certain things one way on my channel. Another plumber would

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do it a different way. It doesn't mean we're right or wrong. As long as you're getting the same same

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thing at the end and it's up to regs and it's doing the job, then

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Yes, absolutely. I mean, this is the thing I've always liked about the

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construction industry. I've mentioned it lots of times in multiple different videos, but

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how creative the construction industry is for problem solving. There's

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no, there's not just one way of doing a certain

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thing. And there's lots of different ways of doing it. And some will be a

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little bit more cost effective. Some will be a little bit more time consuming. Some

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will be like, not as efficient. Some would be

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really efficient. There's loads of different ways of doing it. None of them are necessarily wrong. And

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a lot of time they get a similar outcome. But it's fascinating

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I think every tradesman is that practical. They will look

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at something and go, I can get over that by cutting that in half and doing that.

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Yeah, but it's a really creative trait, you know. It's the

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same with production, it's the same with photography or any kind of art. It's

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about, you know, having a problem or a thing that you want to

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achieve and then finding a way of achieving it in a way that suits

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you. Yeah. And the way that it gets, in your opinion, the

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best outcome. Yeah. The

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similarities are huge. I'm seeing that more and more in

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the industry as I you know, find all

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of these people really, really passionate about the job. I

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do think, I'm going to discuss this more in a future episode,

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how like the construction as a whole has got like a branding issue

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and it's sort of carried on over like the last generation.

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of, you know, these kind of like, there was this kind of thing that

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like, you know, builders and plumbers and tradespeople

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in general were considered to be on the whole a bit thick,

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We get it so much on the Trade Engine podcast, we'll

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ask someone, how did you get into the trade? 90% of them go,

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I didn't do well at school. Yeah. and it and

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it the construction industries I don't know if it's changed now

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but going through school it was either

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you are the university path for the educated lot if

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you like and if you weren't too clever schools would go oh you

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could be a bricklayer or a carpenter so there was that divide whereas

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now you are getting people um

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especially with the content I put out and people ask how much is that and

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some people are like that's more money than a doctor earns Well,

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I'm a skilled tradesman. A doctor hasn't got to put up

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with this, this, this, and this. You know, would you,

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and people are trying to barter you down on price, would you go

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to your dentist having a root canal and go, I'll tell you what, mate, I'll give you, it didn't take

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you that long, I'll give you 100 quid. It

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just seems to be that people have got an opinion on what a trade should

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earn. You know, why can't a plumber who's got 15, 20

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grams worth of tools and has trained for 10 years to

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be able to do that job in an hour. Okay. All right. We'll get

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someone in that takes a day to do it. Are you more happy with

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that? Well, you're still getting the same job done. He's

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Yeah. And they've failed that many times and lost money on

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jobs and all that kind of thing. And you're, you've, you're, you

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know, and now they've got to a point where they can do that really efficiently. They don't get

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But people begrudge giving, people begrudge

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giving trades people what they're

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worth. You wouldn't batter an eyelid at

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a lawyer charging you two, three, 400 pound an

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hour. If a plumber's charging you 60 quid an hour, because

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you've called him out at nine o'clock on a Friday night, and

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you've got water pissing through your ceiling, but you're still moaning, you

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know, yeah that's baffling they've saved your house yeah they've

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saved your house um you'd be good 400 quid or whatever yeah

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yeah you you'd be good to call out you know it's it's a

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weird thing but that was probably brought on a lot with the

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tv shows of of the past decade you know the rogue traders

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ones i've always watched them and gone Dave stitched that

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guy up. Yes, he hasn't fixed that problem,

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or he's fixed that problem. And then the guy's going,

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right, I fixed that, which was what they made, they made that issue. But

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he's also picked up on another problem that that the researchers

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didn't know about. And he's fixed that. He's

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not a rogue, he's been very good at his job. But

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that doesn't make great telly, does it? A plumber that's doing a

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really good job and he's charging accordingly doesn't make great telly. They're

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rather of the plumber that's ripped some woman off. Don't

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get me wrong, there are rogue people out there in every trade, every

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industry, every industry across the board. But,

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you know. You don't get, you don't get TV

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Yeah, and I think, you know, someone brought it

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up the other day, I can't remember who it was now. I wish I could give him a shout

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out. It was in a conversation, I don't think it was in a podcast. They

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said that back when, I'm 35, back when I was at school,

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Bricklaying and going into trades was like a punishment for the kids. The

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naughty kids that

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couldn't get on, I mean these days you'd probably be diagnosed with ADHD and

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there'd be more steps to try and help

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them in academia. Some people just aren't made for academia and

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that's fine. So they would have these like little programs that

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they'd put on where they'd go to like the local college and stuff. And of course the lecturers are

Speaker:

dreading this because at least you're getting the dregs of the school coming in.

Speaker:

Because they just didn't know what to do with these kids. And it was practically seen as a punishment. You'd

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seen them all kind of get on the bus. You'd think, there's the retards. You

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know what I mean? What a bad brand image. Because some of these

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guys, they were just genuine people that just couldn't get on with

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And they just didn't like being told by a

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teacher what to do. You know, they might be at home at night and the parents are

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just constantly telling them. They don't want to come to school and have that. So

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they'll rebel that little bit. But then, OK, we'll

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put you on the, you know, the retard bus. And can you say

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Put you on that bus. I think as long as we're not being

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derogatory against them, we're saying this was a bad thing to do.

Speaker:

Yeah, it was. But you're right. And they were pushed off to, to

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take up a trade, I'll go and lay some bricks or dig some holes, become

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Because that was the last resort for this person, as opposed to like,

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this is a really clever person who can make a really good living in

Speaker:

a trade. Not only are you clever with people, you're clever with maths

Speaker:

and be a carpenter, be a surveyor or whatever. Um,

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and, uh, now it's, um, there's loads more courses and

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it's, it's better. I don't, I don't know the landscape of schools

Speaker:

these days when it comes to trades, but college is definitely really,

Speaker:

really good support system for really clever guys

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This is where businesses are picking up on this as well. When,

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when a company, you know, going back to the social media side, a company will

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see someone putting authentic content out.

Speaker:

that is relatable and they'll go, we want to work with that.

Speaker:

We want to work with that guy because the content he's putting out is

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like, my stuff is very much a day in the life of. So

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if a company reached out to me, you know, I do a lot of work with Thomas Dudley, they

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reach out to me and go, we want to work with you because you are doing what

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everybody does. We can incorporate our product into what you do a

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lot of the time. So when they approach me, you know, a massive company

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that has been synonymous with the trade for over 100

Speaker:

years. When they reached out or there

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was something put in place where we went for a tour around the factory, and

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then off the back of that they liked the group that was there, we reached

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out and went, do you want to work with us? We've got some products coming

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out. And to be asked by a leading company

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in the industry that you've worked for for 20 odd years, to now advise

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them and guide them on products coming out, I was like, what? It

Speaker:

was just amazing. And then off the back

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of that, I've now become a brand ambassador for them. and

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working with them is like, it's just like working with a family. And again,

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yeah, yeah, exactly. And they just treat you so well.

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But that's because they value the content

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I put out is authentic. It's me. And I

Speaker:

and they respect that I wouldn't work with them if I didn't If

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I stepped away from working with them for whatever reason, the friendship

Speaker:

is still there. I would still fit their

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products and do this, that, and the other. Whereas I do know there are people within

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the industry that if they're working with a brand and

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they're not ticking the right boxes for that brand, And

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they say, look, you know, thanks for working with us. We're going to part ways. There

Speaker:

are people out there that will go, right, I get your, and they'll go to

Speaker:

the competitor straight away. You're losing

Speaker:

your self-worth, your dignity. You

Speaker:

know, if that company, if Thomas Dudley let me go, I would not be jumping

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into bed with another company, you know, for the foreseeable future,

Speaker:

because it's respect. And also,

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you're working with them and you, you want to create content

Speaker:

for them. If, you know, we've, I've got a contract with them now where,

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you know, it's a very, very loose contract. And that's what I like, where

Speaker:

you can, as long as you're doing a bit for them and

Speaker:

got their best interest, it's brilliant. And that's the contract we've

Speaker:

got with them and they leave you alone. Now, and again, they might go,

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right, we've got this new product. Can you, can you push it a little bit? And

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you do, but as a whole, they let leave you to it. But if

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you're not creating content at all for them, they're going to go, you're

Speaker:

not doing a lot there. We'll let you go. We'll get this guy in because they

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monitor social media where they'll see this guy's up

Speaker:

and coming. He's looks really good. He's what we'd want to work with.

Speaker:

So they get him involved. And that's the game. You've got to stay

Speaker:

relevant. When you begin getting these deals with companies, you've

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got to still respect what

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they're doing with you, still respect, have a mutual respect for them and create

Speaker:

the content that they're asking for, but also remember that

Speaker:

they... They wanted you on board with them. They

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see how authentic you were. And a lot of people, that line can

Speaker:

get blurred because the number, there's big money thrown about

Speaker:

and the kudos of doing this and that. You know, I've got

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companies that I work with now that I never thought I would. I've had

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companies approach me that I've gone, I appreciate it, but you

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know, big company. And I'm like, I don't use that product or

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I don't, that doesn't fit with what I do. So. Which adds to

Speaker:

your authenticity. Again, it adds to it. And, and even when I

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see them people now, how are you You know, I've worked with a company and

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they come up to me eight, 10 months ago and went, look, Mark, you know,

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really appreciate what you've done. No falling out. We're going

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to go a different direction. I went, absolutely fine. I've got

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this and this going on anyway. So step to a

Speaker:

mutual agreement. They said, look, we're going to go with someone else. Absolutely

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fine. They'd gone with someone else, but they still messaged me

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saying, do you mind just doing this little clip for us? Or

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do you know anything? Do you want anything? Never burn your

Speaker:

Never burn your bridges, yeah. And I'm a nightmare for

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this. So I, because I've got, I

Speaker:

don't know, not a temper, but I've got very little

Speaker:

patience for people. And especially if

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they're doing a really shit job or whatever. So I'll

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say to the brands, if we're working with some

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creators or anything to do with a third party where

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we've been involved and they've not delivered and they've

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been a bit shit, I really want to tell them they've been

Speaker:

a bit shit. And I want to tell the truth. I don't want to

Speaker:

upset them, but I want to be like, you know it. Constructive feedback, isn't

Speaker:

it? They know exactly why they're being dropped, 100%. And so I

Speaker:

want to be able to say, these are the reasons why you've been dropped. And ultimately,

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it comes from the brand. But we're the ones

Speaker:

that monitor everything that you do. You've not done a good job. We've told the brand. They've

Speaker:

said, OK, get rid, because that money needs to

Speaker:

be reallocated to elsewhere. Someone that's going to put the

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effort in. There's not an unending budget, you know, with

Speaker:

a lot of these brands. And a lot of the time, the budget's surprisingly small. And

Speaker:

so, but then I get, the brands are like, no,

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just call it a day, please. And

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so we'd love to work with you in the future. It's not the right time at the moment. Whereas I want to be like, you've been

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shit. You haven't done anything, man. Yeah, honestly. But

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that's where sometimes as well, It's a good job I'm not on that

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Yeah, but if a company comes to me and went, look, you haven't put the content out. You haven't

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put the content out, that's why we're letting you go. Yes. then you've

Speaker:

only got yourself to blame. You can't piss... if you don't put

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the content out for a company that is...

Speaker:

even if there's not a payment involved, if they're giving you free products or

Speaker:

they've respected you and they've took you out on nights out and you're not doing

Speaker:

anything for that company, don't get pissed off when they drop

Speaker:

You'd be like a fair play. Unless you're massively thinking you're entitled to

Speaker:

I'm so-and-so, I should get this, that, and the other, mate, have

Speaker:

a word with yourself, because you're not doing what you

Speaker:

should really be doing. But there are people out there that do that, and

Speaker:

they get to see, it's obvious who they are on

Speaker:

various platforms, because it stands out in absolute minor.

Speaker:

I'll be walking around my marketing team

Speaker:

and the creative team and I'm like, what have these guys been producing recently for

Speaker:

this particular brand? And if it's not, I'm just like, fuck them

Speaker:

There's always someone out there that will jump at the

Speaker:

But it's that thing of like, I don't know whether it's like different rules for

Speaker:

this industry, but I'm like, if that bloke's been working on your house for six

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months, and they did a bit of work for one month, and

Speaker:

they did slightly less for the second month, and nothing for three, four, and

Speaker:

five, and six, or whatever, but we've been paying them monthly every

Speaker:

single time, you go, on the third month, you'll be like, what's

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Yeah, yeah, yeah, exactly that. But there are people out

Speaker:

there, and there's also people out there that will, literally

Speaker:

do the tiniest bit to justify that paycheck

Speaker:

or that free product they're getting, or just

Speaker:

to have the kudos of saying, I work with so and so. Never

Speaker:

be, never be entitled to what, what you

Speaker:

think you should be getting. Be respectful and, and

Speaker:

look at the time when that brand or anyone offered you

Speaker:

something, you was like, I've made it. This is brilliant. Feel

Speaker:

about, feel like that about every deal you get. Cause

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I'm every company that comes to me and I'll sign a contract. Cause I

Speaker:

think I work officially like pay contract

Speaker:

wise with probably four companies. I'm

Speaker:

quite synonymous with my Instagram stuff for discount codes.

Speaker:

And people still get pissed off the fact that I'll offer a discount code. And

Speaker:

I can't understand it. A company's valuing me to

Speaker:

have the reach to give a discount code out. The company's earning

Speaker:

money. I might have a kickback off it. Little Johnny's

Speaker:

saving money. But there's still people that, oh,

Speaker:

And I'm like, I'm helping you. Yeah. So this is, this is like affiliate

Speaker:

marketing. Yeah. So yeah, the affiliate scheme. So essentially how

Speaker:

that works is a brand sees that you've got enough, enough reach

Speaker:

to be able to go, we're happy to set something up in our system in

Speaker:

the backend so that you can have your own special discount code. And

Speaker:

um here's the discount code and you can give that to those guys and anytime

Speaker:

someone buys a product you get a little bit of a percentage of that product and

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um that's great for everybody wins everyone wins yeah that's what but

Speaker:

i still get grief on youtube oh you're selling

Speaker:

out all you're doing is pushing a discount code in each video and i'm like it's

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not each video it's like probably once a month or once every two i'm like

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hang on a minute you're saving money by me offering

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you this. And then on the flip side, you get so many people go,

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thanks for that. I've saved 30 quid on this bag or 30 quid

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on these lights. And I've supported you. And I've supported you. Everyone's winning.

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If anything, affiliate marketing is one of the purest forms

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of influencer marketing because you don't get paid unless someone buys that

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product. So, you know, essentially, it's

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rather than the worst flip side of that

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is someone marketing a product that they don't believe

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Yeah, that was the massive negative side, isn't it? And a lot of

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celebrities do that, don't they? Yeah. I think the classic

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one is, I don't know, for instance, say, let's say one

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footballer is sponsored by Adidas, and he's chilling Adidas,

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Yeah, yeah, yeah. Or like, I don't know, is it? No,

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this isn't relevant, but it popped up in my feed again the other day, the Kim Kardashian like

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fake meat burger. Yeah, yeah, yeah, yeah. She had never

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But she's probably weighed in a million quid. Yeah. to do

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that. But then also on the other side of that, there's various companies

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that I've worked with over the years, or haven't even worked with them,

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that's the wrong way. There's one particular company, and

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I'm going to say who it is, because I think they're great. It's called the Plum Chum.

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It's a tiny little key, little thing that goes on your key ring, and

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it's got like 15 different applications. So there's a

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screwdriver on it, there's a rad key

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vent thing on it, and it just sits on your key. I haven't got my van keys

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on it. It sits on your keys, But it's made by a guy in a shed

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in, I don't even know where he lives, let's say Sheffield. That's

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probably completely wrong. Guy in a shed. He's made it from home.

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He's done it. on a Sunday or over the period

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of a few years, he's tried to push it and

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doesn't really know how to get it out. But it's a great little

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thing. And I'd seen it around for ages and

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a few people had posted pictures of it. And I

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think he reached out to me and went, all right, Mark, you know, love what you're doing. If

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we send you a couple of these out, would you mind doing some videos? I was like, of

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course, mate, send them out. Let me have a look. I've come out

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and I've gone, these really handy. I've got one of my van keyring, one

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in my van, one at home. because they're like a 15

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in one. They're like the Swiss Army knife. I love stuff like that.

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You know, it's not a hardcore tool, but it's handy. Yeah. Um,

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and I started pushing it a little bit and he messaged me and he went, Mark, he

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went, it's quite bad, not bad. He went, Mark, can you stop pushing

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it? Because we've sold out of all the stock and

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we can't make it quick enough. And

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he went, I'll let you know. Because this guy is making a shadow or

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He's got a 3D printer and it's fucking on fire or

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And I was like, not a problem, mate. And then I think he messaged me three or

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four months later and I said, you know, could you, could you give it a push again? Let us

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It's got eight out the back. Yeah. Could

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you, could you give it a push now? Let us know what you want. And I messaged

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him back and went, I don't want anything. I went, I

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just want to help you build that. If in five years time,

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you're a multi-million pound company. Yeah. Yeah. But

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that's what people don't see. They'll see me pushing it. I've always been paid

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by that company or that company. There's about five or six

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different companies that I've pushed and helped along the

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way, along my journey. that have helped me and I'm

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like, I don't want anything. I just, I like you. I like

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your company. Um, if all of a sudden you start turning

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over a load of money, we'll have a conversation. But to push that little

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tool for him and for him to sell out, just that

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one message from him made me go, good. I'm glad you sold

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But yeah, but it's that, it's that's the side where people don't

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understand. They think when you get to your YouTube channels going

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in your Instagram, they think you're just taking money constantly. And

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So the

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spectrum's not the right term, but there's certain companies you work

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with, and it's completely off your own back, and you just like working with them.

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There'll be companies that you work with that are on a more contractual basis. There's ones where

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there's an exchange of goods, an exchange of products. What

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does a typical conversation go like between

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you and a brand? And how does it start typically? Is it them contacting you

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Yeah, so I've never, categorically never, I've

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never approached a company to work with them. It's

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just not the way I go about it. If companies

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want to approach me, fine. Install

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a show that we had a couple of weeks ago. I might talk to a company and they might,

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and I might go, I'd love to work with you. And

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I wouldn't. I've not even got a media pack. I've categorically never

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approach the company that I can think of, you know, please, will

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you work? I'd love to work with you. I'd love to do it. It's

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not in my, it's not me. I couldn't do that. Yet

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when a company does come to me, it's, it

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makes you go that company, especially when it's a very well

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known or big or you go, shit, I

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want to work with you. They value me. Yeah. So the conversation from there

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is usually, For instance, I've worked with one the

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north of the country, a pump company, Salamander Pumps. I began working with them.

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But that was quite an organic thing. I did a video, bought

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the product, done the video, and tagged

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them in it. I paid for the product. Again, I didn't ask them

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for anything. I used the product. Tagged them in it, and the video hit really

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well. They then messaged me and said, could we link

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that video onto our website? I went,

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yeah, no problem. Thanks. And then I think a

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week after, I got an Instagram message

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from him. Thanks for that. It's going really well. We're having great feedback. If

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ever you need another pump, let us know and we'll send it

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out to you free of charge. So there was never a conversation me asking.

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They valued what I had done. I bought the one initially and

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done the job. And then it sort of

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stemmed from there. And then it was, um, just

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working with them and or i'll message i've got a guy there

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johnny you know i messaged johnny i've got this coming up soon i

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can make a video on it at this point i'm already working

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with them not in an official format but they said if you ever you need

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anything let us know yeah johnny i've got this job coming up um

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could i get a pump for this job yeah no problem mate send

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it out as long as you do a video on it because it was a

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bit from both ends. But then they come to me and was

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like, look, we love what you're doing with us. We love the brand. We

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love that you love the brand. Would you like to come up, have a

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tour of the factory? So you're organically building that

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How cool is it, as well, just a slight offshoot of

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that, how cool is it to see manufacturing in the UK? Love

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I'd love a factory to go, this is made in the UK. I love going around these

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factories. Unfortunately, now, again, with the reach, it

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opens doors to be able to do that. You know,

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can we come in and film this in the factory? And 90%

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of companies go, yeah, we'd love that. Because it's

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relatable. As soon as you see the behinds of

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this pump company, you're like, wow, it is a small operation,

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British, you know, British manufactured, all

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the people working that factory are local. I'm going to buy

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that pump because I like that, the backstory of it. And that's

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what I said to him, I'll come up, film, film a day with you. film

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some products, so you're just building that and then they come to

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me and go, Mark, we'd love to work for you for the next six months

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or 12 months. Then the conversation, right, okay.

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That's when I then sit down with them and go, okay, in an official format,

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this is the reach on average I can get through YouTube, Instagram,

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I can get X amount of eyes onto it, for that I

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would, you know, within... because you're now, with what

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I've done over the last few years, you've built a separate business. It's

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now a business format. As much as people say, It's

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not, you're earning money from Instagram, YouTube, you're

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getting products, you know, it's a business. Of

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I'm taking a day or two days off work to go up to this company. So

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I then say to them, right, this is what it is. X amount, either if

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you're on a retainer, X amount per month, or X amount per

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And they're typically higher as well, so the retainer's usually better valued, is

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Yeah, I think three companies I

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work with I'm on retainers with, and I

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Yeah. I think it's, it's, it's an easier, um, we, we- Everyone

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knows where everyone stands. Yeah. You know what you're doing next month, cashflow, all

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that kind of thing. So I'm like, well, we'll, you know, um, we'll, we'll, um,

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discount our rate ever so slightly for retainers because we know where we're at for

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And I like working with retainers because it builds, you

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can usually, because you're speaking to people more regularly.

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Yeah. you speak to Chloe in the office or Steve

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on the shop floor, it becomes really personable, I

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find. You're part of the team. Yeah. Whereas if you're doing a standalone video,

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I was saying to you, I won't name the company, but I've

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done a video for the build up to a show a couple of

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years ago. they were all over the content, we want you

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to work, invited up, this, that and the other, done a video for them. Soon

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as that went out, the door didn't shut, but it just dropped off

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a cliff. And I was like, hang on a minute, we've, we've worked

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really hard to get to this point, the momentum's building now,

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and it's dropped away. And then a year later, they come

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knocking again. And I'm like, Look, you know, if you want a standalone

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video now, if you'd have worked with me through the year, you'd

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have been a bit here. Whereas now for that, because I don't know if you're just going

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Yeah. Yeah. And it is one of those things like the, the project where it

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sometimes can get in work of the, in the way of the retainer works. So that

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it needs to be of a higher cost because you, and

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also there's, there's more stuff you've got to do with

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one office I think. You've got to plan them a bit more and stuff like that. Whereas if

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you know in the next month, you probably ought

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to film some kind of interesting content around a pump. You've

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got 31 days to figure that out, and

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Exactly. Whereas if someone says, Mark, we want some project work off you,

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um and it's got to be uh in the

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next two weeks with this particular pump you're scratching your head thinking how

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can I figure this one out yeah I mean I might not have wanted to

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do it there but I feel like I have to yeah I was going to take a day off work to

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make that content yeah and make it yeah make it and then I think sometimes

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it can feel a bit forced Yeah, and that's what you want to

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try to avoid, obviously. You're trying to make sure that you're going to put more

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effort in to make it not forced by, you

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know, trying to set something up that feels like it's more authentic. Or

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it is like, do me a favor, like, speaking,

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I don't know if this ever happens, but speaking to your mates in the industry and

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go, anybody doing a pump install in the next couple of weeks. Yeah, I've done

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I work the day for free because you can get the content on it. You can have the pump for

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free. I just need to make the content on it. because you need to hit their, their

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quota of what they want. Whereas like you say, a retainer, you know where you're at.

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Um, but yeah, I, I find the retainer and

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it's weird even having these conversations because three years ago I

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knew nothing of retainers, nothing of rates, nothing of the, you

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just sort of pick it up and genuine people, I

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will, I don't know everything about everything I've never

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said or do, but I know what works for me and I

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know you know, Liam, who you

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work with a lot and I'm very good friends with, he's come to me at

Speaker:

some point and said, what should I be doing here? I went, I don't know everything, Liam,

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but my guidance as a mate to you would be

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ask for this or not ask

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for that, give them what you can, show them what you can

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give them, I can get X amount, a million eyes a

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month on that product for this much. So don't

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go in straight away with, I want this much for this. Say,

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I can give you this and it comes at that price.

Speaker:

But it is, it's building it up. It all starts from the freebies

Speaker:

that you get and they're brilliant and I'd never knock anyone

Speaker:

for it. But if you're making content and you want

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to do it really well, there is that tipping point

Speaker:

where you need to value, always, always

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value yourself because companies are asking you to promote that

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because, um, that

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There's a value to that. So get your free stuff, then

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get your free stuff for your money. Then start

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working towards your retainers, if you like. And if

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that's what you want to do, some people are happy with, getting

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a free level or a free blow lamp or a free bag.

Speaker:

Yeah. Whatever. Each to their own. Yeah. But as I

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I think also, I think that there'll be certain accounts where they will, they

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will stay in a particular lane and not grow from there.

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And that's absolutely fine. They're doing little bits and bobs. They're not

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really like sort of in the, they're

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not looking to grow their audience that massively or that quickly.

Speaker:

And they're just happy just bobbing along, doing minimal effort and getting the

Speaker:

odd free product. That's brilliant. Brilliant for brands, brilliant for them. And

Speaker:

then there'll be a certain point where you have to

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charge. Because you're putting that much effort into the content. You're putting that

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much effort into building your reach. You

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have to charge. Because I think this is misconception. I had this conversation with

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somebody on the industrial estate where we were at. An

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influencer agency has opened up around the

Speaker:

corner from us. Great guys, really, really interesting stuff, work with some

Speaker:

massive, massive names. They actually work

Speaker:

more for the influencer than the brand, which is quite interesting. So they

Speaker:

help them grow. Really, really cool guys. And

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he was saying, this particular guy, not from the agency, but

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just a guy on the industrial estate, was saying, I can't believe

Speaker:

some of the costs that these guys charge, you

Speaker:

know, for like a one fucking shitty video on

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a mobile phone. And I had to explain it to him,

Speaker:

and I'm sure there's a better way of explaining this, but I say, look, the

Speaker:

reason why they can charge so much for that one

Speaker:

video is because they've had to work for free for

Speaker:

years to build up an audience to make

Speaker:

it so that when they post the shittiest looking mobile phone

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video of a product or something going out that gets in

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front of thousands if not millions of eyeballs which is really

Speaker:

really beneficial to a brand. And if

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you think about the opposite way of it, which is a company like us, who've

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got no following at all, and we have

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to create a video and put all of that work in

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after the video, and also as part

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of the video to send to the brand so that the brand can then repopulate

Speaker:

that. So we're working really hard on that one

Speaker:

particular project, whereas an influencer with a decent following has had

Speaker:

to work for years, up to get to 100,000, 500,000.

Speaker:

Some people don't have to. Some of them can go viral like that.

Speaker:

But they typically drop straight back down, I always find. I think

Speaker:

it does take a while. But a lot of people, and you'll know

Speaker:

this, a lot of the value is in all the work that you've done previously. A

Speaker:

bit like what you said with the plumber that can get something done in an hour as opposed to

Speaker:

a day. It's because they've had to work for cheap or for

Speaker:

free or whatever. To learn it. For ages to learn

Speaker:

it. I had that kind of completely

Speaker:

irrelevant to this, but I remember someone telling me I was too expensive as a

Speaker:

solo self-employed photographer

Speaker:

back in the day. So how do you justify all of

Speaker:

that cost? And so I put it into the

Speaker:

framework of to get this studio and to get to the level that

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I'm at where I can do a one hour photo shoot and charge X amount of thousands

Speaker:

of pounds or whatever it was. um uh

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i've had to be skint for years for years and

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years and years until i got good enough yeah and even when i was really good

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i was shit at marketing yeah so i had to be really really

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good to not a lot of people until i built up the

Speaker:

marketing sort of platform and then uh and and that's how that's

Speaker:

how skills work i'm afraid yeah is people valuing

Speaker:

your your worth isn't it yeah yeah and the

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sort of quantify, I can give you this, this, this, and

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this for this much. That sort

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of makes me go, all right. Instead of going, I want this much

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to do this, this, and this. I always say, give them, tell

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them what you can give them before you'd say that

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that's that's that's my sort of thing. And I've always so even when I'm quite for

Speaker:

a bathroom, I can give you that tile, I

Speaker:

can give you that bath and give you the walk in shower. Yeah, but

Speaker:

It's almost like gap selling. There's a term called gap selling. Have you heard of

Speaker:

that? It's like a sales tool, similar

Speaker:

kind of thing. Although it's essentially go, you're here now,

Speaker:

you want to get to here, I've got the bit in the middle. that you want, which

Speaker:

is the reach and the audience and the eyeballs and that kind of thing. So you're

Speaker:

talking about getting to here. I can get you to that point. It's going to cost this much.

Speaker:

And it's because it's all of the stuff that I can deliver to get you here. So

Speaker:

you want X amount of thousand eyeballs, extra eyeballs on

Speaker:

your brand or product per month. I

Speaker:

can deliver that in three videos and a couple of stories. I

Speaker:

can show you the stats. That's what you want. And,

Speaker:

and I can achieve that. And it's going to cost this much. It's a way

Speaker:

easier way than saying, give me five grand and

Speaker:

Yeah. Sometimes you got to figure it out after the point, but that's,

Speaker:

that's where the skill and the creativity comes from. So, um, your, um,

Speaker:

your typical process then. your typical process isn't

Speaker:

necessarily, you like a brand, you reach out

Speaker:

to them and you say, hey, I can do some work with you for X amount of money. It's

Speaker:

sort of slowly building up a relationship and you're building up

Speaker:

a sort of know, like, and trust from both sides. You're getting to

Speaker:

know them, they're getting to know you. And eventually that might be

Speaker:

a topic of conversation if it feels relevant. But even if it

Speaker:

didn't end up being like that, it wasn't necessarily a strategy to

Speaker:

to go to that route. It's just you were already creating content on

Speaker:

And I think that's quite authentic is I've spoke to people who you

Speaker:

know I'm fortunate to work with Unilite and Vito who

Speaker:

are two really synonymous brands within the industry and they

Speaker:

monitor accounts and they go that guy's putting a lot of content

Speaker:

out with our products. Let's chuck him a few products as

Speaker:

opposed to they've also shown me where people have gone, hi,

Speaker:

I've got this many followers, can I have some free lights? Al will

Speaker:

go, no mate. Whereas if they're just organically looking

Speaker:

at it and go, he posts a lot of content, and it's good content, and

Speaker:

let's chuck him some bits. And that's how they form, you know. There

Speaker:

are various, there's probably two companies that I'd love to work with. I

Speaker:

won't say who it is because I don't want to be that guy to put it out there, and

Speaker:

Oh, I did it in the last episode. I shouted out Wira straight away.

Speaker:

So, there are a couple of companies I love to work with and

Speaker:

I'm sort of, I am putting

Speaker:

bits out there to hopefully try and get them in, because I

Speaker:

don't want to reproach them. Some people I've spoke to, even within

Speaker:

marketing, have gone, Mark, if you want to work with them, reach out to

Speaker:

them and go, I can offer you this, this and that. That's just, it's

Speaker:

You've got to do what feels right. I mean, any,

Speaker:

like, we could be really salesy. We could be cold calling brands

Speaker:

left, right and center. And that might get us some, something just doesn't

Speaker:

feel right. So you don't do it. Yes. Technically we could probably be

Speaker:

a more successful business if we did that. It just doesn't feel right.

Speaker:

It's all about, yeah, it's about your self-worth and your own

Speaker:

personal respect. And for me, Fortunately, my,

Speaker:

my main income is my power and heating company. This is, I always

Speaker:

see this as I still get it now, imposter syndrome.

Speaker:

You know, I host a podcast. I'm on a podcast here and

Speaker:

I'm going to shows where companies are paying for me to be there,

Speaker:

paying for your hotels. I'm like, who the fucking hell am I?

Speaker:

Honestly, I still get it. And it's amazing and

Speaker:

I love it. I was at Goodwood Festival of Speed this weekend. It's

Speaker:

a car, it's the biggest car show probably

Speaker:

in the world now, since like the British motor show stopped. And so

Speaker:

Goodwood Festival of Speed, huge motor shows, celebrities

Speaker:

everywhere. I'm walking through the paddock, looking for

Speaker:

Liam, funny enough, looking for Liam. This

Speaker:

woman's run up by the side of me, excuse me, you, Mark,

Speaker:

Tiff the Plumber on YouTube. And I'm like, yeah.

Speaker:

And she went, oh, me and my husband watch all your stuff. And I'm like, I'm

Speaker:

at Goodwood Festival of Speed, where they've just released the new

Speaker:

Bugatti five million pound car. And

Speaker:

some woman's dragged me and spotted me. I'm like, it's

Speaker:

just mad. It's great. And I love speaking

Speaker:

to people and I love their the people that follow me

Speaker:

and comment on all my videos and, but I do still

Speaker:

get that imposter syndrome. Like, walk into a room where I've seen

Speaker:

people on social media going, oh, that's so and so, that's so and so. I'm

Speaker:

like, yeah, and I'm like, what am I doing here? Even when our

Speaker:

guests come on to the podcast, I'm like, can't believe, try and play

Speaker:

it cool. Like, all right, mate. Yeah. But I'm like, shit, we've

Speaker:

I've got Dan from Dissident. Oh my God. But

Speaker:

it is, it's, it's a, And I think that keeps you quite humble with

Speaker:

it as well. I think you're always going to get people go, he thinks he's fucking something

Speaker:

else and whatever, mate. I've gone through my life.

Speaker:

Everyone will have people that like you and don't like you. If you don't like me, I don't

Speaker:

mind. I'm absolutely cool with that. But the people that I

Speaker:

I think there's there's a I

Speaker:

think I spoke about this on Liam's episode, which is the last one. I

Speaker:

don't know whether they'll go out in that format, but when we spoke to

Speaker:

Liam, there's something about you

Speaker:

that will appeal to certain brands. And what I

Speaker:

would consider to be most brands. And it's this, because

Speaker:

there's the audience, but there's also the persona. It's

Speaker:

important to own your brand. You know what I mean? I'll

Speaker:

just start saying words and maybe you resonate with these

Speaker:

maybe you don't but it's this kind of like no nonsense no

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kind of like wishy-washy frills marketing type

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approach to content which is feels again

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when you use the word authentic and genuine it's not salesy

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it's like but also at the same time even when you are promoting a product you're

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And that's what I wanted to build up is that trust that if I am promoting a

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product, it's because I believe in that product. And

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you can tell. Yeah. I think that's the thing. And, excuse

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me, there are people that will flit between products. One week

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they'll be going, this is great. The next week they'll be going, the rival

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company, this is great. I'm like, You've got no self worth. And

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within the industry, people see that. It's quite a mile away. Oh,

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yeah. I couldn't, if, let's say, I'm synonymous, I

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work with you, synonymously, everyone knows that. If Al,

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for whatever reason, I hope you don't, Al, but for whatever reason, let

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me go. And another light company approached me

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two months later, I wouldn't do it. Even if they went, we'll give you

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Yeah. Yeah. I spent years building up to be, people

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buy stuff, not all about buying stuff, but

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people will buy a product, if I say a product's good, because they believe

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that I wouldn't have a product that I don't believe

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in. Exactly. And that to me is, I'm not in it for, the

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money's great, and the perks you get with it are great, but

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it's not the be all and end all. I've got a plumbing

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and heating company, that's where my money is. You know, that is

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a bonus and I get to work with companies that I'm like, wow,

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Mate, I love going to the show. I'm not even a trades person. How cool are

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the shows? I love going to the shows and like speaking to people that I know off

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social media. I don't necessarily get recognized

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like you do from influencers and people from

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social media, but we get recognized by the brands. But it's like, what's

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his name in marketing, like literally stop me. It's just

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like, it's such and such from this brand. I'm like, shit, yeah, I was speaking to

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you on LinkedIn or whatever a while ago. I'm like, how the hell did

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you recognize me, you know, and my face? The

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dissident body probably helped. But also

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You work with certain people I've worked with you on stuff and Liam work

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if you're following Liam around filming him, people

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will know that's you because Liam's synonymous with working with you.

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So it then lifts your profile as

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well as Liam's and then you work with you know Thomas Dudley or

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Yes, a factor that I never thought about because

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we're brand side, we're always working with brands, we never get paid by

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influencers and people and that sort of thing. First of all it's not an

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area that we work in in general. We could happily

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shoot content for accounts, but it's

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overkill. Massive overkill for 10 grand for a

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production or something like that for like a one day would just be silly, I think.

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And the social media side of things, that's not

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our area. We know how to market businesses and brands, not people necessarily.

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And the personal brand stuff is always better coming from that person,

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I think. There'll be specialists in that area,

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but we're not them. We know how to market a product relatively well.

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So I didn't even factor this in, even though I'm a very, very

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talented and clever marketer. The

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creators are a link into the brands. Never

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thought about that until Liam introduced us to Thomas

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Dudley. And all of a sudden I'm like, because I was just

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kind of hanging out with people like that and speaking to him because he's a nice guy. And

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we work with him sometimes on productions and stuff like that. And

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now I'm like, this is a market. This is a full-on market. If I've got my

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mate Carl sort of

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giving us a good in for a particular brand or something

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like that, that's an incredible piece of marketing because recommendations are

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huge, aren't they? Especially if they're working with people like like if

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you've got an in with uh uh unionite for instance you know

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it's not a really good example they've got a great team behind them uh for the stuff that

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we do but let's say they didn't yeah you'd be like have you seen dissonance

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whatever you're gonna work with yeah you'd like you really like them um so

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you value the content creator that you're working with because he

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for other places for you to go. And if a company doesn't

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really know where they want to go with their look, their

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style, their content, and Liam says, I've

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worked with Dan and the Dissident team on here. This is their work. I

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can get you in with that. You love that. Liam loves that. The company

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loves that. It's all doors. It's networking, isn't it?

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And that's why when we go to Yes, we get paid

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to go to like install a show and the shows to be on stands

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with companies, but it's also being there and

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other companies seeing you there and going, he's willing to work. He

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could, he could do this for us. He could, you know, that show is, there's,

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there's people everywhere. It's basically like a, a

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plumber's week's holiday where we're all together. Everyone

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who we know on our social media, we're out drinking at night together and working

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with other brands together. That week is just amazing.

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I'll block book that week out now. My business is like,

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you're just on a jolly for the week. I went, yeah, but

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Long term, one day at the Installer Show, networking in

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a year's time will net you a serious amount of business. If you do it

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the right way. Yeah. Because it takes a long time to get in with brands. You

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know this. And your entry

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into brands is a little bit more know, like, and trust. It's

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a longer process to build up that relationship. But

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it's kind of the same for us, apart from we're not doing anything for free ever.

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Or do you know what I mean? We're not putting on a 10-gram

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production for free. Um, but, uh, we

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will, you know, start to have communications with marketing managers

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and brand managers and stuff, but it takes a year to get in there. It just does

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budgets, you know, all that kind of thing. Like, like when, as soon as they've got their year's budget

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for, cause we want. you know, we

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want 500 grand from a brand to do really cool work with them for a year, let's

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say. And so, like, very

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rarely do they go, cool, let's now, let's

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do that now. It'll take a year for them to go,

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okay, let's move into it. Yeah, well, we got to talk about what

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can we deliver for that? What kind of things that they need? Maybe you don't doesn't maybe

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doesn't need to be 500 grand. or whatever um to to produce all

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these assets for a year and we essentially become like an extension of their team

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for a year. It takes a long process to do that and then they've got to factor that into next

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year's budget. Maybe they haven't got that much budget because it's a bad year next

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year and what kind of thing. It's like Werner, we did some work with Werner recently

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and hopefully continuing to do that on the reg um

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and uh But I first started having conversation with

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Werner like three years ago, something like that, only just. It's a long game

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Whereas us, we can get in with a brand instantly. Yeah. Because

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they're like, they've, because it's there, bang, straight

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in front of you. We can create content. in a room with

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a phone, raw, done, and people

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But you might have been working, you might have had to work with that product for six months for them

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to take notice, like you said, like, you know, like, you know, they're monitoring that

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kind of stuff. They're being like, this is literally the first ever unilike post I've

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And there are people that will just, can I have this for

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free? Can I have that for free? And instantly you just scrape straight

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off. You're like, really? Don't, don't, do,

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let, let your pictures and your content do that asking for

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you, which is probably what I do in a way with mine. Um, but

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no, I'm just massively fortunate and, and love working with the brands that

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I do, but I'm very wary of, you've

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got to stay on the ball with them. Complete

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the, the, the quotas and the briefs that they've given you to

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do, because if you start sitting on your laurels and, and

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not doing what you should be doing, there's plenty more

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100%. So we, we talked a little bit about, um, like the, like

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some of the bad practices that perhaps, um, content creators and influencers can,

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can get themselves into. Let's talk about scenarios in which, um,

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you've been approached by brands or, or brands have like gone about things

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in kind of like a weird way for you. What, what, what

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So not, not, not so much in a weird way, but I've had brands come to me

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and offer You know. big amounts of money

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for products that are very good products and

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used within the industry. And there are various

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people, I won't name what the products are, but there are various people quite

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synonymous on Instagram and YouTube that

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do work with these companies. And they've approached me and

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give me a figure, you know, a very, very good figure. But

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I've gone back to them and gone, I don't use that

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product. It doesn't work with my business

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model, the way I work stuff. huge

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thank you for reaching out, but it's just not for me. Even though the

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monetary value is a lot, and most people... I

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do know there are, again, I'm not going to say it, I know there are

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people that use these two specific products,

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or they promote these two specific products,

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but don't use them, or they say, it's not

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for us. Obviously, I'm not going to say what product and who it is. But

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for me, I

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just couldn't promote a product that I wouldn't use or

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it just doesn't fit. It's just the way I am. Um, as

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much as money they want to throw at me to do it, it's, it's

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sometimes you've got to look at yourself and go, A, I think my audience would

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see through it. B, it's, it's just

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not for me. I'm not in it completely for the

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short term paycheck. I'd rather work with a company long

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term. um one that I want to work

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Let me give you a scenario then this is an interesting one this came up recently

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um let's say you have a

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brand comes up to you and it's a um Some

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kind of app. Some kind of

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app that maybe helps builders stay more

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organized and stuff like that. There's a load of these that are sort of knocking about. Let's

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say it's something that keeps hold of your... You

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can do your invoicing through it or something like that. Something like

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that. It's part of your thing. Everybody could kind of

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use it. but it's probably going to be beneficial but you haven't used

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it up until this brand new product that's just come

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out yeah brand new brand and they want you to do an I

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can add for them it's not going out on your socials and it's not it's

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not a relationship that you're sort of starting with these guys it's

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a one-off they just want to use your face they know you're good on camera they

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know you can speak well to your

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audience, they just want to borrow you for an ad and

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you've never used the product, you don't actually know nothing about it,

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you don't rate the product, it's brand new, you've never even played around

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with it, maybe you asked to play around with it before, is that something you

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I personally would want I

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want to, if it was something like that, I want a good amount of time to test

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it. Um, make sure it's legit, make sure it's legit. But

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if that was the art, the ad, I wouldn't, I wouldn't use

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that ad personally. So I. I

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wouldn't be comfortable in promoting it because I

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know I wouldn't use it. You've got to, you've got to think in,

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in, in two years time, someone says, Oh, I've

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seen you promote that. It's really shit. Or I've seen you promote

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I didn't think about that. So I, so I'm thinking about this from the point of view of, You

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don't need to know about this product. All you're doing is stating facts. You're

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not saying that you like it. You can stipulate, I'm

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going to have absolutely no opinions on

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this in this ad. I'm just there for the money. I'm going to show you how to

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use it. And that's it. I'm not saying it's good. I'm going to

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list off a load of features and benefits. you make the decision from

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here or something like that. I imagine there's like, there's like, it's yes

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I wouldn't do it because I think that is an

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Yeah, a guy would come in, say that as an advert that's going

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out while you're watching Emmerdale, the actor, he's an

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actor, he will, he's not there, He's

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just an actor. His face is not going to be

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synonymous with that product. It's just a throwaway thing. Whereas

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if I promote something like that, I'm still doing that job 10 years

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down the line and still hopefully working with brands 10 years down the line. A

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brand might go, well, you've done that. you

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It's a tough one, isn't it?

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I'll give you an example. So we had this with Kyle, recently Kyle Chance. Really,

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really nice guy. We'd worked on a shoot with our

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client. He was really good on camera. We interviewed him and he

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was really articulate. and

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we got approached by a brand that we've been speaking to, Totectors, who

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are, are you familiar with those guys? They make like cool, I got

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obsessed with them because they make the Air Force One

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profile trainer. They made it in white, they've just launched it

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and I saw it at a show, I was like that's incredible. Steel toe

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cap, all the right sort of accreditations and

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stuff like that. And I was like, I need to get myself a pair of those and they go, they're

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not launching yet, but you know, we'll see what, anyway, I got in touch with their marketing

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team and I was like, love the product. Um, and they said

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they wanted to work with us on some UGC content. And it was smart content, UGC

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user generated content. Um, so, uh, it's basically,

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uh, what we, what we. I'm sure there's a better term for this, but it's high

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production UGC content. So it's essentially, it's like a

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film that a user would make, a content creator, but

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Yeah, high production. Instantly,

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I thought, Carl's the right guy for this. He's kind of mixed. He

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does a lot of stuff, mixed trade, up and down ladders all the time. We

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could do this. And they wanted it to be this kind of like, almost like a YouTube studio

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type vibe, where he was like essentially like

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a YouTuber giving his review of a particular product. So this is the new product and

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stuff. So the problems that we had with that was, he'd

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never used this product before. And brand

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new product, of course, how could he have used it? And

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there was a couple of things, I'm like, I don't feel comfortable about this yet. It's

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a tentative yes, but I want to make sure that I'll film anything.

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Because you're not the face of it. No. You're the company behind

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Within reason, as long as it's not like, you know, it's

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made in some horrible scenarios and stuff like that. Some sweatshopping. Yeah,

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who knows? I mean, I didn't ask that far, to be fair. But

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yeah, so I wanted to make sure that Carl's okay with this. And we

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want to make sure that it's genuine, it's authentic. So

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the stipulations were, we wanted to make sure that he could get

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the boots in a really reasonable amount of time. But it was so

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close, because it's launch content. So they've only

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finished making the product, really. It's gone through the R&D and testing and

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stuff, but they've only really finished making the product. They could get the product to us on

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Tuesday when we were filming, like the week, the next week or

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something. So you had like a week to play around with these boots, which was,

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which was cool. So at least then he could have some like experience of

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it. And then we had to stipulate, right, okay, like, you

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can give us some features and benefits, but we can't really script

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this because it just doesn't feel right, it won't work for

Speaker:

Carl. But also, we need to

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specify how long he's had, we want to make sure

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that the audience knows all the facts about

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this transaction. I've had these products for X amount

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of time, I've really enjoyed, and it just so happened he

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really liked the product. It was genuine. And

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that was the only way we could sort of get around that. But it

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was that we had to get around a few things before we

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could basically create a film that was him explaining

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a product, his limited experience of it, but also talking through

Speaker:

the features and benefits. He does like the boots, you still see him in the boots and stuff

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like that. So you have to sort of caveat those

Speaker:

kinds of things with like, first of all, is this right for me? But

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also, can we do this in an authentic way that is

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right for Carl, for our guy? And this time

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it was. So there's always, there's never like a, a

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No, because he might have tried them shoes or boots on and gone, I don't like

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He could have said no. We'd have got someone else to do it. Yeah. 100%. Because

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again, we don't care. Yeah. That's right. That's it. As the agency,

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We don't want to damage Karl though. Exactly that. As the agency, you're

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the faceless thing behind it, creating the content. We just

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film the stuff. Whereas the content creator, Karl there, and you know, if

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I work for a company, a brand like that, I've

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got to be happy with that product. If I'm not happy with that product,

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I'm not just going to be a cash cow for that product. If people

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do, you go and get your money. You go

Speaker:

and find them. There's plenty out there. I'm not knocking them.

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They do their thing. They can live happy

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knowing they've done that. I personally- Yeah, probably loaded. Yeah, very, very, very

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rich. I personally can't because the money isn't

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the be all and end all. It's, I, I value

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my self-worth more than selling

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100%. I think, like you said, it's about

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leveraging that authenticity. Whenever you do something, you need to

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If I was an actor, a genuine stand-up actor, which I'm far

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from... I don't know, mate. I've seen the Big White's

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film. If that's what I did, mate, I would sell whatever.

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But I'm not. I'm a plumber. And,

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you know, within the industry there are a lot of people that will just

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go and do whatever and hats off to you if you get

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No. I'm trying to think about a couple of takeaways from

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today that I think people could latch on

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to. And I think the ones that I've sort of come towards

Speaker:

I've been around your approach to brands and

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the fact that you take it like a sort of a

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steady and careful approach to how you interact

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with brands and how you exchange services essentially. And

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I think that's something that a lot of people can, especially

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Early on, yeah, early on, you can get overwhelmed with,

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as soon as you begin getting some traction, you can

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get overwhelmed with companies that will

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throw stuff at you because they, I think sometimes, I'm not knocking

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on, I think sometimes can look at, companies can look at someone

Speaker:

coming into this space and go, that's an

Speaker:

easy out for us, let's just chuck some products at him. If a company's got, say,

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500 quid's worth of products, their cost on that maybe, £150.

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So they're getting a load of exposure and an

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in with someone, early doors for not a lot of money, which

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is fine, do that. But as you progress and you build

Speaker:

your following, your eyes, that company should

Speaker:

also be progressing with you and then go, you know, we've worked

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with you early days, we're now willing to put

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a retainer in place or start paying, giving you

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products and paying for your time. Because I've

Speaker:

had it before where, um, Gav, won't mind me saying it, a mate

Speaker:

of mine, Gav Pablo on, on the socials. Love Pabs. He,

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um, he had a company come to him with a

Speaker:

product and he said to me, Mark,

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have a look over that and see what you think. And I think it was something

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like, I know you won't mind me saying, I

Speaker:

think it was 500 quid for two

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bits of content over six months. or

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four bits of content over six months, per month. Four total.

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Four bits of content per month over six months.

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500 quid a month or total? So 500 quid total. Shit.

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Yeah. 500 quid total for, I'm

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going to say two bits of content per month over six

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months. So in effect, 500 quid for 12 bits

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of content. Now, Gav's seen that

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500 quid and was like, that's 500 quid. And I've gone, yeah.

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I said, but break that down. Get your hourly rate out of that. Get

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your hourly rate. You weren't even earning minimum wage because 12 bits

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of content, even though it was for Instagram content.

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So it was quick and Gav can knock it out. But

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Those, you know, divide, I'm not, I'm shit with maths, divide 12 by

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500 quid, it's not a lot. You're rolling your eyes, you're

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Yeah, 40 quid. So each bit of content is 40 quid. If

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you spend two hours on that, your 40 quid's gone. You

Speaker:

know, even as a call out as a plumber, you know, it might be 80 quid, so half

Speaker:

an hour, let's say. that bit of content is going to, by the time you've

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thought of it, gone out your way, recorded it, come back, edited it

Speaker:

together, then sat on the platform, let's say Instagram, knock

Speaker:

that reel up, put your tags in, put your description in. You

Speaker:

But sometimes they'll see that £500 and go, and

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they like the kudos of working with the company. You've

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got to do, again, due diligence. You've

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got to look at something and break it down because sometimes it

Speaker:

won't even be worth the time doing it. But if you're starting out, it

Speaker:

might be open a couple of doors for you. But I would say if

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you're, if you're established making content and

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working with brands, don't sell yourself short. A brand, wants

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to work with you because they like you and you like them and they

Speaker:

respect and they trust the content you're going to put out.

Speaker:

Yes. My old man used to say to me, God rest his soul,

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if you're good at something, never do it for free. No. And

Speaker:

I completely agree. Some things, if

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you want to help, you can see the longer game where you want to help that person,

Speaker:

or you just want to be nice, fine. But in business, if

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No. And I think the way that that

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scenario was structured. This, this company wants Gav to

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do a particular piece, an amount of pieces of content, which

Speaker:

for 500 pounds, not a great budget, maybe it's a small business or

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not, whatever. Um, I think another

Speaker:

way of sort of reframing that there's more to,

Speaker:

uh, let's say not saying Gav's a smaller content creator

Speaker:

or a smaller account, but perhaps someone who's just starting out is, If

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I was going to do that content anyway, because I really like the

Speaker:

brand, but they're going to give me 500 quid, let's figure out a

Speaker:

scenario where I can make some content for you, but let's not put it set

Speaker:

in stone. You give me the 500 quid and I'll give you some content, but

Speaker:

let's not make it so that like, I have to deliver two

Speaker:

pieces of content every single month because it just might not fit. And you're

Speaker:

not paying me enough to stick to a

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schedule here I'm afraid, sorry. That's x

Speaker:

amount of Starbucks runs I'm afraid, it's not a lot. Um,

Speaker:

uh, so, but, but at the same time, so as a small credit, you can go, well,

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let me get, let me push back on that. I'll, I'll take the 500 quid. I'll

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aim for two, two reels a month, but if it doesn't work, it doesn't work because it's,

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it's, uh, we've got to make this work. And, you know, as

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a brand, 500 quid doesn't get you very, very far in anything. Um, some

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people, um, have a one hour consultation call

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and it'd be 1200 quid. Do you know what I mean? I had that for, software

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that I pay for already. Yeah, completely irrelevant.

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But I pay for this piece of software, which is project management for

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my whole team. And I wanted to figure out a better way of using

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it. It was 1200 quid for like, it was, I think it was three hours,

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right? I'm like, I'm already paying 150 quid

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You should be telling me how to do it in the first place. Absolutely

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nuts. You've been

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in the industry for three years. I think three

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years ago, the industry of the content creator in

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construction was still

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kind of in its infancy at that point. I think there was people hanging

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around and doing stuff before that. But I think it really blew

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up about three years ago. And it's continued to grow ever since.

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Do you ever think about what it's going to be like in

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It's climbing and growing at

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a massive rate. There's accounts out there. that

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are growing overnight tens, 20,000, 30,000

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subscribers overnight on YouTube, on Instagram,

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however they're doing it, whatever. So, so

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the, so the, the platforms are there that the, the eyes

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are on it. I think as a business within

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the construction industry now, the amount of content creators

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in it is, is a hub and we're very good and we

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enjoy doing it. And the, Everyone knows everyone

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who's making great content. If brands don't

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work with them, I think they're massively missing a trick. Yeah,

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I think they're scrambling at the moment. Yeah. If

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you're a brand within the construction industry that isn't working

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in some way, shape or form, be it your own social media or

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working with a content creator or a company like you who can

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put you in touch with people, I think you're going to get left behind pretty

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And all of a sudden your competitors are snatching you up with non-competes. Yeah,

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Yeah, I've got, you know, you work with a company that I

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work with a rival company to that. I wouldn't say rival, but

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I can't work with that company and I wouldn't want to because it's a conflict of

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interest. But I still know people in that company and

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I'll, how you doing? And, but,

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but content creators are being snapped up by companies. So

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You've got to get the money even for shows. Um,

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I'm booked up for next year's Installer Show by a

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company, an underfloor head company, Snug Underfloor, that I've worked with from

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pretty much the first few months of beginning

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to make content. And I stay really loyal to them

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and I've worked with them and I always say, and again

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it harps back to just the person that I am and the respect,

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they were there, they were one of the first companies I ever worked with

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and they were finding the feet, I was finding my

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feet. We got brought together through an agency as a

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one hit video forum, and then

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we built a rapport up off the back of that. They had no tie-in

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with them, they didn't have to stay with that company. Built a rapport up off that, worked

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with them at the very first Installer Show I'd done, and I always give

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I'm not a piece of meat, but first dibs on me. Because it's a

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respect thing. You know, I could go and earn maybe

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double what they're paying me, but they've been with

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me from day one. And I always say, Steve, if you want me

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But yeah, but that's how I've been brought up. And I can sleep

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well at night, knowing that I'm doing the right thing for me. Yeah.

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I've had other underfloor heating companies come to me and want to work with me.

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I'm like, again, always very, thanks

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very much for the offer. Really appreciate it. However, I currently work

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with, you know, so if they turn around to me and went, look, Mark,

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you know, we've worked with you for three years. We're going

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to try someone else. I would go brilliant, you

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know, fine. Go and work with them. No, you know, love

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working with you. Still friends. I'll come and see you if I can do anything for

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you. because you don't burn your bridges. Whereas,

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you know, I've touched on it earlier. Some people don't, they, they

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do what they do each their own. I can

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sleep well at night knowing I've got a great

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rapport with all the companies I work with and the ones that I want

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Fundamentally though, your thing is like you won't, as

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a rule, work with brands that you don't use and trust. So

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I don't know, I don't know why people do, because

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It is money, you know. And, you know,

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if a certain company comes to me with a million pound a year, then

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obviously it's not that we get anything like that, but, you

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know, a massively caricature version of it. There

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is a point I think with everyone where you go right okay, but

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that's never going to come my way and I

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respect myself too much and respect the companies that I've worked with over

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the years too much to shit on them if you like.

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It's the fundamentals of your kind of the way that your

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brand of content creation, which is, you know, you, you find a

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product, you like it, you use it, it's part of your job.

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And you really, you know, you enjoy using that product, it makes your job easier. So

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therefore, that that's how you start to work potentially work

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with that brand is because you've already been using it for ages. If you've been using snug

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underfloor heating for the last three years, And

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then all of a sudden, you go to a different brand. It

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wouldn't work like that, because even if you stopped using snug underfloor heating,

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you'd start using something else, start to enjoy it. And it'd

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be a long process, wouldn't it? It'd be weird for you to just jump straight into a

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thing that you've never used before, because chances are you're probably going to carry on using snug

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underfloor heating. The reasons why you're using the first place is decent, or

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And people would see fit. Wednesday, that

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was great. You know, two weeks later, this is great. Straight away, you're

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I think it's okay to like two products, but, you know, for different

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reasons. And, you know, you'll always get that kind of thing of, well, this is

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good for this reason, this is good for that reason. But especially in

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the trade, you have your go-tos, you've got your Thomas Dudley's, you know, regardless

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of, I mean, I love Thomas Dudley for the fact that they created that

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little Victoria valve adapter thing. Because they're making it

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easier uh this is completely off topic but

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um we're nerding out about Thomas Dudley the fact that they're

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making it easier for you to be loyal to Thomas Dudley yeah

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by giving you adapters to competitor brands yes to make

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you fit Thomas Dudley so good they're so clever and it's just so quick

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and yeah no and it's exciting when

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we i can talk about it now because obviously it's out but when we send

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the very first prototype to that and sign NDAs on it and We

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How are you not getting lawsuits? I

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Is that what it is? Yeah. I just looked at it and went, that's fucking

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It can, from what I gather, don't quote me on this, legal people,

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it's an adapter for multiple different things.

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other, other leading brands. Generic, whatever's.

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Yeah. No, you got, do you know what? And that's what I've learned as well, doing what

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I do. You've got to be so careful. not,

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you've got to be so careful in some things you say. Like

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when we was out there, in your sort of studio and

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that, there's products that I didn't, I

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didn't stand next to because I knew that photos of

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me might be taken. I didn't notice that. Yeah,

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you wouldn't have noticed that, but I've gone, I don't want to stand near that in

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case, not that it would ever be an issue, but in

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case of a photo goes out on your site of me stood next to that,

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it could be misconstrued. Yeah. Even to the point of

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we were filming at Installer

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Show, I was running, I was roving, like Anika Rice,

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It was great. And I loved that day, it was brilliant. was

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running around doing some bits and I followed a guy on to, I

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followed a guy to try and have a chat with him about just

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a giveaway. Mate, do you want a free t-shirt or whatever? And

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he was trying to get away from me. He didn't want to speak on

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camera or whatever, and he ran onto a stand of a

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Yeah, it was like Bass. Obviously, he didn't know that, but

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I've chased him, and I've seen him go on, I've gone, I've turned to Jack

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on the camera going, I can't go on there, or if I

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go on there, you can't film me on there. So I've literally

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stood off it and I've gone, mate, he didn't want, he didn't want to talk. I've gone,

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mate, come here. And he's like, no. And I, I went,

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mate, please just come here. And we come up, I've managed to get him off round the corner

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where this other brand isn't in shot. And we had a really good

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chat, a really good fun giveaway, great bit to camera.

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Um, But that's, again, that's

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where other people may not be bothered. They'd run onto

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whatever stand or have a picture with that

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in the background. I'm just very conscious. I

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massively appreciate companies that work with me, that

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pay me to work with them, that take the time out to allow me

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to work with them. So I don't want to disrespect them in any way,

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No, you just got to use your best judgment on that. Yeah. I

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think, I think it's okay to speak to these people. Like, you know, it's one of the things that I

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say regularly is like, I'll make connections with my,

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my clients, competitors all the time. Yeah. Because

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Yeah. Yeah. Massive. And I do, I speak to other companies and

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But, but I can't be seen to be promoting anything.

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Which is, I know the game. I always refer to it as a game because

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Do you know what? That sums it up. When people

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are going, oh, you're working with so-and-so, or you've

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said this about so-and-so, it's the fucking internet. It's the internet.

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It's not real life. It's, it's

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the game. Um, And

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yeah, when you can understand that and you can enjoy it

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then. There's a lad that works for a rival

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brand to Thomas Dudley. He's a

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great lad, a lad called Stan. Absolute guy.

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We have a load of banter to and from. He works with a rival

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plumbing valve company. And we just, we just take the

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piss out of each other. Because it's,

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do you know what I put it down to, and I've said brands should do

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this more, is the Audi Lidl thing on

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Twitter. How cool is that? It builds both

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the brands. It was over the Caterpillar, wasn't it? The

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But them two massive rival companies, but

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now they're they're just working

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together, taking the piss out of each other and collaborating

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I love that. And I do feel that when we moved into construction as

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an agency, I don't know,

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five years ago or something. Like, like was some of the first stuff that

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we shot for the construction industry. Brackets. Yeah. Very, very sexy.

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No, no. I mean, we still, we still shoot

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brackets on the regular. If you ever see our

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imagery of brackets, it'll blow your fucking mind. I love a good bracket

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shot. Hashtag

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bracket shot. It's not just any old bracket, facade

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brackets as well. The ones that you will literally never see. Stop it, Dan, stop

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it. But they've got the little thermal isolators, they're beautiful. So

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anyway, I was really surprised when I started working more

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with these brands, as in like getting more in depth with the owners and

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the marketers and all these kinds of things. How petty

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and... competitive

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they are. Like so, so competitive. So we would be

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filming, this is a classic example, we were filming something that this

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company had got. Brand new product, it

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was a thing that cut insulation boards.

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This is like a facade company. Brand new, it's just a fucking saw. It

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wasn't even a big deal, it was just a big saw. I don't know which,

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I think it was a horizontal saw. And

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this was what it did. It cut installation boards to size, ready

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to go into facade systems. And

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the guy was like, don't, with brand new products, it's

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amazing. Do not show that anywhere. I'm like, that's not how

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marketing works, my friend. You need to show the stuff that's good. The

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stuff that's good and that's going to make you a shitload of money, you need to show

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that stuff. Be proud of it. It's like, I

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don't want my competitors to see that we've got it, because then they'll get one. I'm

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like, I don't understand your reasoning behind that at all. Yes,

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fair enough, they could get it. But also, if your customers

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don't know that you have this, how can they buy the service? I

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don't get it. So it was competitive to the point where they were doing themselves harm.

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By not allowing it. Yeah. But I kind of understood it, because their competitors

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had more money. So what they would do is they'd go, if they've got them, we'll get two. Yeah.

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Yeah. We'll get three. And we'll get the better ones. We'll buy all this stuff. Yeah. So

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they can't. Yeah, yeah. Ours will be faster than we've got. But

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it was, yeah, I've always been surprised. Whereas the creative industries, apart

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from a few, there's some knobs. Like there'll be

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an agency that rocks up next door to us that does exactly the

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same thing that we do to exactly the same clientele. We'll be bestie mates

Speaker:

with them forever. Right. and we'll be putting work each other's way

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and stuff like that. As a rule that's how the creative industry

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is because there's enough work to go around, there's enough customers to go around. I

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kind of understand it for the construction industry but also at the same time I don't like

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it. I don't like how competitive brands are. Who's a

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brand that you think are doing marketing

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Who's a brand that I think is doing really good marketing But

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No, no, just like stuffy sort of thing. Do you know what? They've got it.

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Well done, guys. They're doing a good job. Tough,

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I'm just thinking, because there's loads of brands that are doing great stuff. But

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I'm trying to think of a standout company that is

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absolutely smashing what

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See, this is my problem with this question. Have a think while

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I don't think there's that many brands that... They're all doing stuff well,

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but there's not one spearheading a

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Yeah, there'll be one brand that like does like funny little

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videos that are like Lawton Tubes, really good example of

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that. They've really put some effort in there. And

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that they've actually like for a

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copper company for the most part, I already know loads about law and tubes, that's

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No, Rob's a great guy and him and what Pete have

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done, they've got their eyes

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on, because like you say, it's just a company that supplies copper,

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but they've made it cool. Rob's putting effort

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in, the Installer Show stuff. And again, they had the,

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um, the boys from the office at Installer Show. So

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again, that's Pete. Pete's quite a creative guy. And I get on really

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well with Pete, contrary to what a lot of people think. I get

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on really well with Pete and, um, he

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bought the guys from the office in the, the, the, what do you call

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Lookalikes in the office. And the guys were brilliant. But

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they brought them to the Installer Show and there's a buzz around that stand. And

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Rob's a great guy. Yeah, what Rob's doing and Pete's doing with Lawton

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is very, very good. But as a standout company, I can't

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So yeah, this is my view of the landscape of

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brands in the construction industry. There's

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not anybody that's doing anything what I consider to be. really,

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I hate to use the word, the game changing. Yeah. Markets inside.

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They're all having, and this is kind of my view, is

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they're all a bit behind the sort of

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more, the modern sort of marketing methods and

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the stuff that's working currently. Especially when

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it comes to social media. There'll be some brands out there that do incredible email

Speaker:

campaigns. They've got loads of great print advertising and stuff like that. Great.

Speaker:

It's not my area, so I can't judge that. Um, but,

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uh, there's so much more up

Speaker:

for grabs in the construction industry for influencers, for

Speaker:

agencies, for marketers to make a huge difference. And

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it, the, the trajectories like that, because people are picking it

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up. But, um, so the reason why I said, um, uh, a

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brand that you don't work with, cause one that is doing it really well is Unilight. Yeah.

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Yeah. How, how has always. Like

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he's always said, and you know, I'm massively proud to work

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with Uni. I remember the conversation when I was asked to work

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with them and I was like, wow, that was, I think that was the first,

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I think that was the first paid sponsorship

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deal I got because Al wanted to sponsor my

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Unilike channel and sponsor and have

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Oh, so my YouTube channel. Yeah. So, you know, I wanted to sponsor

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my YouTube channel and wanted to

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have me as a brand ambassador. And I remember just

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reading the text message from Al and it was like, wow. You know,

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that was like a pivotal moment in, going

Speaker:

on. Not I've made it, but all of a sudden I'm getting the recognition

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that I've tried to get, but it wasn't all about that.

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But for a company that, because at the time a lot of

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people worked with them, you know, we had various influencers

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that worked with them that I looked up to and was like, wow, you know, they're doing it.

Speaker:

But yeah, Al's always said, it's just a light. You've

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got to try and make that light cool. And the way he's worked it

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and got it out there, everyone wants it. Everyone wants to

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have one. Everyone takes pictures when they have them. And that

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I like them because they mix, and I am biased to this, because this

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is kind of the method that I would use. He's mixing creative

Speaker:

visual campaigns, great social media content, and

Speaker:

boots on the ground content creators. And there's a nice balance

Speaker:

between that. Yeah, and also he's trying stuff. Trying

Speaker:

new stuff, you know? And I think that's... And

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three lights in my van that I've been field testing now

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for six months and constantly feeding back to them. Does

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that work? Does that, is that magnet powerful enough

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to do that? Is that light bright enough? Is the battery charging? And

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that's what he does. And that's why I like the fact that they're

Speaker:

field tested. He might've invested hundred

Speaker:

grand into tooling or whatever for that light, and between the

Speaker:

six of us or seven of us that work with him as ambassadors and

Speaker:

work with the company, if we turn around and go, oh shit it

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don't work, he'd listen, he wouldn't just throw it out for the sake of

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it. And that's, and again that's, it's a

Speaker:

massive proud moment on reflection of that

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a company respects and takes in

Speaker:

what you're saying to them. Cause yeah, it's just a light, but every trades

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person uses a light. Yeah. Especially when the

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And it's nice to have a cool light, you know, they look awesome. Like we've got, we've got

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some new light stuff, um, in the, in the studio, uh, there was,

Speaker:

very kindly donated to me when I was on the podcast. But I've

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been obsessed with their products for ages. And they're so cool.

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Just really nice to have hanging around. And I think we used them on a shoot

Speaker:

the other day, like as actual light for moving around a

Speaker:

product and stuff. But obviously, I didn't say Um,

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like I wanted to use the example of, of Unite. We've got

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some brands that we think are doing exactly the right stuff because we're, we're working with

Speaker:

them and they gave us enough money to do all the cool stuff that we want to. But I'm not going

Speaker:

to mention those because that'd be crass. But yeah, really, really cool brand. But

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it's nice to see those guys paving the way of, um, of I

Speaker:

think what is, is, is what should be done in the, in the industry.

Speaker:

And that's what, that's what, um, uh, creates success. They've got a great podcast.

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They're doing great content. They've got great brand ambassadors. And

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And of course, the consistency results in a really great... Yeah,

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the team behind Unionite and the team behind the podcast that

Speaker:

I'm again, massively fortunate to now co-host

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The, the feel at the UniLite HQ as a building is,

Speaker:

is cool. As a standalone building, it's cool. When you go in and,

Speaker:

and I'm fortunate now to, to class them as really good friends of mine. And

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I was a really good mate of mine. You're just part

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of the team. I can walk in and if I've

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got editing to do on a video or stuff, I can go in and sit

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down and work from there. I can, I'm

Speaker:

now fortunate to be able to go, I want so-and-so on the podcast. You

Speaker:

Or get Dan on again. Get Dan on again. Give him some air time.

Speaker:

But it is having that creative, not

Speaker:

control, creative... Flexibility. Flexibility

Speaker:

to go, I want to get this guy, can we get this guy on? Or like now we've just

Speaker:

had the lads from Super Trowel on who are building

Speaker:

the biggest and best bricklaying competition in

Speaker:

the UK and Europe. The podcast went out last night.

Speaker:

As an event, you've got

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to build a wall within an hour with X amount of bricks, and

Speaker:

it's who can lay the most bricks. But the boys have got walk-on

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music, they've got indoor firers, they've got DJs playing, they've got

Speaker:

stands. And to be able to get them on and give them the exposure,

Speaker:

and then turn to Al and go, that podcast was

Speaker:

amazing what they're doing is amazing can we take that podcast

Speaker:

to their event for two days to

Speaker:

film content to interview the the guys on the ground who

Speaker:

are taking part in the competition how can we do that? And

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for him to sign that off for four of us to go down to

Speaker:

stop down overnight, you know, it's a big investment from the Trey

Speaker:

Legends company and from Unilight and from Al to

Speaker:

trust us that it's going to work. Of me

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going, can we do that? That's like, you're

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giving me the reins as such. Yeah. And

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yeah, just hosting the podcast is amazing. But again, it's

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come from three years ago when

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I've sat and watched six months worth of content of car content and

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gone, I reckon I could make a YouTube channel out of this. Because that's what opened

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the door was the YouTube channel. And that is my main

Speaker:

platform and the people I've met

Speaker:

along the way, the friendships I've made along the way for just

Speaker:

creating content and using social media.

Speaker:

Social media is amazing. There's a percentage, 0.0%

Speaker:

of it that's shit. But the whole, you

Speaker:

know, what it opens up is unreal, you

Speaker:

know, to the point of, yeah, it's

Speaker:

um it's like a it's like a weird video game isn't it you just like

Speaker:

how the hell did it end up here yeah i'm sat at what time are we on quarter

Speaker:

past seven on a monday night chat i could chat sit

Speaker:

chatting here for hours you know even the the editor he's yeah because the

Speaker:

engineer's gone he's gone yeah he's just basically gone press them buttons

Speaker:

when you're done that's because i'm going whereas me and you were like let's

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just crack on we could we we could talk another hour but what i've got

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one last question um uh but before i ask that question is there

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anything that you feel like you want to talk about that you've, that

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I haven't asked about, do you think? Anything, any little extra

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little, little piece or a nugget before,

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Not, not really, no. Hats off, just hats

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off to everyone who creates content, be

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it short form content, long form content, you

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if you've done whatever you've done to get views and take

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all of that out of it because at the end of the day we're all

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creating content we're all enjoying creating that content we we're

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earning a few quid from it we're meeting people along the

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way we are building friendships and

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everyone's doing what they enjoy doing. Social

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media can be a horrible place, trolls on there can be horrible and

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you know we've all had it, we've all had it and

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if it hasn't affected you in any way then I think you're probably

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lying because I've had a comment before

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that's sort of stuck in my head and rattled around for a few days and I'm you

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know, it does play on you. But as a whole, everyone

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who makes content hats off to you keep doing it. It's amazing. Everyone

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who's thinking of doing it, do it, give it a go. Everyone says,

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I don't think I don't like my voice on camera. I don't like talking to

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myself. It's weird. It's strange to start with. But It's,

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I find it quite therapeutic sitting and editing an

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hour's worth of footage. I was editing a video this morning that's, in

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fact, it went out six o'clock tonight. What time are we on? Quarter past seven. Quarter

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past seven. So I had a video drop at six o'clock tonight, completely forgotten till

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now. So if I, what I tend to do is if a video goes out

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on YouTube, it's gone out on a Monday night tonight, because last

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night was the football. Again, you've got to, look

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at the way the content is, and if

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there's a major event going on, if it's a bank holiday Monday, don't

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put content out on a Sunday. No one will watch it. So

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like last night England were playing, so I didn't put last night's content out,

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put it out tonight. Yeah, that would be... Yeah, because no one would watch it. So

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it's gone out tonight. And what I usually do for the first hour, I'll sit there and

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reply to everyone that that messages and there'll be people on there I

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know for a for a fact there's a guy called Wayne he will have

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commented on there usually puts his hands up like this. I

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sit there for an hour and and reply back to it because giving back

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to those people that invested in the content I make is

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is is quite interesting and never take

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that for granted always sort of you know

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interact with them they're the people that have got you to where you are so

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always have a chat with them and you know, take time to reply

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But yeah, thrown on my engagement. You didn't need it, mate. It's got

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like a ton of likes and comments already. Perfect. There

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you go. Done really, really well. Um, yeah.

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Uh, massive, uh, the network of, of

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creators and trades people in on social media

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is insane. And what a lovely, what a lovely place to be for everybody involved.

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Not just the creators, but the brands, the agencies. and

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all that kind of good stuff. If you were to give any advice to

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somebody, literally grassroots, they're like, right, I've got

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a trade, I'm having a good time. I like the idea of

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creating some sort of content platform for what

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um what would be like your first like most valuable piece

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of advice you could give if you're thinking of doing it

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do it if i that's so cliche though

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if i'd known what it would have if i'd known three years ago where

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i'm now i would have started three years earlier yes um if

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you think if you're happy enough to put your content out there and yet and

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yet and you're happy enough to possibly speak on

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camera. But let's go content wise first. Get an

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Instagram account specific for your company, be it plumber,

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electrician, carpenter, whatever. Put some pictures

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of your work on. It might take

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a while to build up people liking it and all that sort of stuff because people

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have got to find your page and your content. But Do it,

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be proud of what you're creating and you're doing for

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people. Then if you're half interested in

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making real short form content or

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even long form content, YouTube content is great. Um,

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there's no right or wrong way of doing it. And

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if you enjoy doing it, why not? The life's too short to

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not do stuff that you enjoy. I find it. I

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find it really enjoyable making content. Sometimes I struggle

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thinking of stuff to do, but all of a sudden your

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brain will blow up with, I could do this, this, this, this, and this. I've got

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ideas in my head that I've had for six months that I haven't got round to

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filming yet. Did you sort of document them? I've literally got a

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whiteboard at home I've written loads of ideas down on. And

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loads of them I've done, loads of them I still need to do. But

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yeah, just do it. What's the worst that can happen? Yeah.

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What's the absolute worst that can happen is no one will watch

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it or view it. But you've got an online portfolio of

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work then. Yes. Use it as a storage space if you want to, which is

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what, ironically, YouTube started out as, was just storage. Yeah.

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It's a bit like Vimeo or whatever. Yeah, yeah. Um, so

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even if you just put content on there to show a customer, this

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is what I can do. That's the absolute worst that

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can happen because it's all backed up there. The best that can happen

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is you could earn a fortune from content

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you've put out, open doors, host podcasts, go to shows,

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meet people, and better your better,

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better your trade, better your, because what I have found is

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because I'm filming content, it's made me be, not

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that I wasn't conscious of my work anyway, but be that, do

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it that little bit better. You know, I'm not, my

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content, I show it when it goes right, when it goes wrong. when

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I've drilled through pipes, I've caused leaks in houses, but I've

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also done loads of great work as well. But

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I think it can make you in general more passionate about the

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Before I started it, I was very, I'm going to work. Now I'm like,

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do that yeah yeah and you take a little bit more pride in what you do

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i've always found that when you film stuff when you create content on

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a particular thing it's like teaching something all of a sudden you become more

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obsessed with that particular thing yeah yeah i've had you know i i

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when i first worked in in the industry when i didn't when i wasn't self-employed i hated

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my job i thought it was crap thought i'm the the grass is gonna be greener in

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fashion or whatever um and then when i became self-employed and

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i started to like I started to feel like I could make a

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difference. This is great. I'm a

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proper nerd for this. I love it. It's amazing. The

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hunger comes back. Yeah. yeah yeah and you just you

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know i'm to this day i reckon 10 years of

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watching youtube at night i will always click onto something that's production related

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yeah and enjoy it from my creators that i've watched for

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a decade yeah they're all like you're still learning stuff

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you go tonight and watch some content of what you do and

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you pick something up oh i could shoot that way

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no one stops learning. I've put stuff out before on my YouTube channel

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and I've had guys on there that are retired and they've gone, bloody

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hell, Mark, 50, 60

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years in the game and I didn't realize you could do that. And I

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went, you know, everyone's learning, I don't know

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That was my missus, she seems to know everything. But no, no

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one knows everything about everything and if you think you do then

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there's something wrong because we're all learning. We can all

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better what we do. And we can all, we

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can all better ourselves in exactly

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That's a beautiful way to end the podcast. So

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last bit of advice, if you're thinking about doing it, get it

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done. Break through that barrier. And if

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I was to give advice brand side, which I think is quite a nice thing

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to do from both sides, if you have,

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if you have a mind to create content that is face

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facing, you know, with your voice, you know, actual kind of like bringing your

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personality into the, into the film, you're way

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more likely to get to get picked up by a brand, just stats wise,

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we can see, we see great, great accounts

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that are faceless that have got great reach and we just a

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lot of the time we just we need a personality because we need them to we

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need that for the brand yeah you need worth knowing to be sort of

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relatable don't you need to that's that guy or that's that

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girl to some extent yeah it doesn't always have to be the case but certainly for

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brand ambassadors and things like that people who you want to get on the books

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on the reg um having an actual personality

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on camera at all times is massively beneficial to

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get in notice but also as a production company that

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looks after construction brands as well or a social media agency,

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we're looking, we personally are looking for people who are going

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to be good on camera because we're wanting to film with them. So

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that plays a huge part in our sort of

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selection process of going Can we put some money towards these

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guys because he looks great. And also I

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guess a little caveat to that is we pretty much only ever

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look at the people who are engaging with our brands accounts. So

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we're not looking to find typically the

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biggest accounts

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that, you know, like influencer accounts that don't engage with our products. We're

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only looking for the interaction. It's just easier. I don't want

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to have to look. We're

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looking at the DMs going, yeah, they look cool. Thanks

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I really enjoyed that, mate. And I hope he's just

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given people a bit of an overview on what the

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ins and outs and the bits of social media that people, a lot of people

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don't like talking about. And I

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haven't gone to upset anyone or thrown

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anyone under the bus or anything like that, but you know, I'll

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I don't know everything about it. What I've

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said is my view. Yeah. I could, you

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know, stand behind that, what I've said. Someone, I'm sure... Don't backtrack

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now, Mark. I'm sure someone in the comments will go, he's full of shit, he doesn't

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Works for me, Dan. This is the beautiful thing, it's your

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flavour of social media. And we have got other

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people coming on that have got a very different flavour of social media. And

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it's working for them. Great. And then some of them, like,

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you just sort of think, you know, what a massive sellout,

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About the Podcast

The Build Up
Construction Marketing
The Build Up is a podcast for marketers in the construction industry. Hosted by Daniel Moore, the Creative Director of dissident, a creative agency that creates disruptive content and social media marketing for some of the leading and most rebellious brands in the industry.

The Build Up is a podcast that puts a spotlight on the unique world of construction marketing.

Dan will be speaking to marketers of leading brands, other agencies, creatives, founders and influencers.

The series aims to highlight and give insights into key areas of construction marketing and provide insight for fellow marketers, founders and creatives in the space.

About your host

Profile picture for Daniel Moore

Daniel Moore

Meet Dan - the voice of The Build Up. 🎙️

As Creative Director at dissident creative agency, Dan’s spent years helping construction and manufacturing brands build campaigns that really work. Now, he’s bringing those insights to the podcast, chatting with industry experts, marketers, and brand builders to uncover the secrets to success.

Expect straight-talking interviews, real stories, and plenty of lessons from the world of construction marketing.