Episode 3

full
Published on:

14th Oct 2024

SLG Agency: The Importance of Positioning, Strategy & Bold Ideas in Construction Marketing

In this episode of The Build Up Podcast, host Dan Moore, Creative Director at dissident creative agency, sits down with Ryan Jones, Managing Director of SLG Agency, to explore the evolving landscape of marketing in the construction industry. With over 12 years of experience at SLG, Ryan shares how his background in PR has influenced his approach to brand strategy and client services, emphasising the importance of positioning and audience understanding.

Dan and Ryan dive into the value of research and data-driven strategies to inform creative decisions, the challenges of navigating client expectations, and the significance of brand guardianship. They also discuss the need for adapting to modern marketing practices in a traditionally conservative industry, while celebrating the potential for innovation and creativity in construction marketing. Together, they encourage listeners to embrace bold ideas and strive for excellence in their campaigns.

Ryan Jones' Socials

https://www.linkedin.com/in/ryanjonesslg/

SLG Agency Website

https://www.slg.agency/

Dissident links

https://linktr.ee/dissidentagency

Transcript
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So welcome to the Build Up. We're calling it the Build Up podcast,

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I think, unless we get any kind of copyright issues and stuff like that. I'm

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Dan, I'm the creative director at Disson. We're a social first creative agency. I've

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never actually done that either before in the podcast. I've never introduced who we are

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as a company. And

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I'm joined by Ryan Jones. who is the Managing

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Director of SLG Agency. And welcome,

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first of all. Thank you for having me. Thank you. You've come dressed

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This is colourful for me today. I'm really,

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really excited to have you. We had a great conversation. Thank

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God for LinkedIn because if I wasn't just randomly kind of researching

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other people in the industry and construction industry and marketers, I

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never found SLG. And then we had a conversation over

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LinkedIn and I had a quick call and we

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were both like a million miles an hour talking about the industry.

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I was really, really excited because when you a lot of time when you speak to

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marketers in brand, they're never as

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enthusiastic as we are. So I'm really, really excited to

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have you. But before we get into like today's topics and stuff,

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can you tell us a little bit about kind of who you are, your kind of backstory in

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Yeah, of course. I've been, LinkedIn, funnily enough, reminded me

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this week that I've been at SLG for 12 years now. Prior

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to that, I started my career off in PR. I worked across a

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pretty diverse mix of sectors from kind of sport, food and beverage, hotel

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and leisure, and loved it as a kind of a, as

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a means of learning to be on that many different sectors to hone your skills. I

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absolutely loved it. But just found as I was getting slightly more

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mature in my career that I wanted one area that I could genuinely

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experts, maybe a bit highfalutin, but, but one area that I could own and again, kind of

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sort of build a career behind. And just through, through

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happenstance, a colleague of mine was working on a social housing firm

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and then just needed some support. And then could I get involved in it? And I had some capacity and

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Yeah, it was genuinely life-changing. I mean, when I, when I think back to

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that, that kind of moment as a pebble in the water and then the way that that's kind of rippled out

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from there to where I am now and where my career is heading, it's a strange

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how these things happen. But yeah, the more I speak to

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people in construction, actually, the more that someone has that kind of that

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sliding doors moment of someone's referred them in, or someone's made the recommendation, or

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they've just happened to have taken a chance on something. And yeah, so

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that was that. I then came across SLG, obviously being in the

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Northwest helped, but really good reputation within the construction

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sector. So the agency started in 1980, so heading into our

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not far off. Yeah. I think one of the earliest clients was, um, was Marshall's paving. Um,

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so it's, they kind of helped them, um, develop the block paving market in the

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UK. And then just from there by reputation, by referral, it's just kind

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of grown and grown. And that is, that is very much our vertical now. So I guess construction,

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a lot of, um, you know, product manufacturers, I guess is, is a large

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part of the sector anyway. Uh, but yeah, construct, uh, construction and industrial, I

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would say probably where we, where we focus down and, um, And so, yeah,

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that's for me. I jumped across to SLG within the PR team, then moved

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into sort of client services more generally as I got more senior in

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my career and headed up that part of the offer. And yeah, for the last

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And you can, like, I think we're both

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roughly the same age, like it was, is that quite young for

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a managing director, do you think, of a large agency like that? Do you know many other people

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Increasingly so, which is, which is really nice actually. I kind

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of, you know, people like yourself, the more I used to, the idea of

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personal brand and the idea that really made me feel a bit icky and

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a bit cold, but the last couple of years kind of just appreciating that, you know, time to

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grow, you're leading this thing and therefore you have to do it. But really glad that I have, because

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you kind of meet your tribe on the way, I guess, as you go. So, But

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yeah, we're, we're, we're, we're building quite a nice network of kind of similar

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minded people that can like you and I can talk about this stuff for hours and

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really nerd out on this sort of stuff. But people of a similar age and similar life

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experience as well, which is a, it's really exciting. Actually, you kind

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of, you build a picture in your head of what you think, you know, an

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it's just normal people that are as passionate about this thing as uh as you are so absolutely

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i think you know i think there is still a little a little bit of a

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stereotype of the you know the construction in general being still

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a little bit old school um but it is shifting i

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think and and um and that's where you're starting to see the the

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um evolution of marketing especially and just in

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general and construction of brands getting more uh

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modern um it's it's through through the people that are coming in like the MDs are

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coming in and going right okay I've I've worked at all these other different sectors

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for certain and then I'm looking at this this brand I'm going you we're

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I think the thing you learn other than the people are learning the kind of lateral

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movement of people into sector I think is is absolutely accelerating that

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I think broader macro things, but I think, you know, to, you know, COVID

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as an accelerant for things like hybrid working, for example, just wouldn't have

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happened. You know, we are manufacturers or, you know, we have to be on site and

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that is correct in a lot of roles, but do those support roles

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have to be? Do the marketing team have to be? Would they be a better place doing this? So I

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think things like that have really, really improved things. Technology as an accelerant, I

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think is, is really pushing things on. And necessity. I mean, it's been such a

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tough couple of years for, for certain parts of, of, you know, the, the

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supply chain for myriad reasons that I

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think people are having to be inventive and are having to, you know, think about new ways.

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And, you know, one of the things that, that is true

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for all of us is that the rules apply. What makes good

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marketing is true in any sector. You have a choice

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whether you follow that or not. But there's implications for your business whether

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I think there was an argument that we don't need to. We're

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doing OK based on the relationships that we've already got from

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a brand's perspective. And our audience

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aren't on the things that you're trying to push

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Yeah. And risk aversion is always going to drive things to a certain degree. We

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can, I find myself doing it a lot. There was a, I think I

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heard a couple of years back that I've stolen and kind of co-opted about casino chips.

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You only get to cash them in so many times over your career when you care about something more

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than client does. So we can, we can tub-thump all we want about, you

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know, this piece of research says this, and you know, this is best practice. And at

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certain points, what is practical? If you're making that person's life more difficult because

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they now have to go and have a horrible conversation internally, you know,

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do we want to kind of pacify people and just do the easy thing, kind of like

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giving a toddler sweets? No, we don't. You kind of have to

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eat your greens before you get to the good stuff. But yeah, there

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has to be a trade-off and there has to be a certain point where it's like, okay, we just have to do the job now.

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So yeah, it's always an interesting balance. But I do find that people are,

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investing a lot more of their own time in understanding what that best practice looks like,

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whether it's, you know, through additional training or whether it's through kind of attending things again.

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technology accelerating things, but the ability now to attend, you know, seminars without

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having to leave the room. It's amazing. Yeah. We can see that in

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marketing a lot that people are acquiring new skills and are keen to be seen to

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You mentioned that it triggered me, um, you know, like taking

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the easy road and it's, and it's so tempting in construction because,

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uh, the, for, for creatives and marketers, the

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expectation is actually really low for a lot of brands that

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they just, they don't know what's achievable and what's available. And

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it would be so easy to just go, I'm going to have an

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easy life here. I'm going to just take them just one step further. And

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that would be enough for them. That would blow a lot of brands' minds

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and stuff like that. scope

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for growth in the industry as a whole is massive. And it's

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something that we try and push a lot in the agency is don't take the easy road.

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Like if there's an option to do something wild and interesting and it's going to

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make a huge difference, it might be tough, but let's give

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my natural instincts, it's confession time now, but my natural instincts is

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kind of to problem solve. It's always to kind of jump to the end, like if this is the thing, then

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you know, time served, it kind of tells me that this broadly speaking

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is going to be the thing. You might end up being right, but what I find particularly whether

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this is unique to construction or it's just something that I've noticed a lot, but it's less

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so about the marketing team and more who do they need to influence behind

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them? Because a lot of the time to jump to that creative thing, it's

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fine. You'll get people that will get excited and will support it. That's not to say that we

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are the only creative people and everyone else aren't interested in that sort of thing. They 100% are.

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But ultimately, when times are hard, what's the, what's the case for doing so? It's

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your point on, you know, if we're going to knock this on a couple of steps, how

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do we demonstrate that we've done that beyond gut feel? I've had my heart broken

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with it several times, but particularly in the PR days, you kind of rock up to

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a meeting with a load of coverage to drop on the table, kind of expecting to be carried around and

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tip a tape parade. And it's like, well, me what that's

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done. Show me the bottom line impact on that, show me materially how that's in." And they're

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correct, but it took me a long time to learn that. But

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they're absolutely right. Ultimately, we are in the business of

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helping their business to grow commercially. This isn't a

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sponsored art project. There has to be some sort of outcome to

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that. So Yeah, absolutely. We've been very good, I think, at becoming increasingly

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process driven and making sure that the fundamentals are right at the start of that. We

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will get to the fun stuff against that Eat Your Greens analogy again, but we're

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The sponsored art project analogy is absolutely perfect.

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Like, I can think of so many times early on in my career where

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I've just, you know, I've just been a creative. Like, marketing came

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quite late in my career, or my interest in marketing. I don't really class myself as

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a marketer, but I'm a nerd for it. uh

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and I remember like some of some of the earlier project stuff that we did with

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with our clients this is perhaps even before construction for us

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um I'm like this would be cool to do with no knowledge

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of whether that would be successful or whatever I was just like this is a cool project

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let's just give that a go and see see how it lands let's just drop a load of money on

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But we were talking about this before we started recording I think that's cool where you

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know the brand and the sector well enough and have that little bit of kind

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of sandbox money to go and have a little bit of a play and an experiment, because there will be

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some of that that will really, really work well. If you can learn the lessons from that

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and then bake that into strategy going forward. It's important to test. Absolutely

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This was way before that, though. This was just fun. Yeah. One-off

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project. I'm like, okay, let's do this. I've

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got no idea whether that's a good idea or not,

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but let's just give it a go. But that's what you do in early career, isn't it? You just

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Yeah, yeah, yeah, yeah, absolutely. But I

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mean, we've heard a little bit

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about you, but I want to hear a little bit more about SLG because it's, I'm

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always impressed with agencies and marketers

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who are essentially, I always call them the top-down marketers. Like

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we're the guys that come in quite late on in the sort

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of planning and the goals and stuff. We're typically the

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guys that do all the implementation of like assets and creative

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and things like that. And we heavily rely on

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clever people telling us what to do. So

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I'm always in awe of the clever people and

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hearing all of the mad stuff that you guys do to get

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to the point where you're like, here's what we're going to do, you know. So can you

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tell us a little bit more about SLG, the kind of people that you work with and kind

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of like your sort of your most common sort of deliverables, like what you

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So that'll be the first thing. So keep that up. You look pretty clever as

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a company. No, thank you. As

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I said, we've been around for a good old while now, we're coming on 45 years. I

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think historically we'd have sold ourselves as a full service marketing agency, but

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I hate, that's just a personal aversion. Everyone has to try it once.

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So I would say we are multi-service, but that kind of top-down approach,

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I would say we have three main routes into the business. So

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those would be kind of brand strategy in a whole, which is probably something we'll

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touch on later, but in a wholesale sense, either repositioning piece

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or a rebrand piece or just a realignment job, which is something

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we do fairly often. That will then usually,

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you know, we'll be the people that nine times out of 10, we'll do the implementation off

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the back end of that. That would be then move on to kind of marketing strategy. How

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is that going to be seen in the world and how are we going to deliver on that? And

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then into what we call our creative effectiveness piece, which we're doing

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increasingly, which obviously creative development as far

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as kind of concept, also increasingly creative

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testing. And again, to that point of who are the influences internally

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that we need to come back with and making sure that we are being market oriented and customer

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centric with what we do, that this has been tested. Not so it becomes paint by

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numbers and, you know, this focus group has said, you know, we

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must do X and Y and Z, but just to get a feel for, are we in the, are we in the right

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spot? So those would be the kind of, when we engage with people, those are the

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three typical routes in, but then beneath that we have, as you'd expect, our

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kind of creative offer, art direction,

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copywriters, et cetera, that do a lot of the ideation work and

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then the implementation work, plus our PR on digital offer beyond that. So

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not quite full service. There's a lot that we are you know, we don't do, we would

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partner with other people on the sort of very specialist implementation stuff. But yeah,

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But other guys that could potentially, you know, like influence how,

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you know, how to go about those kind of the, even like the services that

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you guys don't offer, you need this, go and see these guys, or we'll

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bring this in as a project and we'll kind of like, we can bring up third parties

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We, I guess we term it brand guardianship more often

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than not, that what we don't want to do is kind of, do that consultancy piece

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and then, you know, off you go and enjoy yourself. We have a personal

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interest in making sure that the brand is. consistently replicated

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wherever it needs to live. And part of that is working with the right partners, is making sure

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that, you know, guidelines are adhered to and that, you know, there's not something

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happening. And one of the things that it used to be social media used

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to be the one that was just a tweet or it's just a whatever. That has

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to work within the context of our broader strategy. It's not

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that we can't test things and we can't have that fun, but let's understand why we're doing

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that, what we're learning from it. So yeah, we're not so controlling

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that this is all ours and we will do it. Cause again, service

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to the client and the quality of the work is the paramount thing. And if there is someone better

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placed for that particular thing, again, we'll have an

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interest. We'll manage the brief. We'll make sure that quality is upheld and

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But, um, you guys can speak the lingo, can't you? I think that that's the

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So you've got like a company that's got an

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MD, maybe they've got a marketing manager, but they, you know, they're busy and

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they don't know production. They don't know media and all that kind of

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thing. You've delivered them a strategy and a lot of documentation and

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stuff like that. And you go, right, what you need to do is get a load of assets. Good luck.

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And then so that company's then got to go and find a videographer, a photographer, a

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graphic designer, whatever, any service

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that you guys actually physically don't deliver. And go, hey, we need video. And

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we're like, cool, what do you need? Maybe this stuff. It

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needs to be kind of like a, first of all, great brief.

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It's a consistent messaging. And you can talk about

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the points that a creative will understand. Because we're

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looking for certain, certain aspects. We're looking for

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Yeah. Well, there's absolutely that. And there's also the accountability piece of,

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again, how do we loop this back to results? How

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do we demonstrate value for that? You know, if we're working on that broader,

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less of the brand strategy stuff, but more so on the marketing strategy where, you know,

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we know you need to achieve these things. We know this budget's available. and

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we'll have tested it with audience and grounded ourselves in market. So

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we know broadly what channel plans are going to look like. Then it becomes on

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the executional element of it. Again, how do we maintain quality? How

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do we make sure that brand is lived through and how do we make sure that there's some value for money on this? It

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doesn't mean cheap, but it means that if we are spending X, then we're

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Exactly. Yeah. And where I was, which

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is why I love working with marketers, and why very

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rarely do we work direct with founders or like managing directors of

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brands of the manufacturers is because they know how long

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it takes for stuff to work, they know how to

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get the best out of a particular thing and just to gauge expectations. If

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you make a piece of content for social media,

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It's such a tough, I don't know if you've come across the work of a guy called Thomas Barter previously.

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So he's done a lot of work with, I think it's the largest

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survey of CMOs and marketing directors globally and

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found that of all of the C-suite positions, that's the most endangered.

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The shortest time in role is chief marketing officer because

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what will typically happen is they'll be outlasted by the chief exec that hired

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them. And as soon as sales don't have that immediacy or don't do, again,

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it's that sort of expectations and agreements kind of a thing. If those aren't aligned,

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if we're not clear on it's going to take this long, if those expectations aren't

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managed. Unfortunately, CMO is normally the one that would

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get the bullet first when numbers don't start to do that. So, so

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yeah, that expectations management piece. And again, there's been

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a lot of, I don't necessarily agree with all of it, but quite a binary discussion about

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performance marketing versus brand strategy or brand,

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you need both of those things. So the most famous work on the subject is

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the long and the short of it for a reason. But people get so impassioned

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about one or the other that It's, yeah,

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And in the industry as well, I won't get too deep into this, but there will

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be people speaking on these kinds of things with absolutely no research. They're

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rehashing stuff that they've seen on a YouTube video or

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something that Seth Godin said, and they've not

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really thought about it too much. And one of the most important things when you're

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speaking about marketing is, first of all, the experience. and

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also just having the research to sort of back it up, which we'll go into in

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a minute, because I think research is something that a lot of

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brands and marketers don't utilise enough, and it's something that we certainly

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don't utilise enough. which is why we heavily rely on clever

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people to do that kind of stuff for us so they can tell us exactly what

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they need and we can then make that idea into something tangible.

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But in terms of like the marketing sort of landscape as

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a whole for construction, broad thoughts on that compared

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to the perhaps other sectors and stuff like that. Like what do you come across the most when

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That's really interesting though. I think improving at a rate of knots

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is my honest sort of assessment of it. I think again I'm 12 years

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wholesaling construction and the industry

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now isn't the one that I came into in terms of willingness to

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sort of look at best practice to kind of understand what things are. And I think

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that's especially impressive given just how tough things have been for the sector, particularly

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the last couple of years. But if you follow it right away back to

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kind of 2008, 2009, you've got the fallout of all of that stuff plus

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Brexit. I can't think of many other sectors that

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get hit quite as hard as construction when there is some sort of economic downturn. And

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it's just been this, it has been incredibly

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up and down with not too many ups. So I think there

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is a, an understandable temptation for brands and

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marketers by virtue of that to have to pull back and do the bare minimum. I

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think we've seen a big trend last couple of years for in-housing stuff,

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which anecdotally, but it feels like that's starting to be

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undone now. But I think even that was reasonably well-intentioned

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that if we can do this stuff and manage this here, then we will use

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our excess budget to do this stuff. So Yeah.

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I think that's starting to roll back a little bit now, but I think, um, are

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we on a par? I don't know. Um, I think,

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see, my thing is not to go too wild on the theory stuff. I can bore people with it for hours, but

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at a certain point that has to get into the practical, I think observing all

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the sectors, I'll be, I'm probably not qualified cause I'm not part of them, but just as an anecdotal

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observer of sort of the sectors. I've seen the debate around brand purpose,

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for example, in other markets where people have gone wild with that. And then all

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of the data suggests that that isn't that beneficial from a commercial point

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of view. I think we generally speaking are a bit more grounded

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and a bit more earthy perhaps than that. And that's probably to our, whether that's a

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deliberate thing or not, I don't know, but I would say that's probably to our benefit. I

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look at our peers actually, I look at kind of other agencies and kind of

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network with people. You'll come back to that point of meeting sort of similar MDs and

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there is a want to follow the best practice. There's a want to give the best guidance possible. I

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don't meet many people that I think are, again, remember when I started

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off in PR, there was a lot of negativity around sort of snake oil salesmen and

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non-manipulation of media and spin doctors and so on. do

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not get that vibe from people that I meet in our sector. I don't meet many people that are

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here for a quick book. Frankly, you'd probably find something else

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Yeah, I don't think you'd target construction specifically

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I suspect not. I suspect not. So generally, I think people understand

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the issues that the sector has more broadly away from marketing. Frustratingly,

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I guess, are the same issues that it's had for some time. But again,

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in like finding your tribe and sort of meeting like-minded people. I

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meet people that want to do something about that stuff, whether it is just produce better

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work, you know, people like yourself that ultimately want to. you

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know, yes, it's for your business and yes, it's for your clients, but there is a, there's

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kind of a halo effect for the industry at large, that the better work

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that we all collectively can do, it's better for everyone. I heard,

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I was terrified at the time, but I heard a Rory Sutherland interview where

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he was talking, funnily enough, about construction being one of the last sectors, perhaps, that

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the big network agencies need to look at in terms of where they can make an impact

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and generate profit. And at first, single bead of sweat, here they

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come. But actually, I welcome it. I think the more better practitioners

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that we've got in this space, the more better work the sector produces, then it

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Yeah, absolutely. Because you get success stories for

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brands. That means more brands, more work for marketers, more

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work for creatives, better for the economy in general. Completely.

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Perhaps a little bit more manufacturing in the UK, which would be cool. And

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yeah, it's one of those things. And it was like back in

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the day when it's funny isn't it

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thinking about 10 years ago when people were like are you concerned about the

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fact that camera phones are getting better

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and I'm like there's a lot of people being like yes and I'm like no no

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absolutely not and then but then also like making things

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like photography and video production more accessible I'm like is

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that a concern for you that like people are coming in that you know perhaps wouldn't have

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had the more traditional methods of education these kind of things I'm like um

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there's a part part of me is like yes i don't i'd rather not have to

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deal with it but also at the same time i know because everybody as

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soon as it gets competitive everybody wins and um

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it's only the the sort of people anyone anyone

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that's being lazy they're the ones that kind of get left behind you

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know i think if you're ready to fight and if you're ready to be passionate and

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and um and sort of raise the bar you're always going to come out

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I completely agree. And in that kind of commoditized market, where do you add value? Where

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can you add value? I think it's a really interesting challenge. Again, it's something that we've

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been through, is if you can't add value, why are we doing

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it? Does that not weaken our offer more broadly if we are seen to

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not be particularly great at this thing here? Absolutely. And I think that's true

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across the sector. But I think the marketing landscape seems to be getting

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better at that. If I look at the construction marketing awards

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and the league table there, there are a lot of, not quite single service

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agencies, but agencies that I would say have a particular skill in a particular area

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that are kind of making up that rather than just general marketing agencies.

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And I think, again, I think the agency landscape in the vertical is

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Definitely. Do you ever go to any other agency awards or

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Yeah, so we've been, CMAs is

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kind of, that's, that's where we, that said we've had,

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we've had work recognized by the drum, uh, campaign, uh,

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last couple of years. And we were the only, um, we

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were the only construction specialist agency. And by virtue of that, our clients were the only

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construction brands, but we were, it was brilliant actually. Um, Brett

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Landscape in particular to have those guys competing with the likes of Meta

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and Vodafone and Virgin and others to kind of see our names coming up in

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category was, was phenomenal. In fact, there was, um, it was

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last year actually, the drum live broadcast. So we all sat in the office, you

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know, watching the ceremony and watching this stuff come through and just, it's

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never a name in itself, just like fame for fame's sake, but the

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results on the work were incredible. The creative was really strong. So enter

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it, give it a chance, let's see how it goes. And to be there was really,

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really fulfilling. And I think, you know, for a lot of the guys, what

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are awards? They're a signifier, I guess. You know, they kind of signpost to other people. You

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care about this stuff and the standard of your work. But I think for

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a lot of our guys that the level of pride in being nominated and being seen there, we

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always talk about, you know, could we turn our hand to other sectors and

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could we handle a brief from here? I think the answer is yes, but it's choiceful. We

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don't want to, we want to specialize here, but yeah, it is quite nice for

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us and I guess the sector at large to see construction be

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Yeah, I think the reason why I asked that, and I'd be interested in

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your honest opinion on this, is when you go, when you're at these, the

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Drum Awards, which is like, you know, multi-industry awards, and

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then you go to the CMAs, What's

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your sort of view on the quality and the level of creativity and

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work in comparison to each other? The

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reason why I ask that is, I don't really do a lot of awards, and it's something I

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really want to push going forwards, and it's always just

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been a budget thing for us, is that I'm

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under the impression there's still quite a long way to go, and there's still a lot

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of room for creative to get more interesting.

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It's a tricky one, because I would, I'm going to do the boring thing now

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of kind of slightly manipulating the question a little bit more. I think when

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you look at it from an effectiveness point of view, I

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think we're, we're, we're on a par. Then there might be certain

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application bits, or again, that sandbox of they have bigger budgets

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and therefore can try certain things. When you actually look at,

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particularly where you get away from the craft and look at where the work has

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seen the light of day, because that's obviously, that's a biggie as well, how much of this has been done

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just for an award entry. But real world, this

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has had this impact. I think we're not far off. And I think there's

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a confidence thing in the sector more broadly, I think, of just, we

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are as good. Yeah, that's so cool to hear. From a recruitment point

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of view, let's be telling the graduating class this

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year that A, construction marketing is a thing, because how many of

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them, when they're looking at brands they want to work for or agencies they want to

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join... They don't think of brick manufacturers. I wouldn't have thought so. No.

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I don't have the data. They should do though. I don't have the data. I wouldn't have thought so. But

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yeah, I think we're only ever going to get there. I think the image of

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the sector, we'd be here for days, but I

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think the image of the sector is something that it's incumbent on all of us to

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do something about. And I think we don't have to we

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don't have to shape the narrative and we don't, the story is there. We just

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need to get more confident in, in telling it. So it's not be frivolous and

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you know, we, we, we don't need to win awards for the sake of winning awards, but

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yeah, where, where the work is good enough, I think it does all of us good to

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kind of be seen in those places and to, to stand tall. So, and I think to go back to your question, I

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really, really think we can. There might be some creative bits, as I say, know

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budget was much higher and therefore they got to do x and y and z but when you actually look at

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what's been achieved and impact had I would think we're not a million miles

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That's really interesting and and again it goes back to

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the fact that you know I came at that purely from a point of view of like what's what's

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had the most impact on me visually and creatively um when

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when observing like work and again I haven't really got a lot of experience in

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this because um I've not I've not had, certainly

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the CMAs and stuff, I'm like, we're not there yet, that's another year,

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let's figure some stuff out. But I

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don't go to any other kind of awards. So I'm all, you know, when people have

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been like the CMAs, and then they go to like, you know, other awards

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that are like multi discipline, multi industry, And I'd be interested to

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see like, you know, again, from my own personal view, like how do they compare

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in terms of the quality of work and things like that. I've never even factored budget

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into it, of course. There are some great budgets knocking about in construction, but

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And so my thing is, or maybe this is the PR background, but when I

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look at Cannes Lions and the things that have won there, the

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case studies that really, really stick out to me over the years. they're

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the ones where you kick yourself going, how

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has no one thought of that? And they're not necessarily someone had

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the money for this, this TV spot or this, you know, big experiential piece.

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Just some really, there was one for WaterAid where, obviously you

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know, water aid do, they provide wells in Africa. One of the things that

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they have at their disposal isn't budget, but they do have entries for

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things like marathons and so on as a charitable thing. So they had a

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woman from Africa that walks 26 miles a day to get her

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water, walk the Paris marathon with her water jug on

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her head and sponsor me. how has no one thought of

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that to that point, that there is that kind of lateral thinking of 26 miles for

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water to 26 miles marathon distance. And that's what I love. And

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I think that doesn't require a big budget that requires knowing

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your brand well enough, knowing your customer and your audience well enough.

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And then being able to someone, I can't remember who it was to

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credit them, but I heard the phrase that creativity is being able to see around corners.

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And it's just that little nugget of insight that

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I love to be in that meeting. Yeah. That penny drops. Yeah. So cool.

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You know, when you just like, you're in with your team and there's a whiteboard

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I bet it's not. That's a snap awake 3am iPhone note.

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That's really, I mean, it's good to hear your views on the landscape of

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construction, especially from the point of view of social media,

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which is kind of our area. We, you know, the brands

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that we look at, we see huge opportunities that

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aren't being picked up when it comes to marketing. and

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brand positioning and that was something that we discussed like

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our fair like positioning is it's kind of like our thing to

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some extent when we when it completely by accident what's what's happened

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when we've worked with some of the bigger brands is they've

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come to us and they're like We don't like how we look at

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the moment, uh, purely from a visual point of view and also how we're communicating with

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our audience. And, uh, a lot of the time we're sort of, uh,

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we're working with brands who are potentially like, um, international,

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so like German typically or Swiss. Um, and so they've got

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the, the, the sort of head office content and, um, brand

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strategy and stuff like that, but it's very much tailored to a German market,

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which is very different to the UK. So when

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those assets typically don't work as well over here, because you're just

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very obviously foreign, and they're not relatable as much. Some

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brands do okay, but most of the time it's just a bit off. So

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we're working with these brands to create visuals that

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help position them in a particular viewpoint

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to their audience and their target market and things like

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that. But it's something that you and I both really geeked out about

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on the call previously. So can you talk us through

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how important positioning is and how often that comes up in

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It's massive and frequently. I think the thing you said

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there on sort of audience is the absolute crucial thing.

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Like pulling it back to social media, when I first came into the

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construction sector proper, there was kind of a feeling of, you

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know, it was still not quite in its infancy, but it hadn't matured certainly

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to the extent that it is now. There was a feeling of, you know, we need

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to be there. Well, why? Just because we do. And

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it always started with the brand themselves or competitor,

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typically, you know, we've seen the competitor X or Y is there. to

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me, never felt like a good enough reason to invest in something or to do

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something. And it missed out that keyword that you've

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said there on audience. Well, what do they want from us? What are they doing

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in this space? Do we have a reason and a right to be invading people

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within this space with our brand messaging? So

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for us, I mentioned it earlier, there's typically three ways into engaging with

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the business, but they will all start with positioning. Either

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we will help you define that or you will have defined that yourself and sort of make

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that part of the mix. But I think it's, it's

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one of those things, a little challenge for you. next time you're motorway

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driving and you're stuck behind people, just watch how many vans or vehicles

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have livery of the experts in or the leaders in. It's

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a real ick of mine. It's a real aversion that I've got. And again, back to the PR

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days of every press release starting with, it was that as a subordinate clause

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and I really, really hate it. So that's a big thing. Cause I think a

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lot of it, it's, it feels very insular, very inward looking, very

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selfish. I think it's, it's often very highfalutin. you

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need to focus on customer. You need to start with what the market, you

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know, needs and expects from your business and then find a way to service that and have

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Really, really cool. And so, and you're

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right, like positioning is typically, it's not the first thing that

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you need to be thinking about. Anytime you think about marketing, it

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always goes back to who we position this for, how is the brand positioned in

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the eyes of the target market. It's

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absolutely massive. How do you guys go about speaking

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to brands about positioning? Like, because we've touched on like the importance

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Yeah, massively. So we had, we've been good at over the last couple

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of years is, is taking more stock of the way that we're, we're

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doing things. So we, we're very sort of productized. I

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sound like we're horrible people here and you will work this way, but just, we, we've just

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found that this is, it's not reinventing the wheel, but

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there's a very linear process and a very set way of working,

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but it always starts with, with grounding yourself in market. We've

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got, as a tool that we launched a little while back, just the

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thing that kept coming up anecdotally was lack of research and

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lack of brand tracking and lack of I think, again,

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pressures have been so high and people wanting a return on marketing investment that everything's

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been focused on more. More stuff, more kind

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of, I guess, forgetting all of what marketing is meant to

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be and kind of focusing on the promotions and the thing that if we're not talking to

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market, then we're not doing marketing. But then forgetting positioning, forgetting

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pricing, forgetting all of the other stuff that we need to be doing behind the scenes. So

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that's always starting point. And again, that's not to say you must commission us to do

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research projects, if you have that and you know audience and you're already tracking that

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stuff. great, just give us the information, let's try and work through it. But what

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we're finding increasingly is that that's not the case or it's

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patchy. So what we'll always do is kind of start with, and

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it could be as simple as a

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piece of market orientation, just to go and just Go

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and speak to your customers. Go and observe people. You know, if you're selling through

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that merchant channel, you know, to just go and observe people, how

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do they actually, because again, there's that famous Ogilvy phrase about, you know, people

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don't think what they feel and so on. What do they actually do when they're

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in that space? How do they interact with your brand without you kind of influencing what

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they do and making them too conscious about what they're doing? It can be as base as that. It

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could be NPS. It could be brand health trackers. Just

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go and speak to your customers and understand what they think about you, what they think about

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the market, ask them some prompted and unprompted questions about the category. Let's

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see who and what they recall. Because sometimes a lot

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of the time, if you've been doing this long enough and your brand has been in market long

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enough, it should just give you a little bit more confidence

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and a bit more validation of what you assume to be right anyway. Going back to

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what we were saying earlier on, gut feel being a useful thing. It

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just validates some of that and gives you something that you can work with. But

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in some cases they'll, again, that was little, little

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slivers of gold that you wouldn't have got otherwise had you not gone and

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asked. And I get, you know, the classic

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three Cs, you know, customer, competition and company, like, yes, there will

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be elements of commercially we are doing this and therefore you're going to have to shape your

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positioning in this way. but orienting, orienting

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that to, um, to your audience and understanding how that might fit and

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historically where we've been and how we can make that part of our broader story. So it feels, um,

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complimentary rather than jarring. It's massive, but it has to

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start with customer. I think, I think sometimes either out

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of panic because you know, we, we

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need sales and we need to do this thing or giddiness out the size of

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this particular opportunity. We sometimes, I think, are guilty of forgetting

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the most important audience in there. And it can feel,

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again, my budgets are tight. I need to be doing all of this exciting stuff with

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it. It's not the most exciting thing in the world to say, I'm going to commit to

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this research, but I think it's crucial. And I think that's a big thing for marketers as

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well, is not to feel cowed or intimidated by

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that. Like, oh, we should know the brand well enough. Or what's the client going to think if

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we tell them that they need to do this? I would put our expertise

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in the construction sector up against any other marketing agency within our vertical. we're

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still not so arrogant to think that you just sit down with us and we'll diagnose you

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straight away. If you went to see a doctor without giving them any symptoms or

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any kind of information, they just went, this is the problem. You, you would question that. You

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would go somewhere else. Um, it's exactly the same thing. So yeah, I

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would, I would say always, always, it starts with, with better understanding your

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And then when you do the research on the audience or, you know, like

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the current sort of customer base, and

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you're looking to figure out positioning, is it the

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audience that manipulates the positioning? Or is it often the case that

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we're looking to either reposition and therefore we need to

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change the audience's perspective? Are these separate

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No, I think they come into play, but it's a combination of all. I mean, these

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things are always unique depending on the sort of position that the brand currently

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finds itself in. But I think it's almost not

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so much, you don't want too much data, but it's that kind of, well,

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we use a model that's very sort of converging and then diverging. We

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want to go as, as broad as possible to understand the context as

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well as possible. Always within those three C's, but then ultimately distill

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this down to its most simple, simple point that

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we can do. I think, again, as, as, as

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Mark said, I think particularly agents on the agencies on the consultancy side of

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things in an attempt to justify fee for that kind of work. more

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models, more stuff, more things. And it becomes so complex that

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it's a lovely presentation, but then how useful is that at the end of it?

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And I think if you're doing your job properly, it's

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about, you know, even for people like yourselves, you know, this is the one

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line thing I want people to recall about that brand. Again, for all

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of our different models and so on, you know, realistically, how

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many things are your audience going to retain about you within category?

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And we've got clients that sell into the

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specification side of things. If they're selling into an architect that's responsible for

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commercial projects, if you say a hospital, that architect, we

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know with the, with the people that they work with might be responsible for hundreds of

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different products decisions. How much time are they

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going to spend thinking about your category, the brands within that category, the

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different product SKUs that each of those brands. it's not many. And

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most of us, again, that'd be another challenge for you is that, you know, as you go about

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your week, how many purchasing decisions in your personal and professional life do

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you make on instinct or without that level of kind of cognitive

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load to really consider this decision? Price point might be a

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factor, you know, perceived risk might be a factor, but generally speaking, we're

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looking for codes, we're looking for familiarity and that's what you're there to

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do. And it feels counterintuitive because we're going to invest all

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of this time to do this complex thing with a goal to make it as simple as

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possible at the end of it. But that is absolutely what you need to be

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100%. You want to make it as easy as possible for people to spend money on your particular product.

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But I find the

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concept of a brand doing this research, thinking

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that they're one thing, And that's where they need to be. And that's

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where they need to be aiming for. Finding out the research from

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their audience and their customer base is actually that they perceive them

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differently. And what, you know, in what situation you go, well,

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actually, we don't want to be here, we want to be over here. So what do we do

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at that point? Do we reposition? Or do we just focus on

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these guys that are already buying the products? And do we accept the fact that that's not

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Um, well, I think the biggie with that is, um, I don't know

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if you've read any of the, the sort of work out of the Ehrenberg Bass Institute, I mean, how brands

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grow is kind of like the most favorite famous piece of work out of there. A

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lot of the research that they've done there, the advice would be markets a

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whole of category. Um, that brand love and

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brand loyalty and love marks, you know, with respect to anyone that enjoys that

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stuff. doesn't really exist all that often. There aren't many brands

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that, that will just get complete blind loyalty from people. You

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know, if you think of most, again, most categories that you will purchase, you'll

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have what they describe as a repertoire of brands within that particular category. If

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you, and if you're a beer drinker, but you know, you walk into a pub, there

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might be a particular brand of lager that you like, but if you're with friends and you're having

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a good time, if they don't happen to have that one, you'll pick another

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rather than say, right, we are leaving. It doesn't happen

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all that often. Um, and it'll be the same, you know, when you think about, you know, a contractor

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audience, for example, we're talking about similar kind of client types earlier, they

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might have a brand they prefer. And given the option, I would always pick brand

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X, but they're not going to lose a sale because they are so indignant that

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they will only work with this is path of least resistance a lot of the time,

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as long as it's an appropriate alternative. Um, so, so

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yeah, so consequently I think, you know, trying to cut the market too much

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to say that we will only sell to these people or this is our audience type becomes

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a dangerous game after a bit. I think there are, there are things you can do

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within brand development to give a feel for, you

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know, price point, um, or for quality or the,

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you know, little, little clues and little indicators that might make people

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think about where you live relative to other brands. Again, one of those three C's

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is understanding where you sit currently relative to

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competition and where you'd like to sit relative to competition. So there

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are things you can do once you've established that, but you also got to bear in mind that

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the commercial element has to come in as well. This isn't just an

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academic exercise that from just the marketers are having fun and we're going

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to decide this is where's the most commercial advantageous place for us to play. But

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again, I will say going back to that point on the things the sector does well,

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And the sector does those last, the last two seasons in terms of company

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and competition. I see that done well a lot, but there's sometimes

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that, that customer centricity pieces is missing. So it's not,

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it's not letting the customers kind of dictate direction in that respect, but

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it is understanding how your brand can be seen as meaningfully different to

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competition in the eyes of customer and making sure that I think that

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the bigger thing is making sure that you're tracking that in the medium term. Go back

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to the earlier part of this conversation, these things don't change overnight. So

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we need to understand what the commercial impact of that change is going to be. And

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then we need to commit to tracking that over a period. You know, we talk about it

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from a campaign point of view, but I think positioning, if you get your positioning right, leave

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it alone. Because that's the other thing that we as marketers tend to do is that we'll

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over-engineer or we'll get bored of it before the market's even got used to

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what we're trying to communicate. You know, we talk about it with clients that, you know, a good

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brand campaign, you'll forget your positioning, but a campaign should live in market for

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a decade if you can. If

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you've gotten that right, just leave it alone, invest in

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it. But in terms of tweaking the creative, all that needs to change. leave

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it alone. Leave it alone and let it do its thing. You know, you can do your

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products and service lines beneath that and kind of support that

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as long as they're consistent and as long as they sort of tie in within brand. But yeah,

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with brand positioning, if you get it right once, you never need to

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It's so refreshing to hear stuff like that because, you know, most

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of the stuff that we're working on so fast paced, we're doing it, we're doing a month

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at a time campaigns, you know, for a lot of our clients. We're

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revisiting them a lot of the time. And

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again, we're very much driven by marketing managers, because we're essentially

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just the guys that create the stuff. But we'll do a

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campaign on a particular product. OK, next month we're doing this product and stuff. That would be so nice

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to be able to just go, right, six months, a year, one

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campaign. We'll be doing multiple campaigns at the same time, but with different brands

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and things like that. But essentially, just like, let's continue on this thread.

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But in fairness, the stuff that you guys do is essential to that. You're going back again,

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referencing back to what we were talking earlier, the long and the short of it. You

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need both of those things. They're the kind of, the brand positioning that we're talking about,

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that's your long-term conditioning and that still needs investment and

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that needs reinforcement, but you still need the short. You still need

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those conversion pieces. You know, we're here, we have this particular thing.

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Oh, you have the famous figure from the Field and

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Burnett work was 60-40, you know, brand investment versus sales

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activation or performance marketing as they term it. the best

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brands will have both of those things going. Again, get your positioning

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right and set. You can almost leave that alone to do its thing and then invest

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I love this. We're in danger of getting too

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deep in the weeds, especially for like founders and influencers

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and stuff that perhaps aren't that learned on marketing

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activation and stuff like that. But to summarize, positioning's

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crucial. And to get positioning right, you need research. So

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research should come first. But that can, of course, lead to

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lots of other areas of brand and

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marketing. But positioning is crucial. And yeah,

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like I say, one of our favorite things is repositioning. So finding out that a

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brand used to do this, and it used to look like this, and it used to sound

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like this. And now we're going in this direction. And the reason why

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we want to do that is because we want to appeal more to a particular

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area of customer base. We want to be seen as more sort

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of in the community as opposed to just supplying it.

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All these kinds of interesting things. And then from a creative point of

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view, we go, yes, we can do this. Okay. Thought leadership pieces,

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interesting documentaries, you know, all of a sudden the artist comes out,

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we can do some really, really creative stuff. But you

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guys have got a really cool tool that can kind of help start this

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Okay. Yeah. So it's just basically, it's a very quick sort

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of 12 question assessment. I think the average time to complete is about two minutes.

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So it's not an academic exercise. You won't be there for hours, but

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just to, even if you do this stuff, just as a little bit of a refresher of

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the things that you've got available to you as a starting point on brand. And

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so, you know, how do we track our brand currently? You know, do we understand our

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customers? Do we have something of a pen profile drawn out? Do we understand our own

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positioning? You know, could my, I think one of the questions is about internal audiences, you

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know, could my colleagues sum up, you know, our positioning statement in, in

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one line. But then, you know, the conversation that we

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had earlier, you know, do we regularly get asked to contribute thought

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leadership pieces to trade media? Do we regularly get recognized at awards, et

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cetera? So it's kind of the internal to the external, the sort of

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micro to the macro. But just to give a really quick snapshot of, have

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we got the fundamentals in place? And we've been using it, you

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know, where we've been engaged with people. That'll be the first thing is just like, invest two

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minutes of your time into that. We will understand what's available to us. And then, you know,

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to your point earlier, you know, do we need to commission research or is it that you guys are

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It's such an amazing tool. And perfect

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for that initial sort of broad diagnosis of just like okay you

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feel like you've got these kind of areas set um that sounds good

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there's a couple of key areas here that you feel like you're not um familiar

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with and and that aren't being tracked don't don't worry most people

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aren't doing this exactly that you know there's and there'll be situations where I

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bet you I could go to my team of with a team of five and

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um if I asked each of those individual if you asked those individually what

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we do they would have completely different answers. I

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have a different answer every time I um you know sort of

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get asked this yeah um and that's that's cool because if

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your team you know you can have the the broad strokes of kind of

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like what you do but your actual positioning statement is

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crucial, right? And it's one of those things that even marketers

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No, it's completely that. And some of the findings from it to this point

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have been really, really interesting. Again, that lack of grounding

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in market and an understanding audience. When you ask questions about research available,

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I find it really interesting that it was like something north of

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80% of respondents to this point believe they have a

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clear brand positioning. And we're not testing them where it's like, well, submit your positioning here

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and we'll judge it. It's just self-declared. 80% have

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a defined sort of position that they believe. But then when you ask them about,

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you know, audience profiling and sort of specific groups that they speak to, and

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I know slight irony in that I said, you need to market whole of category, but

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understanding your core, fairly fundamental or understanding what that category

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looks like is fairly fundamental. that number, absolutely. It

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goes off a cliff. So again, that's the reason that I say, I think that as

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Marcus is in the sector, the data that we have kind of says that that market

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orientation piece is probably where we're a little bit weak at the minute. But

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again, looking at some of the answers there, people are starting to get the fundamentals right.

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I think that the final piece, once that market orientation you

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know, the corner starts to turn on that. It's not a difficult thing to get right. And

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there's economies of scale to how you'd approach it. The final piece

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will be that medium term tracking and having brand as

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part of that, not just here's how our campaigns performed, or here's how this piece of

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content performed, but step back, look at the bigger picture. This

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is the impact that that's had. But yeah, the starting point

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to all of this is having the data in the first place to understand

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exciting it would be like for a brand to be like right okay like

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we've never, we've had a good go, we've got some budget, we've got some

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success, now we'll do all these kind of exercises,

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we'll figure out our positioning, we'll get loads of research, get loads

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of data and then you go look at all this ammunition we can use to just

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fire out amazing campaigns. Completely that. Because a lot of the time

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you know we're all guilty of like in some

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of the work that we do, guessing. Best guess. And

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go, well, that kind of worked. That didn't work. And obviously,

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testing is important. But if you've got the data to go,

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And listen, we want to keep the fun element. We want to keep the creativity. I think it's about guardrails.

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They're important. Because again, I have the thing with SLG where

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in briefing work internally and developing our stuff, even like the tour, I'm

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the world's worst client. The kind of things that we're talking about now

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in terms of following best practice, I don't do that. My briefs are just

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really not well written. I will, I will circumvent process. I'll cut corners, um,

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based on gut feel or based on immediate needs. So I'm a massive, massive hypocrite when

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it comes to this stuff. Um, so yeah, so this isn't about getting rid of that, that creative element.

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It's about making that as effective as possible. and making the argument for

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this stuff as compelling as possible internally. One of the sort of

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favorite phrases that a former client of mine used to talk about a lot was marketing

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being the coloring in department and not being taken seriously within

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the walls of their business. And that was part of the challenge for us was that, you

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know, without blinding people with zeros and ones, like how do we, and because that's

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the other challenge is how do you make that data worthwhile and relatable to

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people internally. How do you make that matter to their day to day? And yeah,

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it was to the benefit of marketing to be able to show

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that as a grown up function within the business and to have that better integrated with

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other business functions and understand that everyone's on the same team here.

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I think to your point about the fact that you don't want to be hampering creativity

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by having these kind of set rules and guardrails, but I think every creative,

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like not every creative, most creatives are terrified of

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a white piece of paper. Unless you're, maybe the designers are a

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bit different. Like from a point of view of like a production company

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and image makers and anyone working on

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campaigns and stuff, I'm like, give me restrictions because otherwise I can go wild.

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Completely. And I can get like decision fatigue. But if you give me a strict

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set of guidelines, and I've always worked well with these kinds of things of just like, OK,

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it's for these people. Great. That means I don't have to make too many

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decisions on the kinds of people I need in the frame. Who it's for. Like,

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OK, we've got like age groups. And like, you know, what do they sound like? What do

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they look like? Where are they? Um, where do they

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live? Where are they positioned? And all these kinds of things. I'm just like, okay, that makes my

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life so much easier. So I can focus on other creative elements rather than just like

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the whole, the whole thing. Um, and it, so you can have this, like,

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you know, not only have you got, um, a great opportunity to, to

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be creative, like in, in elements that you've got freedom in,

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in certain elements of a, of a production, but other things are kind of

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set, which, which makes your life a bit easier. but you know it's going to

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Well, there's that. I think the other, because all of that is absolutely true. The other

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side of that is removing subjectivity as much as possible. You're

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never going to wholesale. There will be personal bias brought to it and personal taste

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and so on. But if the brand, you know, it's from

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positioning through to everything else says that this is appropriate, I

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don't need you to be in love with it. I don't need you to personally tell me your

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opinion on it. What we need to, again, that, that market orientation, but we, is

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this right for the audience that we are trying to speak to? Is it appropriate for the broader brand

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story that we're trying to tell? And is it going to help us achieve what our overarching comms

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aims are? And if you can tick those boxes, it just removes some of that, um,

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I don't like, again, it's one of the things that we find is like, you know, do you take

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things like SCAMP conceptual level, AI now is helping

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us get much quicker to, you know, not finished article, but being able to

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sort of ideate much faster and much more accurately. Does

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that then scare people because that looks like the finished thing and do people struggle then to think conceptually?

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So it's something we're wrestling with, but, but yeah, that's, that's a big part of

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all of this is that, and again, I have it a lot with SLG's own work is that

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this isn't the Ryan Jones show and this isn't about what my personal taste is, it's

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what is appropriate for what we're trying to do with that business and that brand. So

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What was the tool, the truth score? And

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people can just find that out and is it like, is that something they can get that for

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Yeah, they absolutely can. If you, the easiest way is our website is

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slg.agency. As soon as you jump on there, you will be accosted

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Oh, amazing. If not, I'll do the typical podcast thing and say it's in

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the show notes. Yeah. Link in the show notes, whatever show notes are. That's

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really cool. We've talked about, so we talked about positioning, we talked about research

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and the importance of

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that. We talked before the

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podcast about, I don't want to go too deep into this, but

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I think it's important conversation to have about the

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brand issue with the construction industry as a whole. We

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kind of talked about, and you sort of blew my mind a little bit into like, because I,

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you know, we're all guilty of like thinking that

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when you think about construction, you think about a tradesperson. And

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that's part of the problem with the brand issue. But

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what's your thoughts on that? Because we were talking about the fact that, you know, it's not sexy

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Yeah. It's phenomenally misunderstood. I

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think, well, there was a famous piece, and not to go too far down into

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it, but, um, the farmer report. I don't know if you've come across that, but that's 10 years old

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next year, year after. Um, so that was Mark Farmer kind of did a

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review, um, requested by the government on the state of the construction sector

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across the piece, number of recommendations, but, but interestingly, one

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of them was the, the sector's image, um, and its impacts then

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on recruitment, its impacts on, on your talent pool, not just from a numbers

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point of view, but the types of talent we're able to recruit. Um, and

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it's, it's just not an improving picture. If you look at, you know, the CITBs data,

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the numbers that we're chasing of new entrants into market just does not move year

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on year. It's been again, compounded by things like, um, the Brexit vote

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has meant we've lost a lot of talent, you know, people going back to, to Europe to apply

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their trade over there. We've had a lot of retiring, um, sort of aging

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workforce, aging population, and that's now catching up with us. it's

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pretty scary to look at it. And it was something that I kept seeing in trade press

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and couldn't get my head into. And then I attended, it was construction week a

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couple of years back and listened to a debate. It's the thing you were asking earlier on

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how I got into the sector. pretty much seemingly everyone else

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seems to have fallen by accident. Yeah. It's circumstance, it's accident. Um,

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so, so that was fascinating, but then to also hear the image of the sector reframed as

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a brand issue appropriately enough that if we can crack that,

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that goes a long way towards solving all of these other problems. So, so in fact, what

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we did was, was we took that back and we've created, um, a not-for-profit called deconstruction

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to do exactly that. We're trying to work with as many people across

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the sector as possible to sort of share the load, basically. I

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think, again, there's a lot of parallels to be drawn here, but that

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customer orientation point, I appreciate the irony given what we're doing

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here, but I think the sector is very good at talking amongst itself and identifying these

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problems. And even identifying solutions in a lot of cases, but we're

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less good at taking that final step of actually going speaking to the people that

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we need to influence. So. Exactly that. So again, being consistent with

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our own process, the first thing that we did, and we're about to repeat

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the process, is we ran a 2000 person nationally

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representative survey with YouGov, just to understand, you

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know, attitudes to the sector. Would you ever consider working in it? Would you recommend it

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to others? Some sort of word association, you know, what do you

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think of the sector? And everything that you've just described. I think more

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than two thirds of adult respondents said, no, I

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wouldn't work in the sector. It was interesting. They won't,

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but they're happy to recommend it to other people. So it's a recognition that

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it's important, but not for me. But then when

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you follow the data further down into the word association stuff, everything you've just

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said there, it's dirty, strenuous, laborious, doesn't

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pay well, which is completely incorrect. And then you step

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back and you look at that. And the scariest look at the data first off, you

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interpret that, you kind of understand that they're not seeing construction. As

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you and I know, if you think of the kinds of people that we have conversations with, I would consider myself

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to be, you know, within the construction sector as well as in marketing. Um,

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our roles just are invisible. Like they just do not exist as far as

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the, and that's fine. But how many others are there? If you think

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of every business function that exists within, take a tier one contractor or

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a house builder, every other business function that you would expect to any other

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similar sized organization exists. Absolutely. It just happens to exist within

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construction. That's before you get to things like, you know, modern methods and offsite construction

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and all these other things that are now starting to come into the sector. If

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you look at, you know, the application of BIM, the possibilities for AI

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and what that might mean within the sector. Yes, we are. That's not to say that we don't need

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practical hands-on contracting roles and that the high-vis,

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you know, hard hats thing is yesterday's news. Not

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the case. We are, in many ways, we are always going to build in the way

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that we have built and are building. But there is a

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much broader sector. And I kind of feel that until we can, until

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we can showcase the sector as a whole, people aren't going to voluntarily

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find their way into it, we'll still be relying on people like you and I that are referred

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into it or that happen to fall into it. Stumbling backwards into the construction industry. And

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it's fine, it makes for some lovely anecdotes, but if that was the way to solve

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And you know, I see this in marketing, I see this in

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mostly in the people that we speak with, is these

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guys are reluctant construction industry

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workers. Thankfully it's such a good industry that

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most people actually end up in in kind of enjoying it and doing a good job

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of it depending on the type of manufacturing you

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do it because I've seen some pretty broken marketers

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for like copper pipe companies and stuff like

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that. I get it. You know, you maybe you wanted to work in

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fashion or something like that or in beverages and stuff. But

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most of the guys that we speak to in marketing, they're

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really good at their job. They're doing a fantastic job of it. But

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Completely that. And again, I'm I am nerdy for this stuff anyway, so let's

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get my biases out on the table before we even get into it. But having worked

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in, as I mentioned before, sport and food and beverage and stuff like

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that, I find part of my love for construction, the

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reason that I've chosen this will be my career now for the

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foreseeable. And it's consequential. If

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you think of the homes that we live in, the roads that we drive on, the hospitals that

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our kids are born in and so on, this stuff matters. And even if

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it is copper piping, the impact of that and what that will do

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within that building versus with respect to anyone that works in any of those sectors, but

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to fragrances or alcohol or whatever else, it just

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feels to me, it feels much more substantive and much more

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important. And I think, again, that meeting your tribe and meeting like-minded people,

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I'm increasingly finding people that see it in the same way that it's

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maybe not the most exciting icebreaker at a dinner party, but when

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you get into the impact of the work, it's, yeah, for

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And it's not to shit on other industries for the, you know, for the types of

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people that are in there, but we've, you know, and this is my broad overview

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of other sectors that are considered to be a little bit more sexy, so

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fashion, lifestyle brands, sports, cosmetics

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and stuff like that. um most of

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the time if I put the guys that we hang around with

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in construction against those guys I'm having better conversations, they're

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nicer people, they're more genuine um and uh the

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briefs are better and the budgets are better. Couldn't possibly comment

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on that. Yeah honestly that's that that's my it's my honest opinion

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and whenever I speak because you know we hire people creatives

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who wanted to get into fashion, I wanted to be in fashion we did work in

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fashion, we were like, this is horrible. I don't want to be with these people. Like

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But I love that as well, that kind of the lateral thinking and again, the

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best practice that comes with people making those moves into the sector. What worked

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there and what did I learn there that I can apply in this market? So

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yeah, I go right the way back to it. I think we've got a really, really

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good story to tell as a sector. And I think doesn't

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mean being arrogant, but I think it means kind of, you know, being proud of

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what we've got and actually going telling that story in a way that connects

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Also, from the point of view of the creatives as well, you know, like, you know, me, me

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and my, you know, my guys, you know, when we were in

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college, when we were university or whatever, we're like, yes, we're going to be fashion photographers, we're

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going to be making cool promo videos for Boohoo and stuff like

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that. And now we find ourselves in the construction sector, thankfully loving

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it. But also, there are parallels to that. Like, you know, we

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were working the other day with a safety boot brand that do that. And

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because construction's getting cool. It's getting

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there, especially from a from a trade point of view. We were doing some mad stuff

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on there. They were like, this is this is what we wanted to do, except we're

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working with like a construction brand and the brief's easy and the pay's good

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To give a little shout out to someone, Mark Southgate at Moby gave

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a little quote that stuck with me was that the best advert for the built environment is

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the built environment. Like once you get into kind of looking at

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you know, we're lucky enough to work in the center of Manchester, you know, the changing skyline there

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and new buildings that are going up and, you know, some of the architectural photography and

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what that will mean as an amenity to that place. It's

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down this rabbit hole that is just, for me, it's endlessly fascinating. And

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if we, again, if we can better use that to tell that story, I think we're,

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I think we're waiting for someone that's into photography and

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into that kind of things. it's, yeah, it's an easy sell, I think to

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kind of look at the changing skyline, to look at the architecture and

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Absolutely. So we want, we want to, we want to change the brand image of

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construction. We can go, people can go

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check out Deconstructed and get involved. And,

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you know, let's, let's have a look at, construction as

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an industry that's, you know, more appealing to a

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broader audience. And, you know, I guess I imagine there's

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going to be, it goes all the way throughout. I mean, I think, I think we've

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had, I've had this discussion multiple times that, you know, when I

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Oh, completely, completely. I think I mentioned to you, we had a, a

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client where their factory, the biggest employer in the area,

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should be celebrated as such and everything else. But their factory

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was used as a threat to people at the local secondary school because it was visible from

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the window that if you don't knuckle down, that's what's there for

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you. Um, it's, it's, it's absolutely, it's crazy that

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that is the, that is the case, but hopefully again, that, that, that's part of

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what, what is happening and what we, we can hopefully help to do is

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to start to turn those narratives around and, and have the sector seen in the

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I love that. next five years predictions for the

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landscape of construction as a whole. I mean,

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I'm seeing a lot of brands almost

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like sprinting at the moment where like, they've been on a steady

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pace. And all of a sudden, I feel like there's an urgency around around

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So I think it's a really interesting one. If we start with the UK, we're recording this the day

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before the King's speech, but I've been writing a lot about it.

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And by the time people hear this, there'll be blog pieces galore, I

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would think, out of SLG on this topic. But we've been keeping an eye on the

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manifestos. Obviously, it looked likely there was going to be a Labour government, so

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that won't be in a particular interest. went back to

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1997 when the Blair government came in and the first thing they did was to focus on

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the Bank of England and that, you know, making that independent was going to be the kickstarter for

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moving the economy. So I love that this time the house

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building, the infrastructure, the construction more generally is at the heart

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of what the Chancellor is talking about in terms of getting the economy moving. So for

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a sector that has been, you know, it's been tough, we,

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you know, we won't get into detail what myriad reasons for that having been the case, to

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have a new government coming in, to remove some of the stasis that was there anyway, I

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think it's fair to say from There was comments from,

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who's it now? Was it Mace and a couple of others that were saying that, yeah,

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basically the money's in the system, but everyone's waiting for either inflation to drop or

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for an election. Well, we've had that now. So what happens next? So

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I sense some excitement within the system. I think it'd

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be interesting to see what the King's speech entails, but I'm expecting construction and manufacturing

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to be at the heart of that. I know it's slightly old fashioned, but I'm expecting an

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industrial strategy that gives the sector, to that point on, do

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we do with this blank sheet of paper? To have those guardrails that economically, this

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is where we're going to, and here's how we contribute. So

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I think that's going to free up some money. I think what we're

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seeing from a marketing point of view, brands now understanding that

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we can opt to stand still, but the market won't. So what do we want

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to do? We want to get competitive. And if so, how are we going to do that? I think you're seeing more

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sophisticated marketers. I think it all makes

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for a really exciting time. I'm fascinated to see what

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happens and how it plays out. But I think, you know, for some of the

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great work that's happened in the sector in the last few years, when things maybe have been a bit

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more defensive and a bit more uncertain, once that starts

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Same here. I'm really excited for the next five years. I think there's,

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like I said, I think brands are sprinting. I think that's going to, there's

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going to be more There's going to be more competition. There's

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been more competition. Brands are modernizing, they're

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digitizing. It still baffles me

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that some of the biggest brands that are out in your

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local builders merchants have got websites from

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what looks like 2001. And it's nuts. Because

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they've relied on relationship, they've relied on handshakes in the pub and all that

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kind of thing. Things are changing and moving, and the

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MDs and the sales directors and stuff are picking up

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on that. They're hiring really good internal marketers. I'm seeing

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loads of that. They're hiring great agencies because, in

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my opinion, if you haven't got the resource to hire internally, then agency is the best way

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to go anyway. Especially even creative. I

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don't see a lot of in-house brands hiring

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in-house creatives effectively. I

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see a lot of juniors knocking about. You know, a lot of junior photographers having

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a go, doing a bit of TikTok and stuff like that. But not, like, real

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powerful creative teams that are making a huge difference. There's

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a couple that spring to mind. I'm like, these guys are doing all right, but it's a hell of

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an investment. Yeah. And you've got to utilize them incredibly well.

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Whereas, you know, hiring agencies and people like SLG,

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they've got, you've got, what, 50? How many people are in there? 20. 20? OK. And out of interest, of

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those 20, what's the, what's the ratios of the kinds of work that,

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So we create a team of, I think, five or six of

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that. We've got our account handling side of things where

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we've got, again, probably about the same number again, and then sort of

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shared services in between there, or we've got PR specialists, digital specialists, but

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yeah, in terms of weighting, probably third strategic account

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handling, a third creative, and then the rest

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split across PR, digital, shared services, et cetera. Yeah,

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we're trying to. I think it's better than it has been. We're

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kind of much more spread out on that front now. I think historically folks

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have been very much on the creative side of things from a buildings point

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of view and a workload point of view. But yeah, we've, again, as we've pivoted and

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as we've leaned more into the strategic side of things, that's now, I think it's just

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naturally kind of evened itself out based on where, based on where the work is.

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I think that's a natural progression, isn't it? Eventually, you know, when you're doing creative

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work, Depending on the kinds of

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businesses you're working with, eventually you stop

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getting answers to your questions and you go, okay, I need to figure, I need to help you guys

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out with this. You know, there'll be strategic questions

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that you need to be asking or there's answers that you aren't getting from the brand.

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that you are required, and you're like, okay, we need

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Well, I think we spoke about it off mic, but again, being consistent with

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our own rules. A big part of it for us was going speaking to clients and

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just having, we've got some brilliant relationships with people where we've been able to

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just kind of sit down over a beer and just ask, you know, not

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that we don't want to work with you, but why us? Why us? Yeah, exactly that. You know, there are

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so many other, at the time, at least comparable agencies that

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you could opt to go to. So, what

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is it? You know, I'm comfortable with whatever the answer is that comes back. And, and

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nine times out of 10, it was, you know, the, the, the creative work was mentioned. So

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this isn't to denigrate any of my creative colleagues, but it was the

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work that went into developing the creative in the first place. So actually writing the brief. 100% that.

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And, you know, a lot of the time we were, we

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were kind of baking that in, or we were kind of hiding that stuff back or not even charging

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for it in a lot of cases, because the, the goal was to sell the creative as

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opposed to that stuff. So once we understood that and became more

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bold on that footing, we, and we've invested in it, we've, we've, we've done a lot of work on

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our own processes and so on. And our positioning now is built off that.

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So we talk about strategic rather than strategy and

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it's a subtle kind of a thing, but regardless of the output and

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how we implement the work, there has to be an element of strategic thinking

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that goes into it. So someone might come with a pure play PR brief, for

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instance, that their other needs are met, their positioning is all sorted, everything else.

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And we still don't want to just jump into implementation land and just start having fun. And

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we still want to have that strategic input. And, you know, nine times out

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of 10, we will be the kind of, you know, frontline agency in

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Yeah. I think, yeah, like it's, it's massive,

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isn't it? I think having, again, speaking from our point of

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view, the fact that we can have clear

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rules of engagement for for creative projects is hugely

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down to the fact that we've got someone above us telling us

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exactly what's going on and why that why we're doing this um and

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and that's massive and sometimes we've had to do that for our clients and kind of figure

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out especially early days kind of figure out why why we

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yeah yeah creative but the fact that you would even ask that question i think speaks to

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you've got those long-term retained relationships that you know the personalities, you know

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the brand. So yeah, I'm sure you'd always benefit from,

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you know, having a tighter brief to work to, to your white page comment

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earlier. You guys know a lot of that stuff anyway. You're not just, you're

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doing the work unquestioningly and just then just, you know, here's the bill for it. You are at least

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Even, even if, even if we're not getting a great deal from the client, we're

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asking our marketing, our marketing team to write us a brief, you

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know, because We just need that. Sometimes as a creative, we're just like, I

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can't think. I've got too much stuff on. Just give me some stuff to

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do, and I can at least some guidelines. And that's absolutely massive

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for us. I think it's been a

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really, really valuable insight into marketing,

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especially, like I said, what I keep calling a top-down marketing for

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the construction industry. Is there anything that you

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want to talk about that you feel like I should have mentioned, or is there any last sort

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No, I've probably done it to death, but I think if

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there's one kind of takeaway from this for me, it's go

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and figure out what's important to your audience and have some evidence to back that stuff

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up. Again, it's not as exciting perhaps as some of the other work, but

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it will pay dividends for you down the track, just to give you a starting point,

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to give you something to build from and something to discuss internally. I think, yeah,

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don't lose sight of what's important to your customer and make

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And if they want to, they can come and see you guys for all of that information. They can,

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you know, cause even just a word research scares people. Well,

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how do I get it? Where do I look? Am I going to people's houses?

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Yeah, for sure. But listen, if it is going to people's houses, that is

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a really, really good point, actually, Dan. But you talk about brand health tracking

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and things like that. And it can really terrify people, particularly if

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you've never done that kind of thing before. If you're a marketer that's been focused on the implementation

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side of things, to have to learn some of that stuff is

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enormous. It can be embarrassing, can't it? Of course it can. Of course, and

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particularly as I have to put your hand up internally to say, I think

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we need this, but it's not within my gift to be able to do it. You will get, and you

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will have seen this before, I'm sure, you will get some less understanding people

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within that client organization that, well, I thought this was marketing, isn't that what

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we pay you to do? So yeah, it can be really

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intimidating. And yes, you can go to, and if you have the means to,

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of course you should go to that end of things. But like I said before, just,

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that, that ethnographic element of things, just go, and that's a

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highfalutin name for just go and speak to some people. If,

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if we, if we want to sell this product or service to this group of people, probably

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a good idea to go and speak to said group of people and understand what they might

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want from an organization like ours. And just in doing that, speak

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to your sales team, speak to the guys that are on the road that are having that client interface, get some

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honest feedback from them, just find whatever ways you can to be more

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customer oriented. And that I think will start to identify what other

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gaps you have or don't have as the case may be. But you are always

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going to have a stronger brand if you understand how you are seen

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That's massive. And like you say, like implementing it

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across like things like a sales team makes it way less daunting because

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you can, you can put some stuff in place where at the end of it, like all our conversations, and

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we're not saying give them a form to fill out or whatever, but just have some

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loaded, loaded questions, you know, just that they can put in and we can get

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that data. Even if it's kind of like very broad

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Completely. And I would say in summing up one final thing to do that is, is

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make sure that close the loop for another marketing phrase, but double

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back to said sales team when you've developed that plan. You know, I've

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synthesized all of your notes. Does this broadly look comfortable? Let

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them know what's happening. Don't let them dictate strategy on marketing necessarily. Always

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better to have those guys involved, have them comfortable with what's coming down the track,

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keep them informed on implementation and tactics that they're ahead of that

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Oh you got to keep them on side of the sales team because they are they are literally the bread

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and butter of the of the organization and we have um you know we make films

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purely for the sales guys just to get them on board with a new project a

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new product sorry yeah uh you know it's just like we're just we're only doing this

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internally we're launching this i'm thinking all right it's going to be some amazing like

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awards or something like that no no we're just launching it to our sales team so

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they can understand why we're doing this and and and what this new product

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But that's insane. Perfect. That someone's thinking at that level

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and making sure those guys are involved to that degree, I think is phenomenal. So

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I'm really excited for this episode to come out. I'm really excited for the

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comments and the value that not only brands are going to get, but also

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other marketers. I think people should go and

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check you guys out on your website. They should go

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and speak to you on LinkedIn. And there'll

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be some great conversations there. I'm going to finish it

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there. Ryan, thank you so much for coming. You've been an amazing guest. Thank you, Dan. Thank

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About the Podcast

The Build Up
Construction Marketing
The Build Up is a podcast for marketers in the construction industry. Hosted by Daniel Moore, the Creative Director of dissident, a creative agency that creates disruptive content and social media marketing for some of the leading and most rebellious brands in the industry.

The Build Up is a podcast that puts a spotlight on the unique world of construction marketing.

Dan will be speaking to marketers of leading brands, other agencies, creatives, founders and influencers.

The series aims to highlight and give insights into key areas of construction marketing and provide insight for fellow marketers, founders and creatives in the space.

About your host

Profile picture for Daniel Moore

Daniel Moore

Meet Dan - the voice of The Build Up. 🎙️

As Creative Director at dissident creative agency, Dan’s spent years helping construction and manufacturing brands build campaigns that really work. Now, he’s bringing those insights to the podcast, chatting with industry experts, marketers, and brand builders to uncover the secrets to success.

Expect straight-talking interviews, real stories, and plenty of lessons from the world of construction marketing.